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Someone asked me how I processed my photos which led me to write my workflow out on my "About" page. After some confusion, I decided to do a visual as you see in the attached image.
During the pandemic, I've been using my cell phone for almost all my pictures. I just wanted to pass along my workflow for others who haven't tried their phones yet. Just remember that a RAW file gives you much more room to adjust contrast.
- Thanks to everyone who looked at my picture, favors and have commented. Please press "L" or "Z" for a large view - an absolute must to fully enjoy this picture!
Said Bear has had a word with me about improving my workflow - whatever that means - and we published this picture directly from within Shotwell (a photo manager for Linux).
Said Bear has definitely settled into his new home, and I think he is actually taking over. No bad thing tbh.
hybrid workflow Mint SLR670S/instant Lab, Polaroid bw 600 film film, Bonn Germany, day one 1/2
Happy PolaroidWeek to you all! so looking forward to see your great polas this week. this community is so inspiring, glad to be a part of it.
don't forget to join the polaroidweek 2025 group:
and please follow Polaroid Week on Bluesky:
- bsky.app/profile/polaroidweek.bsky.social
you can find me or my work here:
let's just breathe…
hybrid workflow Polaroid bw 600 film film, dried flowers Bonn Germany, day five 1/2
don't forget to join the polaroidweek 2025 group:
and please follow Polaroid Week on Bluesky:
- bsky.app/profile/polaroidweek.bsky.social
you can find me or my work here:
Sometimes I wish I had recorded my workflow especially when the results are like this. I tried very hard to replicate it with another similar image but got nowhere near.
Selati Game Reserve
Gravelotte
Limpopo
South Africa
Chapter 12
It was another late night pouring over images; deleting, cataloging, organizing, choosing submissions - 'the workflow'. I hate the workflow. It was 3 am and I'd been fighting to stay awake for a while now. I was about to call it quits for the night, when I heard a soft melody drifting, somewhere in the background. From the flat next-door? And a faint yet pugnent smell of... what was that?... incense? massage oil and sweat?? Perfume?
Then... over my shoulder, the sound of a whisper I couldn't make out. I turned. "Sally! What... how did... what happened to you? Where were you..."
"You know", she said. It was her voice, but with an eerie, far away tone I'd never heard before. "I've been here" she continued, "right here".
"What... what do you mean? I... I don't understand" I stammered.
"Silly, silly, boy" she giggled. "I'm not real" she said. "You know that, right?"
"But... but I... we... our photos... our sessions..." my head began to spin.
"Il-eona!" she replied.
"What? I... "
"Il-eona... iliwa. Weikeu... weiku. Dangis-i gaya" I heard her say, her voice changing to a slightly higher pitch, and taking on a hypnotic, melodic twang"
"I don't und..." I said, as the music grew louder and louder - drowning out my voice... my thoughts. The music. An oddly familiar tune. Where had I heard it before??
Chapter 13
My head still spinning, I closed my eyes tightly. The music... the sounds and smells... so familiar. But how?
And where was I? I was in my flat, looking through shots from earlier in the week... wasn’t I?? I felt a hand on my upper arm... a gentle shake and “Weikeueob! Wake up!” in that same musical, hypnotic, woman’s voice. And in a short, curt but sweet broken English “time to go now.”
I opened my eyes and tried to focus them in the smokey, dimly lit room. There - my clothes, lying crumpled in the corner. A snuffed out candle, burnt low. A tattered, heavy, velvety-red curtain covering a small window, hazy wisps of light peaking around the edges to bathe the dusty air. A table cluttered with incense, an empty absinthe bottle, oils, small drinking glasses one of them stained with lip stick, some scattered powders and substances I didn’t recognize, a thin red veil covering jars of some mysterious, exotic substances. A ledge with a small lamp, a crystal vase and some ornaments and knickknacks... a few Halloween decorations scattered throughout. I looked up, into the beautifully large, dark eyes or the oriental-looking girl standing over me. “S... Sally?” I said, in my confusion. “Yes, me Sally” she said, showing her smile. “We have fun, but you... too much. Too much fun - no good. Too much no good. You understand? Only little fun.” she said, gesturing with her thumb and forefinger. “Umm... I...” was all I managed, grasping to make sense of something that, at least to me, made none at all. Remember, I told myself. Remember. I closed my eyes again trying to remember and relive, to make sense of the past days.
When I opened my eyes again I was someplace different. A bed. Crisp white sheets. Everything is so white. There’s something...in my arm. An I.V. A hospital. I’m in a hospital bed. There’s a voice “Doctor - come quick. He’s conscious”. A tall, thin man rushed into the room, dressed all in white. “I... where am I?” I ask. “You’re at College Hospital” he said. “Can you tell us what happened to you? Some passer-byes found you, in the streets, delirious, wearing clothes obviously not yours. They brought you here. Do you remember anything? Anything at all??”
Remember. “Sally” I said softly. “Sally” I whispered, as I closed my eyes... for the last time.
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First - apologies. I started this as a 365. But when I added the story, it began to write itself... including the ending. Thanks to those who took the time to view the images and read the text.
The story is a tribute to 2 great creative artists: Tim Burton and Edgar Allan Poe.
In the spirit of Halloween, and if you have time, I hope you’ll watch a Tim Burton movie and get lost in his magical world of crazy but relate-able characters. Or that you’ll read a story from the genius imagination of Poe, or read about his mysterious death (of which the ending of this series is based).
Edgar Allen Poe died this month (October 7th) in 1849. He was found delirious in the streets of Baltimore, taken to hospital, and never regained coherency (or perhaps only briefly) before his death. How he spent his last five days, how he came to be in such a state, why he wasn’t wearing his own clothes, his cryptic calling out for “Reynolds” during the night, and even the cause of his death, remains a mystery and source of much speculation and theory, even to this day.
******* Happy Halloween everyone! *********
P.S. - sorry for running behind (it’s been a busy time, and a challenge just to get the daily image posted). I will catch up viewing everyone photos and comments soon!
Photo credits go to my brother, Mars de Jesus.
HDR by Kris Kros
Did someone tell you that to produce HDRs, you need at least 1 raw or 2 or more jpgs with multiple exposures?
Now, take a look at this picture. It is only a one jpg file from a point and shoot Canon camera. And I still was able to produce this HDR. Secrets on how I did this is included in my book. Get it now.
Paying me by PayPal to order HDR Unleashed Book got easier than ever.
I just setup a site to accept orders for the book. It also includes my address in case you want to pay by check.
The book includes my workflow, both conventional and unorthodox ways, in producing my HDRs. In short, you can come up with images like mine, sometimes called the KK Touch. I have added my HDR images at the end of the book.
hdrunleashed.blogspot.com/2013/06/order-now-my-hdr-book.html
Thank you for your patronage.
Me on Facebook: www.facebook.com/kriskroshdr
A fiery sunset, REPLETE with virga, over Oregon's Alvord Desert. This image was made only 30 minutes before my lightning image from here, Voltaic Force.
HEY GUYS.
GUESS. WHAT.
I teach my processing workflow over Skype! I also offer in-field workshops, if you happen to be around the Midwest. Use the contact link on my website if you're interested in learning more: www.alexnoriegaphotography.com
A quick shot from last week's shoot on one of the Zenith Towers. The clouds were howling through these buildings at a tremendous speed, so it took a few attempts to capture them partially covering the building.
I've been upgrading some of my gear recently ahead of upcoming photography trips. If you're curious, you can see my new gear, the workflow explanation for this image, and a before/after comparison in today's blog post: www.throughstrangelenses.com/2015/08/03/in-the-clouds/
To download my Digital Blending and post-processing software, Raya Pro, please see here: www.shutterevolve.com/raya-pro-the-ultimate-digital-blend...