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Massimo Vitali talking on CastorScan hi-end drum scans and hybrid vs analog workflow / prints.
In front of his "Zlatni Rat Canoe", 180x220 cm LightJet print made at Grieger GmbH laboratory, Düsseldorf.
Print on Kodak Endura Premier paper made by Océ LightJet 500XL printer.
Drum scan by CastorScan www.castorscan.com
Photogallery:
www.flickr.com/photos/castorscan/14326179423/in/photostream/
www.flickr.com/photos/castorscan/14119345338/in/photostream/
www.flickr.com/photos/castorscan/14282852906/in/photostream/
www.flickr.com/photos/castorscan/14282856676/in/photostream/
www.flickr.com/photos/castorscan/14282853986/in/photostream/
From Altimeter Group Report: "The Converged Media Imperative: How Brands Must Combine Paid, Owned and Earned Media," by Rebecca Lieb and Jeremiah Owyang. Download the report at www.altimetergroup.com/research/reports
Used thumbs+ to replace some colors, Have not worked out if the a6k can do an in-camera key colour
from C:\Users\User\Pictures\My Pictures\Dell 2020\07 Jul 15 general
see camera lens search www.goat.vision/search/SONY/ILCE-6000/
Workflow: Negs processed by apetureuk.com
Raw file scanned with Reflecta RPS 10m @ 2,500dpi
Imported to Lightroom, then 'edit copy in Photoshop' selected. Colorperfect filter applied in Photoshop then saved. Colour, sharpness and N/R applied in Lightroom.
Nikon F5
Carl Zeiss ZF.2 2/28 Distagon T*
Kodak Gold 200@400
Developed & scanned by Carmencita Film Lab in Valencia, Spain
With Biscione&Associati S.r.l.: an infographic explaining the commercial offer from INAZ, part of a larger work
The end result of this madness is that, while shooting in the studio, photos can be immediately reviewed on the ipad, projected on the wall, uploaded to flickr and entered into my lightroom library, all by just pressing the shutter on my camera.
A funny aspect of this is that it only covers the workflow that involves ingesting photos into lightroom. The workflow from lightroom to the thunderbolt raid, followed by cloud backup, is just as amusing.
The Notre-Dame-d'Espérance church (Eglise du Suquet) is a Catholic parish church located in the town of Cannes, France.
It is dedicated to Notre-Dame on the Place de la Castre in the Suquet district, and has been classified as a historical monument since July 28, 1937 [Wikipedia.org]
This is an image I processed using original narrowband data from Telescope Live. In my processing workflow, I used the Hubble Palette for the narrowband color mapping.
There are two open clusters and associated emission nebulae shown in this image - IC 2944 (the Running Chicken) and IC 2948. They are found in the southern constellation Centaurus.
In the image above, IC 2944 is centered on lamda Centauri, the 11th brightest star in the constellation. This is the bright star towards the lower right. IC 2944 and IC 2948 overlap. IC 2948 is positioned in the upper left and IC 2944 is at the lower right of the image.
Lambda Centauri is about 400 light years from Earth. IC 2944 is estimated to be 6,500 light years away.
IC 2948 includes small dark nebula known as Bok globules. These small nebulae contain dense cosmic dust and gas and may be where star formation takes place.
Telescope Live Information:
Observatory name: El Sauce Observatory
Location: Río Hurtado, Coquimbo Region, Chile
Coordinates: 30.472529° S, 70.762999° W (Google maps)
Elevation: 1525 m
Average seeing: 1.3'' - 1.8''
Date of capture: April 13, 2021
5 exposures per filter (Astrodon Sii, Ha and Oiii)
Total exposure time: 2.5 hrs
Telescope:
Officina Stellare RH200, a 20-cm F3 reflector
Aperture: 200 mm (8 inches)
Focal Length: 600 mm
F-ratio: 3.0
Mount:
Astro-Physics 1200GTO Equatorial Head Specifications
Minimum elevation: 32 degrees
Camera and Filters:
Camera Model: FLI ML 16200
Pixel Size: 6 μm
Pixel Array: 4500 x 3600
Pixel Resolution: 2.06 arcsec/pixel
Cooling: -20 degrees
Field of View: 2.58 x 2.06 degrees (155 x 124 arcmin)
Filters (50mm square): Astrodon LRGB 2GEN, Ha (3nm), SII (3nm), OIII (3nm)
Since 2004 I use this workflow. This workflow stay since 2006 on my pbase account:
By changing frequence, amplitude and waveform other figures are created. Many examples stay on my pbase account but a few are now also on this flickr site.
My workstation melted so rather than be sad, i decided to see how viable the ipad is as a mobile editing solution. The apps have come a long way, but theyre still not as nice as a desktop apps. By that i mean the algorithms seem a bit sloppier than desktop versions.However it works in a pinch and would be an excellent solution for a traveling photographer who wants to travel light. If youre an instagram photographer, then its a perfect fit.
Just experimenting with a some little video clips that show a before and after and how my workflow gets me where I want to go...
FULL EDITORIAL available at: www.miguelmartin.es/stories/what_to_wear_tonight/
model: María S. @Pasarella Image Agency
mua & hair: Javier Romero
photo & edit: Miguel Martín
Practicando un nuevo workflow de procesado. ¿Qué os parece el resultado? (imprescindible verla en grande).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4.Reflector para rellenar en la parte de abajo.
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New retouching workflow. Fancy the results? (Please watch it fullsize!!).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4 . Reflector down for fill.
for recognize the fine ambiance, please press L-key and enjoy the full-size view
the subject was captured with a tilt-shift lens. I have used a lateral tilt at open aperture. You can see the close focus range of the diagonally running across all three leaves.
post processing workflow: lying on the couch next to my TV looking wife. I have loaded the RAW file direct into the IPAD2. Open it with NIK-Snapseed. Its like a child play to work with color, contrast and texture layer here.
A portrait series with Pauline in cooperation with Atelier 5b.
Check my Instagram!
Atelier 5B on Instagram.
Model's Instagram.
Infographic that illustrates a comparison between an existing workflow, and a more collaborative and "agile" project workflow.
Not sure whether this will interest any of you or not, but just felt like sharing some of my thoughts through the post-processing stage of photography as have been getting a few emails from people lately about this.
The key to any post-processing is a good canvas on which to start from - this means you need to get it as "right" as you can in camera. Of course, using RAW formats make this a lot more forgiving, but I still believe it's a good thing to aim for! The less post-processing you do, the better quality your photo is also. Of course, that also depends on how creative you want to get. I'm not saying my images are anywhere near "right" in camera - actually I think there's still a long way for me to go there and I do get lazy quite often! It's still something I try to aim for anyway. Composition's probably the one thing you can't get away so easily with being lazy on :)
Left to Right, the top photograph is the original RAW photo without any adjustments. In my opinion (for what I like) the photo is flat and there's very little contrast between the bamboo and the middle tree, which is something I wanted to highlight, as when I was there, it's what struck me the most about the scene. The photo on the right was my first attempt at post-processing this image and I didn't like it. The colours just didn't do it for me, and the more I did, the worse it got! I also felt it was all too busy as the bamboo is a very strong feature with too much detail. The image just feels a bit uninteresting - there's nothing in particular that intrigues the viewer. I decided to leave the image and come back to it later, starting again from scratch.
The bottom two images are the ones I've posted on this photostream. The B&W attempt was born out of having been so disappointed with my first colour attempt. I felt I needed to just try something completely different as wasn't sure how to make the most of the bamboo without it being totally overpowering. I think this B&W stage helped me reorganise and refresh my outlook on processing a colour version (I find B&W tends to do that, for me at least). The final colour image is what I've finished with - it's not as "realistic" as it could maybe have been, but I've decided that this interpretation gives the effect I wanted. For me, it's intriguing and enchanting, which is honestly what I felt, being there (even though it didn't exactly look like that!). This image ended up being a lot more complex to process than I first thought - probably a lot to do with the weird lighting the bamboo gives, and the texture of it.
View large on B l a c k M a g i c