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Design/Print a batch of physical postcards. Inspired by postsecret.com.
Idea is to get stories contributed by physically pasting text/images on the front of the card, writing some basic information such as a postcode (and possibly extra text story) on the back and mail it in to a prepaid gpo box thingy.
Central service can scan/type/otherwise enter stories. Great way to capture first data prior to an interation of site that really flies.
Could scale to a story from every south australian but would take years to grow to a community of substance.
A sample videoblogging workflow for students using free Web 2.0 tools. Updated from previous version published in 2007. There's no weirdness with the drop shadow if you view the large version under "all sizes." It's happening because this is a transparent png instead of a jpg.
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FORTUNE Brainstorm Health 2023
Wednesday, April 26th, 2023
Los Angeles, CA, USA
7:30-8:45 AM
CONCURRENT BREAKFASTS SESSIONS
DATA AND TECHNOLOGY’S ROLE IN IMPROVING HEALTH OUTCOMES AND BOOSTING EFFICIENCY
Hosted by GE HealthCare
Health care systems have access to an immense amount of data, but much of that data is stuck in silos. Bringing these data points together can not only help reduce barriers to care, but also increase efficiencies in health systems and provide better outcomes for patients. Artificial intelligence and machine-learning models have the potential to make health care workflows more efficient, reducing wait times and alleviating pressure on an already strained workforce. What technologies are driving innovations in patient care and offering solutions to how health systems can better serve patients? Where do challenges still exist in bringing together health care’s often disparate data streams? How is A.I. and machine learning breaking down barriers to care?
Dr. Justin Barad, Co-founder and CEO, Osso VR
Dr. J. Jeffrey Carr, Professor of Radiology, Biomedical Informatics and Cardiovascular Medicine, Vanderbilt University Medical Center
Dr. Taha Kass-Hout, Chief Technology Officer, GE HealthCare
Jean Olive, Chief Technology Officer, Best Buy Health
Vignesh Shetty, Senior Vice President and General Manager, Edison AI and Platform, GE HealthCare
Moderator: Geoff Colvin, Senior Editor-at-Large, FORTUNE
Photograph by Stuart Isett/Fortune
To my immediate down & left when when working. Quick use files for inbox, Read/Review, Support, Tickle, & To file. Behind which is an on the go folder set I picked up from Allen Co. As well as the second container of computer parts and such.
Take your HDSLR skills to the next level. Create and record video/audio that is rich in quality and unique in aesthetics. Attend this class and experience hands-on training in shooting video, lighting a scene, video editing and much more.
- Importing, managing, and exporting footage
- Syncing audio
- First steps in editing like a pro
- Next steps toward your technical and creative growth.
Adapt has it’s Head Office and Development Centre in Gurgaon (India) and support office in Pune. The development center is having state of the art infrastructure to provide services and support to its customers round the clock and is backed by a well-qualified strong management team. Adapt is a privately held company currently on the threshold of explosive growth and plans to expand to other geographies shortly. For more details please visit at www.adapt-india.com/
Renames the file to make it web friendly (replaces spaces with underscores, all text lowercase)
Uploads it to the downloads folder on my site
Wraps the URL in HTML tags
Copies the URL to the clipboard
Ask if I want trash the file once uploaded (usually from the Desktop)
Just run the workflow then paste the URL
Uploaded with Automator
Equipment= Canon T3 Rebel
Lens Used=Tamron SP AF 10-24mm F/3.5-4.5 Lens
Exposures=5
Location=Rome Italy
Workflow= PhotoMatix, Adobe PhotoShop Cs5, and Adobe Photoshop CS6 Beta, Software, Nik Color Efex=Detail Extractor, Glamor Glow
My iPad Photography workflow - RAW Processing
Check out the blog on which RAW processing apps I use on my iPad and why...
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
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About Me - about.me/edwardconde
Le Suquet is the old quarter of Cannes, probably best known to tourists as the climbing, winding cobbled lane lined with local restaurants, Rue St Antoine. Le Suquet contains a clock tower and church that sit high facing east overlooking the Bay of Cannes and Cannes itself. At the bottom of Le Suquet on Rue Dr. P. Gazagnaire is the Marché Forville, where the market is held in the mornings and early afternoon.
This area is the original fishermans' residential area of Cannes. The houses are all very old. The streets were laid out at least 400 years ago. It is a 5-minute walk from the beach and is full of restaurants around the Rue Saint Antoine and the Rue du Suquet. A lot of the area is pedestrianised and is a major tourist attraction for visitors to Cannes.
The rue du Suquet is the original main road into Cannes. It came in below the walls of the castle (for defence reasons). It is a pedestrian street again and has plenty of restaurants [Wikipedia.org]
My iPad Photography workflow - RAW Processing
Check out the blog on which RAW processing apps I use on my iPad and why...
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
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About Me - about.me/edwardconde
For uploading images to display in forums:
Renames the file to make it web friendly (replaces spaces with underscores, all text lowercase)
Uploads it to the Drop folder on my site
Wraps the URL in BB code [img][/img] tags
Copies the URL to the clipboard
Ask if I want trash the file once uploaded (usually from the Desktop)
Just run the workflow then paste the URL
Uploaded with Automator
My Workflow for 2018!
I have made the choice to leave Lightroom CC behind and have a new workflow and learning curve for 2018.
Own all the software below so no monthly charges for 2018
I have had DXO software for a while and often have used it from Lightroom so now my organisation and main software will be DXO Pro.
I will support this with Affinity Photo (that i have had copies of since the beta on the Mac) and have the book and really need to get to grips with this software to get creative in 2018
Also have LandscapeStudioPro software which can be great for quick changes in surfaces and backgrounds.
Also have NIK collection that DXO have just taken over and look forward to changes that DXO say they have planned for 2018 - but not actual said what the changes are ;-)
Have Creative Kit in the wings as the SnapHeal program I find amazingly good for removing unwanted items, especially when large!
So a lot of words and lets see how I get on with the different software and workflow in 2018
I wrote a blog post about how I use my iPad to process my scanned film images. I cover from scanning to processing and sharing on the social webs.
Click here for the post:http://digitalchemicals.blogspot.com/2015/02/ipad-film-photography-workflow.html
Bradley Wilson, Midwestern State University; and Brady Teufel, California Polytechnic State University taught a pre-conference workshop on workflow at the ACP national workshop in San Francisco. Students: Madison Weaver, Jack Lambert, Andy Bao and Xander Fu
Ausgezeichnet in der Kategorie "Verwaltung und E-Government" des eAward 2016:
Software Competence Center Hagenberg, Johannes Kepler Universität Linz - FAW Institut für anwendungsorientierte Wissensverarbeitung, Oberösterreichischer Landes-Feuerwehrverband, BIA Business Intelligence Accelerator, PRISMA solutions EDV-Dienstleistungen, Fieldworx Mobile Solutions, Geoexpert Research and Planning, Riocom Technisches Büro für Kulturtechnik und Wasserwirtschaft, Christian-Albrechts-Universität zu Kiel - Institut für Informatik, Vomatec International, LIS Leitstelleninformationssystem, Ingenieurgesellschaft Prof. Dr. Sieker
Projekt: INDYCO
Mit dem INDYCO-System werden Feuerwehren, Kommunen oder Einsatzleitstellen unterstützt. Dabei ermöglicht die Verknüpfung von Sensoren und Expertenwissen mit verschiedenen Analysen und Modellierungsmethoden Vorhersagen über lokale Situationen und Entwicklungen, wie zum Beispiel bei Muren oder auch Hochwasser. So ergibt sich beispielsweise für kleine Flüsse eine Vorwarnzeit vor Hochwassersituationen von zirka sechs Stunden. Das Modell hat eine Genauigkeit von 95,21 % und ist in der Lage, die meisten Wasserpegel korrekt vorherzusagen. Durch Expertenwissen über die Risiken und Zusammenhänge von lokalem Niederschlag, Vorbefeuchtung und Geologie kann ein Analysemodell zur permanenten Überwachung von möglichen Gefahren erstellt werden. Durch die Unterstützung von unterschiedlichen Abläufen in Katastrophenplänen durch ein Workflow-System sind Maßnahmen schnell gesetzt und kommuniziert. Das INDYCO-System ist in Katastrophensituationen prinzipiell weltweit einsetzbar.
Die Jury:
„Vorzeigelösung für Katastrophenmanagement“
„vorbildhafte Zusammenarbeit vieler unterschiedlicher Projektpartner“
„Prognosemodell vom Feinsten“
I tried a new workflow on this shot using only the Nik Colorefx package and assorted filters and their u-point technology after sitting in a webinar yesterday that Larry White made me away of. I thought I knew what Nik could do, I stand corrected. All from a single shot.
Here is an example of my workflow, and I encourage you to look at this file as “Original Size” and at 100%. By the way, this plane is a North American T6 "Texan" trainer.
I spent pretty-much the entire day today trying to tweak my standard photo-processing workflow. After all of this, my conclusion is that what I have been doing is pretty good, and I’ll probably stick with it.
First, I tried the DxO product, “PhotoLab 2”. My conclusion is that this would make a good, cost-effective replacement for Lightroom/Photoshop, but I already have the Adobe products, I have used them for years and I am used to them, and I see no compelling reason to change now. This is especially true since I am eligible for the Adobe “education discount”, which makes LR/PS affordable for me. If I were looking for a good photo-processing software package, and faced paying full retail, I’d definitely consider DxO PhotoLab 2, however.
I next went looking for an alternative sharpening tool. I have used various methods over time without being 100% satisfied with any of them. I have seen tools from the company Topaz Labs recommended, so I picked up the trial version of both their sharpener and NR software. I was underwhelmed. First, the Topaz plugins are very, VERY slow. When I am doing a commission and processing a hundred shots, the speed difference would probably add a few hours to the process and I don’t need that. There also doesn’t seem to be an easy, direct way to restrict the application of the tool. Especially when used from LR, sharpening and NR are all-or-nothing across the entire image, which is not true in my existing workflow. I want to sharpen my subject, and only my subject, and I want to reduce noise in the background, and only the background. I have developed techniques in PS that let me do this, and I can’t understand why this concept isn’t standard in every photo-processing application.
Another issue that I had was that a lot of these tools are not tightly integrated, as the Adobe products are, and they require the creation of an intermediate file like a TIF. Once again, when processing hundreds of shots, this will chew up an enormous amount of HD space. These extraneous, intermediate files could be deleted afterwards, of course, but that’s one-more-step in the workflow, and it should be unnecessary.
The outline of what I do is;
LIGHTROOM:
•Import my RAW images and use LR as my library-management tool, including automatic backups.
•Make a virtual-copy of what I am about to process so that my original RAW file is untouched.
•Crop and Straighten
•Adjust WB (if necessary) and “Tone” (using “auto” as a starting point)
•Adjust “Presence”. My starting-point is (top-down) 20/20/10/20/-10
•Select “show clipping” (the up-arrows in the histogram) and adjust “Whites” and “Blacks” so that the dynamic-range is full-spectrum and just-barely hitting the clip-points.
It is also my standard practice to use automatic lens-correction profiles in LR, and LR’s default sharpening (40%) as a preliminary stage. I then pass the image to Photoshop, which is done without creating/saving an intermediate file.
PHOTOSHOP:
•My preference is to do any cloning and healing repairs in Photoshop because I find these PS tools easier to use than LR’s.
•I then often use the DxO/NIK Viveza module as a plugin layer to make localized adjustments. In this sample, I brightened the pilots face, and only his face, using Viveza.
•I then use the “Quick Selection Tool” of PS and select my main subject, the airplane/pilot in this case. I can then use the DxO/NIK Output Sharpener to sharpen only the selected area. This avoids adding excessive and unnecessary noise and sharpening-artifacts to the background. I usually make this step a little harsh, because I can always back it down easily through the layer opacity slider.
•Once I have applied the sharpening modification to the selection, I do an “Inverse Selection” which picks everything except what I have just sharpened. I now run the DxO/NIK Define module for noise-reduction. This allows me to suppress noise in the background where I don’t want it, without softening the lines or blurring the texture on the main-subject. Beyond simple NR, additional blur can be added in this selection too, although it is tricky to do that without making it look unnatural.
I can now save my final result as a JPG and exit without saving any intermediate file. The virtual-copy in LR still contains all of the LR-level changes, and the original RAW file is still available too. I am deliberately throwing away what I have done in PS though, because I don’t want to spend the disk-space and the chances are that if I reprocess, I’ll want to do it all differently anyway.
5D4-19_05466-B
Registration in enterprise cms workflow. Sense/Net 6.0 is an enterprise grade open source cms software for the .Net framework.
Located in the heart of the glamorous city of Cannes —close to the Palais du Festival and famous Croisette walk— the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]