View allAll Photos Tagged worktable
Metal storage boards from Ikea mounted at the end of the worktable bases store buttons, snaps and beads. I bought the containers and magnets online separately.
Inside a cozy vintage art studio, a small pug wearing a paint-splattered apron and old painter’s cap stands proudly at a wooden worktable covered in colorful paint blobs. The pug lifts a tiny paintbrush with his paw and dips it into bright paint, gently dabbing a canvas placed on an easel. His big expressive eyes follow the brush strokes with intense focus, head tilting in concentration. Sunlight streams through a dusty window, highlighting jars of brushes, messy paint tubes, scattered sketches, and paw-print smudges. The pug occasionally pats the canvas too hard, creating splashes of paint, then snorts confidently as if it was intentional. Warm cinematic lighting, 4K
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
... the space in which I create. Yes, I'm the sort of person who uses her lap as a worktable. Only when that is plainly impossible - using the sewing machine, cutting large pieces of material - do I use the kitchen table or the floor.
Bad and dangerous construction scaffold.
AI:
This image provides a closer view of the **construction or maintenance setup** from the previous image. Here's a breakdown of the elements:
1. **Construction Equipment**:
- The **metal scaffolding** or **platform** structure is visible again, showing its support beams and framework. The underside of the platform is clearly seen, with the **red frame** supporting the structure.
- The **wheel** from the mobile platform is partially in view, suggesting the platform is still stationary and positioned near the building.
2. **Support Table**:
- In the center of the image is a **metal support structure** (possibly a makeshift worktable or stand) holding a piece of **wooden plank**. This plank may be used as part of the construction process or as a temporary tool placement area for workers.
- The **sawhorse** on the right and the wooden planks beneath the structure suggest that some **woodworking or cutting** may be involved in the construction or repair work.
3. **Building Exterior**:
- The building’s facade is made of **concrete or stucco**, and we can see a **paved stone walkway** that runs along the base of the building. The stones appear to be uneven, possibly part of the landscaping or to provide better drainage near the structure.
4. **Cables and Pipes**:
- There are visible **cables** and a **pipe** running along the ground and building, indicating that electrical or utility work might be part of the ongoing project.
- The presence of the cables suggests that the construction may involve more than just structural repair—there may be electrical installations or other utility services being worked on.
5. **General Environment**:
- The surrounding area is relatively clean and organized, despite the construction equipment. The **grass** next to the platform and work area is well-kept, and there is no visible debris, which implies that this is a **controlled and maintained work zone**.
### Summary:
This image shows a close-up view of a construction or maintenance area, focusing on the metal scaffolding, a wooden plank on a support structure, and the equipment used in the project. The work appears to involve some woodworking and potentially electrical or utility repairs, given the visible cables and pipes. The setup remains organized, and the surrounding building and landscape reflect a controlled construction environment.
This will soon be replaced by a much larger old table we found in a barn. Can't wait to clean it up and move it inside!!!!
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Along with all the bead supplies, I also got a few CDs in the mail. This was just one of them, it was on the worktable so I snapped a picture. I'm weird, I'm know.
The big worktable in my studio. The acrylic paintbox and a canvas about to have a sketch transferred to it.
I used a portable worktable next to the barbecue to hold my jars, butter, Sure Jell, sugar, damp washcloth, measuring cups, lemon juice, and cleanup supplies. I had paper towels to cover everything up with to prevent bugs or whatever from floating into the mix.
This is one of the worktables/desks in Liza and Mindy's new office. If I had more room in my apartment, I would love to be sitting there and drawing up fictional maps and stadiums on my free time.
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Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
dex has found a new sleeping spot on the bottom shelf of my bookshelf. when i'm at my worktable he can often be found here during the day. it's very sweet :)
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Inside a cozy vintage art studio, a small pug wearing a paint-splattered apron and old painter’s cap stands proudly at a wooden worktable covered in colorful paint blobs. The pug lifts a tiny paintbrush with his paw and dips it into bright paint, gently dabbing a canvas placed on an easel. His big expressive eyes follow the brush strokes with intense focus, head tilting in concentration. Sunlight streams through a dusty window, highlighting jars of brushes, messy paint tubes, scattered sketches, and paw-print smudges. The pug occasionally pats the canvas too hard, creating splashes of paint, then snorts confidently as if it was intentional. Warm cinematic lighting, 4K