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© sergione infuso - all rights reserved

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Dopo aver incantato il pubblico che ha gremito i tre concerti dello scorso giugno all’Arena di Verona con i suoi successi di sempre e i brani contenuti nell’album “Alt”, magistralmente accompagnato dalla sua band e dell’Orchestra Filarmonica della Franciacorta diretta dal Maestro Renato Serio, Renato Zero partirà a novembre con “Alt In Tour” una serie di imperdibili date nei più importanti palasport d’Italia: il 6 al Mediolanum Forum di Assago a Milano.

 

Unico, rivoluzionario, libero, in prima linea da cinque decenni contro tutte le ipocrisie, innovatore, precursore, provocatore, attento come nessuno ad ogni tipo di minoranza e alla nostra interiorità.A tre anni dal doppio progetto di “Amo”, incentrato su tematiche più intime e riflessive, Renato Zero è tornato, forte di rinnovata passione e spirito di denuncia, ai grandi temi sociali e alle battaglie civili con il nuovo disco di inediti “ALT”, disponibile nei negozi tradizionali e in digital download.

 

“Alt” racchiude 14 brani inediti, dove trovano spazio i temi della fede, della violenza, dei giovani, del lavoro, del destino dell’arte, dell’amore in tutte le sue declinazioni, dell’ecologia, delle politiche d’accoglienza e dei nuclei affettivi. Tutti i brani del disco, prodotto da Renato Zero e Danilo Madonia, sono stati scritti dall’artista romano insieme ad autori e compositori come Vincenzo Incenzo, Danilo Madonia, Maurizio Fabrizio, Phil Palmer, Valentina Parisse, Luca Chiaravalli, Mario Fanizzi e Valentina Sica. La cover dell’album e le foto contenute nel booklet sono state realizzate dal fotografo Roberto Rocco.

 

Dopo il successo del brano “Chiedi”, RENATO ZERO è attualmente in radio con “RIVOLUZIONE”, secondo singolo estratto dall’ultimo album di inediti “ALT”, certificato oro a sole tre settimane dall’uscita (certificazioni diffuse da FIMI / GfK Italia).

 

28 album in studio, 3 raccolte, più di cinquecento canzoni. 45 milioni di dischi venduti. Ma Renato Zero ancora ai trofei preferisce la piazza, le sue accorate grida ed i suoi intimi sussurri. La fede, la violenza,i giovani, il lavoro, il destino dell’arte, l’amore nelle sue declinazioni, l’ecologia, le politiche d’accoglienza, i nuclei affettivi. Tanti temi trovano spazio in queste nuove sorprendenti canzoni, che ancora una volta non leggono il giornale di oggi ma quello di domani, guardando avanti e alle nuove generazioni con coraggio, spirito identitario e irriducibile speranza.

 

Without a fig or furniture. This is my first attempt at greebling. Made for the Lego Assasinations contest over at LCN.

© All Rights Reserved - No Usage Allowed in Any Form Without the Written Consent of Connie Lemperle/ lemperleconnie or the Cincinnati Zoo & Botanical Gardens

 

Link to Cincinnati Zoo..............

 

Cincinnati Zoo

 

"Link to the Cincinnati Zoo's Flickr photostream".

 

Cincinnati Zoo

 

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Snow Leopard ... female named Renjy

 

Uncia uncia

  

The snow leopard’s five-inch thick coat affords great protection from the cold. The coat also comes in handy as camouflage, helping the leopard blend in with the rocky terrain to hide from potential prey. Sadly, the beautiful coat also hinders the leopard’s survival, as poaching for the fur is one of its major threats.

  

Fact File

     

Where to see them: Cat canyon

 

Height: Up to 2 ft

 

Weight: 77 to 120 lbs

 

Lifespan: Up to 21 yrs in captivity

 

Habitat: Mountain regions, including grassland, scrubland, and open woodland

 

Diet: Primarily blue sheep and ibex; some other hoofed mammals, hares, rodents and birds

 

Risk Status: Species at Risk (IUCN—Endangered)

 

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I'm so sorry that I'm unable to be on flickr except to post some pictures here and there. I'm busy caring for my daughter who had a complication from Invitro. She is doing way better now so hopefully she will be able to go back to normal and on with her life soon.

 

Have a nice afternoon & evening everyone!

  

Days Without Names, choreography: Maija Hirvanen, photo: Aki-Pekka Sinikoski

PLEASE DO NOT FAVE WITHOUT LEAVING A COMMENT. THANK YOU.

 

An entry for the Challenge Group 114 Pictures in 2014 No.40 ~ Level.

 

Taken from our garden. One of the white ducks on the river swimming past the river level gauge which is near the end part of our garden riverside walkway.

 

Taken with my Canon Telephoto Zoom 100-400mm f/4.5-5.6L IS USM EF Lens and apart from being framed in Photoshop is SOOC.

 

Better viewed in light box - click on the image or press 'L' on your keyboard.

ⓒRebecca Bugge, All Rights Reserved

Do not use without permission.

 

A rather crude tombstone dating to 1756 with the grim reaper in full swing. More on this can be found here: cemeteries-and-burials.blogspot.com/2011/01/grim-skeleton...

 

This burial can be found in Krämarkapellet - The Merchant's chapel. It was built some time after 1450, by the merchants of the city, with the official name of St Jörgens chapel (St Jörgen is the Danish name for St George - who is depicted on one of the walls). The chapel has a fine set of paintings on the walls and the in the ceiling, unlike the rest of the church which is all white - the way it was painted after the Reformation.

 

St Peter's church (or St Petri, as the Danish and Swedish name is) was built in the beginning of the 14th century, a Gothic church made of bricks, replacing an older, Romanesque, from the beginning of the 13th century, before Malmö was even a town and just a small village. The high altar of the Gothic church was consecrated in 1319, though work probably continued for a while longer.

 

In 1529 the church was overrun by people caught up in the Reformation who caused quite a havoc, removing all traces of the Catholic faith - Malmö, under the direction of Claus Mortensen, was a stronghold for the Reformation at the time. Being buried in the church was very popular after the Reformation and after 1666 all the slots were taken in the floor, which meant that the only way to get a place was to buy an already used one - and burial plots became quite an investment. 1783 it became forbidden to sell and buy those slots - and in 1822 it became forbidden to bury people inside of churches - due to sanitation laws. In 1858 the church was renovated and almost all tombstones were buried underneath a new floor. But in a subsequent renovation, in the beginning of the 20th century, the stones were rescued from obscurity, and many placed in the Krämarkapellet to keep them protected.

Without a map there was one clue as to the direction I should climb. It was pretty obvious though.

can't be with or without you, eso es un hecho, pero reafirmando los hechos no consigo nada. ¿y qué? total, consigo nada de ninguna forma.

 

y el lunes me levanto queriéndote y el martes te odio, el miércoles amanece lloviendo y el jueves sonrío, el viernes sólo quiero un beso, el sábado me tropiezo, y el domingo no salgo del edredón.

 

todo esto se me está yendo de las manos, y tú no tienes la culpa, ni mucho menos. pero por lo menos podrías dejar de pellizcarme el corazón. sé que no te das cuenta de cuando lo haces, pero mira, para problemas difíciles, soluciones drásticas. vete, para siempre.

no, no. espero que no te hayas ido al leerlo, porque si es así no podría soportarlo. ¡vuelve! ¿has vuelto ya? ¿dónde estás? ¿por qué no contestas? ¿sigues leyendo? ¡te prometo que si vuelves te daré todos los besos que quieras!

 

[...]

 

pero en el fondo sé que no vas a volver, porque no tienes a dónde ir. porque nunca estuviste. porque home is where your heart is, but I don't see any heart left in you. y que sepas que si no tienes corazón, es tu problema. pero nadie te da derecho a haberme robado el mío, haberlo probado y luego haberme devuelto sólo una mitad.

ZHE155 (UK) pasted in Marseille as part of street art without borders

debt for pleasure peaches

A 3 year old teacher with a very energetic class has had to come up with some very creative ways to give the children time to "blow-off steam" and get some exercise on a day when it was too cold to go outside. Under COVID we can no longer use our shared indoor gross motor rooms. Skating indoors in the classroom is a messy, but enormously fun activity!

 

Without Participant Credentials this year, I didn't have access to the teams that I normally do. But I managed to get this one of Charlie during an autograph signing on Sunday.

 

Secret to getting a good photo in bright mid-day sun is this: Step 1) Have subject stand over a bright white table that acts as a bounce. 2) Have 200mm lens focused on subject, set at f/4.0 3) Have someone you don't know yell "Hey Charlie!" 4) Fire off 11 shots on High-Speed Continus AF 5) Publish the one photo where he is not smiling.

 

Congrats again to Charlie for a great race. More photos to come this weekend.

One of my covers for "A Year Without Rain".

Toms recently held it's second year celebration of "One day without shoes"

 

more stories on my blog www.rodelflordeliz.com

Do not use without permission!

 

Disney Twitter: twitter.com/ThatDisneyLover

 

Photography Twitter: twitter.com/LJK_Photography

 

Youtube: www.youtube.com/user/PixelPixie123

 

Personal Instagram: www.instagram.com/thatdisneylover/

 

Photography Instagram: www.instagram.com/ljknightonphotography/

 

If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.

BA götuspyrnan 2014. // BA´s 1/8th mile drag race 2014.

Without the focal multiplier on the 20D, my 15mm gets a full 180 degree view.

Do not use without permission!

 

Disney Twitter: twitter.com/ThatDisneyLover

 

Photography Twitter: twitter.com/LJK_Photography

 

Youtube: www.youtube.com/user/PixelPixie123

 

Personal Instagram: www.instagram.com/thatdisneylover/

 

Photography Instagram: www.instagram.com/ljknightonphotography/

 

If any performers, characters or cast members that would like photos for personal or portfolio reasons, you may have any photo of themselves for a higher resolution or with a smaller watermark. Please either contact me through Twitter.

This is inspired by a picture of karrah.kobus

  

At the beginning i wanted to do it with her sister, but she is like 3 years old and she pulled very hard the rope so he fell on the lawn and wanted to break her face. ahaha

DO NOT use my pictures without my written permission, these images are under copyright. Contact me if you want to buy or use them.

HuPu© All rights reserved

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"ERECTED OCTOBER 1912 [in Keith Park and relocated to Wiess in 1926]

BY ALBERT SIDNEY JOHNSTON

CAMP No. 75, U.C.V.

AND THE CITIZENS OF BEAUMONT

IN MEMORY OF THE

CONFEDERATE SOLDIER

RENDERED IMMORTAL

BY HIS DEEDS OF VALOR,

SACRIFICES AND ACHIEVEMENTS

- 1861 - 1865 -

WHICH ARE WITHOUT A PARALLEL

IN THE HISTORY OF THE WORLD."

 

"HE WAS A WARRIOR

TRUE AND TRIED

WHO BORE THE FLAG

OF A NATIONS TRUST.

HE FELL IN THE CAUSE

THOUGH LOST STILL JUST

AND DIED FOR YOU AND ME"

 

But, for a reality check, here is the shameful truth about that "cause though lost still just", from the Secession Convention of Texas:

 

A declaration of the causes

which impel the State of Texas to secede

from the Federal Union

 

The government of the United States, by certain joint resolutions, bearing date the 1st day of March, in the year A. D. 1845, proposed to the Republic of Texas, then a free, sovereign and independent nation, the annexation of the latter to the former, as one of the co-equal States thereof,

 

The people of Texas, by deputies in convention assembled, on the fourth day of July of the same year, assented to and accepted said proposals and formed a constitution for the proposed State, upon which on the 29th day of December in the same year, said State was formally admitted into the Confederated Union.

 

Texas abandoned her separate national existence and consented to become one of the Confederated States to promote her welfare, insure domestic tranquillity and secure more substantially the blessings of peace and liberty to her people. She was received into the confederacy with her own constitution under the guarantee of the federal constitution and the compact of annexation, that she should enjoy these blessings. She was received as a commonwealth holding, maintaining and protecting the institution known as negro slavery--the servitude of the African to the white race within her limits--a relation that had existed from the first settlement of her wilderness by the white race, and which her people intended should exist in all future time. Her institutions and geographical position established the strongest ties between her and other slave-holding States of the confederacy. Those ties have been strengthened by association. But what has been the course of the government of the United States, and of the people and authorities of the non-slave-holding States, since our connection with them?

 

The controlling majority of the Federal Government, under various pretenses and disguises, has so administered the same as to exclude the citizens of the Southern States, unless under odious and unconstitutional restrictions, from all the immense territory owned in common by all the States on the Pacific Ocean, for the avowed purpose of acquiring sufficient power in the common government to use it as a means of destroying the institutions of Texas and her sister slave-holding States.

 

By the disloyalty of the Northern States and their citizens and the imbecility of the Federal Government, infamous combinations of incendiaries and outlaws have been permitted in those States and the common territory of Kansas to trample upon the federal laws, to war upon the lives and property of Southern citizens in that territory, and finally, by violence and mob law to usurp the possession of the same as exclusively the property of the Northern States.

 

The Federal Government, while but partially under the control of these our unnatural and sectional enemies, has for years almost entirely failed to protect the lives and property of the people of Texas against the Indian savages on our border, and more recently against the murderous forays of banditti from the neighboring territory of Mexico; and when our State government has expended large amounts for such purpose, the Federal Government has refused reimbursement therefor, thus rendering our condition more insecure and harassing than it was during the existence of the Republic of Texas.

 

These and other wrongs we have patiently borne in the vain hope that a returning sense of justice and humanity would induce a different course of administration.

When we advert to the course of individual non-slave-holding States, and that a majority of their citizens, our grievances assume far greater magnitude.

 

The States of Maine, Vermont, New Hampshire, Connecticut, Rhode Island, Massachusetts, New York, Pennsylvania, Ohio, Wisconsin, Michigan and Iowa, by solemn legislative enactments, have deliberately, directly or indirectly violated the 3rd clause of the 2nd section of the 4th article of the federal constitution, and laws passed in pursuance thereof; thereby annulling a material provision of the compact, designed by its framers to perpetuate amity between the members of the confederacy and to secure the rights of the slave-holding States in their domestic institutions--a provision founded in justice and wisdom, and without the enforcement of which the compact fails to accomplish the object of its creation. Some of those States have imposed high fines and degrading penalties upon any of their citizens or officers who may carry out in good faith that provision of the compact, or the federal laws enacted in accordance therewith.

 

In all the non-slave-holding States, in violation of that good faith and comity which should exist between entirely distinct nations, the people have formed themselves into a great sectional party, now strong enough in numbers to control the affairs of each of those States, based upon the unnatural feeling of hostility to these Southern States and their beneficent and patriarchal system of African slavery, proclaiming the debasing doctrine of the equality of all men, irrespective of race or color--a doctrine at war with nature, in opposition to the experience of mankind, and in violation of the plainest revelations of the Divine Law. They demand the abolition of negro slavery throughout the confederacy, the recognition of political equality between the white and the negro races, and avow their determination to press on their crusade against us, so long as a negro slave remains in these States.

 

For years past this abolition organization has been actively sowing the seeds of discord through the Union, and has rendered the federal congress the arena for spreading firebrands and hatred between the slave-holding and non-slave-holding States.

 

By consolidating their strength, they have placed the slave-holding States in a hopeless minority in the federal congress, and rendered representation of no avail in protecting Southern rights against their exactions and encroachments.

 

They have proclaimed, and at the ballot box sustained, the revolutionary doctrine that there is a "higher law" than the constitution and laws of our Federal Union, and virtually that they will disregard their oaths and trample upon our rights.

 

They have for years past encouraged and sustained lawless organizations to steal our slaves and prevent their recapture, and have repeatedly murdered Southern citizens while lawfully seeking their rendition.

 

They have invaded Southern soil and murdered unoffending citizens, and through the press their leading men and a fanatical pulpit have bestowed praise upon the actors and assassins in these crimes, while the governors of several of their States have refused to deliver parties implicated and indicted for participation in such offences, upon the legal demands of the States aggrieved.

 

They have, through the mails and hired emissaries, sent seditious pamphlets and papers among us to stir up servile insurrection and bring blood and carnage to our firesides.

 

They have sent hired emissaries among us to burn our towns and distribute arms and poison to our slaves for the same purpose.

 

They have impoverished the slave-holding States by unequal and partial legislation, thereby enriching themselves by draining our substance.

 

They have refused to vote appropriations for protecting Texas against ruthless savages, for the sole reason that she is a slave-holding State.

 

And, finally, by the combined sectional vote of the seventeen non-slave-holding States, they have elected as president and vice-president of the whole confederacy two men whose chief claims to such high positions are their approval of these long continued wrongs, and their pledges to continue them to the final consummation of these schemes for the ruin of the slave-holding States.

 

In view of these and many other facts, it is meet that our own views should be distinctly proclaimed.

 

We hold as undeniable truths that the governments of the various States, and of the confederacy itself, were established exclusively by the white race, for themselves and their posterity; that the African race had no agency in their establishment; that they were rightfully held and regarded as an inferior and dependent race, and in that condition only could their existence in this country be rendered beneficial or tolerable.

 

That in this free government all white men are and of right ought to be entitled to equal civil and political rights; that the servitude of the African race, as existing in these States, is mutually beneficial to both bond and free, and is abundantly authorized and justified by the experience of mankind, and the revealed will of the Almighty Creator, as recognized by all Christian nations; while the destruction of the existing relations between the two races, as advocated by our sectional enemies, would bring inevitable calamities upon both and desolation upon the fifteen slave-holding States. By the secession of six of the slave-holding States, and the certainty that others will speedily do likewise, Texas has no alternative but to remain in an isolated connection with the North, or unite her destinies with the South.

 

For these and other reasons, solemnly asserting that the federal constitution has been violated and virtually abrogated by the several States named, seeing that the federal government is now passing under the control of our enemies to be diverted from the exalted objects of its creation to those of oppression and wrong, and realizing that our own State can no longer look for protection, but to God and her own sons - We the delegates of the people of Texas, in Convention assembled, have passed an ordinance dissolving all political connection with the government of the United States of America and the people thereof and confidently appeal to the intelligence and patriotism of the freeman of Texas to ratify the same at the ballot box, on the 23rd day of the present month.

 

Adopted in Convention on the 2nd day of Feby, in the year of our Lord one thousand eight hundred and sixty-one and of the independence of Texas the twenty-fifth.

 

[Delegates' signatures]

 

without asking a clear question :-) Albert Camus. HBM!!

 

sarah p duke gardens, duke university, durham, north carolina

without coffee

National Museum of Scotland, Edinburgh, 13th October 2014. FED 50 with Ilford XP2. Lab C41 processed and scanned.

Nice comments without copied/pasted group icons are appreciated.

 

Photography experience courses available, contact for details

 

As Flickr is a sharing site I only add my pictures to public

groups,

 

The full portfolio available from Stock photography by Tim Large at Alamy

 

Photographer:- Tim Large

Location:- In the woods

 

©TimLarge

Without color

Photos taken at the One Day Without Us rally at London's Parliament Square on Monday 20th February 2017.

This another batch of pictures I took in one go without even switching the camera off. People sometimes ask me where the compulsion to snap images of everyday mundane views in cities comes from that I seem to possess; well, it's a multitude of things that draws me to it, really.

For one, I see the beauty everywhere - compositions, textures, vanishing points, colour, movement. By photographing them, I am giving these things my own interpretive stamp, I am making them visible for those who normally never consider stopping and taking the time to consider just how fabulous everything around us actually looks if only you put it in the right frame of composition and perspective.

Many times, people who see my images don't even make the connection between them and a reality they may be seeing daily; this usually leads to exclamations like "What! I can't believe this is OUR local bus depot - I've never given it a second glance in my life, and I drive past it every day!" So, I think I'm doing this in order to give people an opportunity to actually start seeing the world they inhabit.

On another note, I personally am always hungry for images just like mine from places I know nothing about; how often have I been searching the web for images to get an impression of "Comodoro Rivadavia, Argentina", or "Paysandu, Uruguay" - and I mean this kind of imagery like I'm producing here. I want to know everything, no matter how unlikely it would be to find its way into a travel guide. Is there an old, red Toyota under a bridge in Warrington, Cheshire? Show me! But do it with love.

Kris Naudts, Chief Executive Officer, Culture Trip, United Kingdom capture during the Session "Leading without Leaders" at the World Economic Forum - Annual Meeting of the New Champions 2019 in Dalian, People's Republic of China, July 3, 2019. Copyright by World Economic Forum / Sikarin Fon Thanachaiary

MINIATURE PAINTING BY LILI Z. contact: lili.zeller@orange.fr

• 5x5cm peinture acrylique (sans pinceau) sur carreau de grès cérame, attache à l'arrière.

• 2x2" acrylic painting (without brush) on stoneware tile, hanger on back.

• 5x5cm Acryl Malerei (ohne Pinsel) auf Steingut Fliese, Aufhänger auf Hinterseite.

Oil on Canvas (50x60cm)

© sergione infuso - all rights reserved

follow me on www.sergione.info

 

You may not modify, publish or use any files on

this page without written permission and consent.

 

-----------------------------

 

Il concerto degli AC/DC a Imola, prodotto e organizzato da Barley Arts, è il più grande evento open air dell’estate 2015, con 90.000 biglietti polverizzati in soli 5 giorni. Un evento imperdibile, dove la band-leggenda del rock mondiale infiammerà con la sua energia e i suoi riff inconfondibili una location storica per la musica live in Italia. Virgin Radio è la radio media partner ufficiale dell’evento.

 

L’evento si svolgerà all’Autodromo Internazionale Enzo e Dino Ferrari di Imola (Bologna), nel Paddock Rivazza, una delle zone più verdi e accoglienti dell’autodromo e, come tutti gli eventi Barley, sarà caratterizzato dalla massima attenzione verso le migliaia di fan che accorreranno da tutta Italia e Europa.

 

Il “Rock or Bust World Tour” è il primo tour senza Malcom Young, che mesi fa ha lasciato la band per motivi di salute. Al suo posto Stevie Young, nipote dei membri fondatori Angus e Malcolm Young, che ha suonato la chitarra ritmica in ‘Rock or Bust’ e che accompagna la band sul palco. Inoltre, alla batteria per il tour mondiale Chris Slade, che ha già lavorato nella band tra il 1989 e il 1994 e si è recentemente esibito con gli AC/DC sul palco dei Grammy Awards 2015.

 

Durante le prime date europee del “Rock or Bust World Tour“, gli AC/DC si sono mostrati in grande forma, dando vita ad uno show esplosivo di oltre due ore! In scaletta, i grandi classici della rock band, da “Back in Black“ a “Thunderstruck“, fino ad alcuni nuovi brani tratti dall’ultimo disco “Rock or Bust“, divenuto in pochissimo tempo disco di platino. Insomma, uno show da non perdere!

 

Brian Johnson – voce

Angus Young – chitarra

Stevie Young – chitarra

Cliff Williams – basso

Chris Slade – batteria

 

...Without UWA glass at least. However, even at 24mm, I was about 3 inches from the tip of that beak. It was pretty funny, as I was getting a bit of a crowd around me watching the shoot, and I could hear everyone taking a breath as I crept closer and closer.

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