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My worktable with two projects in progress. I love having enough space to work on multiple projects.
We didn't do any work to the basement, just arranged furniture and things there. All the midwife artwork were gifts from students or co-workers in various places. Bench and table from IKEA in the 1980s. Bought in Sweden and shipped over via United Airlines cargo.
this whole grid system on the wall behind where I stand at my worktable is from container store. I put things I need often or don't want to forget about here. top row is ribbon storage. there are also a lot of adhesives, applicators and things that can't really be categorized and place in my iris carts and other storage places.
This room with Queen bed is located on the ground Floor, with the view to yard. The room is equipped with Central air, plasma TV with the choice of 56 foreign and domestic cable TV stations including the hotel info channel. At your disposal are also electronic safe-deposit box, mini bar, and worktable with writing kit. You have also fast Internet connection and direct telephone line.
Built from reclaimed marble, recovered by reuse action (reuseaction.com) from a lavatory renovation in one of the Buffalo Public Schools. It was a stall partition, so a close inspection shows who loved who, and all sorts of school age nonsense scratched into the marble. We cut it down to size for the customer and left the markings in the marble as part of its charm. The legs, undercarriage and mounting brackets are all made of reclaimed house trim. The marble installed originally in the 1920s, most likely by Italian immigrant craftsmen. In this city the old wood work was done by Poles and Germans, while the stone work was done by the Italians. crafts they brought from their home countries. Without rescuing this material it (and its heritage) would be in the landfill.
Each piece we build is unique and imbued with history...and keeping materials out of landfills.
ARD M60CA (YR 1998) Used CNC EDM For Sale
Model: M60CA
Year: 1998
Work Tank Dimensions: 1000 x 600 x 350mm
Table Dimensions: 600 x 400mm
X Axis Travel: 400mm
Y Axis Travel: 300mm
Z Axis Travel: 300mm
Max. Distance From Quill To Worktable: 500mm
Nominal Current: 60A
Max. Stock Removal Rate (mm3/min): 500
Best Surface Roughness: Ra0.1μm
Best Electrode Wearing Rate: ＜0.1％
Max. Electrode Weight: 60kgs
Max. Workpiece Weight: 2000kgs
Dielectric Tank Capacity: 400L
Floor Space (LxW): 2170 x 2000mm
Machine Weight: 2300kgs
Asset Info: gobigcat.com/product.php?id=315
Let us know your interest, please contact us: info@gobigcat.com
Where I will geek out, also where I will do research, and maybe do my beading and scribal work (worktable on the right).
Eventually I will get the posters and pictures framed and hung on the walls as well.
before moving a bunch of crap...I would love for these table to look this way most of the time, but you gotta move things to move things. This basement is a full up puzzle.
Aicci DL1 desk lamps provide optimal light for office and computer work at the office and home office.
Aicci DL1 desk lamps, mount on the edge of the desk, taking up very little space on the tabletop and move with the height-adjustable and movable desk, providing an optimal, ergonomically comfortable and adjustable wide-angle lighting for work, preventing eye fatigue and irritation. The light of the desk lamp can be adjusted by the built-in dynamic Bluetooth Casambi lighting control. The luminaires have a modular design, which allows the creation of different lighting conditions, facilitates the organisation of power cables and wiring, the integration of functional accessories and the serviceability of the desk lamps.
This picture shows a wide distribution of light from the Aicci DL1 table lamp, directed up and down.
Keith Monsour specializes in artfully-crafted jewelry for men and women.
Keith's e-mail: klmmatt1designs@aol.com
Worktable, 1820-35
Philadelphia
Mahogany, mahogany veneer, tulip poplar, Atlantic white cedar, maple
(sewing table)
My worktable was constructed from materials at the local ReStore. The base is made from kitchen cabinets and the table top is actually a bi-fold closet door. The doors were missing on the cabinet, which worked out well for me to create shelving for papers, canvas bars etc.
And this is my "worktable". See my crossword and my crochet? This is not an exciting job, but I have met some interesting people. Doing this completely reinforces my decision to stay home. I think likes some SAHD time. More coherent posting when I have a real keyboard!
Built from reclaimed marble, recovered by reuse action (reuseaction.com) from a lavatory renovation in one of the Buffalo Public Schools. It was a stall partition, so a close inspection shows who loved who, and all sorts of school age nonsense scratched into the marble. We cut it down to size for the customer and left the markings in the marble as part of its charm. The legs, undercarriage and mounting brackets are all made of reclaimed house trim. The marble installed originally in the 1920s, most likely by Italian immigrant craftsmen. In this city the old wood work was done by Poles and Germans, while the stone work was done by the Italians. crafts they brought from their home countries. Without rescuing this material it (and its heritage) would be in the landfill.
Each piece we build is unique and imbued with history...and keeping materials out of landfills.
Keith Monsour specializes in artfully-crafted jewelry for men and women.
Keith's e-mail: klmmatt1designs@aol.com
Late tonight, the candle was the only light in the room… and this little half-made Gonk quietly appeared on the worktable.
The Glenfolk say that Winter Gonks don’t truly arrive all at once... they ease their way into being stitch by stitch, row by row, until suddenly you realise you’re no longer working alone.
This one hasn’t told me his name yet.
Some Gonks are shy like that.
They wait until the right moment… usually when the first snow settles or the last stitch finds its place.
For now, he simply keeps me company in the glow of the candle while the rest of the Glen sleeps.
More from the workshop soon.
The magic always feels strongest at this time of year.
Built from reclaimed marble, recovered by reuse action (reuseaction.com) from a lavatory renovation in one of the Buffalo Public Schools. It was a stall partition, so a close inspection shows who loved who, and all sorts of school age nonsense scratched into the marble. We cut it down to size for the customer and left the markings in the marble as part of its charm. The legs, undercarriage and mounting brackets are all made of reclaimed house trim. The marble installed originally in the 1920s, most likely by Italian immigrant craftsmen. In this city the old wood work was done by Poles and Germans, while the stone work was done by the Italians. crafts they brought from their home countries. Without rescuing this material it (and its heritage) would be in the landfill.
Each piece we build is unique and imbued with history...and keeping materials out of landfills.
Saturday, February 1, 2025, 5:00-7:00pm
The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.
The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.
Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.
During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.