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Nikon F5
Carl Zeiss ZF.2 2/28 Distagon T*
Kodak Gold 200@400
Developed & scanned by Carmencita Film Lab in Valencia, Spain
From Altimeter Group Report: "The Converged Media Imperative: How Brands Must Combine Paid, Owned and Earned Media," by Rebecca Lieb and Jeremiah Owyang. Download the report at www.altimetergroup.com/research/reports
Used thumbs+ to replace some colors, Have not worked out if the a6k can do an in-camera key colour
from C:\Users\User\Pictures\My Pictures\Dell 2020\07 Jul 15 general
see camera lens search www.goat.vision/search/SONY/ILCE-6000/
With Biscione&Associati S.r.l.: an infographic explaining the commercial offer from INAZ, part of a larger work
The end result of this madness is that, while shooting in the studio, photos can be immediately reviewed on the ipad, projected on the wall, uploaded to flickr and entered into my lightroom library, all by just pressing the shutter on my camera.
A funny aspect of this is that it only covers the workflow that involves ingesting photos into lightroom. The workflow from lightroom to the thunderbolt raid, followed by cloud backup, is just as amusing.
Today. I was going to cut my run short when I saw some unreal clouds settling behind the Willis Tower. I have never seen a cloud like this one in the city and I knew it would make for a great picture. This was taken from the Division st. bridge near the Division and Halsted intersection. Unfortunately, Division is a busy street and I was getting a ton of tripod shake so this took me forever to get a good shot, but it just so happened that the best one I got was as these kayakers were passing underneath.
I usually don't promote anything commercial on this blog... actually I usually don't promote anything. But, Justin Kern from the www.thewindypixel.com is running an HDR workshop on June 12th, and June 19th here in Chicago. The workshop is an all day event, and will cover not only composition, and actually taking pictures, but after all the good light is gone, he will go through his workflow for post processing! I am extremely excited about this because Justin is one of my favorite photographers and I have already learned a ton from him, so I can only imagine how much more I will learn from this workshop. You can get The Rest of the Juicy Details Here.
From the photoblog at www.shutterrunner.com.
The Notre-Dame-d'Espérance church (Eglise du Suquet) is a Catholic parish church located in the town of Cannes, France.
It is dedicated to Notre-Dame on the Place de la Castre in the Suquet district, and has been classified as a historical monument since July 28, 1937 [Wikipedia.org]
FULL EDITORIAL available at: www.miguelmartin.es/stories/what_to_wear_tonight/
model: María S. @Pasarella Image Agency
mua & hair: Javier Romero
photo & edit: Miguel Martín
Practicando un nuevo workflow de procesado. ¿Qué os parece el resultado? (imprescindible verla en grande).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4.Reflector para rellenar en la parte de abajo.
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New retouching workflow. Fancy the results? (Please watch it fullsize!!).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4 . Reflector down for fill.
Since 2004 I use this workflow. This workflow stay since 2006 on my pbase account:
By changing frequence, amplitude and waveform other figures are created. Many examples stay on my pbase account but a few are now also on this flickr site.
My workstation melted so rather than be sad, i decided to see how viable the ipad is as a mobile editing solution. The apps have come a long way, but theyre still not as nice as a desktop apps. By that i mean the algorithms seem a bit sloppier than desktop versions.However it works in a pinch and would be an excellent solution for a traveling photographer who wants to travel light. If youre an instagram photographer, then its a perfect fit.
Just experimenting with a some little video clips that show a before and after and how my workflow gets me where I want to go...
Infographic that illustrates a comparison between an existing workflow, and a more collaborative and "agile" project workflow.
An augmented color picture of Messier 33, highlighting the hydrogen rich regions in pink. My initial goal was to create an exploratory image of the galaxy and accept the resulting raised noise floor in exchange for better overall visuals on the very faint ring-like Hydrogen emission shapes on the outer edge, especially lower and lower right regions.
The image has been exposed during four nights in October and November, per channel:
Luminance 20 x 10 minutes
Hydrogen alpha 15x20 minutes
Red, Green and Blue 11x10 minutes each
For a total exposure of 13 hrs 50 minutes.
Taken with StarlightXpress SXVR-H18 thru William Optics FLT-110, WO AFR-4, and Baader filters.
Reprocessed data with proper calibration and better workflow for more even transition in the faint Ha regions to background sky.
Got my mini travel photo editing process set up and tested today. Shoot with the m4/3 Panasonic GX8, transfer to iPad Mini via SD adapter, edit with Lightroom mobile, upload to web via whatever means necessary.
(except the tagging interface on the Flickr iPad app is atrocious)
The fact an SVG image is an xml document comes handy. In the past our workflow has been defined by the icon theme spec. We worked on individual files for every icon size. That becomes problematic when you tweak an aspect of an icon and you have to keep the change in sync with the other versions (It shows itself in the tango-icon-theme emoticons, where you have clearly different colors between the various sizes).
During the suse hackweek I've cooked up a php script that would take a two-layer SVG, where in one layer there would be rectangles defining the size and the other the actual artwork and call inkscape to render the objects into PNGs.
And since I'm now working in a team that deals with ROR a lot, I've found a scripting language that I very much like, ruby. I'm no hacker, but man do I love the simplicity of it.