View allAll Photos Tagged worktable
Im so glad I kept this IKEA corner desk when it was no lnger needed in my daughters room. its been packed away in the loft. Just perfect for sitting at and for my sewing machine.
Catalog Number: 2015.001.0020
Date (Years): 1891-1900, 1901-1910
Description:
A man is standing next to a worktable and is using woodworking tools. The man, Amos Wilson (A.W.) Judd, is wearing a two-piece suit and white shirt. He has a droopy moustache and wire-rimmed glasses. He is holding a piece of wood in his hand and is working it with a woodworking tool. The worktable is scattered with other woodworking tools and a square frame for a large format camera. The worktable is located directly under a low window that is providing the light in the room. The room looks to be a basement. There is a fire going in a small stove that is vented through an opening in the wall.
Local photographer A. W. (Amos Wilson) Judd works on a wooden large frame camera case at a workbench. Location is unidentified.
After the picture I took last time with all the stacks of handbound books on it I actually cleared my worktable completely. Two books, an art pendant and some origami later the mess is back in it's full glory
This is our homeschool wall. Right now we both use the big dining table as our desks. Eventually we will have a designated homeschool area with a desk and worktable for him. At that time, I plan to double the shelving and add stations for foreign language and stuff.
Some finishing yet to be done...a fragment of the stack is visible; also can be seen, I think, on the larger picture posted earlier.
Dark colours and contemporary knobs ensure that this design remains clean and sharp but keeps its timeless appeal.
If you are brave enough to choose black, your courage will be rewarded and your furniture remain chic for many years.
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
We've been making our own holiday cards for over a decade now. A few years ago we were delighted to learn that this was a holiday tradition of my husband's paternal grandparents as well when we inherited their block prints from the early years of their marriage and growing family. It is fun to imagine them hunched over some worktable chiseling away, rolling ink, testing prints, and the happy feeling when it is all done. I just finished up a flurry of Christmas orders, save for a handful of pieces still in progress, and had a moment to work on our holiday papercutting for this year: the treehouse platform in our hemlock and our happy four. Coming soon to mailboxes near and far!
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
polymer clay, polymer clay tutorials, polymer clay alcohol inks, micro macrame tutorials, polymer clay how to, how to polymer clay, surface techniques, polymer clay ink
Scotland Street School (Honeyman, Keppie & Mackintosh [with Charles Rennie Mackintosh in the lead], 1903-1906). Since 1990, it's been the Scotland Street School Museum, offering visitors a view of Mackintosh's architecture and period rooms revealing the history of 20th-century schooling in Scotland. Currently, it's undergoing renovations to enable portions of the building to return to nursery and school functions, in addition to the museum.
boston, massachusetts
january 1971
metalsmith / jewelry maker
meeting house gallery, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Acres of work space stretch off into the distance. Everything looks great but best of all it works seamlessly with the fabric of its owners life.
boston, massachusetts
january 1971
metalsmith / jewelry maker
meeting house gallery, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
shelburne, nova scotia
1973
cooper's workbench, barrel factory
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
Various distressing options are available depending how you wish your furniture to look Here is Distress level 2 on the legs and Distress level 3 on the pot boards.
Second go at panorama stitching, this time with a tight interior. This is the result of stitching 7 images shot using a wide angle (12mm) lens. Oh my, isn't this a complex scene! I spent two good hours trying to find this compromise. I still have loads to learn... And I guess I could start by reading Arnaud Frich's stuff.
This panorama thing had a least one good side-effect: I took pains to clean my workbench prior shooting. Now look at all this pristine space longing for a good project!
Want to see how bad it is? Go full-size.
Indoor Archery Range! (bowling alley?)
I took a shot of the studio before moving everything in to show how much clear open space I have. Its a 16' wide addition that runs the entire 48' of the house. Had the 16' been 20+ wide, it would be equal to a 5 car garage! Most people have a corner in a basement, so I really lucked out when I found this place :)
The only real down sides are that the ceiling is about 7' on the lowest end, & the door out is just a typical 3' door. I built a display model a few years back that was about 6' square so we removed a window and just passed it right on thru!
Some say they run a business out of their house. I say mine is a business that I live in!
Collage, paint, stamps, & ink in composition book. Work in progress. #WOYWW
© 2013 In My Head Studios/Victoria Porter
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
He leaves her office after finishing work and comes back with something different in mind. sounderotica.com/stories/audit
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
The light from the garden washes over the worktable. Closing ones eyes everything is all within reach. The feel of the wood and stone confirm that this is not a dream.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.