View allAll Photos Tagged worktable
Enrico Mattei al tavolo di lavoro firma accordi Eni - URSS.
www.eni.com/it_IT/azienda/nostra-storia/archivio-storico....
Enrico Mattei at the worktable signs Eni – USSR agreement.
www.eni.com/enipedia/en_IT/history/historical-archive/pho...
New & Exclusive with 25% off @ Redeux Oct Round:
The culina & thermopolium package from our Civitas Series contains 14 item to decorate your roleplay environment in any ancient roman or greek setting. It suits any tavern or private kitchen/culina.
In the ancient Greco-Roman world, a thermopolium was a commercial establishment where it was possible to purchase ready-to-eat food. The forerunner of today's restaurant. These places were mainly used by the poor or those who simply could not afford a private kitchen.
Thermopolium, hearth and worktable contain animations and rezz props.
Item list:
Culina Working Table, 3LI, c
Culina Thermopolium, 5LI, c,m
Culina Hearth 5LI, c,m
Culina Herb Basket 3LI, c, resize
Culina Amphora Rack 1, 2LI c,m
Culina Amphora Rack 2, 3LI c,m
Culina Amphoras 2LI, c, resize
Culina Basket of Panis 2LI, c, m
Culina Dishes Shelf 2LI, c,m
Culina Jugs Shelf 2LI c,m
Culina Panis Cutting Board 2LI, c,m
Culina Spice Rack 3LI, c,m
Culina Storage Pots 1LI, c,m
Culina Vegetable Basket 3LI, c, resize
Please have a look at the other items and buildings of our civitas series, if you are generally interested in roman/ancient roleplay and decoration.
The set fits perfectly into the tavern of our civitas series.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
For myself more than anything, I have started to take a few snaps of the week...on days when I feel as though I'm accomplishing nothing, maybe this will encourage me.
Sunday I made a bunch of stacks, some, not yet cut into, shown. Each day since (3 so far) I've taken a stack and done something...
A couple of the stacks are really ugly but marbelized into yummy burgundy and port pieces ....
Will have to see where the rest goes.
Am eyeing the bits lower right that might go with vintage Italian millefiore glass beads.
One bunch, not shown here coordinates gorgeously with unakite.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
Here is a picture of a Formaspace drafting table with adjustable angled surface, fixed height upper shelf, cpu support, and keyboard tray.
boston, massachusetts
january 1971
metalsmith / jewelry maker
meeting house gallery, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
we recently re-arranged my 'press corner' into a part of our bedroom for many reasons, but i'm excited, it's now against one wall together, and looks much better. i am so excited and inspired to get going this season! next goal: new worktable!
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
Please support on Lego Ideas:
ideas.lego.com/projects/1f708a5b-4f0e-4431-b4ba-8a1a66e9c4c8
“In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.”
J.R.R Tolkien, The Hobbit, Chapter I: AN UNEXPECTED PARTY
Welcome to the Shire. The starting and ending point of the famous books and films “The Hobbit” and “The Lord of the Rings”.
It is a perfect place to relax, read and fill your hobbit stomach with plenty of delicious food.
The Hobbit hole consists of 5 different rooms. A nice kitchen with a big table, a full storage chamber, a cosy living room with a fireplace and a worktable, an entrance room to welcome invited and uninvited guests and like all hobbit holes it has a round tunnel that connects the rooms.
I would suggest that it would include the minifigures: Frodo, Sam, Bilbo, the 13 dwarves and of course Gandalf.
Please support this creation and help it to become an official Lego Set.
Remember, it doesn’t cost you anything and you would do me a big favour.
Here is a picture of a Formaspace furniture in a l-shaped configuration. This can either line the walls of a room or be free-floating.
Here is an picture of a Formaspace drafting bench with a mix of angled and flat surfaces. The angled surface can either be fixed or adjustable.
boston, massachusetts
january 1971
metalsmith / jewelry maker
meeting house gallery, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Here is a picture of a Formaspace Benchmarx, which features upper shelving attached to unistruts. This allows for infinite height adjustment of the shelves, unlike traditional slotted height adjustment.
This one of a series of books made from the paper I place on my worktable. They form a diary of marks related to the period of time they are in place. Some have dates, this one does not. The paper here is a heavy cartridge paper, the front nad back covers have been coated in beeswax to give them some strength.
This particular book was produced in 2012 whilst preparing for my Painting with Natural Dyes workshop.
It has a tape binding, so all pages will open flat, the tape used is naturally dyed silk which has then been made into silk string which wraps around the book and is tied to secure it. It has been hand bound using a linen thread.
There are some awesome marks in this book, many pages appear to be maps of myserious places. There is quite a bit of colour in this book, featuring experiments with natural dye pigments to make paint such as , cochineal, logwood, indigo, madder, alkanet, lac and querabacho also play with tea and dandelion coffee.
This book can either be left as an artist's book or you can enter into a collaboration with me
by working into the pages
If you do that please share the results with me
Book is 7.5 x 10.5 cm (3 x 41/2") and has 62 pages.
This one of a series of books made from the paper I place on my worktable. They form a diary of marks related to the period of time they are in place. Some have dates, this one does not. The paper here is a heavy cartridge paper, the front nad back covers have been coated in beeswax to give them some strength.
This particular book was produced in 2012 whilst preparing for my Painting with Natural Dyes workshop.
It has a tape binding, so all pages will open flat, the tape used is naturally dyed silk which has then been made into silk string which wraps around the book and is tied to secure it. It has been hand bound using a linen thread.
There are some awesome marks in this book, many pages appear to be maps of myserious places. There is quite a bit of colour in this book, featuring experiments with natural dye pigments to make paint such as , cochineal, logwood, indigo, madder, alkanet, lac and querabacho also play with tea and dandelion coffee.
This book can either be left as an artist's book or you can enter into a collaboration with me
by working into the pages
If you do that please share the results with me
Book is 7.5 x 10.5 cm (3 x 41/2") and has 62 pages.
This is actually a configuration of 5 different benches - 4 Benchmarx models placed back to back to create a center island and capped off with a Basix sink bench on one end.
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
y aqui es donde toda la "magia" ocurre...(anormalmente limpio....)
a glimpse of my workspace..:P (too clean to be true)
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
polymer clay, polymer clay tutorials, polymer clay alcohol inks, micro macrame tutorials, polymer clay how to, how to polymer clay, surface techniques, polymer clay ink
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
polymer clay, polymer clay tutorials, polymer clay alcohol inks, micro macrame tutorials, polymer clay how to, how to polymer clay, surface techniques, polymer clay ink
Clear crystal bead on my worktable, with 3 desk lights producing some interesting optical caustics and shadows. Looks quite like a fragile bubble, but is in actual fact solid.
Taken with iPhone 3GS and this bought magnetic macro lens.
Here is a picture of a Formaspace furniture in an u-shaped configuration. This can either line the walls of a room or be free-floating.
New & Exclusive with 25% off @ Redeux Oct Round:
The culina & thermopolium package from our Civitas Series contains 14 item to decorate your roleplay environment in any ancient roman or greek setting. It suits any tavern or private kitchen/culina.
In the ancient Greco-Roman world, a thermopolium was a commercial establishment where it was possible to purchase ready-to-eat food. The forerunner of today's restaurant. These places were mainly used by the poor or those who simply could not afford a private kitchen.
Thermopolium, hearth and worktable contain animations and rezz props.
Item list:
Culina Working Table, 3LI, c
Culina Thermopolium, 5LI, c,m
Culina Hearth 5LI, c,m
Culina Herb Basket 3LI, c, resize
Culina Amphora Rack 1, 2LI c,m
Culina Amphora Rack 2, 3LI c,m
Culina Amphoras 2LI, c, resize
Culina Basket of Panis 2LI, c, m
Culina Dishes Shelf 2LI, c,m
Culina Jugs Shelf 2LI c,m
Culina Panis Cutting Board 2LI, c,m
Culina Spice Rack 3LI, c,m
Culina Storage Pots 1LI, c,m
Culina Vegetable Basket 3LI, c, resize
Please have a look at the other items and buildings of our civitas series, if you are generally interested in roman/ancient roleplay and decoration.
The set fits perfectly into the tavern of our civitas series.
Welcome to SugarPlumDolls.com I think my cute clothespin dolls make fabulous Christmas ornaments or gifts BUT are now also available as greetings cards, postcards and more..Just to let you know all dolls are individually handcrafted clothespin dolls and make very special gifts or can be used as a holiday ornament. I think they add a personal touch to the holidays! It takes me about 2 to 3 days to make each doll. Each doll has her own personality. No two dolls are alike, some dolls may be similar but because of the handmade process each doll is unique. Some dolls may have slight imperfections in the wood, but aren't we all a little less than perfect! Each doll arrives on my worktable as a blank slate. After I draw on the face, paint the hair and body, then I glue the head to the body then wait a day for the paint and glue to dry. I have a treasure trove of fabric and tulle and I begin to craft an outfit and accessories for each girl. I hope you will enjoy your visit here. You can shop for an actual doll online at www.etsy.com/shop/clothespindolls or visit me on YouTube at youtube.com/clothespindoll where I show you how to make your own Sugar Plum Clothespin dolls and other cute handmade items. Enjoy the day!
Here is a picture of a Formaspace Delux bench with monitor rail that allows for the use of multiple monitors.
The boards were assembled on my dedicated PCB worktable, which is equipped with a large fluorescent magnifier for assembly and an old but effective Bausch & Lomb 20X binocular microscope for inspection.
The B&L has a zoom range of 0.7 to 3.0, and at its lowest zoom factor you can solder under the microscope too if your hand is steady enough for working. at a magnification of 14X. Works fine for me, and makes high quality solder joints easy to achieve.
The PCB assembly frame is very useful too, with grooved runners to hold boards by their edges and an adjustable sponge back to keep components from falling out during soldering.
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
Welcome to SugarPlumDolls.com I think my cute clothespin dolls make fabulous Christmas ornaments or gifts BUT are now also available as greetings cards, postcards and more..Just to let you know all dolls are individually handcrafted clothespin dolls and make very special gifts or can be used as a holiday ornament. I think they add a personal touch to the holidays! It takes me about 2 to 3 days to make each doll. Each doll has her own personality. No two dolls are alike, some dolls may be similar but because of the handmade process each doll is unique. Some dolls may have slight imperfections in the wood, but aren't we all a little less than perfect! Each doll arrives on my worktable as a blank slate. After I draw on the face, paint the hair and body, then I glue the head to the body then wait a day for the paint and glue to dry. I have a treasure trove of fabric and tulle and I begin to craft an outfit and accessories for each girl. I hope you will enjoy your visit here. You can shop for an actual doll online at www.etsy.com/shop/clothespindolls or visit me on YouTube at youtube.com/clothespindoll where I show you how to make your own Sugar Plum Clothespin dolls and other cute handmade items. Enjoy the day!