View allAll Photos Tagged workflow
A snapshot of one nights shooting.
Very little to tweak or dick about with. I shoot RAW and downsave to jpg for the web, left the white balance alone. Tone curved and set the dynamic range a little... so not far from vanilla and straight out of the camera. The shot above was ISO 160, f8/22mm/ and a 30th of a second. Shot on a tripod.
1 - From camera
2 - Lightroom 3
+Exposure (if needed)
+White balance shift
+Healing tool for easy blemishes
+Color correction (Vibrance/HSL)
+Brush tool (exposure)
3. Photoshop CS4
+Surface blur, vary opacity
+Levels adjustment & Mask for toning, eyes, background
+Greater healing brush tools
+Liquefy (if needed)
4. Lightroom 3
+Final curves adjustment
+Vignette
+Sharpening
+Export
This is a comparison of my old and new Photoshop workflows. See full-size for best comparison. The original photo-which sucks--is on top. The middle one was accomplished with my normal photoshop workflow, which is an improvement, but the colors are horrible. The bottom one was created using Dan Margulis's "Picture Postcard" workflow, which is dramatically better than either of the others.
The new workflow involves 3 stages. Simplified, they are:
1. removing minor color casts in RGB mode without regard for contrast
2. boosting the contrast without regard for color
3. combining the color from step 1 and the contrast from step 2 in Lab mode while also boosting overall color.
Today is the first day I've been trying this new workflow, and I did this one rather quickly, so I don't contend that I've created a perfect image. But it's so much better than the way it would have otherwise ended up that clearly, I will be changing the way I fix pictures in Photoshop from now on.
Was working on updating our JIRA workflow for projects using Feature Cards. Tinderbox maps work well for this - along with pretty much everything else.
Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. On 3 November 2011 it hosted the 2011 G20 summit [Wikipedia.org]
Here is a shot of a Verify workflow on the whiteboard. This was an early concept sketch that held together.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
Трёхкрасочное, с разделением шаблонами, интаглио, поверх трёхкрасочной орловской печати.
* * *
Three-stencil intaglio over three-stencil orlov printing.
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Workflow:
1. Non destructive
2. Preparing custom brushes
3. Selection & masking
4. Adjustment and Filters
5. Texturising
6. Lighting effects
7. Fine tuning
8. Adobe Lightroom tuning
Used technique: layers, adjustment, smart object styles, masking, clipping masking, Adobe Lightroom, Adobe Photoshop CC 2017, several Stock Photos, plugins.
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Fonte: FB official page:
www.facebook.com/Coma.rock.art/info
Coma is, without a doubt, one of the most renowned bands in contemporary Poland. Distinguished by their platinum selling records, elaborate stage shows, and a following whose loyalty brings them near cult status, the group’s ascent from a post industrial city to stardom is astonishing.
Let’s back track to 1998, nine years after the fall of communism, in the city of LODZ. Opportunity was sparse and most young people found little alternative to just getting wasted, smoking dope, and engaging in full-on hooliganism. Decaying abandoned factories and rundown Soviet-style apartment blocks virtually made LODZ one of the most unattractive cities in Poland. The bleak landscape disenfranchised many people. Despite such conditions, the town had gradually developed into an epicenter for artists and musicians, a kind of Eastern European version of Manchester, England. Perhaps to escape a future drowned in alcoholism, some took to music, particularly young dreamers who devoted their time to punk, metal, and hard rock. In the decade that followed 1998, vocalist Piotr Rogucki, guitarist Dominik Witczak, guitarist Marcin Kobza, bassist Rafal Matuszak and drummer Tomasz Stasiak chose the dream, ditching their education as electricians to create something far more ambitious – animalistic rock personas with painted faces who are known today as Coma.
The first five years involved a bittersweet struggle. The band created an impressive workflow and its members instinctively knew that what they were creating was good. Year after year, Coma performed across the country, gradually building up an army of fans and supporters. Towards the end of this initial period, most of their events were sold out, in excess of a thousand tickets! Paradoxically, not a single label in Poland was interested in Coma and the guys decided to call it quits, booking one final concert to bid their fans a fond farewell. Incredibly, two weeks after their grand goodbye, BMG gave them a phone call offering them a major label contract. Hence, Coma was reborn.
The following five years might as well have been taken from a Hollywood film script. The group’s first major label album, First Emerge from Darkness, debuted in 2004, reaching #7 in the Polish charts, achieving gold record status. Furthermore, Coma’s debut record won a Fryderyk Award (the Polish equivalent of the Brits or the Grammys), in the category of “Best rock album”. The second LP, The Wasted Forces of The Great Army of Holy Signs, was released in 2006, debuting at #1 with platinum sales. This wave of success continued when Coma received two more Fryderyk Awards in the categories of “Best rock album” and “Best Band”. In 2007, Coma performed over 100 sold out events and opened for such bands as Pearl Jam, Linkin Park, and Tool.
Somehow, in the middle of this madness, the band managed to write and produce their most potent material of all – their third album, Hypertrophy. Debuting at #1 in 2008 and going double platinum, this unprecedented record received three prestigious Fryderyk Awards (“Best Band”. “Best Album”, and “Vocalist of the year”)! However, the intensity of fame took its toll and the band underwent a personnel change when drummer Adam MarszaLkowski replaced Tomasz Stasiak in 2008. By 2010, the group was solid, successful, and ready to move forward. They summed things up by being the first in Poland to release a live Blu-Ray (platinum sales). The release featured a symphonic performance with the Gdansk Philharmonic Orchestra, attended by six thousand people in Warsaw. The CD version of the performance also went platinum. In addition, Coma signed a new record contract with a highly respected label, Mystic Production.
Model Mayhem #1716116 Felicia Nichole
Photographed By: Brian Crouch aka shollowend
Photoshopped By: Ed Perez
Original File is located on this link: [http://www.flickr.com/photos/shallowend24401/]
...bei der Sichtung und Auswahl von besonders guten und sonderlich schlechten Bildern kommt es im üblichen Gebrauch von Lightroom fast täglich zur Zensur. Die Frage ist immer, was ist ein "P" und was ist ein "X"
This images is of the Duke University Libraries Verne and Tanya Roberts Conservation Lab. The lab was opened in August 2008.
For more information see library.duke.edu/about/depts/preservation/conservation/in...
The Promenade de la Croisette, or Boulevard de la Croisette, is a prominent road in Cannes, France. It stretches along the shore of the Mediterranean Sea and is about 2 km long. The Croisette is known for the Palais des Festivals et des Congrès, where the Cannes Film Festival is held. Many expensive shops, restaurants, and hotels (such as the Carlton, Majestic, JW Marriott Cannes, and Martinez) line the road. It goes completely along the coastline of Cannes [Wikipedia.org]
Sometimes with difficult curves I revert to pencil and paper. The ampersand is a rather complicated shape and I usually end up with the head flopping over one way or another, and the diagonal stroke too prominent.
1 With similar glyphs on the page, sketch a rough outline. The similar glyphs will give the stroke weight and proportions. Here I started with a numeral 8.
2 Repeat, this time tracing a better sketch with result of the previous step on the page behind. Here I made the whole thing rather wider and made all the curves smoother.
3 Scan, straighten and convert to monochrome.
4 Paste into FontLab and push the control points around a bit.
5 Hey presto! The outline looks smooth.
(6 Test in text, repeat step 4 until fully harmonised)