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ARD M60CA (YR 1998) Used CNC EDM For Sale

 

Model: M60CA

Year: 1998

Work Tank Dimensions: 1000 x 600 x 350mm

Table Dimensions: 600 x 400mm

X Axis Travel: 400mm

Y Axis Travel: 300mm

Z Axis Travel: 300mm

Max. Distance From Quill To Worktable: 500mm

Nominal Current: 60A

Max. Stock Removal Rate (mm3/min): 500

Best Surface Roughness: Ra0.1μm

Best Electrode Wearing Rate: <0.1%

Max. Electrode Weight: 60kgs

Max. Workpiece Weight: 2000kgs

Dielectric Tank Capacity: 400L

Floor Space (LxW): 2170 x 2000mm

Machine Weight: 2300kgs

 

Asset Info: gobigcat.com/product.php?id=315

 

Let us know your interest, please contact us: info@gobigcat.com

my worktable, right side

This is my worktable i build it self

Aperature- F5.6

Shutter Speed- 1.6

 

My grandfather is a carpenter, among other handy skills. He has a workshop filled with "toys." His saws, drills, sanders, paintbrushes (etc.) are all contained there. The night I shot photographs there, he had a lone worklight shining onto his tools. This cast such a dramatic glow onto his worktable that I had to snap the shot. Turns out, this one is my favorite.

it's a part of my worktable, pretty flower is smiling to me when i feel tied

Saturday, February 1, 2025, 5:00-7:00pm

 

The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.

 

The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.

 

Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.

 

During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.

 

ofa.fas.harvard.edu/ceramics/Gallery_224

 

forrestgard.weebly.com

A jeweller plying his trade in Durham City.

Saturday, February 1, 2025, 5:00-7:00pm

 

The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.

 

The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.

 

Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.

 

During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.

 

ofa.fas.harvard.edu/ceramics/Gallery_224

 

forrestgard.weebly.com

Personal worktables of Flo, Glenda, and Stacy

Saturday, February 1, 2025, 5:00-7:00pm

 

The Stacks at 224 is an exhibition by Forrest Sincoff Gard, 2023-2024 Artist In Residence at the Office for the Arts Ceramics Program. The exhibition features all new work by Forrest that was conceptualized and made during his residency.

 

The Stacks is the newest addition to his Built to Play body of work, which highlights the importance of play throughout our entire lives. In the Built to Play series, Forrest focuses on the mundane parts of life, such as toasting a waffle, folding socks, or putting a book on a shelf. He turns those moments into ceramic art objects as well as risk-and-reward games that are specific for the gallery, often challenging expectations for that space.

 

Sincoff Gard drew inspiration for The Stacks from the bookshelves in his South End apartment as well as from Boston Public Library, Harvard’s Widener Library, and MassArt’s Morton R. Godine Library, which is where the artist collected discarded books that he used to make plaster molds. These molds were used to create the ceramic books on display. The Stacks also features other objects one might find inside a library—a large hand-built globe, a playable board game, and a wheel-thrown wall clock. Forrest’s decision to include an open plaster mold was inspired by the worktable seen on display as part of the Glass Flowers exhibition at Harvard’s Natural History Museum. He desires to share how the work was made and to remind viewers that these books were made out of clay.

 

During the reception, visitors had the chance to interact with the work by playing a stacking game. The player who made the tallest stack won a prize: their choice of book from the stack. There was no penalty for smashing a book.

 

ofa.fas.harvard.edu/ceramics/Gallery_224

 

forrestgard.weebly.com

I had brought a bunch of stuff and she showed me a bunch of stuff and here it is all mashed up on the table where we had lots of tea, TONS of chocolate, three meals, and lots of handling goodies.

This pair of reliquaries was so fun! I loved Kelly's use of the images from Izabella, the lichen AND the German Glass glitter

Typical worktable in the group studio at 822 Rozelle.

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