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Workflow:
- Pictures taken using Logitech 700i security camera with motion detection set to send an email with a picture every minute to a picasa web album.
- Downloaded album from picasa web and renamed the files using a script to improve Photoshop's image sequence import process.
- Launched Photoshop 5.1 and did the following:
-- File > Open
NOTE: Checked the "Image Sequence" box
-- Set the frame rate to 34 (This value was calculated /)
-- File > Export > Render Video...
--- Video Settings
Compression: H.264
Quality: Best
Frame Rate: 34 fps
Key frame rate: 24
Frame reordering: yes
Encoding mode: multi-pass
NOTE: These Photoshop steps are outlined further in this article.
For fun, here is a slowed down version of this video.
My iPad Photography workflow - RAW Processing
Check out the blog on which RAW processing apps I use on my iPad and why...
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
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About Me - about.me/edwardconde
Located in the heart of the glamorous city of Cannes āclose to the Palais du Festival and famous Croisette walkā the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
Desktop diary replacement. For some reason (suspect variants) MS has the concept of CSTRING or string of indeterminate size. Played havoc when trying to compile code with ANSI string.
Located in the heart of the glamorous city of Cannes āclose to the Palais du Festival and famous Croisette walkā the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
ID, Conformado, Workflow, QUANTEL, Mistika, telecinado, etalonage, LUT, Kinescopado, codecs, contenedores, extensiones, Da Vinci, Pandora, ARRILASER, ARRISCAM, CGI, MoCap, Rotoscopia, AAF, CINEON, Esencia, Metadatos, FX, etc... esto solo ha sido el 2%...
I quickly go through the photos, deleting test shots, those obviously out of focus, and those that just aren't that interesting. I usually won't do any developing yet, but if there's a shot that has potential but isn't quite there yet, I might do a little editing to see if there really is potential there or I'm imagining things. Those that make the grade are given 1 star in Lightroom. Sometimes I look at a shot and I'm like "woah, that's definitely a fave!" so I'll give it two stars. Sometimes I look at a shot that's really nice but I've messed it up somehowāpoor focus, poor exposure that I can't fix, timing just off, subject's eyes closed, etc... and I'm like "Damn damn damn. Gotta remember to do this different next time!" I'm left with 97 photos worth looking at again, with many of them multiple shots of the same subject.
My iPad Photography workflow - RAW Processing
Check out the blog on which RAW processing apps I use on my iPad and why...
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
--------------------
About Me - about.me/edwardconde
Part 2 of 3
By keeping everything in 16-bit color space we can manipulate the image further once we have all our materials together.
Most strange looking HDR images found on the web is a result of people exporting to JPEGs after this. But this image was not what I had in mind when I looked at the landscape, so letās work on this further.
To further reveal details in the shadow, I created a curve which targets only the shadow area. Shown here in the layer blending options you can see that I have targeted the curve adjustment to only affect a graduated area. If I do not do this, the sunlight would have been over-exposed again.
Also note that I am using the Lab color mode inside Photoshop. This allows me to work with the luminance, or lightness, separated from the color a/b channels.
After I am satisfied with the shadow overall contrast, I work with the overall luminance contrast for the overall image. Obviously the curve shown here is specific to this image.
Now I created a layer mask with a basic gradient fill so I can use the curve to adjust the tonal contrast for the sky.
# Full video
+ youtube.com/watch?v=0N9RWxVO5gw
# Presentation PDF
+ www.slideshare.net/seeminglee/hdr-process002
# Final photo
www.flickr.com/photos/seeminglee/9370400032/
# Notes
Hope this is useful for someā¦
# Media Licensing
Creative Commons (CCBY) See-ming Lee ęęę / SML Photography / SML Universe Limited
HDR Photography Workflow: Part 2 of 3 / SML Tutorials
/ #SMLPhotography #SMLTutorials #SMLEDU #SMLUniverse
/ #HDR #photography #workflow #tutorials #video #edu
DataBiNS: a BioMoby-based data-mining workflow for biological pathways and non-synonymous SNPs
Young C. Song, Edward Kawas, Ben M. Good , Mark D. Wilkinson and Scott J. Tebbutt
Bioinformatics 2007 23(6):780-782
DOI:10.1093/bioinformatics/btl648
Workflow available at www.cs.man.ac.uk/~hulld/workflows/DataBiNS.xml and www.mrl.ubc.ca/who/s-tebbutt/DataBiNS Supplementary Information.zip
Screenshot illustrating my HDR workflow. Lightroom has a user defined preset that applies a linear tone curve to the TIFF conversion; and it's set to export all the bracketed shots as a 16 bit TIFF with ProPhoto RGB colorspace (chosen b/c it's the biggets color space out there). I then go into the filmstrip in LR and select the bracketed sequence and do an export. Each shot's bracketed exposures go into a separate subdirectory on my C drive.
I then set PhotoMatix to go into that subdirectory and do a batch operation to combine the shots. I've found that with a linear tone curve - and specifying to Photomatix that the tone curve applied to the TIFF is linear - there is almost no color shift.
While the batch job is running, I have PhotoMatix save the results as a 32-bit OpenEXR.. OpenEXR is developed by Industrial Light and Magic, and essentially it preserves an original "HDR Raw" for me to go back and apply my own secret sauce if I need to at a latter date. (Normal DSLRs have 12-14bit bit depth per color channel - so this gives you an idea just how wide the gamut is...). It also runs a few pre-canned tone mapping (my secret sauce). For normal use, the canned stuff works pretty well. For art prints, I then go through a second procedure for artifact correction, etc.
Big thanks to StuckInCustoms for his excellent HDR tutorial. I am able to get so far so quick from standing on shoulders of giants who came before me and openly share what they've learned.
More goodies here:
www.flickr.com/groups/hdr/discuss/72157610456319940/
Framework presented by Scott McDonald and Ellyssa Stern at the PSU TLT Symposium session on "Digital Scholarship: How Digital Tools are Reshaping Academic Work"
A minigraph demonstrating the workflow of digital dentistry with 3D printing technology. The flow chart shows how scalable and manageable the implementation of 3D printing is to dental practices and labs.
Free for use under Creative Commons license. If you use this image, please link to "formlabs.com/blog/moving-from-analog-to-digital-workflows-in-dentistry" in your attribution.
cyn.in has workflow. Each item in cyn.in can be assigned a workflow state, this influences who can see it and other behaviour.
mask based point reclassification workflow with samples of actual data. This project was done with Lasmpi
#workflow #womeninuniform #woman #girly #gorgeous #georgiapeach #law #newlook #boss #bossy #chick #cool #classy #captain #crystal #swarovski #sexy #security #elcaptain #securityofficer #sophisticated #topnotchy #butterfly #jewelry #brown #caramelskin #soft #glamorous #GApeach #ATL