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Here is a little behind-the-scenes of my creative process. With every one of my designs I try to flush things out early on with quick sketches and color studies before diving into generating the assets.
This is an example of my Signalera piece, where I started with a very quick sketch of composition, then a study in Illustrator, and the final piece.
You can see a larger version right here.
©2008 James White. All rights reserved.
A truck that went too far trying to make a turn around in the busy Hialeah warehouse district got stuck on the rails, and the moist soil did not help, so it definitely disrupted the workflow of CSX Y22326 with GP38-2 #2765. The crew is just kicking back waiting and seeing how this goes down before ultimately deciding to disregard the BAEX boxcar and just spot the inbound CIBX boxcar at the stem of the Big Hole lead, which only serves SALCO in 2018.
Created by Rizzo Media Factory.
Original source: : youtu.be/xrjyj16vdSU
Take in the post-processing workflow of Mabry Campbell’s infrared, tilt shift, long exposure image of Zeeland Bridge. The series of 56 images representing the key steps if the editing process are joined together creating a visual motion picture experience.
About 19 Lifestyle-Film Lightroom & Camera Raw Presets:
19 Lifestyle-Film Lightroom & Camera Raw Presets is the first pack of professional Lightroom Presets perfect for photographers and graphic designers. All they have been created with precise calibration adjustments and clean arrangement to bring your images to life using powerful tools & professional methods.
Very important features:
19 Premium Presets tested in Lightroom & Camera Raw
Professional and unique result achievable in one click
100% non-destructive, we have been tasted them on different photos, and the results is awesome
Easy to use, just one click + Instalation file + powerful support if needed
This presets don’t change the WB (White Balance) of your image, they work with color, exposure, contrast, whites, blacks etc. This means that if your WB is okay, they do almost the same effect as on the preview image, and this is awesome.
No camera calibration profiles needed
Included 19 Lifestyle-Film Lightroom & Camera Raw Presets
HUBA-Lifestyle-Film 01A
HUBA-Lifestyle-Film 01A –
HUBA-Lifestyle-Film 01A +
HUBA-Lifestyle-Film 02B
HUBA-Lifestyle-Film 02B -
HUBA-Lifestyle-Film 02B +
HUBA-Lifestyle-Film 03C
HUBA-Lifestyle-Film 03C –
HUBA-Lifestyle-Film 03C +
HUBA-Lifestyle-Film 04D
HUBA-Lifestyle-Film 04D –
HUBA-Lifestyle-Film 04D +
HUBA-Lifestyle-Film 05E
HUBA-Lifestyle-Film 05E -
HUBA-Lifestyle-Film 05E +
HUBA-Lifestyle-Film 06F
HUBA-Lifestyle-Film 06F -
HUBA-Lifestyle-Film 06F +
HUBA-Lifestyle-Film 06F ++
The file type: .lrtemplate & .xmp
Designed to be used with: DNG,PSD, RAW, JPG, TIFF
Lightroom & Camera Raw: 4.x or above
Helpful Instalation file added
Unglaublich wie schnell die Kreuzspinne ihr Netz baute, ich bin sehr froh das mir diese Aufnahme gelungen ist.
Unbelievable how quickly the cross spider built her net. I am very glad that this picture has succeeded me.
My 'RAW 101' Workflow Video Tutorial is now available for Pre-Order!
Early adopters save 20%.
www.fototripper.com/product/raw-processing-workflow-for-l...
Do you get intimidated or overwhelmed by complicated image editing software? Relax. I’m here to walk you through the process step-by-step. By the time you’ve watched this series of video tutorials you’ll be processing your images with confidence.
Press "L". An iranian biker in Yazd street, Islamic Republic of Iran.
Kiev 60, Carl Zeiss Jena Sonnar 180mm f2.8, MACO TP64c, darkroom enlarged Lith print. 100% analog workflow. The final print drumscanned through PhotoMultiplier Tubes (PMTs - no CCD nor CMOS involved in digitizing the image)
Edited this one in CS6 with nothing more than a pass of noise cancelation, slight curves adjustment, and sharpening on only the red and green channel.
First, Happy Thanksgiving To Everyone. Second DO NO TRY THIS AT HOME.
The following is how I edit my photos from my camera to Flickr.
1. Take an insane amount of photos of everything that you see in burst mode. I shoot everything in raw and large jpeg. I usually take a burst of 3 photos for every subject. For something like a marathon, my trip to San Francisco, or my day at the Lone Star Rally that would translate to 5000 photos. I took close to 30,000 photos in Japan. If we hadn't had 2 typhoons move through while I was there it would have been closer to 50,000. If you have quit laughing now please read on.
2. I transfer the 64 gb sd cards to my Windows 7 desktop. I usually do this one card at a time since I never have more than a 100 gb of storage left.
3. After uploading a sd card I go though and delete each out of focus shot or anything that just looks really off. Hopefully I cleared up enough room to upload another card. If not I try to see what I can part with and delete that. Eventually I will get everything into my Windows photo editor. The editor only sees jpegs and I have to move the cards over to my Mabook Pro in order to see the raw files.
4. The next step is to pick the best photo out of each burst. Sometimes the tired X-T1 misses every shot in a burst but really that is mostly my fault.
5. Go through the best shots and decide what to actually keep and edit in Lightroom. I try to remember that Lightroom can work wonders on some photos. Hopefully, I culled heavily but that is another problem that I am working on.
6. Rename all of the keeper photos so that I can find them in Lightroom. I am sure that there is an easy way to do this. This actually takes a really long time for me.
7. Transfer all of the photos to be edited onto another sd card.
8. Finally, turn on the Macbook Pro and import all of the photos into Lightroom.
9. Apply some sort of edit to the first photo and hopefully that can be applied to most of the photos in the upload.
10. Go back over every photo and make any minor adjustments that are necessary.
11. Go back over the photos one last time and cull any if necessary.
12. Finally, they can be uploaded to Flickr.
And that is how not to do it. (I actually really, really do it this way. It is possible that I even left a step or two out.)
Located in the heart of the glamorous city of Cannes —close to the Palais du Festival and famous Croisette walk— the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
This is not an image I would normally post, but having decided a while ago to document my workflow (I’m an engineer…. I like to document how things work!), I thought it might be useful to post it and see if it draws any comments. I am often curious about what other folks do and sometimes think my own workflow is somewhat over complex.
I used the following:
•Adobe Bridge CC; ou can get this with a FREE Adobe CC subscription. I use it to provide a centralized way of browsing and managing my files and launching all my other applications.
•DxO PhotoLab; for me the best RAW developer out there, and I’ve tried most of them.
•PENX DCU; if I really must develop using Pixel Shift, I sometimes use this. However, I really don’t like it. Please DxO, give me Pixel Shift support!!
•ON1 Photo 2017; there are some nice filters in here. I had high hopes that the RAW developer would be awesome, but its simply not a patch on DxO, especially now DxO have finally added selective development.
•AuroraHDR; I’m really on the fence with HDR packages. This seems to offer good results and a lot of control, but I’ve only been using it for a few days.
•Afinity Photo; I ditched my Adobe subscription in favour of using Affinity Photo. It is excellent value for money, powerful and extremely stable.
•NIK filters; barely ever uses them as ON1 filters are so much better.
Copyright © Dave Sexton. All Rights Reserved.
This image is protected under international copyright laws and agreements. No part of the image or the Flickr Photostream to which it belongs may be reproduced, stored in retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the Copyright owner’s prior permission.
(Français en-dessous)
It was only fair I took at least one picture of the camera which I used to shoot most of this project.
Also, it is time to say thank you very much to every people who supported me during this, and that also means all of you.
I'm not sure I would have been able to complete this project without the great feedback you gave me every day.
It's been tiring, long, great, hard, rewarding, fun... I've been able to meet new people, to make friends, to discover a lot about pictures, the way people percieve it, about myself too...
It's been very diversified.
For this project:
I've taken 366 pictures (yes I made a mistake numbering the pictures and there are two "day 055"... But whatever, let's say it'll be a bonus! ;-)).
I've shot myself 41 times.
I've shot other people 57 times.
I've used my beloved 135mm lens 116 times.
I've shot 146 "strobist" pictures.
My cameras' shutters have been released approximately 18330 times (which gives an average of 50 pictures per day).
I've spent more than 4000 euros in new equipment.
I've spent approximately 3.5 hours a day working on my pictures (and I would say that at least one third was spent after midnight, instead of sleeping...).
I've had approximately 200 000 views on Flickr during this project.
When I started the project, I had no idea how hard it would be. I'm sure I would never have started otherwise. But I still strongly encourage anyone who wants to progress and learn a lot about photography to do this.
It's really hard sometimes, but it teaches you a lot, and the harder it feels, the more it teaches you of course.
It forces you to shoot at a pace that makes your learning very fast. It forces you to diversify. It forces you to try new things, to look for new ways of doing things. It forces you to become more efficient in your whole workflow. It forces you to plan, to look for inspiration everyday, everywhere, all the time. It forces you to look at everything as if it was a potential photography subject. It forces you to listen to the feedback from other people, to open yourself...
For all these reasons, I think it is a great great thing to learn a lot about photography. And the best thing is that it will adapt to you, because you do it the way you want. It's only up to you to decide how much time you wanna spend in it every day, how much implication you're ready to give.
Sometimes it was difficult, I was tired and wanted more sleep, more time with friends. But there was always wonderful people around me to talk me up. And I wanna say a big thanks to them, who endured me and my mood during this year.
And when things were difficult, when I wanted to stop, there was always a lot of excellent feedback from you people from here.
Flickr is really a great place to share a common passion and it alows you to meet wonderfully talented people. It's amazing how quick and accurate remarks on your work can be here. I love this.
And for all these great comments and conversations, I wanna thank all of you, a lot.
After this, my plans are to get some sleep (at last!!!). No more pictures for a few days (if this is possible, I'm curious to see how I will react to this...).
But rest assured I'll keep on coming on Flickr and as soon as I've got something new in mind, I'll let you know here!! :-)
Thanks a lot everybody.
--------------------------
Il était normal que je prenne au moins une photo de l'appareil avec lequel j'ai fait la plupart des photos de ce projet.
Aussi, il est temps de vous dire merci à tous les gens qui m'ont supporté pendant tout ça, et ça veut aussi dire vous tous ici.
Je ne suis pas sûr que j'aurais pu finir ce projet sans les excellents retours que vous me donniez tous les jours
Ce fût fatigant, long, super, difficile, plein de récompenses, amusant... J'ai pu rencontrer des gens, me faire des amis, découvrir beaucoup de choses sur les images, la façon dont les gens les perçoivent, sur moi aussi...
Ce fût très varié.
Pour ce projet :
J'ai pris 366 photos (oui, j'ai fait une erreur de numérotation et il y a deux "jour 055"... Mais peu importe, ça fera un bonus ! ;-))
Je me suis photographié 41 fois.
J'ai photographié d'autres gens 57 fois.
J'ai utilisé mon objectif 135mm bien aimé 116 fois.
J'ai pris 146 photos avec flashs déportés ("strobist").
Le déclencheur de mes appareil photo ont été actionnés environ 18330 fois (ce qui fait une moyenne de 50 photos par jour).
J'ai dépensé (bien) plus de 4000 euros de nouveau matériel.
J'ai passé approximativement 3h30 par jour à travailler sur mes images (et je dirais qu'au moins un tiers l'a été après minuit, alors que j'aurais dû dormir...).
J'ai ceçu environ 200 000 vues sur Flickr pendant ce projet.
Quand j'ai commencé ce projet, je n'avais aucune idée de combien ça serait difficile. Je suis sûr que sinon je ne l'aurais jamais commencé. Mais je reste à encourager quiconque voulant progresser et apprendre beaucoup sur la photo de faire ça.
Ce fût vraiment difficile parfois, mais ça vous apprend beaucoup, et plus c'est difficile, plus ça vous apprend évidemment.
Ca vous oblige à prendre des photos à un rythme qui vous fait apprendre très vite. Ca vous oblige à vous diversifier, à essayer de nouvelles choses, à chercher de nouvelles manières de faire les choses. Ca vous oblige à devenir plus efficace dans toute votre chaîne de travail. Ca vous oblige à planifier, à chercher l'inspiration tous les jours, partout, tout le temps. Ca vous oblige à regarder tout ce qui vous entoure comme un potentiel sujet de photo. Ca vous oblige à écouter les remarques des autres, à s'ouvrir...
Pour toutes ces raisons, je crois que c'est une chose excellente pour apprendre énormément sur la photo. Et le truc super c'est que ça s'adapte à vous. Parce que vous le faites comme vous voulez. Vous seul(e) décidez du temps que vous voulez passer à ça chaque jour, de l'implication que vous mettez dedans.
Parfois c'était dur, j'étais fatigué, j'avais envie de dormir, de passer plus de temps avec des amis. Mais il y avait toujours de gens merveilleux autour de moi pour me remotiver. Et je veux leur dire un grand merci, eux qui m'ont supporté, moi et ma (parfois) mauvaise humeur, mon manque de temps, pendant toute cette année.
Et quand les choses étaient difficiles, quand je voulais arrêter, il y avait toujours les excellents commentaires de vous, ici.
Flickr est vraiment un endroit génial pour partager une passion commune et il vous permet de rencontrer des gens super talentueux. C'est génial de vois combien les remrques des gens ici sont pertinentes et rapides.
Et pour tous ces supers commentaires et ces conversations, je veux vous dire tous merci.
Après ça, mes projets sont de dormir (enfin !!!). Pas de photos pendant quelques jours (si j'y arrive, je suis curieux de voir comment je vais réagir...)
Mais soyez sûrs que je continuerai à venir sur Flickr et que dès que j'aurais quelque chose en tête, je vous le ferai savoir ici!! :-)
Merci beaucoup à tous.
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Setup shot HERE.
Strobist:
Cactus V5s
1 LP160 @ 1/16 with 1/2 CTO in snoot, behind, above.
1 LP160 @ 1/8th in 40x60cm softbox on the left, above.
1 Canon 430Ex @ 1/4th with full CTO in snoot, on the right.
Canon EOS 7D with EF 50mm f/1.4 @ 1/200th sec; f/5.6; iso100.
Location: Kilfarassy Beach - Annestown - County Waterford - Munster - Ireland - IE - Europe - EU
Photographer: Mark
Photoshop Camera Raw Filter
This wide-field image explores the complex of faint galactic cirrus known as Mandel Wilson 9 in the far southern constellation Apus- the final entry in Mandel and Wilson's "Catalogue of Unexplored Nebulae"
The light of stars in the Milky Way are reflected by these cosmic dust clouds that soar 300 light-years or so above the plane of our galaxy. Amateur astronomers refer to these as integrated flux nebulae though astronomers I believe prefer to call these galactic cirrus. These clouds commonly found at high galactic latitudes are incredibly faint and there is a barely a hint on individual sub exposures. But they can be traced over large regions of the sky toward the North and South Galactic poles. Along with the reflection of starlight, it is reported that studies suggest the dust clouds produce a faint reddish luminescence as interstellar dust grains convert invisible ultraviolet radiation to visible red light..,there is I feel a hint of rust in my image.
If you look closely you can see two tiny galaxies shining through the cirrus- a face on spiral (IC 4733) and a edge on galaxy below (IC 4635)
8 hours of integration over two sessions separated by nearly 24 months. 300 second subs
Samyang 135mm/AM3/ASIAIR PLus/Optolong UV/IR filter
Stacked in AstroPixel Processor and processed using my normal workflow in PixInsight
Here you will find ALL my preset's sellfy.com/sabekr that I create to help my workflow..and today I am sharing this presets to you guys.
The Presets is something you should use in order to make a photo feel more emotional and nostalgic.
I really love the look of old analog film cameras so here's my try to replicate it in an artistic way which are known from old cameras.See some examples on my IG www.instagram.com/mono_sabek/
I would just like to thank you so much for supporting my work and taking the time out of your day to check this out.
If you have any questions or comments..feel free to message me on any of the social media above!
Le Suquet is the old quarter of Cannes, probably best known to tourists as the climbing, winding cobbled lane lined with local restaurants, Rue St Antoine. Le Suquet contains a clock tower and church that sit high facing east overlooking the Bay of Cannes and Cannes itself. At the bottom of Le Suquet on Rue Dr. P. Gazagnaire is the Marché Forville, where the market is held in the mornings and early afternoon.
This area is the original fishermans' residential area of Cannes. The houses are all very old. The streets were laid out at least 400 years ago. It is a 5-minute walk from the beach and is full of restaurants around the Rue Saint Antoine and the Rue du Suquet. A lot of the area is pedestrianised and is a major tourist attraction for visitors to Cannes.
The rue du Suquet is the original main road into Cannes. It came in below the walls of the castle (for defence reasons). It is a pedestrian street again and has plenty of restaurants [Wikipedia.org]