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This flowchart is based on David Allen´s GTD and a flowchart which I found on the web made by the company "FreeAssociates". You can find the original chart here: freeassociates.files.wordpress.com/2009/07/gtd-processing...
Infographic that illustrates a comparison between an existing workflow, and a more collaborative and "agile" project workflow.
Got my mini travel photo editing process set up and tested today. Shoot with the m4/3 Panasonic GX8, transfer to iPad Mini via SD adapter, edit with Lightroom mobile, upload to web via whatever means necessary.
(except the tagging interface on the Flickr iPad app is atrocious)
Not sure whether this will interest any of you or not, but just felt like sharing some of my thoughts through the post-processing stage of photography as have been getting a few emails from people lately about this.
The key to any post-processing is a good canvas on which to start from - this means you need to get it as "right" as you can in camera. Of course, using RAW formats make this a lot more forgiving, but I still believe it's a good thing to aim for! The less post-processing you do, the better quality your photo is also. Of course, that also depends on how creative you want to get. I'm not saying my images are anywhere near "right" in camera - actually I think there's still a long way for me to go there and I do get lazy quite often! It's still something I try to aim for anyway. Composition's probably the one thing you can't get away so easily with being lazy on :)
Left to Right, the top photograph is the original RAW photo without any adjustments. In my opinion (for what I like) the photo is flat and there's very little contrast between the bamboo and the middle tree, which is something I wanted to highlight, as when I was there, it's what struck me the most about the scene. The photo on the right was my first attempt at post-processing this image and I didn't like it. The colours just didn't do it for me, and the more I did, the worse it got! I also felt it was all too busy as the bamboo is a very strong feature with too much detail. The image just feels a bit uninteresting - there's nothing in particular that intrigues the viewer. I decided to leave the image and come back to it later, starting again from scratch.
The bottom two images are the ones I've posted on this photostream. The B&W attempt was born out of having been so disappointed with my first colour attempt. I felt I needed to just try something completely different as wasn't sure how to make the most of the bamboo without it being totally overpowering. I think this B&W stage helped me reorganise and refresh my outlook on processing a colour version (I find B&W tends to do that, for me at least). The final colour image is what I've finished with - it's not as "realistic" as it could maybe have been, but I've decided that this interpretation gives the effect I wanted. For me, it's intriguing and enchanting, which is honestly what I felt, being there (even though it didn't exactly look like that!). This image ended up being a lot more complex to process than I first thought - probably a lot to do with the weird lighting the bamboo gives, and the texture of it.
View large on B l a c k M a g i c
The fact an SVG image is an xml document comes handy. In the past our workflow has been defined by the icon theme spec. We worked on individual files for every icon size. That becomes problematic when you tweak an aspect of an icon and you have to keep the change in sync with the other versions (It shows itself in the tango-icon-theme emoticons, where you have clearly different colors between the various sizes).
During the suse hackweek I've cooked up a php script that would take a two-layer SVG, where in one layer there would be rectangles defining the size and the other the actual artwork and call inkscape to render the objects into PNGs.
And since I'm now working in a team that deals with ROR a lot, I've found a scripting language that I very much like, ruby. I'm no hacker, but man do I love the simplicity of it.
My parents' Sony RX100 next to my Microsoft Surface Pro. The perfect "Portable yet Powerful" combination for a photographer!
Photograph as seen on The Hugehog Blog.
a workflow chart describing general content creation process as shared by professional media and hobbyist bloggers alike.
IOGraphica overlaid on my photoshop document for 31.5 minutes. I've been working on this for a few hours, so this is an incomplete mouse track.
Corn bales dot the landscape of this farm in Berks County, Pennsylvania. In my never ending quest to fine tune my film development workflow I switched to a Beseler 8x10 color print developing drum on a Uniroller 352 auto-reversing rotary base for my 4x5 film development. I was getting uneven development always on a single sheet when I was trying the Mod54 insert in the older screw-top Paterson tank on the rotary base. Although the Beseler drum only handles four sheets at a time instead of the Mod54 six sheets, it is nearly foolproof and I've been able to use 80% less developer, stop bath, fixer and distilled water with each batch which is a huge advantage. I also have a Beseler 11X14 drum that takes eight sheets of 4x5 but I think I need to locate or fabricate a missing sheet spacer insert for that drum before I use it for developing. Going forward, the Mod54 insert will be used mostly for processing the double-sided Fuji HRT-30 X-Ray film I still have left.
4x5 for 365 Project details: greggobst.photography/4x5-for-365
Technical details:
Sakai Toyo 4 1/2 x 6 1/2" (half-plate) large format metal field camera with 4x5" film back.
Fujinon-W 210mm F5.6 lens in Copal B shutter.
Arista EDU Ultra 200 (re-branded Fomapan) B&W Film, shot at ISO 160.
1/30th second at F32.
Developed in Adox Rodinal 1:50 dilution for 7 minutes, 20 seconds @ 20 degrees Celsius using Beseler 8x10 color print drum placed on Unicolor Uniroller 352 auto-reversing rotary base.
4x5" negative scanned with Epson V600.
Workflow: logartis.deviantart.com/art/Workflow-animation-of-Forest-...
ps + tablet
My facebook: www.facebook.com/logartis.info
My website: www.logartis.info
You can download this workflow from David Allens website: www.davidco.com/pdfs/gtd_workflow_advanced.pdf
or you may try the D*I*Y Planner Templates, which is a collection of very good templates, includying the one you liked: www.diyplanner.com/templates/official/classic
There are also other great gtd workflows that are similar to this one:
smerino.bol.ucla.edu/gtd/gtd-1.html - Collection
smerino.bol.ucla.edu/gtd/gtd-2.html - Daily Reviews
smerino.bol.ucla.edu/gtd/gtd-3.html- Weekly Reviews
elementkstaff.com/Student_Course_Materials/bnu/images/gtd...
blogs.salon.com/0002007/images/workflow_diagram3.gif
My new photo project about workflow of my friend and fashion designer Alena.
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Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. On 3 November 2011 it hosted the 2011 G20 summit [Wikipedia.org]
Working on modifying my workflow to upload straight to the iPad Air2 plus post process with iPad apps straight from the SD. Not as good as my iMac and LR5 but it works.
We kept the primary workflow extremly simple.
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ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).