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A comparison of In Camera processing, my own custom workflow, my custom adjustments in Lightroom, RPP, RFC(SilkyPix) and Lightroom Default.
Click on this link to see them at 100%
farm9.staticflickr.com/8030/8005532522_f54ac0eae4_o.jpg
Follow this link to read the full article:
frontallobbings.blogspot.ca/2012/09/squeezing-maximum-out...
Here is the Workflow to get the Matcap Material from zBrush to mental Ray material:
norman3d.com/blog/?p=11#more-11
Thanks Norman, I've max 2010 and it's a little bit easier:
- Screenshot from your Zbrush Material, crop and save it.
- from he Norman's tutorial:
"Change the “Default Scanline Renderer” to mentalray. Open the Material Editor and pick a default material. Change the Self Illumination value to 100. Now you can click on the diffuse slot and pick the “mr Gray Ball” map. In the “Gray Ball Image” slot you will have to put the Shading Map you grabbed earlier."
The part with *.mi file can be ignore in 2010. The correct/actual name i have for the "Gray ball Image map" is "Environment Probe/Gray Ball (mi)". For this example I didn't use a standard material but a Arch&Design material with a normal map. It works fine.
Info about the pic above.
#1 Picture of the model from zBrush
#2 Same Model in 3ds max with the new material method
#3 Lighting für mental ray
#4 Compositing in Photoshop with AO and Zdepth
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Here I hone in the mildly interesting and really interesting shots. If I've taken multiple shots of the same subject in rapid succession, then I'll choose the best of the litter. I'll begin to start editing and cropping here and it's very often at this state that a style or theme emerges. In this particular case I started thinking about a series of square crops. I'm left with 26 photos.
Over two years ago, I posted an image of my workflow. Today, I decided it was due for an update.
This is the perfect "Portable yet Powerful" combination, version 2!
Kết quả sau 3 ngày chuyển qua Lr làm
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Photo: Blue
Model: Polly Thanh Thảo
Location: Quận 7
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Contact: 090 3883 869
Gmail: dsltn.seeya@gmail.com
Yahoo: dsltn.seeya
3D Film Factory's assits with the stereography on a 3D shoot for the "Yogi Bear" movie on location north of Santa Barbara. The production is using the 3D Film Factory's 3D-BS Pro (beam-splitter) Rig with a pair of Red One Cameras. For more information on 3D camera rigs or 3D production visit www.3dfilmfactory.com.
Photos compliments of Rich Kaylor.
The 3D Film Factory is the leader in affordable, professional 3D camera systems. In addition, we provide expert stereographers, 3D camera rigs, real-time 3D viewing, 3D post and 3D production services “for hire” anywhere. Past clients include ESPN, DISNEY, NASA and many others. For more information visit www.3DFilmFactory.com
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© István Pénzes.
Please NOTE and RESPECT the copyright.
7th., March 2010, Distagon 50mm at the closest distance. I'm developing a bad habit to fill the last few pictures of every roll with camera porn. I'm sorry....
Hasselblad 503CW
Carl Zeiss Distagon 4.0/50
Kodak T-max 100
T-max developer 8 min. @ 19 Celsius
Coolscan 9000
Workflow from
ubio.bioinfo.cnio.es/biotools/iHOP/examples/wf-iHOP.xml
as published in
by José M. Fernández, Robert Hoffmann and Alfonso Valencia
Prepare for bug close-ups...
This is the end of a small alligator clip on my X/Y/R specimen stage for photographing moths and other small creatures.
Large size | Original uploaded size | My portfolio | My manifesto
No, not a tilt-shift photo, just practicing my CR2 -> DxO Optics -> DNG -> Adobe Camera Raw -> Adobe Photoshop CS4 workflow (I'm planning on using DxO mainly for the geometric corrections - they should make a Photoshop plug-in just for that).
I get asked a lot how I made the Burning Hand Shot. Here is basically my workflow from camera to finished project omitting the flames added between steps 2 and 3
you can see the final here::
Strike a Pose Workflow Review
“Lightroom Preset Collection for Portraits”
Today I’ll be reviewing a new product from Sleeklens.com, collection of Lightroom development presets and brushes they are calling “Strike a Pose Workflow“. These tools are specific to ... [read more...]
www.bigsunphotography.com/strike-a-pose-lightroom-presets...
The Mobile Content Mandate
Karen McGrane, Author, Content Strategy for Mobile
You don’t get to decide which device people use to access your content: they do. By 2015, more people will access the internet via mobile devices than on traditional computers; in the US today, nearly one-third of people who browse the internet on their mobile phone say that’s the only way they go online. It’s time to stop avoiding the issue by saying “no one will ever want to do that on mobile;” chances are, someone already wants to. In this session, Karen will discuss why you need to deliver content wherever your customer wants to consume it, and explain how to get started with your mobile content strategy—defining what you want to publish, what the relationship should be between your mobile and desktop site, and how your editorial workflow and content management tools need to evolve.
Have you ever wondered how the articles get from print to you? Check out this awesome behind-the-scenes view of the JSTOR archive production process, in a comic drawn by one of our own staff members, Patrick Goussy.
Drew out in illustrator using my usual Ai illustration workflow (obviously kaley cuoco was my muse on this one)
PIPOYJOHN PHOTOART PRESENTS
"C o l o r s & D e t a i l s"
Advance HDR Photography Workshop
Online/Hands-on/One on One/Group
+63 917 836 5032
sendemail@pipoyjohn.com
1. HDR - www.facebook.com/media/set/?set=a.201355559879214.59474.1...
2. HDR PORTRAIT - www.facebook.com/media/set/?set=a.375726889108746.106684....
3. PANORAMIC HDR - www.facebook.com/media/set/?set=a.423323294349105.115646....
4. (Bonus) PIPOYJOHN's CINEMATIC WORKFLOW: www.facebook.com/media/set/?set=a.600526896628743.148183....
===========================
1. HDR (Single Image and Bracketed Shots)
Sample Outputs:
HDR - www.facebook.com/media/set/?set=a.201355559879214.59474.1...
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2. HDR + Portrait Mixed Workflow and HDR (Single Image and Bracketed Shots)
Sample Outputs:
HDR PORTRAIT - www.facebook.com/media/set/?set=a.375726889108746.106684....
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3. Panoramic HDR and HDR (Single Image and Bracketed Shots)
Sample Outputs:
PANORAMIC HDR - www.facebook.com/media/set/?set=a.423323294349105.115646....
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4. Package Deal: All 3 Different HDR Workshop + Bonus Pipoyjohn's Cinematic Efex
=============================
SCHEDULES: First Come First Serve Basis.
For Non-Online: BY APPOINTMENT
For ONLINE: BY APPOINTMENT
Monday-Friday - 8:00PM start
Saturday-Sunday - Anytime
Online Conversation via: Skype or YM.
==============================
-Understanding HDR Photography and its beauty in the field of Photography.
-Principles of Pipoyjohn's HDR Workflow
-Single Image/Raw V.S. Bracketed (Advantages and Disadvatages)
-Situational Camera Settings for preparation in shooting HDR PHOTOGRAPHY, PANORAMIC AND HDR PORTRAIT.
-Tips and Guidelines in shooting HDR Photography, PANORAMIC AND HDR PORTRAIT.
-Advance ORIGINAL Workflow for Editing HDR PHOTOGRAPHY, PANORAMIC AND HDR PORTRAIT.
Minimum Requirements:
-Basic Photography Skills
-Basic Knowledge in Adobe Photoshop and Lightroom.
-Knowledge in Basic Camera Operation.
-Must Understand the Rules of Shutter Speed, Aperture and ISO.
-Headset and PC Mic for Conversation (Online)
Software Needed:
-Adobe Photoshop CS5 or CS6
-Adobe Lightroom 4
Sample Photos:
HDR - www.facebook.com/media/set/?set=a.201355559879214.59474.1...
HDR PORTRAIT - www.facebook.com/media/set/?set=a.375726889108746.106684....
PANORAMIC HDR - www.facebook.com/media/set/?set=a.423323294349105.115646....
PIPOYJOHN's CINEMATIC WORKFLOW: www.facebook.com/media/set/?set=a.600526896628743.148183....
www.facebook.com/pipoyjohnphotoart
==================================
For Inquiries please contact Us: +63 917 836 5032
E-mail: sendemail@pipoyjohn.com / pipoyj@yahoo.com
Facebook: www.facebook.com/pipoyjohn
A simple workflow for converting a Digital Object Identifier 10.1093/nar/gkl320 into a PubMedID (16845108) using the NCBI eSearch utitlity.
NCBI services consume and produce complex data types. In Taverna, inputs (e.g. Database name, DOI, Return type in this example) have to be merged into a single string using the perversely named "Input Splitter". Outputs have to be split using the Output Splitter, which appear when you right click on the service in Taverna.
Workflow available from www.cs.man.ac.uk/~hulld/workflows/DOI2PMID.xml and via a simpler RESTian style: eutils.ncbi.nlm.nih.gov/entrez/eutils/esearch.fcgi?db=Pub...
This workflow was created and runs in www.taverna.org.uk/
How to process "stuff". Organizing and implementing the David Allen "Getting Things Done" method (gtd.) Taken from the DA website at davidco.com/tips_tools/tip32.html. I use it as a screensaver.
This is often the hardest step because it means leaving some good photos behind, but this is the most important step. In this set I had multiple interesting takes on a statue but decided that just one would make the cut. Conversely, I chose two versions of the flag because they were very different. There were other shots that were nice but I thought that they were cliche or not within the mood or theme of the rest. I do final editing here so that the photos feel like a set not a mish mash. I give these photos 3 stars in Lightroom. I'm left with 8. These are the ones that see the light of day.