View allAll Photos Tagged worktable
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Pretty much the control center for my entire knitting operation, though not a lot of work actually happens here. Really just a place to put stuff.
I set myself a challenge with this one - only to use materials and tools I had sitting on my worktable - so black, blue and metallic copper acrylic paints - no brush so I used a piece of card to drag the paint and bubble wrap to dab it on. Copper wire and a left over bead - fortunately my jewellery pliers were out so I wrapped the bead in wire and cut a hole in the card so I could hang the bead. I'm quite pleased with the result.
another messy worktable shot.
This seems to be my lazy go-to. This, and photos of my dog.
Sorry, Project 365!
can you believe i ever got anything done working here? I did and after 7 years only the materials have improved but it's still an awful mess.
Killerton House, Killerton, NT, Broadclyst, Exeter, Devon. A rosewood work table, English, circa 1840, the hinged flaps with scroll supports beneath and flanking a frieze drawer, a pleated basket below, on gadrooned column with concave-sided platform base and scroll feet with hidden castors
Nothing's square on a boat! Tucking a washer into a space under the worktable is an interesting project...
Woodworkers Table Saw Machine
Description:-
Angle range of saw-spindle can lean 0-45degree
Max thickness of perpendicular cutting 95mm
Motor power of lining-saw 0.75kw
Height of lining-saw can move 0~5mm
Max thickness of 45°leaning cutting 65mm
Length of sliding worktable 3000/3200mm
Motor power of main saw 4~5.5kw
Revolving speed of lining-saw spindle 8000rpm
Revolving speed of main saw spindle 4200/5500rpm
Diameter of lining-saw disc 120mm
Diameter of main saw spindle 30mm
Max diameter of main saw disc 350mm
Diameter of lining-saw spindle 22mm
There'll be a loft in the bell tower at furthest. A library's worth of stuff under wraps. My temporary presentation worktable.
30 1/2 x 21 x 16 1/4 in. (77.5 x 53.3 x 41.3 cm)
medium: Mahogany, mahogany and birch veneers with white pine, mahogany
Metropolitan Museum of Art, New York, NY 18.110.40 1918
John Stewart Kennedy Fund, 1918
میز کار استیل صنعتی قیمت 2میلیون و 800هزار تومان ashpazkhaneha.com/category/restaurant-equipment/worktable/ یک و نیم متری #میزکاراستیل #میز_کار_استیل_صنعتی