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Finishing up sizing a TARDIS ring for a customer. Running Sleek & Destroy affords me some awesome opportunities.
200 photos here from an afternoon spent in Times Square. I rarely delete photos while shooting (takes time), so this is pretty much the output of a couple of hours wandering around in the rain. Look closely and you'll see that I'll often take a handful of shots of what I think is an interesting subject, playing with composition, exposure, timing, etc...
a little diagram I drew to figure out my git workflow. The idea being to be able to throw multiple features at a client for simultaneous testing while still keeping all independently releasable. I think it even works.
My iPad Photography workflow - RAW Processing
Check out the blog on which RAW processing apps I use on my iPad and why...
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
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About Me - about.me/edwardconde
My workflow on this was;
LIGHTROOM-CLASSIC
Crop.
Adjust basic exposure and contrast with 4 contrast sliders. In this case, I also cooled the light a bit, because the subject was standing under a halogen light, which came out too orange.
Boost “texture” to a high level, where the details pop. Don’t worry about noise yet.
Put “clarity” to 20%. This now looked very noisy, but with a good contrast balance. Lighting details can be dealt with later.
Run LR-C “denoise” enhancement. My objective is to go from “extremely noisy” to “a little noisy”. I find that 50% denoise often does that for me. This is my last Lightroom step, and the “A1” version.
PHOTOSHOP
Make final lighting adjustments. I often, as here, use DxO/NIK Color-Efex and the “darken/lighten center” function. I start with “maximum depth” and the smallest center, and place the center exactly where I want it. Then I expand the center and/or adjust the light/dark to taste. The objective is to create a “light-well” to draw the viewer’s attention to where I want it, but this effect should be subtle and more-or-less “natural looking”. I often dial back the effect until I can barely tell it is there myself, unless I do a flip-flop compare.
In addition to the light-well, I often use DxO/NIK Viveza to fine-tune critical areas of lighting, such as the face. There should be natural-looking shadows, but they should not be harsh or dark.
Next, I do final fine-tuning. This usually starts with a run through DxO/NIK Define for final noise-reduction. I also fix minor image blemishes natively in PS with the clone and/or heal brush, often at a 300% view. As long as I am working natively in PS, I also make final fine lighting adjustments with the dodge/burn/sponge tool, often at 300% view. As I did here, I often brighten the eyes slightly for the “pop”. I only do a very little bit of 5% “dodge”, however. A little goes a very long way.
Usually, my final step is to do a bit of fine sharpening. The “texture” function back in LR-C did most of the “sharpeing”, but I like to use the native PS sharpening brush. I always do this at 100% view, because that is where things are critical. I often use the “darken” mode of the sharpening brush and just lightly touch those spots that look slightly soft at a 100% view. If you use a light, 20% brush, then you can hit a spot 2 or 3 times, until it looks just right. In this case, I paid special attention to the sweater, and I deliberately went slightly-surreal on the ring, as a joke.
5D4-20230423-7361-A4 copy
workflow by Giovanni M. Dall'Olio illustratiting how the eSearch and eFetch utilitities from eUtils in NCBI work.
genome.imim.es/~giovanni/archive/eSearch_eFetch1.xml (warning, big file)
Workflow:
1. Non destructive
2. Preparing custom brushes
3. Selection & masking
4. Adjustment and Filters
5. Texturising
6. Lighting effects
7. Fine tuning
8. Adobe Lightroom tuning
Used technique: layers, adjustment, smart object styles, masking, clipping masking, Adobe Lightroom CC 2019, Adobe Photoshop CC 2019 and Video clips...
In an attempt to be more organized, I made a workflow of my process. It looks complicated but really only the red & grey items are time consuming. The rest are either fully automated or easy.
Illustration and annotations describing workflow for Facebook API integration (sharing) on Becta Next Generation Learning site
Zak, Sara, and Ben run into one of the least talked about yet most widely occurring issues facing Drupal developers today. Read more: www.developmentseed.org/blog/2009/jul/09/development-stag....
Workflow:
Photomatix for creating the HDR, 5Exp
Dynamic Photo HDR for tone mapping [values will follow]
My iPad Photography workflow - RAW Processing
Check out the blog on which RAW processing apps I use on my iPad and why...
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
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About Me - about.me/edwardconde
Located in the heart of the glamorous city of Cannes —close to the Palais du Festival and famous Croisette walk— the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
Desktop diary replacement. For some reason (suspect variants) MS has the concept of CSTRING or string of indeterminate size. Played havoc when trying to compile code with ANSI string.
Located in the heart of the glamorous city of Cannes —close to the Palais du Festival and famous Croisette walk— the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
ID, Conformado, Workflow, QUANTEL, Mistika, telecinado, etalonage, LUT, Kinescopado, codecs, contenedores, extensiones, Da Vinci, Pandora, ARRILASER, ARRISCAM, CGI, MoCap, Rotoscopia, AAF, CINEON, Esencia, Metadatos, FX, etc... esto solo ha sido el 2%...
I quickly go through the photos, deleting test shots, those obviously out of focus, and those that just aren't that interesting. I usually won't do any developing yet, but if there's a shot that has potential but isn't quite there yet, I might do a little editing to see if there really is potential there or I'm imagining things. Those that make the grade are given 1 star in Lightroom. Sometimes I look at a shot and I'm like "woah, that's definitely a fave!" so I'll give it two stars. Sometimes I look at a shot that's really nice but I've messed it up somehow–poor focus, poor exposure that I can't fix, timing just off, subject's eyes closed, etc... and I'm like "Damn damn damn. Gotta remember to do this different next time!" I'm left with 97 photos worth looking at again, with many of them multiple shots of the same subject.
In an obvious case of arson, The burned-out shell of a motorcoach sits in the front drive.
The abandoned KVVV radio station at 1400 Lundy Lane in Friendswood, TX. The property (on 46+ acres) is currently for sale for USD1.4M.
Wikipedia entry: en.wikipedia.org/wiki/KVVV-TV
Current real estate listing (June 2009): www.realtor.com/realestateandhomes-detail/1400-Lundy-Ln_F...
My iPad Photography workflow - RAW Processing
Check out the blog on which RAW processing apps I use on my iPad and why...
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
--------------------
About Me - about.me/edwardconde
Part 2 of 3
By keeping everything in 16-bit color space we can manipulate the image further once we have all our materials together.
Most strange looking HDR images found on the web is a result of people exporting to JPEGs after this. But this image was not what I had in mind when I looked at the landscape, so let’s work on this further.
To further reveal details in the shadow, I created a curve which targets only the shadow area. Shown here in the layer blending options you can see that I have targeted the curve adjustment to only affect a graduated area. If I do not do this, the sunlight would have been over-exposed again.
Also note that I am using the Lab color mode inside Photoshop. This allows me to work with the luminance, or lightness, separated from the color a/b channels.
After I am satisfied with the shadow overall contrast, I work with the overall luminance contrast for the overall image. Obviously the curve shown here is specific to this image.
Now I created a layer mask with a basic gradient fill so I can use the curve to adjust the tonal contrast for the sky.
# Full video
+ youtube.com/watch?v=0N9RWxVO5gw
# Presentation PDF
+ www.slideshare.net/seeminglee/hdr-process002
# Final photo
www.flickr.com/photos/seeminglee/9370400032/
# Notes
Hope this is useful for some…
# Media Licensing
Creative Commons (CCBY) See-ming Lee 李思明 / SML Photography / SML Universe Limited
HDR Photography Workflow: Part 2 of 3 / SML Tutorials
/ #SMLPhotography #SMLTutorials #SMLEDU #SMLUniverse
/ #HDR #photography #workflow #tutorials #video #edu