View allAll Photos Tagged worktable
Scratch built figure of the monster that lives under your worktable and eats the plastic bits you drop or leave out.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
My worktable had a bad case of cats, no matter what I am doing, drawing, photos, staring out the window.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
We learned how to use our construction materials to make a work table. Basically 2X4s with sawhorses.
I started this Portrait with a CTscan-photo of my skull. I was hanging on my window next to my worktable, and I got really intrigued in the contents of my head.
When I was a kid I got headaches a lot, and still do. I always used to imagine that there was a little ant inside my head that, whenever I got a headache, started parading around.
The only way to get it to stop was thinking I got car-window cleaners installed in there, that wiped the little ant out of the picture for a while.
I know. I know.
ARD M60CA (YR 1998) Used CNC EDM For Sale
Model: M60CA
Year: 1998
Work Tank Dimensions: 1000 x 600 x 350mm
Table Dimensions: 600 x 400mm
X Axis Travel: 400mm
Y Axis Travel: 300mm
Z Axis Travel: 300mm
Max. Distance From Quill To Worktable: 500mm
Nominal Current: 60A
Max. Stock Removal Rate (mm3/min): 500
Best Surface Roughness: Ra0.1μm
Best Electrode Wearing Rate: ＜0.1％
Max. Electrode Weight: 60kgs
Max. Workpiece Weight: 2000kgs
Dielectric Tank Capacity: 400L
Floor Space (LxW): 2170 x 2000mm
Machine Weight: 2300kgs
Asset Info: gobigcat.com/product.php?id=315
Let us know your interest, please contact us: info@gobigcat.com
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
1952 KOM-PAK SPORTSMAN
Sold $1,100.00
[This is brilliant. I love the integrated rooftop boat too! No clue why a sold price was listed for this item given at it was sold as a pair with Lot #392]
Lot #392.1 - This custom fiberglass 1952 Kom-Pak Sportsman trailer with a fiberglass boat on top weighs approximately 1,180 pounds. The trailer is equipped with a built-in worktable, cabinets, a 5.4-foot ice refrigerator and an 8.4-gallon water tank. There is a convenient roll-off for one-man boat removal. This trailer benefited from inside storage in its early years and then went into a California Camper Trails Museum. When the museum was disbanded, the 1952 Ford Mainline Ranch Wagon (Lot #392) and Kom-Pak Trailer were sold to a couple in Fishkill, NY. That owner outfitted the trailer for use by him and his wife. The trailer has since been further enhanced for shows with a period-correct sleeping bag, Lava soap, fishing gear, life preservers, flashlights, stove, cookware, coffee pot, first-aid kit and a portable radio. **SOLD AS PAIR WITH LOT #392**
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Today we're back at Barrett-Jackson for our third and last visit there this week to catch some of today's auction.
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It's Scottsdale Car Week! I flew here and Fred drove with Harriet for some warmer weather, friend visits, and cars!
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Uploaded via Instagram ift.tt/2dfydbY Oh hey, don't mind me, just a little #Gnome on a big 'ol worktable. #wip #studio #thunderjaystudio #sculpting #sculpy #FaerieconEast2016 #gettingready #fae #magic #artdoll #fantasy #fantasyart
this is my worktable on Wednesday, my back hurts now! just waiting for the splitter and bulk connection
Bad and dangerous construction scaffold.
AI:
This image provides a closer view of the **construction or maintenance setup** from the previous image. Here's a breakdown of the elements:
1. **Construction Equipment**:
- The **metal scaffolding** or **platform** structure is visible again, showing its support beams and framework. The underside of the platform is clearly seen, with the **red frame** supporting the structure.
- The **wheel** from the mobile platform is partially in view, suggesting the platform is still stationary and positioned near the building.
2. **Support Table**:
- In the center of the image is a **metal support structure** (possibly a makeshift worktable or stand) holding a piece of **wooden plank**. This plank may be used as part of the construction process or as a temporary tool placement area for workers.
- The **sawhorse** on the right and the wooden planks beneath the structure suggest that some **woodworking or cutting** may be involved in the construction or repair work.
3. **Building Exterior**:
- The building’s facade is made of **concrete or stucco**, and we can see a **paved stone walkway** that runs along the base of the building. The stones appear to be uneven, possibly part of the landscaping or to provide better drainage near the structure.
4. **Cables and Pipes**:
- There are visible **cables** and a **pipe** running along the ground and building, indicating that electrical or utility work might be part of the ongoing project.
- The presence of the cables suggests that the construction may involve more than just structural repair—there may be electrical installations or other utility services being worked on.
5. **General Environment**:
- The surrounding area is relatively clean and organized, despite the construction equipment. The **grass** next to the platform and work area is well-kept, and there is no visible debris, which implies that this is a **controlled and maintained work zone**.
### Summary:
This image shows a close-up view of a construction or maintenance area, focusing on the metal scaffolding, a wooden plank on a support structure, and the equipment used in the project. The work appears to involve some woodworking and potentially electrical or utility repairs, given the visible cables and pipes. The setup remains organized, and the surrounding building and landscape reflect a controlled construction environment.
Inside a cozy vintage art studio, a small pug wearing a paint-splattered apron and old painter’s cap stands proudly at a wooden worktable covered in colorful paint blobs. The pug lifts a tiny paintbrush with his paw and dips it into bright paint, gently dabbing a canvas placed on an easel. His big expressive eyes follow the brush strokes with intense focus, head tilting in concentration. Sunlight streams through a dusty window, highlighting jars of brushes, messy paint tubes, scattered sketches, and paw-print smudges. The pug occasionally pats the canvas too hard, creating splashes of paint, then snorts confidently as if it was intentional. Warm cinematic lighting, 4K