Sponsored images from 
View allAll Photos Tagged without
Chili Without Willie T-shirt - made for 22nd Annual Chili Without Willie Party - printed by Hot4Tshirt based in Sarasota, FL
Do not use/copy without permission.
Become a fan: Facebook
Check out my website: J. Schusteritsch Photo
To purchase a print of this image please visit my Long Island's North Fork Gallery on my website.
Bug Lighthouse on the North Fork of Long Island, NY.
Read more about my tour here: www.jschusteritsch.com/blog/2014/10/bug-lighthouse
..without any relation to todays photo comes my personal song of the day:
"When I get to the bottom
I go back to the top of the slide
Where I stop and turn
and I go for a ride
Till I get to the bottom and I see you again
Yeah, yeah, yeah"
Do not use without permission!
Disney Twitter: twitter.com/ThatDisneyLover
Photography Twitter: twitter.com/LJK_Photography
Youtube: www.youtube.com/user/PixelPixie123
Personal Instagram: www.instagram.com/thatdisneylover/
Photography Instagram: www.instagram.com/ljknightonphotography/
If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.
This image may not be used in any way without prior permission
© All rights reserved 2017
Mount Hope, Ontario, Canada
John C. Munro Hamilton International Airport CYHM
RA-76511
Volga-Dnepr Ilyushin Il-76
2123422752 94-08
Please don't use my images on websites, blogs or other media without my explicit permission - rr.restifo@gmail.com. © All rights reserved.
----------------------------------------
Da/from www.facebook.com/iononmilasciofregare/info/?tab=page_info:
IO NON MI LASCIO FREGARE
#iononmilasciofregare
Questo appello nasce dalla volontà di ricordare cosa è successo il 19 novembre 2015 a Verona...un appello che abbiamo scritto a più mani in maniera ANONIMA e che vuole essere una "chiamata alle armi" per amici artisti di buona volontà.
IN BREVE
Presso il Museo Civico di Castelvecchio sono state trafugate 17 opere di grandissimo valore: Tintoretto, Mantegna, Rubens solo per citare alcuni autori, in pratica un piccolo museo per intero (le foto delle opere rubate le trovate nel nostro album a questo indirizzo: www.facebook.com/media/set/?set=a.1064799210228843.107374....)
L’operazione è durata quasi un’ora e mezza ed è stata condotta con molta tranquillità. Un vero scandalo! Poche le parole spese dai media in seguito all’accaduto, le Istituzioni hanno messo in scena il solito scaricabarili e la raccolta firme on-line ha avuto poco seguito.
Ma un pezzettino di quelle straordinarie opere è anche MIO, è ANCHE VOSTRO! Io rivoglio il nostro pezzettino di MANTEGNA, TINTORETTO, BELLINI, etc! Non so se ve ne siete accorti ma si stanno rubando il passato e soprattutto IL FUTURO!
Io non ci sto, noi non ci stiamo! Portiamo un segnale fuori, per le strade e in rete per tenere viva l’attenzione su questo caso letteralmente scomparso, senza lasciare traccia.
Ci rivolgiamo quindi agli amici artisti: quello che sappiamo fare è dipingere, non perdiamo tempo, facciamolo. L'idea che ci è venuta è di adottare ognuno di noi una delle 17 opere e di realizzare un murale (ma anche un poster o una qualsiasi installazione urbana) reinterpretando a modo nostro il lavoro originale. Sfrutteremo l'interesse dei media per l'arte urbana per poter denunciare ad alta voce insieme questo incredibile furto!
Vi chiediamo di farlo liberamente, ognuno con i propri mezzi, ognuno con le proprie capacità,
Siete invitati a partecipare tutti e di farlo in maniera ANONIMA senza firmare le opere che lascerete nelle nostre città, per far parlare direttamente i vari TINTORETTO, MANTEGNA, PISANIELLO ETC, coinvolgendo chi volete (le realtà che oggi hanno a disposizione spazi non mancano, quindi destinatarie di questo messaggio e di certo non abbiamo niente da insegnarvi su come si può fare arte per strada...).
Quando avete fatto mandateci le foto a questo indirizzo:
iononmilasciofregare@gmail.com
o postatele su questa pagina
www.facebook.com/iononmilasciofregare/
sarà nostra cura farle girare il più possibile perchè #iononmifacciofregare
Ecco la lista dei nostri 17 capolavori da adottare:
1 Antonio Pisano detto Pisanello, Madonna col bambino
2 Jacopo Bellini, San Girolamo penitente
3 Andrea Mantegna, Sacra Famiglia
4 Giovanni Francesco Caroto, Ritratto di giovane con disegno infantile
5 Giovanni Francesco Caroto, Ritratto di giovane monaco benedettino
6 Jacopo Tintoretto, Madonna allattante
7 Jacopo Tintoretto, Trasporto dell’arca dell’alleanza
8 Jacopo Tintoretto, Banchetto di Baltassar
9 Jacopo Tintoretto, Sansone
10 Jacopo Tintoretto, Giudizio di Salomone
11 Cerchia di Jacopo Tintoretto, Ritratto maschile
12 Domenico Tintoretto, Ritratto di Marco Pasqualigo
13 Bottega di Domenico Tintoretto, Ritratto di ammiraglio veneziano
14 Peter Paul Rubens, Dama delle licnidi
15 Hans de Jode, Paesaggio
16 Hans de Jode, Porto di mare
17 Giovanni Benini, Ritratto di Girolamo Pompei
-----------------------------------------
(eng)
I WON'T GET SCREWED OVER
# Iononmilasciofregare
This call arises from the desire to remember what happened on Nov. 19, 2015 in Verona, a call that we have written many hands in an ANONYMOUS way and that wants to be a "call of duty" for artist friends and people of good will.
THE FACT
17 works of great value were stolen from the Museum of Castelvecchio: Tintoretto, Mantegna, Rubens just to mention a few painters, basically a real small museum (photos of stolen works can be found in our album to this address: https: //www.facebook.com/media/set/....)
The operation lasted nearly an hour and a half and it was carried out with extreme calm. A real scandal! A few words spoken by the media after the incident, the institutions have staged the usual buck and the online sensibilization campaign has had little success.
A part of those extraordinary works is also MINE, is also YOURS! I want back our piece of MANTEGNA, TINTORETTO, BELLINI, etc! I do not know if you are aware of that but they are stealing our past and our FUTURE!
I do not accept it, do you? Let's transmit a signal on the streets and in the internet to keep attention focused on this case that risks to disappear without a trace.
We appeal to artist friends: what we do is painting, do not waste time, let's do it. The idea is to take each of us one of the 17 works and create a mural (or a poster or any urban installation) reinterpreting our own way the original work. Let's exploit the media interest in street art to denounce loud together this incredible theft!
We ask you to do it freely, each with their own means, each with their own abilities,
You are all invited to attend and do it in an ANONYMOUS way, without signing the works that you will leave in our cities, to speak directly to TINTORETTO, MANTEGNA, PISANELLO, etc, involving those who want to participate.
Once you did it, please send photos to this address:
iononmilasciofregare@gmail.com
or post them on this page
www.facebook.com/iononmilasciofregare/
We will spread them as much as possible, because:
I WON'T GET SCREWED OVER
© sergione infuso - all rights reserved
follow me on www.sergione.info
You may not modify, publish or use any files on
this page without written permission and consent.
-----------------------------
La popstar britannica Rita Ora arriva in concerto in Italia il 30 aprile 2019 al Fabrique di Milano.
Rita Ora, nata Rita Sahatçiu, è una cantante, attrice e modella britannica di origine kosovara.
Nel 2009 l’artista viene notata dal rapper e produttore musicale Jay Z e successivamente appare nel video “Young Forever” dello stesso Jay Z oltre che nel video “Over” di Drake.
Nel 2011 viene pubblicato il singolo di DJ Fresh, “Hot Right Now” interpretato dalla cantante. Il singolo debutta alla vetta della classifica in UK e il video riceve oltre 50 milioni di visualizzazioni in pochissimo tempo su YouTube.
“ORA” è il titolo del suo album di debutto, pubblicato il 27 agosto del 2012 nel quale ha collaborato con importanti artisti come Will.i.am, Ester Dean, Drake, The Dream, Kanye West e da cui sono estratti i singoli di successo “Right Now”, “R.I.P.” e “How We Do (Party)” subito alle #1 posizioni delle classifiche in UK. Nel 2014 pubblica i singoli "I Will Never Let You Down" con cui debutta in vetta alla classifica in UK e "Black Widow" con Iggy Azalea, entrambi certificati oro in Italia. Nel frattempo accetta di ricoprire il ruolo di coach a The Voice Uk 4 in compagnia di Tom Jones, Will.i.am e Ricky Wilson e successivamente viene scelta come giudice per il talent X Factor UK. Nel 2015 viene pubblicato il video del singolo “Poison”, e successivamente il singolo “Body on Me” in collaborazione con Chris Brown. Nel 2017 pubblica il singolo “Your Song”, brano scritto da Ed Sheeran, certificato disco di platino in Italia e collabora con AVICII in “Lonely Together”, già disco di platino in Italia, per cui ha vinto nella categoria Miglior Video Dance agli MTV Video Music Awards. Il 20 dicembre 2017, collabora con il collega britannico Liam Payne al singolo “For You”, colonna sonora del film Cinquanta sfumature di rosso, certificato oro in Italia.
Nel 2018 esce la collaborazione tutta al femminile “Girls” con la rapper Cardi B., Charli XCX e Bebe Rexha. Il nuovo singolo “Let you love me”, invece, ha già superato 50 milioni di visualizzazioni su YouTube e oltre 45 milioni di stream su Spotify.
“Phoenix” è il nome del secondo album dell’Artista, che verrà pubblicato il 23 novembre 2018.
Without it, he would never be able to see beyond his immediate world; nor could the world see the man within~
Quote -Claudia Lady Bird Johnson
The following is an unpaid advertisement.
If you don't have a Lightscoop yet, why are you waiting?
This is an amazing little invention. If you are not a professional with lots of strobes and external lighting options, this gadget is perfect for indoor portraits. If you are a professional, it's the perfect, lightweight, easy addition to your lighting arsenal.
Professor Kobre's Lightscoop is also ideal for adding fill light to outdoor portraits.
I use this thing for nearly every close-range indoor portrait I take. It adds light but stays color and shadow true.
It's next to impossible to do anything with a blown-out photo in post-processing. You can tone it down, but it doesn't add back the depth.
Here, in the top photo, you can see Serena's face is rounder without the definition in her cheekbones; it's blown out by the popup flash. And the red wall, painted with a textured paint, loses its definition.
So don't wait. Get a Lightscoop!
Please do not favorite without leaving a comment.
.
Press "L" for best view.
All rights reserved ©
No image can be copied, reproduced, posted or used in any shape or form without my written permission.
Use without permission is ILLEGAL!!!
Todos los Derechos Reservados ©
petersolano@gmail.com
petersolanophotography@gmail.com
© Copyright : You can not use my photos !
© Copyright : Você não pode usar !
© Derechos de Autor : No se pueden usar !
© Copyright : Sie dürfen es nicht kopieren !
© Copyright : Vous ne pouvez pas utiliser mes photos !
© حقوق النشر محفوظة. لا يمكنك استخدام الصورة
the world carries on without you
but nothing remains the same
i'll be lost without you
until the last of days
- a fine frenzy, last of days
obvious answer to wanting a shot outside and it being 9 PM: leave your headlights on and point them towards the shot. haha
today was the viewing for my piano teacher's husband. i stood in line for over an hour because pretty much everyone loves her/her family, so the crowd was huge... this was at the second viewing, too. all these people that knew each other, laughing and talking and smiling, and me all alone just sitting there thinking about people dying and disappearing from your life and the void that they leave...
i saved this in my phone while i was waiting:
people are talking and pushing and hurrying and happy, and i just don't understand it because jamie died, someone is dead. isn't this a little disrespectful? stop gossiping for five minutes and just sit here and think, think about karen and how her life will never be the same because jamie is dead. just slow down for a second. just slow down.
a woman is standing so close behind me that she bumped into me when she turned around.
jamie never gets to stand in a line again.
you're all such fucking pigs.
____
so what do you do when the spot beside you that's been kept warm at night for the majority of your life is suddenly empty?
what do you do...?
Even without much postprocessing, you can certainly feel the age and 1960s sense from a great piece of transport from the 1962 World's Fair. Hope you fav.
A photo from my journey to PiX 2015, a Seattle photography conference
PHOTO CREDIT: Joe A. Kunzler Photo, AvgeekJoe Productions, growlernoise-AT-gmail-DOT-com
Young goth fairy poses at the 2010 Texas Renaissance Festival inTodd Mission, Texas. Anyone who has or had a teen daughter has seen this look before. This is their serious picture look. Which is not dissimilar from their "Dad, please...!" (don't embarass me) look. This young lady was very nice and has a gorgeous smile. (I just couldnot get her to smile for the camera.)
Stayed nice and comfy, not too hot or too cold all weekend! Giga tent, Mt. Washington model. Vespa Et 2. Aprilia Mojito Custom. A perfect trio for our moto-camping adventures.
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
Without instructions or communication, spiders innately know how to build incredible, complex structures. Mind boggling.
Wittenberg and Herrnhut Germany Travel Europe without visas Luther's house and Martin Luther Gymnasium
We arrived in the town of Wittenberg on a rainy day. We got a great help from IKEA raincoat, despite the weather we walked around the city of Wittenberg and saw many interesting places. It is especially important that we came to the 500th anniversary of the Reformation in Europe and saw Martin Luther's house, stood under the tree, which he planted. Outwitted the globe in the center of the city, which symbolizes the scale of the reformation in Europe, which occurred over the past 500 years. We found the Gymnasium of Martin Luther and helped us a local schoolgirl - despite the rain, the girl took us directly to the gate. The gymnasium of Luther was fabulous. Architect Hundertwasser restored the old nondescript school with his students, talented guys turned it into a decoration of the city. Be sure to go to the park with the architectural installations - this is an unusual sight.
Our trip to Wittenberg Germany ended with delicious sausages.
On the way we drove into the small German town of Hernhurt and went to the very beautiful white church Kirchensaal.
Thank you for viewing ☺
The best gratitude is to subscribe to the youtu.be/sKJgFmXnEs0 channel and put the likes 👍
My site:
Frameless furniture, chair bag meshokvdom.com.ua
Cotton fabrics Turkey, Spain tkanivdom.com.ua
My second channel is also interesting: youtu.be/lCaHR-4cFdI
Social network:
Facebook www.facebook.com/meshokvdom/
Facebook https: //www.facebook.com/PapaPasha145 ...
Vkontakte: vk.com/clubmpdesign
Twitter twitter.com/meshokvdom/
Google+ plus.google.com/u/0/+Meshock
Instagram instagr.in/u/meshokvdom
#Wittenberg #Herrnhut #Germany #visa-free #Lutherstadt #Travel #DomLutter #CastleChurch #MartinLuter #Hundertwasser
GRACIAS!!
© Oscar Sánchez photography.
ALL RIGHTS RESERVED.
Use without permission is illegal.
1. Floretas, 2. Natural Bokeh, 3. Natural sepia, 4. Fly III, 5. Red moon, 6. Dandelion Inside, 7. Dandelion, 8. Yellow ladybug, 9. Butterfly, 10. Last rays of sun, 11. Sunset silhouette, 12. Dandelion II, 13. Shiny sea, 14. Dandelion I, 15. Ladybug top, 16. Inside nature, 17. Mar rojo, 18. A traves de las nubes, 19. Red spring, 20. Red line, 21. Hola!, 22. If you look at me..., 23. Los ultimos rayos de sol, 24. Blue & red, 25. Proyectos de amapola, 26. Amapola, 27. Jesi's Eye, 28. La amapola, 29. Dreaming in sepia, 30. Jesi nights, 31. The hole, 32. PopArt, 33. Nostalgica, 34. Green eye, 35. Smoking girl
Do not use/copy without permission.
Become a fan: Facebook
Check out my website: J. Schusteritsch Photo
My First Class Fitment Coverage on the Klutch website:
www.klutchrepublik.com/blog/canibeats-first-class-fitment...
هالصوره اهداء لاحلى واغلى واطيب انساانه في الدنيا (امــــ♥ــــي) الله يطول اعمااار امهاتنا على طاعته
Stereotactic body radiation therapy delivers targeted radiation beams to the prostate without incision or sedation using CyberKnife technology.
one day without shoes: april 8th 2010
wore my TOMS to school and went barefoot the rest of the day(:
likelol.tumblr.com/post/497058273/one-day-without-shoes
i love these shoes! for every pair you buy, they donate a pair to a child in need! i love love love them to pieces(: www.tomsshoes.com
Taken at the Pacific Science Center in Seattle, Washington.
Photo licensed Creative Commons, please use for any purpose, just provide credit.
Photo by Ryan Somma of ideonexus.com.
I'd lived in this region for over 40 years without knowing that the hamlet of Chinook, Washington, was the center of the fish-trap salmon fishery on the Columbia River.
Then I visited the historic 1924 school in Chinook, where reproductions of vintage photos told the story of the fishery.
While the fish traps were certainly a passive means of catching salmon, building and maintaining them was a lot of work. The fishermen and their families made and mended the nets by hand. Part of the preparations for the coming fishing season was tarring the nets to reinforce them and make them invisible to fish.
Here, fishermen can be seen collecting the salmon that were trapped in the maze-like fish trap. However, the catch seems quite meager. Perhaps the people are gleaning fish that were left behind when the catch was collected. It's also possible the photo was taken at the start of the salmon season.
Reuters journalist Issam Abdullah was killed in southern Lebanon by an IDF missile strike at about 6 pm on 13 October 2023. Several other journalists were injured.
Reporters without Borders investigated the incident and concluded that 'it is unlikely that the journalists were mistaken for combatants, especially as they were not hiding: in order to have a clear field of vision, they had been in the open for more than an hour, on the top of a hill. They were wearing helmets and bullet-proof waistcoats marked "press". Their car was also identified as "press" thanks to a marking on the roof, according to witnesses."
In the headline of the report RSF stated their belief that 'the journalists' vehicle was explicitly targeted.'
############################################
On Saturday 29 October 2023, at least 100,000 and possibly as many as 300,000 people demonstrated in London in solidarity with Palestinians. It was not just a reaction to the devastating bombing of Gaza and the blockade of energy, fuel, electricity, food and water from 2.3 million Palestinians living in the city and the surrounding strip.
في يوم السبت 29 أكتوبر/تشرين الأول 2023، تظاهر ما لا يقل عن 100 ألف وربما يصل إلى 300 ألف شخص في لندن تضامنًا مع الفلسطينيين. ولم يكن ذلك مجرد رد فعل على القصف المدمر على غزة والحصار شبه الكامل للطاقة والوقود والكهرباء والغذاء والماء عن 2.3 مليون فلسطيني يعيشون في المدينة والمنطقة المحيطة بها.
It was also a determination to see an end to -
كما دعا المتظاهرون إلى إنهاء جميع العوامل الرئيسية التي تغذي الصراع.
1) An end to Palestinian suffering from 75 years of Israeli occupation. The Israeli occupation of the West Bank, East Jerusalem and the Gaza Strip since 1967 is officially recognised by the United Nations and most of the world despite the fact that the occupation is often ignored or sometimes even denied by Western media. As Amnesty International reports Israeli occupation has resulted in "systematic human rights violations against Palestinians living there."
نهاية معاناة الفلسطينيين من 75 عاما من الاحتلال الإسرائيلي. إن الاحتلال الإسرائيلي للضفة الغربية والقدس الشرقية وقطاع غزة منذ عام 1967 معترف به رسميًا من قبل الأمم المتحدة ومعظم دول العالم على الرغم من أن وسائل الإعلام الغربية غالبًا ما يتم تجاهل الاحتلال أو حتى إنكاره في بعض الأحيان. وكما أفادت منظمة العفو الدولية، فإن الاحتلال الإسرائيلي قد أدى إلى "انتهاكات منهجية لحقوق الإنسان ضد الفلسطينيين الذين يعيشون هناك".
www.amnesty.org/en/latest/campaigns/2017/06/israel-occupa...
2) An end to Palestinians living under a highly restrictive Apartheid regime as recognised by Amnesty International, Human Rights Watch and War on Want. Across the West Bank Palestinians are banned from driving on numerous roads that cross the region and as War on Want explains "Jewish Israelis and Palestinians are treated differently in almost every aspect of life: housing, education, health, employment, family life, residence and freedom of movement. Dozens of Israeli laws and policies institutionalise this prevailing system of racial discrimination and domination."
وضع حد للفلسطينيين الذين يعيشون في ظل نظام فصل عنصري شديد التقييد كما اعترفت به منظمة العفو الدولية وهيومن رايتس ووتش ومنظمة الحرب على العوز. في جميع أنحاء الضفة الغربية، يُمنع الفلسطينيون من القيادة على العديد من الطرق التي تعبر المنطقة، وكما توضح مؤسسة "الحرب على العوز" الخيرية، "يتم التعامل مع اليهود الإسرائيليين والفلسطينيين بشكل مختلف في كل جانب من جوانب الحياة تقريبًا: السكن والتعليم والصحة والتوظيف والأسرة". الحياة والإقامة وحرية التنقل.. عشرات القوانين والسياسات الإسرائيلية تضفي الطابع المؤسسي على هذا النظام السائد من التمييز العنصري والسيطرة.
waronwant.org/news-analysis/israeli-apartheid-factsheet?g...
3) An end to restrictions on movement. Across the West Bank there are some 650 Israeli military checkpoints through which only some Palestinians are allowed to pass, often with humiliating questioning and delays, so that they can travel to other towns whether to visit families, seeking medical treatment or for any other reason. In Gaza, travel is even more difficult and only a tiny minority with work permits have been allowed to cross the border - the rest have to remain in what is often described as the world's largest open air prison - the densely populated Gaza strip housing some 2.3 million people.
إنهاء القيود المفروضة على الحركة. يوجد في جميع أنحاء الضفة الغربية حوالي 650 نقطة تفتيش عسكرية إسرائيلية لا يُسمح إلا لبعض الفلسطينيين بالمرور من خلالها، مع استجواب وتأخير مهين، حتى يتمكنوا من السفر إلى مدن أخرى سواء لزيارة عائلاتهم أو طلب العلاج الطبي أو لأي سبب آخر. وفي غزة، يعد السفر أكثر صعوبة ولم يُسمح إلا لأقلية صغيرة من حاملي تصاريح العمل بعبور الحدود - أما الباقون فيجب أن يبقوا في ما يوصف في كثير من الأحيان بأنه أكبر سجن مفتوح في العالم - وهو قطاع غزة المكتظ بالسكان والذي يضم حوالي 2.3 نسمة. مليون شخص.
4) An end to the 16 years of siege imposed by Israel on Gaza which means that around 56% of children were suffering from anemia and only 4% had access to safe drinking water even before the outbreak of conflict this month.
إنهاء الحصار الذي تفرضه إسرائيل على غزة منذ 16 عاماً. ويعني الحصار أن حوالي 56% من الأطفال كانوا يعانون من فقر الدم وأن 4% فقط كانوا يحصلون على مياه الشرب الآمنة حتى قبل اندلاع النزاع هذا الشهر.
www.unicef.org/sop/what-we-do/wash-water-sanitation-and-h....
www.ncbi.nlm.nih.gov/pmc/articles/PMC4391478/
5) The never ending process of Israeli expansion across Palestinian land, including the demolition of 55,000 Palestinian homes since 1967, occurring on a near monthly basis as well as the cutting down of fields of olive trees and the ploughing up of Palestinian farms to make room for yet more illegal settlements subsidised by the Israeli government.
These settlements are illegal under international law, which rightly recognises the 1967 border. However, since 1967, Israel has constructed 250 of them across the West Bank in which over 633,000 Israelis live in subsidised and often luxurious housing with swimming pools and manicured lawns, an unimaginable privilege to the vast majority of Palestinians.
وضع حد للتوسع الإسرائيلي الذي لا ينتهي عبر الأراضي الفلسطينية، بما في ذلك هدم 55.000 منزل فلسطيني منذ عام 1967، والذي يحدث على أساس شهري تقريبًا، فضلاً عن قطع حقول أشجار الزيتون وحراثة المزارع الفلسطينية. وترتكب هذه الجرائم ضد الفلسطينيين لإفساح المجال أمام إقامة المستوطنات الإسرائيلية غير القانونية التي تدعمها الحكومة الإسرائيلية
ومن الواضح أن المستوطنات غير قانونية بموجب القانون الدولي، الذي يعترف بحق بحدود عام 1967. ومع ذلك، منذ عام 1967، شيدت إسرائيل 250 منها في جميع أنحاء الضفة الغربية، حيث يعيش أكثر من 633 ألف إسرائيلي في مساكن مدعومة وفاخرة في كثير من الأحيان مع حمامات سباحة ومروج مشذبة، وهو امتياز لا يمكن تصوره لجميع الفلسطينيين تقريبًا.
icahd.org/2020/03/15/end-home-demolitions-an-introduction/
www.ochaopt.org/sites/default/files/westbank_a0_25_06_202...
6) Never ending acts of settler terrorism against Palestinians. Western media rightly condemns occasional Palestinian attacks on Israeli civilians, including the appalling atrocities committed by Hamas on 7 October. However, for years illegal Israeli settlers in the West Bank have staged attacks against Palestinians, sometimes motivated sheerly by hatred, but often by the desire to inflict terror and to ethnically cleanse an area. The most recent incident was an attack on Wednesday 11 October in which masked settlers killed three Palestinian villagers and then killed a Palestinian father and son attending the funeral the next day.
وضع حد لأعمال الإرهاب التي يمارسها المستوطنون ضد الفلسطينيين. وتدين وسائل الإعلام الغربية عن حق الهجمات الفلسطينية العرضية على المدنيين الإسرائيليين، بما في ذلك الفظائع المروعة التي ارتكبتها حماس في 7 تشرين الأول/أكتوبر. ومع ذلك، ظل المستوطنون الإسرائيليون غير الشرعيين في الضفة الغربية لسنوات يشنون هجمات ضد الفلسطينيين، بدافع الكراهية في بعض الأحيان، ولكن في كثير من الأحيان بسبب التصميم على ترويع الفلسطينيين وتطهيرهم عرقيًا من منطقة ما. وكانت آخر الحوادث هي الهجوم الذي وقع يوم الأربعاء 11 تشرين الأول/أكتوبر، حيث قتل مستوطنون ملثمون ثلاثة قرويين فلسطينيين ثم قتلوا أبًا فلسطينيًا وابنه كانا يحضران الجنازة في اليوم التالي.
theintercept.com/2023/10/13/israel-settlers-gaza-palestin...
arabcenterdc.org/resource/the-dynamics-of-israeli-settler...
7) The division of Palestinian land by the separation wall. The 708 km Separation Wall, completed in 2005, was supposedly built to protect Israel from any Palestinians that might be able to enter the country without permission, but 85% of it runs up to 18 km inside the internationally recognised 1967 boundary ("Green Line"), frequently dividing Palestinians villagers from their farmland as well as running through the middle of farms and dividing arable land from key water supplies.
Some 10% of the West Bank now lies between the wall and the 1967 border, an area into which everyone, except Palestinians, is allowed entry. Not surprisingly, the International Court of Justice has issued an advisory opinion that the separation wall is a contravention of international law and in 2003 the UN General Assembly passed a resolution demanding its removal by 144 votes to just 4. Analysts also fear that the wall acts as a de facto annexation of all the Palestinian land that lies to the west of it.
en.wikipedia.org/wiki/Israeli_West_Bank_barrier
8) The myth of Palestinian rejectionism. Western mainstream media usually maintains falsely that it is Palestinians that have constantly rejected a two-state solution, whereas the opposite is the case. Arab states and the Palestinians have frequently made clear their willingness to negotiate a future two-state solution on the basis of the 1967 frontiers, while Israel is committed to preventing any such solution and continuing its territorial expansion.
As early as 1976, Egypt, Syria and Jordan presented a two-state solution resolution to the UN Security Council based on the 1967 Green Line (in accordance with the international consensus) but it was vetoed outright by the United States, even though Washington at the time publicly acknowledged the illegality of all Israeli settlements across the Palestinian West Bank. The same happened again in 1980.
Later in 1988, the PLO put forward their position in a declaration by the Palestinian National Council calling for a Palestinian state alongside Israel with guarantees of security to both countries. However in May 1989, Israel's Likud-Labour coalition government made it crystal clear that they would not accept an "additional" Palestinian state between Jordan and Israel, regardless of what Jordanians, Palestinians or the rest of the world might think. The founding charter of Benjamin Netanyahu's Likud Party still "flatly rejects the establishment of a Palestinian state west of the Jordan river."
9) The frequent killing by Israeli security forces of peaceful protesters, women, children, journalists and medics, including the assassination of renowned Al Jazeera correspondent Shireen Abu Akleh in May last year. In the nine months of 2023 prior to 7 October, 248 Palestinians, 40 of them children, had been killed by Israeli soldiers, but these deaths attracted almost no attention in the Western media. Palestinian lives have always been very cheap.
www.youtube.com/watch?v=KMIZTiN-TrE
10) The current refusal of Israel to allow any journalists into the Gaza Strip so they can see and report on, obviously at their own risk, the destruction and casualties and suffering of the civilian population.
11) An end to "administrative detentions" across the West Bank under which thousands of Palestinians have been detained without any right to be told under what charges they are being held, let alone any right to a free trial. As the Israeli human rights organisation B'Tselem explains
"Administrative detention is incarceration without trial or charge, alleging that a person plans to commit a future offense. It has no time limit, and the evidence on which it is based is not disclosed. Israel employs this measure extensively and routinely, and has used it to hold thousands of Palestinians for lengthy periods of time. While detention orders are formally reviewed, this is merely a semblance of judicial oversight, as detainees cannot reasonably mount a defense against undisclosed allegations. Nevertheless, courts uphold the vast majority of orders."
www.btselem.org/topic/administrative_detention
12) An end to Israeli soldiers controlling access to and frequently preventing Muslims from visiting the Al Aqsa Mosque in Israeli occupied East Jerusalem [Al Quds], considered the third holiest site in Islam after Mecca and Medina. On several occasions, Israeli troops and/or police have also attacked worshippers using batons, stun grenades and tear gas, igniting understandable anger across the Islamic World. Radical Israeli settlers also sometimes enter under the protection of Israeli security forces and some also perform Jewish rituals in contravention of current agreements about non-Muslims being allowed in, but only as visitors.
www.newarab.com/news/israeli-settlers-storm-aqsa-compound...
www.aljazeera.com/news/2019/3/12/israeli-police-assault-w...