View allAll Photos Tagged worktable
Im so glad I kept this IKEA corner desk when it was no lnger needed in my daughters room. its been packed away in the loft. Just perfect for sitting at and for my sewing machine.
This is the North wall of my home office before the remodel.
What's Working:
- Wall calendar for quick reference
- Whiteboard for brainstorming
- Large worktable area.
- Really convenient place to set my backpack/laptop bag.
- All battery operated devices are recharged in one location.
What's Not Working:
- The table doesn't match the rest of the office and just seems out of place.
- The files from the new business need to be stored better.
boston, massachusetts
january 1971
metalsmith / jewelry maker
meeting house gallery, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Catalog Number: 2015.001.0020
Date (Years): 1891-1900, 1901-1910
Description:
A man is standing next to a worktable and is using woodworking tools. The man, Amos Wilson (A.W.) Judd, is wearing a two-piece suit and white shirt. He has a droopy moustache and wire-rimmed glasses. He is holding a piece of wood in his hand and is working it with a woodworking tool. The worktable is scattered with other woodworking tools and a square frame for a large format camera. The worktable is located directly under a low window that is providing the light in the room. The room looks to be a basement. There is a fire going in a small stove that is vented through an opening in the wall.
Local photographer A. W. (Amos Wilson) Judd works on a wooden large frame camera case at a workbench. Location is unidentified.
This week I made a run down to Oil Trough (a real town) to have my friend Tadpole (a real guy) powder coat my updated workbench, work table, and parts washer dolly.
The small worktable that I bought at auction was fitted with racks for 6 blue storage bins. The blue really complements the red powder coat.
For a more fitted look or if space is limited, Chalon produce a range of modular furniture to the same quality specification as its freestanding pieces.
I have a new film on Youtube, inspiration for over printing with multiple linoplates, to get fun, colourful prints, this method can be used for all kinds of printing, cards, t-shirts, your imagination is the limit!
here is the link, Happy Watching! :
After the picture I took last time with all the stacks of handbound books on it I actually cleared my worktable completely. Two books, an art pendant and some origami later the mess is back in it's full glory
boston, massachusetts
january 1971
metalsmith / jewelry maker
meeting house gallery, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
This is our homeschool wall. Right now we both use the big dining table as our desks. Eventually we will have a designated homeschool area with a desk and worktable for him. At that time, I plan to double the shelving and add stations for foreign language and stuff.
aspen, colorado
late 1975
inside nick's "mad lab"
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Some finishing yet to be done...a fragment of the stack is visible; also can be seen, I think, on the larger picture posted earlier.
Dark colours and contemporary knobs ensure that this design remains clean and sharp but keeps its timeless appeal.
If you are brave enough to choose black, your courage will be rewarded and your furniture remain chic for many years.
Second go at panorama stitching, this time with a tight interior. This is the result of stitching 7 images shot using a wide angle (12mm) lens. Oh my, isn't this a complex scene! I spent two good hours trying to find this compromise. I still have loads to learn... And I guess I could start by reading Arnaud Frich's stuff.
This panorama thing had a least one good side-effect: I took pains to clean my workbench prior shooting. Now look at all this pristine space longing for a good project!
Want to see how bad it is? Go full-size.
Acres of work space stretch off into the distance. Everything looks great but best of all it works seamlessly with the fabric of its owners life.
We've been making our own holiday cards for over a decade now. A few years ago we were delighted to learn that this was a holiday tradition of my husband's paternal grandparents as well when we inherited their block prints from the early years of their marriage and growing family. It is fun to imagine them hunched over some worktable chiseling away, rolling ink, testing prints, and the happy feeling when it is all done. I just finished up a flurry of Christmas orders, save for a handful of pieces still in progress, and had a moment to work on our holiday papercutting for this year: the treehouse platform in our hemlock and our happy four. Coming soon to mailboxes near and far!
The light from the garden washes over the worktable. Closing ones eyes everything is all within reach. The feel of the wood and stone confirm that this is not a dream.
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
polymer clay, polymer clay tutorials, polymer clay alcohol inks, micro macrame tutorials, polymer clay how to, how to polymer clay, surface techniques, polymer clay ink
Ok, I think the inspiration for this piece must have come from some amazing magnets purchased from fellow Etsy artist janedean who is a whiz at working with vintage jewelry. I gained new respect for her and the other artists who de-and re-construct with these elements. You all make it look easy!
The starting place for this piece was a bag of gorgeous vintage jewelry scraps I had lying on my worktable. To begin, I riveted the octo down to a newish filigree capturing the rhinestone "halo". Wings were also riveted into place. Then it was a matter of drilling into the tentacles to hold various blingy dangles. For the chain, I cut a vintage bracelet in half to create the pearl-punctuated section, then finished off with a similar vintage chain. A safety lobster clasp secures the piece. The centerpiece measures 2.5"wide by 4.5" long and the chain length is 18". I am a trained, if somewhat blingy silversmith and have built this piece to last.
UC Davis College of Engineering dedicated the Richard C. and Joy M. Dorf Design and Communications Classroom with a special event at 4 p.m. on Wednesday, September 23, 2015 in Room 1065 of Kemper Hall. Guided by the curriculum developed for our new undergraduate course – Introduction to Engineering Design – Room 1065 will accommodate small workgroup clusters, seminars for up to 65 faculty, staff and students, and open floor space for showcase events. The room features polished concrete floors, continuous glassboard writing services, rolling worktables, and a state of the art, seven-station AV system.
This renovation was made possible by a generous donation from Richard and Joy Dorf, and will be named the Richard C. and Joy M. Dorf Design and Communications Classroom. Richard Dorf is an emeritus professor with dual appointments in the UC Davis Graduate School of Management, and the Department of Electrical and Computer Engineering.
More info: engineering.ucdavis.edu/events/dorf-design-and-communicat...
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
He leaves her office after finishing work and comes back with something different in mind. sounderotica.com/stories/audit
New & Exclusive with 25% off @ Redeux Oct Round:
The culina & thermopolium package from our Civitas Series contains 14 item to decorate your roleplay environment in any ancient roman or greek setting. It suits any tavern or private kitchen/culina.
In the ancient Greco-Roman world, a thermopolium was a commercial establishment where it was possible to purchase ready-to-eat food. The forerunner of today's restaurant. These places were mainly used by the poor or those who simply could not afford a private kitchen.
Thermopolium, hearth and worktable contain animations and rezz props.
Item list:
Culina Working Table, 3LI, c
Culina Thermopolium, 5LI, c,m
Culina Hearth 5LI, c,m
Culina Herb Basket 3LI, c, resize
Culina Amphora Rack 1, 2LI c,m
Culina Amphora Rack 2, 3LI c,m
Culina Amphoras 2LI, c, resize
Culina Basket of Panis 2LI, c, m
Culina Dishes Shelf 2LI, c,m
Culina Jugs Shelf 2LI c,m
Culina Panis Cutting Board 2LI, c,m
Culina Spice Rack 3LI, c,m
Culina Storage Pots 1LI, c,m
Culina Vegetable Basket 3LI, c, resize
Please have a look at the other items and buildings of our civitas series, if you are generally interested in roman/ancient roleplay and decoration.
The set fits perfectly into the tavern of our civitas series.
I just made 9 doll wigs, but first I made a big 'ol mess. There is another worktable that is just as bad as this one -- when one got too piled up, I just moved over and made more mess.
my website: www.madwifeintheattic.com
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.