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New photoshop workflow based on some ideas from Vermeer's painting techniques.
Compare with www.flickr.com/photos/dougr/9511082879
Best viewed *big* using a color corrected browser (Safari or Firefox). Check out my best stuff at www.pacificaphoto.net and follow my new work on twitter @doug_r
Discover My New Portrait Editing Workflow!
In this series, I’m sharing the before and after of my portraits to show how my editing process has evolved.
The RAW photo: I always start with a clean, well-lit image to have a solid base.
Editing with Evoto AI: Then I use Evoto to refine the skin naturally and efficiently, preserving texture and authenticity.
Final touches in Photoshop: Finally, I make color adjustments and fine-tune the look for a harmonious result.
If you’d like to learn more about my experience with Evoto, you can read the full article on my blog.
I hope this inspires you and gives you new ideas for your own portrait retouching!
blog.stephanemosse.com/2025/10/27/evoto-ai-comment-jai-di...
25 x 10m in Ha,
25 x 10m + 14 x 20m SII,
25 x 10m + 10 x 20m OIII
Total Exposure time: 20.5 hours
A completely different processing workflow to bring out more nebulosity and subdue the tones.
This full, free video tutorial is now available for you to download and watch! It shows how to create this image, from beginning to end, and it includes the raw files and my luminance mask action set!
- I have a small request -
If you've enjoyed my materials and found them useful, please can you share the link below to others who you think will also enjoy them.
By doing so you will be helping to support this resource and helping it to grow. The more interest/demand I have in these workflows the more of them I can make.
Thank you and I hope enjoy this new video
www.throughstrangelenses.com/2013/09/08/full-free-post-pr...
I’m often asked how I create my AI photography images—especially by those using the same tools but getting very different results. Here’s a brief tutorial outlining my process for crafting refined AI visuals:
1.Start with a Line Sketch
Create a clean line drawing of your subject. Scan it at a minimum of 300 dpi for optimal clarity—this resolution consistently yields the best results.
2.Recover with AI Photo Tool
Use an AI photo recovery tool to transform your sketch into a base image. I typically select the “Severe” setting to maximize structural fidelity.
3.Enhance with AI Image Tool
Apply an AI image enhancement tool to refine detail. I prefer Version 2 with a 6-pass setting and the “Photography” filter for depth and realism.
4.Retouch for Precision
Use a photography retouch tool to eliminate blemishes, wrinkles, extra fingers, or other AI-generated artifacts. Zoom in closely to catch subtle errors. The lasso tool offers excellent control once mastered.
5.Smooth with Light Enhancement
Apply a light-setting enhancement to correct any smearing from the retouch phase. This step improves lighting, restores clarity, and sharpens the final image.
6.Finalize with Branding
Add your watermark or company symbol to complete the piece and protect your creative identity.
Le Suquet is the old quarter of Cannes, probably best known to tourists as the climbing, winding cobbled lane lined with local restaurants, Rue St Antoine. Le Suquet contains a clock tower and church that sit high facing east overlooking the Bay of Cannes and Cannes itself. At the bottom of Le Suquet on Rue Dr. P. Gazagnaire is the Marché Forville, where the market is held in the mornings and early afternoon.
This area is the original fishermans' residential area of Cannes. The houses are all very old. The streets were laid out at least 400 years ago. It is a 5-minute walk from the beach and is full of restaurants around the Rue Saint Antoine and the Rue du Suquet. A lot of the area is pedestrianised and is a major tourist attraction for visitors to Cannes.
The rue du Suquet is the original main road into Cannes. It came in below the walls of the castle (for defence reasons). It is a pedestrian street again and has plenty of restaurants [Wikipedia.org]
Here is a little behind-the-scenes of my creative process. With every one of my designs I try to flush things out early on with quick sketches and color studies before diving into generating the assets.
This is an example of my Signalera piece, where I started with a very quick sketch of composition, then a study in Illustrator, and the final piece.
You can see a larger version right here.
©2008 James White. All rights reserved.
My 'RAW 101' Workflow Video Tutorial is now available for Pre-Order!
Early adopters save 20%.
www.fototripper.com/product/raw-processing-workflow-for-l...
Do you get intimidated or overwhelmed by complicated image editing software? Relax. I’m here to walk you through the process step-by-step. By the time you’ve watched this series of video tutorials you’ll be processing your images with confidence.
Located in the heart of the glamorous city of Cannes —close to the Palais du Festival and famous Croisette walk— the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
Unglaublich wie schnell die Kreuzspinne ihr Netz baute, ich bin sehr froh das mir diese Aufnahme gelungen ist.
Unbelievable how quickly the cross spider built her net. I am very glad that this picture has succeeded me.
Edited this one in CS6 with nothing more than a pass of noise cancelation, slight curves adjustment, and sharpening on only the red and green channel.
First, Happy Thanksgiving To Everyone. Second DO NO TRY THIS AT HOME.
The following is how I edit my photos from my camera to Flickr.
1. Take an insane amount of photos of everything that you see in burst mode. I shoot everything in raw and large jpeg. I usually take a burst of 3 photos for every subject. For something like a marathon, my trip to San Francisco, or my day at the Lone Star Rally that would translate to 5000 photos. I took close to 30,000 photos in Japan. If we hadn't had 2 typhoons move through while I was there it would have been closer to 50,000. If you have quit laughing now please read on.
2. I transfer the 64 gb sd cards to my Windows 7 desktop. I usually do this one card at a time since I never have more than a 100 gb of storage left.
3. After uploading a sd card I go though and delete each out of focus shot or anything that just looks really off. Hopefully I cleared up enough room to upload another card. If not I try to see what I can part with and delete that. Eventually I will get everything into my Windows photo editor. The editor only sees jpegs and I have to move the cards over to my Mabook Pro in order to see the raw files.
4. The next step is to pick the best photo out of each burst. Sometimes the tired X-T1 misses every shot in a burst but really that is mostly my fault.
5. Go through the best shots and decide what to actually keep and edit in Lightroom. I try to remember that Lightroom can work wonders on some photos. Hopefully, I culled heavily but that is another problem that I am working on.
6. Rename all of the keeper photos so that I can find them in Lightroom. I am sure that there is an easy way to do this. This actually takes a really long time for me.
7. Transfer all of the photos to be edited onto another sd card.
8. Finally, turn on the Macbook Pro and import all of the photos into Lightroom.
9. Apply some sort of edit to the first photo and hopefully that can be applied to most of the photos in the upload.
10. Go back over every photo and make any minor adjustments that are necessary.
11. Go back over the photos one last time and cull any if necessary.
12. Finally, they can be uploaded to Flickr.
And that is how not to do it. (I actually really, really do it this way. It is possible that I even left a step or two out.)
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PLEASE NO SELF-PROMOTION or CRAPPY AWARDS. Thanks.
Digital blending or DRI or Exposure blending.
NO HDR.
First day of work after nice and sweet holidays.
I'm back in urban flux, trafic, polution and stress.
Work= End of contemplation. End of liberty.
This photo shows how we miss the beauty of the world and nature when we work as robots.
Drivers in foreground drive so fast they can't see beautiful landscapes in background.
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