View allAll Photos Tagged worktable
Ginger's Studio Worktable. A hurried shot that I should have taken more time over.
Copyright © 2025 Gary Allman, all rights reserved.
some shots of my "halfway" home.
my sewing stuff lives in my brother's old room now. i get to share it with dave's office. soon, soon, SOON!! i'll have my perfect little room all to myself and it'll be oh so pretty. :)
ARD M60CA (YR 1998) Used CNC EDM For Sale
Model: M60CA
Year: 1998
Work Tank Dimensions: 1000 x 600 x 350mm
Table Dimensions: 600 x 400mm
X Axis Travel: 400mm
Y Axis Travel: 300mm
Z Axis Travel: 300mm
Max. Distance From Quill To Worktable: 500mm
Nominal Current: 60A
Max. Stock Removal Rate (mm3/min): 500
Best Surface Roughness: Ra0.1μm
Best Electrode Wearing Rate: ＜0.1％
Max. Electrode Weight: 60kgs
Max. Workpiece Weight: 2000kgs
Dielectric Tank Capacity: 400L
Floor Space (LxW): 2170 x 2000mm
Machine Weight: 2300kgs
Asset Info: gobigcat.com/product.php?id=315
Let us know your interest, please contact us: info@gobigcat.com
A work table in the kitchen at Washington's headquarters at Valley Forge National Historical Park. Something like the marble-topped "island" of colonial days.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
The nineteenth century English manner of holding the needles: adopted from 'drawing room' knitting. From The Young Ladies' Journal. Complete Guide to the Worktable (1884). As seen by the knitter.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Built from reclaimed marble, recovered by reuse action (reuseaction.com) from a lavatory renovation in one of the Buffalo Public Schools. It was a stall partition, so a close inspection shows who loved who, and all sorts of school age nonsense scratched into the marble. We cut it down to size for the customer and left the markings in the marble as part of its charm. The legs, undercarriage and mounting brackets are all made of reclaimed house trim. The marble installed originally in the 1920s, most likely by Italian immigrant craftsmen. In this city the old wood work was done by Poles and Germans, while the stone work was done by the Italians. crafts they brought from their home countries. Without rescuing this material it (and its heritage) would be in the landfill.
Each piece we build is unique and imbued with history...and keeping materials out of landfills.
Diy Home :
Illustration
Description
SMÄM – Illustrations and stuff – ARTIST Sara Woodrow's STUDIO in Sweden, featuring a simple PINK stained Ikea worktable
-Read More –
- #DIYHome
listfender.com/diy/diy-home/diy-home-smam-illustrations-a...
Inside a cozy vintage art studio, a small pug wearing a paint-splattered apron and old painter’s cap stands proudly at a wooden worktable covered in colorful paint blobs. The pug lifts a tiny paintbrush with his paw and dips it into bright paint, gently dabbing a canvas placed on an easel. His big expressive eyes follow the brush strokes with intense focus, head tilting in concentration. Sunlight streams through a dusty window, highlighting jars of brushes, messy paint tubes, scattered sketches, and paw-print smudges. The pug occasionally pats the canvas too hard, creating splashes of paint, then snorts confidently as if it was intentional. Warm cinematic lighting, 4K