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Workflow: Negs processed by apetureuk.com
Raw file scanned with Reflecta RPS 10m @ 2,500dpi
Imported to Lightroom, then 'edit copy in Photoshop' selected. Colorperfect filter applied in Photoshop then saved. Colour, sharpness and N/R applied in Lightroom.
I'm trying to figure out where flickr fits in my uploading workflow nowadays. FB and IG allow multiple uploads as a single post, and I think that turns into albums for flickr. So I'm gonna try this out and make an effort to get back to using flickr on the regular. On that note, click the link here for the full album of MC Drying photos:
www.flickr.com/photos/brdparker/albums/72157716738127763
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Last night, I organized the... several... boxes of pleat patterns and corrugations I've done over the years and have just gone into storage - most are 1-3 years old, but some of them are in the 5-7 range. Many of them are in the "cool concept, but don't like the execution" pile, but I set about 110 aside as "good pieces, frame these." From those, I coated them in methyl cellulose and wrapped them in foil to let them dry in a specific form.
This morning, I opened the foil up to let them dry a bit more. So, progress made! This'll be a fairly large project spread out over a... maybe a year? But after that I should have a solid body of framed pieces.
Also, I voted.
Earlier this year one of the participants on a discord server I frequent put up a framework python script that allows the export of node based materials in Blender to .XML text based materials usable in Studio. I've expanded on it to include more node types...enough so that it's almost usable.
One of the things that drives me crazy about Studio is the endless iteration required to develop new materials. Being able to use Blender to shortcut this process has been extremely helpful.
In this case, I've been trying to figure out an accurate solution for an acrylic material.
On a 13" Macbook running Lion. More details on my blog.
* Chrome, iTerm2, Emacs.app always running in fullscreen mode.
* Auto-hidden dock.
* Two desktops, book-ending the fullscreen apps (each with their own wallpapers)
* Using whatever tweaks I can find to remove animations, or at least decrease animation delays.
This workflow has been surprisingly good, so far.
This is a shot list that I make of the images that I'd like to take when I do my walkthrough with the REALTOR® client (or on my own, if no client meets me at the property).
This idea came from the Interior Photo Workshop that I took in January 2009 in suburban Chicago from Photographers Scott Hargis and Thomas Grubba
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My workflow leaves something to be desired. Here I am trying to work on produce table designs, but I keep getting sidetracked- for example, by copying a Joni Mitchell CD cover.
© István Pénzes.
Please NOTE and RESPECT the copyright.
7th., March 2010, Distagon 50mm at the closest distance.
Hasselblad 503CW
Carl Zeiss Distagon 4.0/50
Kodak T-max 100
T-max developer 8 min. @ 19 Celsius
Coolscan 9000
So this is actually kind of fun I guess. This is my C41, color film workflow so far. It's been a bit of trial and error trying to maintain a consistent 102F for 3.5 min.
This is how I do it so far. Put water in this pot just enough to cover the 250ml of liquids in the measuring cups. Put pot on stove with flame on high to get a good rolling boil. Once it gets boiling, reduce flame to medium. When the temp in cups gets to about 95F, turn off heat otherwise the temp gets too hot and it takes longer to cool off than to heat up. Remove cups from water when they reach 102F. First step is just water for 1 min to heat up film and tank. This helps maintain temp for developer. 2nd, developer for 3.5 min. Developer will cool to about 95F in that amount of time which isn't good. So I put the tank in the water pot in between agitations. Keeps the temp from falling too fast. 3rd step is the bleach/ fix (blix) for 6.5 min. The good thing is that you can be between 95 and 105F for this step. 4th is wash for 1 min followed by stabilizer for 1.5 min. Done!
Also, I have always used Kodak black and white developers like HC110, D76 and Xtol for b&w film. To shake things up a bit and keep it interesting, I got some Rodinal. Never used it before and still haven't. Good times. This is definitely a labor of love.
Update: Roll number 3 following this method turned out some funky greenish colors on Portra 160. Not sure why. I'll keep this photo updated.
Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. On 3 November 2011 it hosted the 2011 G20 summit [Wikipedia.org]
A portrait series with Pauline in cooperation with Atelier 5b.
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Atelier 5B on Instagram.
Model's Instagram.