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Still Life with Carp
Abraham van BEYEREN
The Hague, 1620-21 - Overschie, 1690
H. 0.73 m; W. 0.61 m
Abraham van Beyeren specialized in paintings of fish, notably during his earliest period. This picture is a fine example, painted when Van Beyeren was a young artist, circa 1645-1650, under the influence of Pieter de Putter.
Later in his career, he extended his subject-matter to include sumptuous banqueting-tables, and ornate still-lifes featuring virtuoso depictions of abundant, luxurious foodstuffs and objects.
A massive rustic table, probably a kitchen worktable, supports a deceptively haphazard pile of fish – a pike, lying diagonally across the front of the composition, with its stomach cut open; a bream (or perhaps another carp) with its head sticking out over the left-hand side of the tabletop; three small perch with faint stripes along their backs, and red fins; two roach with orange-colored eyes, and a chub lying on its back, apparently emerging from a sort of net. This pile of freshwater fish has apparently been freshly caught. Their gleaming, silvery scales look disconcertingly alive. The fish are arranged in a clever composition of criss-crossing diagonals, with a subtle, almost monochrome palette of colors. The interplay of delicate tones and fleeting reflections bathes the picture in a strange, almost aquatic light.
www.louvre.fr/en/oeuvre-notices/still-life-carp
"The Musée du Louvre, or officially Grand Louvre — in English, the Louvre Museum or simply the Louvre — is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement (district). Nearly 35,000 objects from prehistory to the 19th century are exhibited over an area of 60,600 square metres (652,300 square feet).
The museum is housed in the Louvre Palace (Palais du Louvre) which began as a fortress built in the late 12th century under Philip II. Remnants of the fortress are still visible. The building was extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of antique sculpture.
The museum opened on 10 August 1793 (the first anniversary of the monarchy's demise) with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the museum was closed in 1796 until 1801. The size of the collection increased under Napoleon and the museum was renamed the Musée Napoléon. After the defeat of Napoléon at Waterloo, many works seized by his armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and gifts since the Third Republic, except during the two World Wars. As of 2008, the collection is divided among eight curatorial departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.
By 1874, the Louvre Palace had achieved its present form of an almost rectangular structure with the Sully Wing to the east containing the square Cour Carrée and the oldest parts of the Louvre; and two wings which wrap the Cour Napoléon, the Richelieu Wing to the north and the Denon Wing, which borders the Seine to the south. In 1983, French President François Mitterrand proposed the Grand Louvre plan to renovate the building and relocate the Finance Ministry, allowing displays throughout the building. Architect I. M. Pei was awarded the project and proposed a glass pyramid to stand over a new entrance in the main court, the Cour Napoléon. The pyramid and its underground lobby were inaugurated on 15 October 1988. The second phase of the Grand Louvre plan, La Pyramide Inversée (The Inverted Pyramid), was completed in 1993."
The Louvre Pyramid (Pyramide du Louvre) is a large glass and metal pyramid, surrounded by three smaller pyramids, in the main courtyard (Cour Napoléon) of the Louvre Palace (Palais du Louvre) in Paris. The large pyramid serves as the main entrance to the Louvre Museum. Completed in 1989, it has become a landmark of the city of Paris.
Visitors entering through the pyramid descend into the spacious lobby then re-ascend into the main Louvre buildings. The Louvre museum states that the finished pyramid contains 673 glass panes (603 rhombi and 70 triangles)."
Wikipedia
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
Publication: 1944
Language(s): English
Format: Still image
Subject(s): Laboratories,
Military Personnel,
Schools, Medical
Laboratory Personnel
Genre(s): Pictorial Works
Abstract: Interior view: a room with shelves of equipment and/or specimens, work tables, a desk, and microscopes; one man sits at a desk looking into a microscope, a second man is placing something inside a cage, a third man stands looking on.
Extent: 1 photographic print : 21 x 26 cm.
Technique: black and white
NLM Unique ID: 101394457
NLM Image ID: A02038
Permanent Link: resource.nlm.nih.gov/101394457
Up at our Harrogate showroom some images of the recently revamped displays – the combination of new furniture and new finishes from the Chalon colour palette look great:
I repeat...NEVER think that even the super heavy plastic shelving is strong enough. I keep piling things on them. so far, so good. I "should" have attached them to the walls though as the instructions advised. :-0
These are only 1 year old! I wonder if any structural engineers could advise me...
No art work made today - just work on the space itself. Brought over the newly painted cubbies. The rest of the place is very sparse. But this anchor in the corner makes me feel good. And the blue chair is where I eat breakfast and take my lake pictures.
You can hit all sizes and read the titles on my shelf.
Which I really need to move somewhere closer to me... but for the moment, it's free of ambient sunlight and over by my worktable where I need to be doing more stuff anyways (like Lilia's tattoos and blushinnnng.)
Dolls left to right: little Aster (Bobobie Elfkin), Michael (DZ 72cm Cosmo), Aiden (MNF Luka / DZ hybrid), Lilia (Soom Trachy surprised head / Bobobie Isabella body hybrid), Alice (Bobobie Isabella)
New GreenHouse series by [CIRCA]Living.
Full greenhouse packages available along with smaller sets or single pieces. Many of the furnishings and planters come in 5 colours to mix and match - Nut, Plum, Teal, Beech, & Rhubarb.
You'll find lots of unique animations added to the series, including 8 garden types with props (to wear) to go with the anim cycles.
Find the packages for purchase here:
Nature Hill - GreenHouse Packages
Find the Nature Hill - Greenhouse Demo here:
Foreground: WorkBar seats up to 10 people
Background (right): Lounge seats apps 15 people casually
Background (left): 8 open WorkTables with mobile pedestals
Background (far left): meeting room for 3-4 people, flanked by private offices
Dennis will return to Kenya in a week or so. Here I am
sitting with Dennis at Josephine & Caroline's worktable.
Photo taken by Irene.
Worktable, made from Ikea countertop and bottom kitchen cabinet. Holds all my notions, purse making hardware, button making supplies, photography light box and finished inventory. Shelving towers hold other tools and supplies and fabric stash. Blogged
Akseli Gallen-Kallelan työhuone ja ateljee Kalelassa Ruovedellä.
Kalela on Akseli Gallen-Kallelan entinen erämaa-ateljee ja oman perheen koti. Kalela on taitelijan itse-suunnittelema kelohonkarakennus.
Kuvauspaikka: Kalela, Ruovesi
ajoitus:
kuvaaja: luultavasti Akseli Gallen-Kallela
mitat: 120 x 87 mm
tekniikka: valokuvavedos
merkintöjä: omist: Gallen-Kallela
inventointinumero: kot. 6/51
kokoelma: Akseli Gallen-Kallelan valokuvakokoelma
tutki lisää / explore further:
Tiedätkö lisää tästä kuvasta? Kerro meille!
Do you have information on this photo? Let us know
Public Domain image from The Rijksmuseum. Digitally enhanced by rawpixel.
Free download under CC Attribution (CC BY 4.0). Please credit the artist and rawpixel.com.
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/category/53/public-domain
Basix 66W x 36D x 36H with phenolic resin work surface, 2 x 2 tubular steel frame, 3 custom placed grommet holes, leveling casters
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
here is another sketch from one of my old sketchbooks; this is dated from the summer of 1984 and is a pen & ink sketch of my drawing board, adjustable light and a worktable on which I had been working on a scale model for a house renovation project
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
Building the Aga and bespoke furniture into a niche helped to create the width taht this long narrow kitchen required.
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
Dark colours and contemporary knobs ensure that this design remains clean and sharp but keeps its timeless appeal.
Even the most contemporary space can be enhanced with Chalon furniture.
Light, space and the use of natural materials are the latest trend 'urban nature'.
Even the most contemporary space can be enhanced with Chalon furniture.
Light, space and the use of natural materials are the latest trend 'urban nature'.
mystic, connecticut
1974
seaport village
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
This useful prep sunk has been built into the worktable as part of the ergonomic design of the space.
The “INKredible 2″ Pack includes 20 NEW polymer clay patterns sheets designs introducing a variety & mix of materials to use along with alcohol inks.
These sheets can be applied in any bead, jewel, or accessory of your choice – flat or curved, small or large.
I implemented my pattern sheets on earrings & beads.
The materials I used are probably already in your polymer clay toolbox, taken from many of my previous classes –
Alcohol inks, chalk pastels, paints, stazon inks, stencils etc.
This class is a new version of my known previous INKredible class, now offering a celebration of exciting, new techniques, encouraging you to use anything on your worktable, along with alcohol inks.
20 patterns came out of my personal laboratory, but the combinations are infinite!
www.polypediaonlineexpress.com/product/complete-inkredibl...
If you are interested in combining these beads in elaborated, impressive Micro Macrame knotting, you are welcome to check out the new "INKredible Macrame" class -
www.polypediaonlineexpress.com/inkredible2-inkredible-mac...
polymer clay, polymer clay tutorials, polymer clay alcohol inks, micro macrame tutorials, polymer clay how to, how to polymer clay, surface techniques, polymer clay ink
aspen, colorado
late 1975
inside nick's "mad lab"
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Utrecht University Library – Wiel Arets Architects
Size: 36.250 m2 - Design: 1997-2001 - Completion: 2004
The library, which houses 4.2 million books, was intended, in addition to being a place where people could work in a concentrated manner, to also become the intellectual social center for the suburban university campus, where students and others can come to study and meet at all times of the day. The 40 meter tall library and the adjacent, lower parking garage, both clad in glass and concrete imprinted with the same silk-screened figurative pattern, are sited on the major road and pedestrian pathway across the campus. The simple rectangular massing of the library and the repetitive rhythm of its concrete cladding and glazing, which is subtly modulated by the projecting operable sections, stands in stark contrast to the rich, plastic spatial complexity of the interior spaces.
The books are stored in two primary volumes that seem to float up towards the ceiling. The massive, lifted book stack volumes are made of black-painted cast concrete, and the walls have a three-dimensional figural pattern cast into them which matches the two-dimensional pattern imprinted on the exterior glazing. While the black pattern on the glazing filters the natural light entering the building, the pattern embossed in the black-colored concrete walls acts to diffuse and bounce the light deeper into the interior spaces. At the center of the building, a vertical space, running from the ground to the roof, is opened between the two book stack volumes, which are interconnected by a series of stairs and sloping ramps. This central vertical space forms the experiential hinge of the building, interweaving the lines of movement, the spatial layers, and the internal views.
The walls and ceilings of the interior are black and matt, while the floors are white and shiny. The bookshelves are black, while the worktables are white. The predominant black color characterizing the interior is critical to creating the atmosphere of concentration, security, and silent communication essential to the function of the library. The black interior creates a feeling of local enclosure, allowing the inhabitants to conduct the private activity of concentrated study in a public place of collective identity. The only exceptions to this color scheme are the red rubber surfaces used in the book checkout area, the information desks, the auditorium, the bar, and the lounge, all of which are related to the itinerary of public movement through the building.
The individual workspaces are organized in a wide variety of locations and arrangements within the interior, some quite intimate and isolated, and some quite extended and exposed. The individual user can make a choice of where to work, and thus to determine both their ability to be absorbed in their work, and the amount of communication they wish to have with others in the library. Because of the remarkably rich range of sizes and shapes of the workplaces, and the complexly layered sections and the endlessly unfolding spatial intersections within the building, it is possible to recognize and communicate visually with people across the interior, and even from floor to floor, while at the same time being undisturbed by those sitting nearby.
All of the ironwork in our hanging racks is produced by hand by local craftsmen. The provide decoration and useful task lighting.
First, it was Old Scrawny Cat mewing in irritation, because I didn't provide a comfy spot next to my computer where he could keep watching me as he slept. (Yes, he watches me in his sleep. He's that needy, the poor old thing.) So I put an old cat bed there. Young Fat Cat found the cat bed and decided it was a nice spot to sleep as well. And so the two cats fought for days over who'd get the bed, until I shoved open a place on my worktable and put up an old cat bed for her too. So, instead of a nice open workspace for my projects, I have cats. Sleeping cats.
Finally finished the fabric drops to hide all the storage. It holds a ton of stuff under there....including sleeping kittens.
The Chalon canopy is supplied with extraction and task lighting to suit even the most demanding cook.
On the table: a small sewing basket, an open embroidery box with embroidery silk and probably a needle threader or a crochet hook fixed on the quilted silk cover - and an unfinished embroidery. A big basket with top under the table.
Az asztalon egy kis varrókosárka, egy nyitott hÃmzÅ‘doboz talán nyeles tűbefűzÅ‘vel vagy horgolótűvel a fedél steppelt, selyemmel borÃtott belsÅ‘ részére rögzÃtve, egy megkezdett hÃmzés, és egy nagy fedeles kosár az asztal alatt.
Photographer, people and location unidentified.
Blank reverse.
Cabinet card, 1880s
For a more fitted look or if space is limited, Chalon produce a range of modular furniture to the same quality specification as its freestanding pieces. However these pieces provide more storage and countertop.
boston, massachusetts
january 1971
metalsmith / jewelry maker
meeting house gallery, beacon hill
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Ring of Bright Water Dream
I’m with a group of people, following them in a cave. There are lights and rooms; we are in one room and it is very messy. There is no furniture in the room and the floor is covered in litter. We leave the room and go out to the cave entrance. It is dark but I can see a river and a forest beyond. I realize that I don’t have my purse and I leave the group to go back to the cave to retrieve it. I feel trepidation as I did not ask the group to wait for me. I go back to the messy room. Looking in it seems darker than before. I can’t see my purse from the doorway and I step further into the room. I go into an antechamber that I had not noticed previously and find my black backpack atop a pile of junk on a worktable.
I grab my bag and head back to join the group but I lose my way. I find a red door that I had not seen before and I hesitate. I can hear voices coming from the other side. Entering I find myself in a lobby. A young blonde woman is vacuuming the carpet. Her hair is in pigtails and she is wearing a pink maid’s uniform. I ask her for directions; she is grumpy and says that she is too busy and does not have the time. She tells me that her boss will be mad at her and she points to him. He is taking a shower. He is a slender man of medium height with brown hair. She appears to be afraid of him and he seems to be angry. Because of her fear, I feel apprehensive. I persist in asking her for directions and she points to a sign that is above the portico. The sign has three directions, the first, to ‘Horsey Way’, has arrows that are pointed both to the left and to the right. She said I needed to take ‘Horsey Way’ and then she resumes vacuuming, turning away from me. I decide to go right but it leads to an escalator coming up. I turn around and go to the left. Her boss is there and he looks at me. I feel embarrassed and worried. I tuck my head down and walk past him. He is dressed in a black T-shirt and watches me leave but says nothing.
I make my way back to the river but I can tell it is not the same place as I had been with the group. The thought occurs to me that previously I was further up the river. A truckload of lumber passes by. It is an old truck and as it comes closer I can see that it is filled with men. I walk along the river going in the same direction as the truck believing I am headed towards town. There are runners and other people along the path. I come into town, it feels as though I am returning after having been gone. I pass a restaurant and look in the window. I can see a group of people singing and I know that these people are my friends and that I used to sing with them. I hear one of them mention my name and though I cannot hear them I know they are talking about me.
I walk further down the street and then I find myself in a room. It is a dim wood-paneled room, like a lodge. On a log are two otters, one smaller than the other. Two people are there, one a photographer. I rush into the room crying ‘Ring of bright water, ring of bright water’ and take the larger otter into my arms. I am crying with joy. The little otter is crawling all over the log. The photographer says ‘How long have you been separated?’ and I reply ‘One year’. I look down and see the otter stretched out on my lap with the top half of his body spilling out of my lap and down my leg; his eyes are closed and he is smiling.
SYMBOLS:
Cave: Deep mind exploration, the unconscious. Heroine's underground plight.
Purse: Sense of identity
Mess, Rubbish: Unworthiness, unwanted feelings, cleaning up one's life
River: Life processes
Forest: Sense of being lost
Door: Closed door is considerations, obstacles. An open door is opportunities
Lobby: Trying to make something known, the social side, welcoming the opinions of others
Unknown Man: Negative as pushy, aggressive, forcing, controlling, difficult situation. Positive as linking to one's own strength.
Unknown Woman: Oneself at that age. i.e. the feelings you had at that period of your life.
Truck: Heavy workload
Restaurant: What people think
Otter: Ability to deal with changing life events or emotions - the river of life. Looking within for answers or strength.
Acrylic on canvas, 11x14