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No, not a tilt-shift photo, just practicing my CR2 -> DxO Optics -> DNG -> Adobe Camera Raw -> Adobe Photoshop CS4 workflow (I'm planning on using DxO mainly for the geometric corrections - they should make a Photoshop plug-in just for that).
I get asked a lot how I made the Burning Hand Shot. Here is basically my workflow from camera to finished project omitting the flames added between steps 2 and 3
you can see the final here::
Where I live daily...FCP edit suite at work that I designed last year. 12 core MacPro workstation, BlackMagic Design DeckLink Extreme 3D, SDI/HDMI throughout. DVCPro HD tapless workflow. It's a full FCP suite, with the usual Adobe additions, as well as being able to finish in DaVinci Resolve.
And yes...faux bricks and one dying track light included!
Shot with a Nokia Lumia 920
© István Pénzes.
Please NOTE and RESPECT the copyright.
7th., March 2010, Distagon 50mm at the closest distance. I'm developing a bad habit to fill the last few pictures of every roll with camera porn. I'm sorry....
Hasselblad 503CW
Carl Zeiss Distagon 4.0/50
Kodak T-max 100
T-max developer 8 min. @ 19 Celsius
Coolscan 9000
A simple workflow for converting a Digital Object Identifier 10.1093/nar/gkl320 into a PubMedID (16845108) using the NCBI eSearch utitlity.
NCBI services consume and produce complex data types. In Taverna, inputs (e.g. Database name, DOI, Return type in this example) have to be merged into a single string using the perversely named "Input Splitter". Outputs have to be split using the Output Splitter, which appear when you right click on the service in Taverna.
Workflow available from www.cs.man.ac.uk/~hulld/workflows/DOI2PMID.xml and via a simpler RESTian style: eutils.ncbi.nlm.nih.gov/entrez/eutils/esearch.fcgi?db=Pub...
This workflow was created and runs in www.taverna.org.uk/
This screenshot deconstructs by 365 day 31... I've never worked with textures before, but I decided that this image would benefit a textural addition.
1. I opened the original image in Ps, increased the exposure to make it a bit brighter (cancelled out by the new textures so it came back to its original exposure).
2. Opened the texture I got online and pulled it onto my image, using the soft light blending mode. I created a mask and masked off my face to keep it relatively clear (the brush had a 40% opacity I believe)
3. After doing that, I felt it looked better with a bit more contrast, so I made an S-Curve in the curves layer, and bumped the vibrance because I wanted to try the overlay blend on top on the soft light texture.
4. Same texture on the top, only in overlay blending mode, at 70% opacity, then masked out my face again on the forehead and "front" of the face to make it look like I was emerging. Again used a lower opacity on the masking brush, about 50%.
Final Shot here.
Hope this helps! I'm not claiming to be any sort of expert, that was just how I did it. This is far more processing that I usually do, I like Zack Arias' philosophy (well, I heard it from him) that you gotta get it right in camera.
...and if you have any ideas/feedback on how you'd do it, I'd love to hear!
Here I hone in the mildly interesting and really interesting shots. If I've taken multiple shots of the same subject in rapid succession, then I'll choose the best of the litter. I'll begin to start editing and cropping here and it's very often at this state that a style or theme emerges. In this particular case I started thinking about a series of square crops. I'm left with 26 photos.
Have you ever wondered how the articles get from print to you? Check out this awesome behind-the-scenes view of the JSTOR archive production process, in a comic drawn by one of our own staff members, Patrick Goussy.
Take a look at this week’s featured workflow, by Luís Miguel Braga. To be honest, this is the most comprehensive workflow we’ve seen so far (... read more)
Uploaded via tarpipe.
Are you gonna be at SXSW this year? Do you wish you could grab your cell phone, take a picture, and have it automatically published on Flickr and twitter with all the right tags? (... keep reading)
DISCLAIMER: The SXSW logo is © 1995 - 2009 SXSW, Inc. All other logos, mentions or names are considered trademarks of their respective owners. tarpipe is not affiliate with the SXSW Festival nor is this workflow generator considered an official SXSW tool.
Uploaded via tarpipe.
About:
Edinburgh castle from Princes Street Gardens in beginning of autumn.
Location:
Edinburgh, Scotland, UK
This image is also geotagged
Technical stuff:
Exposure: 1/40 sec at f/11 at -2 1/3 EV
Taken with: Nikon D90 and 18-105 mm f/3.5-5.6 at 21
This was a real b*tch in processing, I shot three bracketed shots to make an HDR, but the results were disappointed especially on the tree on the right with the bright sky behind (I masked the sun there). After processing I could always see dark patches in that part of the sky. So I took another approach:
- my -2 1/3 EV shot had the best range to start with, because the sky was the area that needed some color and this one had the most colordetail there.
- In photoshop created three levels layers with all a different mask
- L1: Sky: mask created with color range, shadow input level to 57 and midtone to 0,82 this gave me the blue sky I wanted
- L2: castle + rock: this was a little too dark (obvious off course of the dark shot I took), highlight input to 221 and output to 3..252
- L3: trees and foreground: this was too dark too and needed some extra light: highlight input to 210, midtone to 1.09 and output to 9..255
- A 4th layer was created to boost the saturation of red/magenta on the redish tree on the right
- in Lightroom: recovery 100 --> got all the blue I needed and some extra detail in trees.
- still in Lightroom: added clarity, sharpening and vibrance (I know I can do that too in PS, but I like the Lightroom way better)
Usage:
All my images are copyrighted, if you want to use it for anything contact me first.
Any comments, criticism and tips are welcome.
How to process "stuff". Organizing and implementing the David Allen "Getting Things Done" method (gtd.) Taken from the DA website at davidco.com/tips_tools/tip32.html. I use it as a screensaver.
Worked on some re-editing of previous shots, trying out a new workflow for my milky way shots that I'm much happier with. What do you think?
Original version here:
If you'd like to purchase prints of my photos please visit ericbenedetti.smugmug.com/, prints of all sizes and types (canvas, framed, mounted, or just paper) are available.
Screenshot of Day CQ5 WCM Version 5.1 Released November 14th, 2008
Showing the web-based workflow editor. Design publication processes, manage tasks, orchestrate actions..
WORKFLOW , lomics.co/l/MstwKj4joi
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©Chris Adval All Rights Reserved 2014. Chris Adval Productions - www.ChrisAdvalsArt..com - Go to www.ChrisAdvalProductions.com for service details.
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Photographer: Chris Adval MM#: 2175015
Wrestler: James Vazquez