View allAll Photos Tagged worktable
Another shot of the worktable for name tags - all the name tags were shaped like insects or worms - the kids coloured them in cut them out and gave them to me for laminating then patiently cut around them again. punched a hole in them and tied them around their neck with packing ribbon.
Keith Monsour specializes in artfully-crafted jewelry for men and women.
Keith's e-mail: klmmatt1designs@aol.com
Late tonight, the candle was the only light in the room… and this little half-made Gonk quietly appeared on the worktable.
The Glenfolk say that Winter Gonks don’t truly arrive all at once... they ease their way into being stitch by stitch, row by row, until suddenly you realise you’re no longer working alone.
This one hasn’t told me his name yet.
Some Gonks are shy like that.
They wait until the right moment… usually when the first snow settles or the last stitch finds its place.
For now, he simply keeps me company in the glow of the candle while the rest of the Glen sleeps.
More from the workshop soon.
The magic always feels strongest at this time of year.
My tiles were always slipping around on my krapht worktable. Ta-da! A little velcro has taken care of that problem.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
Built this inexpensive lighttent for photoshoots at work. About $120 including a coupla underpowered lights, before I replaced 'em with more powerful ones... and a second sheet to cover, after the twin bedsheet wasn't big enough.
I'll be raising it up onto a makeshift worktable once we get the guys over to build it for me. For now, I'm on the floor.
Fancy worktables, pre-illustrated with generic state diagrams. They could have made great improvised whiteboards... and we are still a few sephirot short of a full diagram.
This is what my worktable looked like, organized confusion, while I was getting ready for TCC. A fabulous event too, I might add!
First entry for '10. Haven't touched this in months. I used all scraps that were either on worktables or the floor, in an effort to clean up.
A tap and tool grinder machine is a specialized grinding machine used for sharpening and reconditioning cutting tools, such as taps, drills, and end mills. These cutting tools are widely used in various manufacturing processes, such as machining, metalworking, and fabrication.
The tap and tool grinder machine typically features a rotating grinding wheel that is used to grind and sharpen the cutting edge of the tool. The machine may also have an adjustable worktable that allows for precise positioning of the tool during grinding.
To use the machine, the operator typically mounts the tool to be sharpened on the worktable and adjusts the grinding wheel to the appropriate angle and position. The machine is then turned on and the operator uses the grinding wheel to sharpen the tool. The operator may need to make multiple passes with the grinding wheel to achieve the desired level of sharpness.
Some tap and tool grinder machines may also have additional features, such as coolant systems to keep the grinding wheel cool during use and digital displays to provide precise measurements of grinding angles and depths.
Overall, tap and tool grinder machines are essential tools for maintaining and reconditioning cutting tools used in manufacturing processes. They help to ensure that these tools remain sharp and effective, which can improve the quality and efficiency of manufacturing operations.
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On the right is the 3-story "townhouse" I am building from a cardboard product display box I snagged at Sam's Club. All of the way over to the left, on the table, is a cigar box shrine tribute to *my* Jersey Shore.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.
I had brought a bunch of stuff and she showed me a bunch of stuff and here it is all mashed up on the table where we had lots of tea, TONS of chocolate, three meals, and lots of handling goodies.
Origin: United States. Circa: 1810. Period: 19th Century. This American Federal mahogany table has two drawers and later brasses. The claw feet and brass casters are original. Shop@ The HighBoy.
Aicci DL1 desk lamps provide optimal light for office and computer work at the office and home office.
Aicci DL1 desk lamps, mount on the edge of the desk, taking up very little space on the tabletop and move with the height-adjustable and movable desk, providing an optimal, ergonomically comfortable and adjustable wide-angle lighting for work, preventing eye fatigue and irritation. The light of the desk lamp can be adjusted by the built-in dynamic Bluetooth Casambi lighting control. The luminaires have a modular design, which allows the creation of different lighting conditions, facilitates the organisation of power cables and wiring, the integration of functional accessories and the serviceability of the desk lamps.
This picture shows the wide beam distribution of the Aicci DL1 table luminaire directed downwards.