View allAll Photos Tagged worktable
On the veranda worktable. Phone shot by Lene.
Dushara Cathal Caithlin, 22.08.2021
Samsung SM-G930F Phone Camera
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WINO MINO
Aezrel Face Chains @ The Vault
Resizeable, Unrigged, Texture HUD
Crown of Cursed Horns @ The Vault
Resizeable, Unrigged, Texture HUD
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WE LOVE ROLE PLAY OPENS TODAY!
Les Encantades
Fawny Gown
Sizes: Legacy, Maitreya, Petite, Perky & Reborn. Fatpack Texture HUD
Del-ka Aedilis
Herbalist's Complete Set Heiltrud
Cottage with or without garden. Alcove Bed (PG & Adult) Chairs, Fireplace, Shelves and Worktable.
LORIEN
Soil Sexual Zone
Fenced outside area with adult animations.
Medieval Dustbin
Celandine needed a place set aside to create potions of aromatic beauty.... and strength.
Credits:
a i s l i n g - Herbalist Worktable
..::THOR::.. Herbalist Scale
{LORE} Herbalist Tree Shelf
~*Souzou Eien.*~ Apothecary Potion Bottles (Row)
Apothecary Ingredient Bottles (4 Group)
[Harshlands] Skull Flowers - No Glass
Skeletal Mold - No Glass
hair: *ARGRACE* TOKIWA v1.1
bodysuit: 14. .{PSYCHO:Byts}. Zhora Project – Bodysuit WHITE @The Epiphany
cables: .{PSYCHO:Byts}. Zhora Project Backpack- EXCLUSIVE @The Epiphany
belt: 18. .{PSYCHO:Byts}. Zhora Project – Utility Belt BLACK @The Epiphany
left arm: AsteroidBox. Android Arm Cap – LIMITED @The Epiphany
right arm: 21 .{PSYCHO:Byts}. Zhora Project – Robotical Arm R RARE @The Epiphany
boots: 8. .{PSYCHO:Byts}. Zhora Project – Boots BLACK @The Epiphany
SET
DISORDERLY. / Robotany / Tube Charger @The Epiphany
DISORDERLY. / Robotany / Worktable @The Epiphany
DISORDERLY. / Robotany / Table of empty Tubes @The Epiphany
DISORDERLY. / Robotany / Growth Box / Stage 3 @The Epiphany
DISORDERLY. / Robotany / Growth Box / Stage 1 @The Epiphany
DISORDERLY. / Robotany / Growth Box / Stage 2 @The Epiphany
DISORDERLY. / Robotany / Growth Box / Stage 4 @The Epiphany
DISORDERLY. / Robotany / Cultivation Tube @The Epiphany
DISORDERLY. / Robotany / Hydration Display / RARE @The Epiphany
DISORDERLY. / Robotany / Command Center / RARE @The Epiphany
Cheak on my profile the link to my blog, thank you :)
we recently re-arranged my 'press corner' into a part of our bedroom for many reasons, but i'm excited, it's now against one wall together, and looks much better. i am so excited and inspired to get going this season! next goal: new worktable!
Some moments ask for nothing more than to simply be felt.
Avani Cuisine Collection NEW‼️@Equal10 (Opens 10th of June)
📌/equal10/234/126/89
Avani Cuisine Collection Industrial Worktable Island, Natural
Avani Cuisine Collection Appointed Hanging Scales, Brass
Avani Cuisine Collection Bowl of Onions
Avani Cuisine Collection Coffee on Saucer
Avani Cuisine Collection Delicacies and Vase on Tray
Avani Cuisine Collection Ironstone Grocery Slabs, Double
Avani Cuisine Collection Ironstone Grocery Slabs, Quintuple
Avani Cuisine Collection Pots with Kitchen Utensils
Avani Cuisine Collection Snack Trio Holder
Avani Cuisine Collection Thermo Coffee Maker Dispenser
Avani Cuisine Collection Tuscan Terracotta Pitcher
📌Avani/129/117/839
Nutmeg. Fresh Delivery Baguettes
Nutmeg. Fresh Delivery Butter
Nutmeg. Fresh Delivery Egg Carton
Nutmeg. Fresh Delivery Eggs
Nutmeg. Fresh Delivery Kitchen Cloth
Nutmeg. Fresh Delivery Ruccola
Nutmeg. Fresh Delivery Thick Branches
Nutmeg. Fresh Delivery Thin Branches
Nutmeg. Mint Iced Tea
Nutmeg. Mint Iced Tea Pitcher
Nutmeg. Lemons
📌/Nutmeg%20Mainstore/72/100/21
Every evening, just before the sun disappeared beneath the horizon, Ginger opened the windows of her little studio and let the golden light spill across her worktable.
It was her favorite hour—the quiet space between what had been and what might still become.
Tonight, however, she wasn’t painting from a photograph.
She was painting from a memory.
Her brush moved slowly across the canvas, recreating the sunset she remembered so clearly: warm pink clouds, an endless ocean, and a sky that had seemed far too beautiful to belong to an ordinary day.
Then, almost without thinking, she began painting herself into it.
Not the woman sitting at the table.
The woman she sometimes imagined she could be.
Barefoot beneath the sunset. Hair scattered across the sand. A flower tucked behind her ear. No expectations. No explanations. No need to be anything for anyone.
Just… free.
Ginger stopped painting and stared at the woman on the canvas.
For the strangest moment, those painted eyes seemed to stare back.
She smiled.
“So that's where you've been hiding.”
Outside the window, the last edge of the real sun slipped into the sea.
But on Ginger's canvas, it never went down.
And perhaps that was why she painted.
Not simply to capture beautiful things…
but to give them somewhere they could stay forever.
@The Epiphany
DISORDERLY. : Abandonment Gacha
Hanging Display / EXCLUSIVE
Dumpster / RARE
Conveyor / RARE
Worktable / RARE
Pallet / Torso
Big Crate / Legs
Small Crate / Hands & Feet
Pile / Torso
Pile / Feet
Pile / Head
Head Shelf
Details...
Pound me the witch drums
The witch drums
Better pray for hell, not hallelujah
MARILYN MANSON - CUPID CARRIES A GUN
Credits
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-CLOTHES-
!gO! SteamPrincess top, skirt, corset
::BB:: Fowler Laced- Up Boots
-ACCESSORIES-
::BB:: Wizarding River Toad
-HAIR-
Magika - Dreamy
-PROPS-
Napa Valley Chair
[Tia] Toil 'n Boil Cauldron
[Tia] Alchemy Table
Lark - Charms book stack
.a i s l i n g. Herbalist Worktable
A highlight of our trip to Santa Fe was our visit to the Georgia O'Keeffe Museum.
en.wikipedia.org/wiki/Georgia_O%27Keeffe_Museum
This is a photo of a photo. I have tried to be faithful to the original photo in white balance and presentation. I cropped the framing and used Photoshop to remove a thin studio shadow from the top. Any suggestions and criticisms will be accepted. The original photograph was shot by Kurt Severin in 1937 on nitrate negative; 120 medium format (roll film) and is archived at the Library of Congress.
www.loc.gov/pictures/item/2019646577/
www.instagram.com/p/Dbx5uGYgI0F/
www.facebook.com/georgiaokeeffemuseum/posts/georgia-okeef...
Google Gemini AI
Visual Composition & Subject Matter
The Artist at Work: Georgia O'Keeffe stands in profile inside her studio, dressed in her signature dark suit and light collar. She is actively arranging a collection of small shells, stones, and natural specimens spread across a long, white studio table.
Natural Light Source: A large, multi-pane studio window on the left floods the workspace with bright directional light, illuminating the table and specimens while casting soft shadows across the floor.
Work in Progress: Directly behind the tabletop specimens sits a completed canvas—her famous Two White Shells One Black Shell/Three Shells (1937)—showing the direct connection between her collected natural objects and her finished painted compositions.
Studio Environment: The room features geometric, grid-like window frames, clean whitewashed surfaces, and a patterned rug, capturing O'Keeffe's minimalist workspace setup.
Context & Significance
Creative Process: The photograph provides an intimate look into O'Keeffe’s working method, showing how she used natural "treasures"—found shells, rocks, and bones—as tangible subjects to study form, contour, and light before rendering them on canvas.
Historical Display: Photographed as part of an exhibition layout, this black-and-white archival photograph documents O'Keeffe during her prolific late 1930s period, bridging her studio life in New York with her ongoing fascination with organic forms found in nature.
This archival photograph sits at a crucial intersection in Georgia O'Keeffe's oeuvre, illuminating her working method, her relationship with photography, and her obsession with natural forms during the late 1930s.
Insight into Her Studio Process: The photograph captures O'Keeffe in the act of studying real-world subjects—shells, rocks, and natural detritus—arranging them on her worktable to analyze light, texture, and physical contour. Positioned right behind her table is the completed oil painting Two White Shells One Black Shell (1937), providing a rare side-by-side view of the raw natural specimens and her final abstracted visual representation.
Transition Between New York and New Mexico: Taken in her New York studio during the late 1930s, this scene captures a key transitional phase in her career. While living in New York with Alfred Stieglitz, O'Keeffe spent her summers in New Mexico collecting bones, rocks, and shells, which she transported back east to paint during the winter months.
The Living Artifact vs. Abstract Form: Throughout the 1930s, O'Keeffe moved away from her earlier enlarged floral subjects to focus on objects of durability and structure—such as sea shells and desert bones. This photo demonstrates how she used these small physical objects as tools for spatial and geometric abstraction.
Documenting the Modernist Persona: As one of the most photographed artists of the 20th century, images of O'Keeffe in her workspace—composed with light, clean lines, and intentional minimalism—helped construct her enduring identity as an icon of American modernism who lived seamlessly alongside her art.
New Mexico 2026
Santa Fe Museum
Ƈяєɗιтѕ
Some spaces are designed to fulfill a function. Others, besides being functional, seem to hold stories within their walls. This corner belongs to the latter category.
At first glance, the scene conveys a sense of creative calm. The large work table occupies the heart of the space, serving as a meeting point between inspiration and everyday life. It’s not a perfect or empty table; it’s a living surface, surrounded by plants, flowers, tools, books, and small objects that speak of someone who creates, imagines, and enjoys the details.
The natural light that gently enters through the window becomes another element of the decor. It doesn’t seek the spotlight, but rather to complement. It plays across the weathered wood, caresses the textures of the textiles, and casts delicate shadows on the rug, adding depth and realism to the overall effect. This soft, warm lighting transforms the room into a cozy refuge where time seems to slow down.
The walls tell their own story. Botanical illustrations, landscapes, and artworks create a personal gallery that connects the interior with nature. Each painting seems chosen not only for its beauty, but also for the memory, emotion, or inspiration it represents.
The color palette subtly complements this narrative. The green tones evoke tranquil gardens and spring afternoons, while the aged woods convey the feeling of a home built with patience and care. The plants scattered throughout the room reinforce the idea of a living space, where nature is not a decorative addition but an essential part of the experience.
The most interesting aspect of this environment is that it doesn’t try to impress through excess. Its charm arises from authenticity. The objects seem to have found their place naturally, as if each one had a function and a story to tell. This combination of order and spontaneity is what makes the space profoundly human.
In an era where many images strive for absolute perfection, this studio reminds us that true beauty is often found in the places where we live, create, and dream. It’s a space that invites you to sit with a cup of coffee, open a blank notebook, and let your ideas blossom at their own pace.
Because, ultimately, the best places aren’t those we simply observe. They’re those that make us imagine we could stay there for hours, creating memories as the afternoon light silently streams through the window.
Avani Marketplace @equal10
Avani Cuisine Collection Appointed Hanging Scales, Nickel
Avani Cuisine Collection Bowl of Onions
Avani Cuisine Collection Coffee on Saucer
Avani Cuisine Collection Delicacies and Vase on Tray
Avani Cuisine Collection Industrial Worktable Island, Natural
Avani Cuisine Collection Ironstone Grocery Slabs, Double
Avani Cuisine Collection Ironstone Grocery Slabs, Quintuple
Avani Cuisine Collection Marble Workstation Slab
Avani Cuisine Collection Oversized Urli Bowl with Orchids
Avani Cuisine Collection Pots with Kitchen Utensils
Avani Cuisine Collection Snack Trio Holder
Avani Cuisine Collection Thermo Coffee Maker Dispenser
Avani Cuisine Collection Tuscan Terracotta Pitcher
@The Arcade
-ATTIC- Blender Planter Yellow
-ATTIC- Mug Planter Mint
-ATTIC- Mug Planter Yellow
-ATTIC- Rice Cooker Planter Yellow
-ATTIC- Telephone Planter Yellow
-ATTIC- Toaster Planter Yellow
-ATTIC- Water Dispenser Aquarium RARE
@The Arcade
WOON. – Coastal Atelier – Cottage – RARE
WOON. – Coastal Atelier – Easel
WOON. – Coastal Atelier – Paint Box
WOON. – Coastal Atelier – Drawing Table
WOON. – Coastal Atelier – Art Shelf A
WOON. – Coastal Atelier – Art Shelf B
WOON. – Coastal Atelier – Frames
WOON. – Coastal Atelier – Canvases
WOON. – Coastal Atelier – Cupboard
WOON. – Coastal Atelier – Coffee Table
WOON. – Coastal Atelier – Lamp
WOON. – Coastal Atelier – Rug
WOON. – Coastal Atelier – Chair
@The Arcade
Myrrine Botani Gacha cactus decor RARE
Myrrine Botani Gacha metal cabinet RARE
Myrrine Botani Gacha record player cabinet RARE
Myrrine Botani Gacha wall art 1
Myrrine Botani Gacha wall art 2
Myrrine Botani Gacha trashcan
Sunlight shines on a gizmo I found on my husband's worktable. Makes me happy to look at it.
Inspired by "MacroMondays" for "Redux 2017--My Favorite Theme of the Year"
I chose “Member's Choice: Made of Metal” —missed this theme this past year.
Thanks for looking and for a supportive year. Wishing you a good Bank Holiday!
Size of the toroid gizmo: 1.9 centimetres / .75 inch toroid
"Toroidal inductors and transformers are passive electronic components, typically consisting of a circular ring-shaped magnetic core of high magnetic permeability material such as iron powder or ferrite, around which wire is coiled to make an inductor. Toroidal coils are used in a broad range of applications in AC electronic circuits, such as high-frequency coils and transformers." Wikipedia
The Avani Cuisine Collection is composed around the moments that precede gathering" coffee brewing, ingredients prepared by hand, flowers clipped and brought indoors, the table not yet set but already anticipated. Anchored by an industrial worktable and layered with ironstone, terracotta, marble, and aged metal, it celebrates the quiet work of hospitality.
Arriving June 10th at Equal10.
maps.secondlife.com/secondlife/equal10/234/128/89
A giveaway for the Cuisine Collection is currently underway on Facebook, Instagram, and Primfeed.
I've had her for quite some time and wasn't even sure if I should let her out, then I came to my senses and wrestled the box open in a jiffy.
She really is lovely, even if her body isn't as cooperative and pleasant as the active Sindy's from the 80s.
I won't cut out the worktable at present (sheet to the left) but it looks rather neat when assembled.
My brother-in-law's workbench was immaculate before I started messing it up and rearranging his workroom for my shot. Luckily I got away before he got home.
Instalment #6 in Photos of Things That Are Not My Children. Or, Instalment #1 in Rooms In Our House. (Or, Installment #88 in I Like to Capitalize Many Words, Just For Fun.)
Before it belonged to S, I painted this room asparagus green and squeezed two desks, two bookshelves, and a worktable in here for my scrapbook studio space. It was crowded. When it got alarmingly claustrophobic, I finally moved all my scrap stuff into the basement and this space was transformed into a guest room of sorts with a small twin mattress and a desk built for a ten-year-old. Sadly, neither room transformation was photographed. Not that they were much to look at, but it sure would have been fun to see the changes.
Not long after C was born, S acquired this room for her very own. I'm still very fond of this bright green, so that didn't change, but we added a healthy dose of red because, really, who doesn't need a little color in their life? And the ladybugs? Those are for luck.
You can tell by the waiting Teddy that the owner of this room has only stepped out for a moment. Probably to go find some toys and dress-ups to scatter all over her freshly cleaned space...
(That vinyl rub-on is one of the only things up on the walls of this house. I have no problem painting loud colors all over my space, but it's become apparent that I have some issues committing to home decor beyond the paint. Something to work on this year.)
Cutting out felt for new projects. 320 pieces cut out freehand (no patterns, no machines, just my eyes, some scissors and lots of time!) for new mobiles ... and a few dozen more as well. The coffee table is under there somewhere :)
The mobiles look like this when finished:
AI DeepDream Tex2Dream DDG Model ChatGPT Full
I dreamed about my studio ..... originally made on Nightcafe AI, but they won't let me enlarge it (claiming 'inappropriate' content) so I took it over to DeepDream and rendered the seed image with ChatGPT, which made it larger and sharpened it. No problem there. Finally I doubled the size again and made some color and contrast corrections with my own software.
Previously on Nightcafe, I needed to use Nano Banana to correct a third arm on one of the faeries in the painting.
What I found interesting is that the result of the artist looks surprisingly almost like me, even though I did not use my Selfie Lora.
PROMPT (was the same on Nightcafe and DDG):
Detailed painting putting the finishing touches on a Visionary Art painting chiaroscuro style of Caravaggio, dressed in black sweater and black wool cap, paintings all around, palette and brushes on a worktable beside the easel, image of magic realism with sacred geometry surrounded by faeries by Bosch, Alphonse Mucha, intricately detailed, hyperrealism, fantasy, Bogomils Universe - Renaissance frame - brass plaque on the bottom with gothic script text: The Mystic Artist at Work
All of these items were recently sent away in care packages to various people, but I wanted to snag a bit of photo documentation of my favorites before I shipped these away.
I hope their respective owners enjoy them! :)
I mean, honestly-- look at him! No discipline, no sense of organization. Who knows what sort of magical disaster is just WAITING to happen with such a cluttered worktable...
☆The Warehouse Sale Featured Items☆
✦ /Vae Victis\ → "Kaine" Hunter's Cross Necklace
Go get your goodies at TWS, here, open now until October 18th! Links to respective stores have been provided, so that you can find the items after the current round of TWS ends! ♡
☆Abnormality Featured Items☆
✦ Pretty Vile. → Gremlin Demi-Av (Head, Ears, Horns, Arms)
→Note: Head and body textures made by yours truly! The demi-av includes its own textures!
✦ ! BUFFY'S ! → Cham Set (eBody V-Tech)
✦ Two-Tone → Crystal Ball Tail
✦ SMOKING PIGEON → Cloven Hoofs
✦ Dirty Rat → Mortalis Toxica (Potion & Vial Box)
Go get your goodies at the upcoming Abnormality round, ☆HERE☆, open November 7th - 28th! Links to respective stores have been provided, so that you can find the items after the round ends!
The Healer’s Cot Heiltrud lies sheltered from the wind, half sunken into the earth, and you step down a few steps to reach the entrance door. Small and cozy, the small cot offers space for a herbalist of the Middle Ages or in a medieval fantasy setting. The furniture includes a rustic fireplace, a cozy alcove bed (adult version also available), a work table, a richly decorated small shelf and seating in the form of chairs.
Available and with 25% off for We love role-play event, July 4-29:
Herbalist’s Cot Heiltrud
Herbalist’s Fireplace Heiltrud
Herbalist’s Alcove Bed Heiltrud (Standard & Adult Version available)
Herbalist’s Worktable Heiltrud
Herbalist’s Shelf Heiltrud
Herbalist’s Chair Heiltrud
Complete Set-Up with surrounding garden plants and furniture has a land impact of only 38. The cot without plants has a land impact of only 11. Terraforming is required to lower the terrain inside the cottage.
Door and window shutters with kool door script.
All items are Original Mesh and advanced lighting enabled, low prim and copy /mod.
I finally got a counter-height worktable. It makes all the difference. I love it so much I want to sleep on it!!!
Remember my clean worktable? That was boring. The LaurenLand girls and Dean are supervising me working on my quilt : )
Found, that is, on my worktable and in my massive pre-cut images collection.
The challenge from the Kollage Kit blog this week was MERZ...creating a collage from found materials.
Since we recently went on a holiday and I emptied trash before we left, I had nothing in my workroom bin to rummage through. BUT I do have quite a collection of pre-cut outs AND the background you see is from a lovely book I found that features graphic designs from countries such as Italy, Poland, Japan, etc. and I have been meaning to do something with it and it was sitting on my worktable staring at me.
Now my lady and a violin (goodness knows how long ago I cut those two out) have finally found a home!
Sometimes these little wooden mannequins are useful for creating tiny versions of a costume to test an idea or demonstrate a silhouette. This set of four had been hiding under a worktable for a few years, still wearing remnants of felt costume samples from previous seasons. I borrowed them to make this little tableau. It made sense to arrange them on a sweep of brown kraft paper, both for the color and because it's what we use to make costume patterns.
Lighting: An SB-800 in a Lumiquest softbox camera right, and an SB-900 with a 2 stop ND gel and a 1/8" grid pointed at the background.
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