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Let me be the silent voice of this lone fisherman, hopelessly sitting at the fishing harbour on the Isle of Maheshkhali, Cox's bazar in the hope of the biggest catch of his life..which, sadly never came.
Fisherman to the curious guy infront of him holding a strange, crude, malovalent looking contraption :-
" Hey, you there..what are you looking at with those unwilling eyes? Trying to mock me with your urban words and phrases eh? Well you are in luck today. All I can fish up are dead,diseases sea-creatures. Dead from unwatched,illegal pollutant dumping, dead from rising sea levels and destruction of natural habitats. Yeah, laugh now while you still have food in your tummy. Its the 'mammal's' turn next :) "
Larger View recommeded
St Botolph-without-Bishopsgate is a Church of England church on the west side of Bishopsgate in the City of London, first mentioned in 1212.[1] It survived the Great Fire of London in 1666, and was rebuilt in 1724–29.
The church is on the west side of Bishopsgate near Liverpool Street station. In the Middle Ages the site was just outside the city walls near the "Bishop's Gate" after which the street is named.[2] St Botolph was a patron saint of travellers, so it was an appropriate dedication for a church near a city gate. There were three other churches of St Botolph in medieval London, at Billingsgate, Aldgate and Aldersgate.[3]
Adjoining the buildings is a substantial churchyard – running along the back of Wormwood Street, the former course of London Wall – and a former school.[4] The church is linked with the Worshipful Company of Bowyers.
Christian worship on this site may have Roman origins, though this is not fully proven. Stow, writing in 1598 only describes the church of his time as standing "in a fair churchyard, adjoining to the town ditch, upon the very bank thereof".[3] It narrowly escaped the Great Fire, the sexton's house having been partly demolished to stop the spread of the flames.[5] Writing in 1708, Hatton described it as "an old church built of brick and stone, and rendered over". By this time the Gothic church had been altered with the addition of Tuscan columns supporting the roof, and Ionic ones the galleries.
n 1710, the parishioners petitioned parliament for permission to rebuild the church on another site, but nothing was done. In 1723 the church was found to be irreparable [5] and the parishioners petitioned again.Having obtained an act of Parliament, they set up a temporary building in the churchyard, and began to rebuild the church. The first stone was laid in 1725, and the new building was consecrated in 1728, though not completed until the next year. The designer was James Gold.[2] or Gould.[6] During construction, the foundations of the original Anglo-Saxon church were discovered.
To provide a striking frontage towards Bishopsgate, the architect placed the tower at the east end, its ground floor, with a pediment on the exterior, forming the chancel. The east end and tower are faced with stone, while the rest of the church is brick, with stone dressings.[2]
The interior is divided into nave and aisles by Composite columns, the nave being barrel vaulted. The church was soon found to be too dark, so a large west window was created, but this was largely obscured by the organ[2] installed in front of it in 1764.[5] In 1820 a lantern was added to the centre of the roof.[2]
The church was designated a Grade II* listed building on 4 January 1950.[7]
By permission of the Rector, the Antiochian Orthodox Church worships there.
Almost without light and very strong winds, the last shot yesterday Sunset
Nikon D90 + Sigma 10-20 @ 10 mm
ISO 200 - f/6.3 - 30 s
Hitech 0.6 HE + Lee GND 0.6 SE
After the long-awaited rain, Absolem gets a visit from an unknown beautiful girl.
Ladybug - Dress by DreamDollDress Etsy
Without a doubt, the busiest train station in Hyde Park. South Shore Line and all branches of the Metra Electric stations stop here, allowing for fairly easy transfer. Intercity trains used to stop here, too, but I don't think any Amtrak trains ever did.
Most of what you see is a result of a very extensive renovation about a decade ago. The station is ADA-compliant and has elevators, not to mention some decent passenger shelters.
The station has a curious distinction of being one of the very, very few Metra Electric stations to have a ticket office (for historic reasons, most stations just have ticket vending machines). The ticket office only sell Metra tickets - South Shore Line riders have to buy the tickets on the train.
Carlos Ezequiel, Lupa Santiago, Victor Alcantara e Guto Brambilla recording Sinequanon in São Paulo, 2003. By FELIPE PIPI.Nikon Ns90 + 60mm micro 2.8 + fuji400 + epson scanning. Do not use it without permission of the author.
sin ver el presente
Blondie - Touched By Your Presence
www.youtube.com/watch?v=YLdtrQ7vPOU&feature=related
serie serie naturaleza muerta [29]
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St Sepulchre without Newgate, Holborn Viaduct, London
Also St Sepulchre Holborn, also St Sepulchre Old Bailey - these were the bells of Old Bailey that asked when can you pay me? - this is one of the biggest churches in the City. No other City church has so much the air of the most important church in a smaller, provincial town - and probably as so often in the City, an East Anglian town, as the south porch with its fan vaulting suggests, we could be in Saxmundham, or Swaffham, or Coggleshall, or March. But on stepping inside there is the reminder that this church has virtually no resident parishioners, for instead of the highly polished, flower-bedecked small town civic pride we'd find in Saxmundham, or Swaffham, or Coggleshall, or March, here is a great dusty space full of disconnected once-proud details, like a rich aunt who has gone awry. And yet it is an entirely loveable church for all that, and many people's City favourite, not least because the Gothic exterior contains an entirely Wrenish interior - or, at least, the spirit of Wren without the letter, shoehorned into a medieval space. This is a rich aunt who at first sight has stopped taking care of herself, but the person she has become is admirable for her eccentricity and intelligence. There's nothing quite like it, and it makes you smile.
How did this happen? Well, the medieval church, which had been rebuilt on a grand scale in the 15th Century, was largely destroyed in the Great Fire, but the reconstruction was something of a mish-mash, with Wren falling out with the vestry. There was a revamp in the late 18th Century when they tried to get rid of the bits that still made it look medieval, and then a big one in the 1870s to make it more medieval than it had ever been, which is pretty much how you see it today. The interior you step into is largely 19th Century, but full of colour and interest. This is one of those churches where there is always something around the next corner. The range of 20th Century glass is one of the most comprehensive in the City, and the best of it is in the north aisle, the musicians' chapel, by Brian Thomas. Other glass is by Francis Skeat, AK Nicholson and GER Smith (a memorial window to AK Nicholson, including an image of him in his workshop).
The organ is fabulous. Sir Henry Wood, who invented the Proms, was the organist here, and is remembered in the musician's chapel in post-war glass along with the likes of George Frederich Handel, William Byrd, John Ireland and Dame Nellie Melba. There is a memorial to Captain John Smith, remembered as the governor of Virginia, but more familiar to us in our Disneyfied times as the lover of Pocahontas. He's buried here. Wayland Young mentions the tradition that the bells of St Sepulchre not only tolled the curfew each night, but also tolled as condemned men passed from the Newgate prison to the scaffold at Tyburn. A church full of stories then, a bit mad, all a bit disconnected, a must-see.
(c) Simon Knott, December 2015
Sleedoorn (Prunus spinosa) , in de griend bij Ammerstol (NL), 2 april 2011
Thanks a lot @wandelgraaf for your ID..:))
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John's B5.5 Passat GLS in Samoa Red Pearl, such an amazing color that's nearly impossible to fully capture with a camera. It is one of just 7 in the US in this color and trim and he goes a step farther by having a full votex kit on it as well.
I shot these last year but they were overlooked for a while and I didn't get to really edit them until recently (also the car had some serious misfortune in the way of internal damage to the motor, all has been rebuilt and is better than ever but it was a long road back).
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Bug Lighthouse on the North Fork of Long Island, NY.
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Eve Hill, Dudley. Just a short time span but a big change to the scene.
Top photo from the left; The Grange public house. To the right of the pub is Millfield Court flats, these flats have been seen by millions of people all over the world, they are on the Led Zeppelin LP IV album cover, released 1971, see other photos.
The middle block is the Prince of Wales Court, on the far right is Butterfield Court, were John Bonham and family lived for a short time.
The Millfield and the Prince of Wales flats were demolished in 1999.
Bottom photo, the new building on the corner of Salop St is the St James Medical Centre, built 2009, Buttefield Court flats in the back ground.
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licence | please contact me to obtain prior a license and to buy the rights to use and publish this photo. A licensing usage agreed upon with Bernard Egger is the only usage granted. |► more...
photographer | Bernard Egger фотография • collections • sets
☆ Fine Art photography | alpine & mediterranean landscapes ☆
☆ classic sportscars & motorcycles | traveling | Россия | Europe
location | Patra Port, Peloponnese GR
📷 | Ferry Patra, Greece Ελλαδα :: rumoto images
Peloponnes - Auf herrlich gewundenen Küsten- und Passstraßen die Lust und das lockere Spiel zwischen Schwerkraft und Fliehkraft erleben. Erleben wie von Kilometer zu Kilometer die positiven Gefühle intensiver werden - links, rechts, links - Landschaften und Gedanken dahin gleiten, bald schon jene Augenblicke kommen, wo die Enge der Zivilisation der überwältigenden Szenerie der Natur Platz macht und beruhigende Geräusche des Motors und Formen verschmelzen... [Bernard - 55.000 km across GR]
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:: Берни Эггерян, Bernard Egger, фото, rumoto, images, фотограф, photographer, 写真家, Fujifilm, fine art, old stile, photography, Fotografie, Fotográfico, Fotografo, supershot, top shots, gorgeous, stunning, Canvas Prints, Poster, posters, art print, Kunstdruck, print, prints, quality, authentic, exclusive, calendar, gallery, collection, Lichtbildwerk, passion, Passione, Leidenschaft, emotion, Emozioni, Faszination, enthusiast, Griechenland, Elláda, Ελλάδα, φιλοξενία, Filoxenía, φιλία, Greece, greek, یونان, Grecia, Grèce, Grècia, Grécia, Grecja, Grčka, Graikija, Grieķija, Griekenland, Ellas, Ellás, Hellas, Ελληνικά, Helénica, Греция, Грэцыя, Греція, Грција, Грек, ギリシャ, Grækenland, גריכנלאַנד, Görögország, 希腊, 希臘, Kreikka, Kreeka, Grekland, Грекъ, Yunanistan, საბერძნეთი, Հունաստան, יוון, κυνουρια, ελληνεσ, φωτογράφοι, ambience, Ambiente, trip, Tour, Vacanze, tourism, holidays, Urlaub, Travel, Travelling, GR, aegean, ionnian, mediterranean, Europe, Südeuropa, Peloponnese, Πελοπόννησος, Pelopónnisos, Peloponnes, Μάνη, Máni, Mani, κρήτη, ηράκλειο, Κορώνη, Koróni, Zaharo, Koroni, Plaka, Leonidio, Finikunda, Finikounda, Voidokilia, Pilos, Methoni, Gythio, Githio, Githion, Nafplio, Ναύπλιο, Thessalia, Θεσσαλία, Arkadia, Αρκαδία, Arkadien, Λακωνία, Lakonía, Lakonia, Μεσσηνία, Messinía, Messenia, ισθμος κορινθου, Thessaly, κορινθία, sea, Meer, Strand, beach, Θάλασσα, παραλία, landscape, εξοχή, νησί, Νησί, Insel, Nisi, boat, flag, blue, white, Plaka, Leonidio, Argos-Mykines, Galatas, Poros, Attica,
Ελλαδα - I'm lovin' it since 1985 -
1985 - 2010 | 55.000 km across GR
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Without a doubt, this was probably one of the most scintillating cosplays of the day. This girl was a natural and the costume was elegant and refined. Follow her here www.instagram.com/sarah_darkeair/
Please don't use my images on websites, blogs or other media without my explicit permission - rr.restifo@gmail.com. © All rights reserved.
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Da/from www.facebook.com/iononmilasciofregare/info/?tab=page_info:
IO NON MI LASCIO FREGARE
#iononmilasciofregare
Questo appello nasce dalla volontà di ricordare cosa è successo il 19 novembre 2015 a Verona...un appello che abbiamo scritto a più mani in maniera ANONIMA e che vuole essere una "chiamata alle armi" per amici artisti di buona volontà.
IN BREVE
Presso il Museo Civico di Castelvecchio sono state trafugate 17 opere di grandissimo valore: Tintoretto, Mantegna, Rubens solo per citare alcuni autori, in pratica un piccolo museo per intero (le foto delle opere rubate le trovate nel nostro album a questo indirizzo: www.facebook.com/media/set/?set=a.1064799210228843.107374....)
L’operazione è durata quasi un’ora e mezza ed è stata condotta con molta tranquillità. Un vero scandalo! Poche le parole spese dai media in seguito all’accaduto, le Istituzioni hanno messo in scena il solito scaricabarili e la raccolta firme on-line ha avuto poco seguito.
Ma un pezzettino di quelle straordinarie opere è anche MIO, è ANCHE VOSTRO! Io rivoglio il nostro pezzettino di MANTEGNA, TINTORETTO, BELLINI, etc! Non so se ve ne siete accorti ma si stanno rubando il passato e soprattutto IL FUTURO!
Io non ci sto, noi non ci stiamo! Portiamo un segnale fuori, per le strade e in rete per tenere viva l’attenzione su questo caso letteralmente scomparso, senza lasciare traccia.
Ci rivolgiamo quindi agli amici artisti: quello che sappiamo fare è dipingere, non perdiamo tempo, facciamolo. L'idea che ci è venuta è di adottare ognuno di noi una delle 17 opere e di realizzare un murale (ma anche un poster o una qualsiasi installazione urbana) reinterpretando a modo nostro il lavoro originale. Sfrutteremo l'interesse dei media per l'arte urbana per poter denunciare ad alta voce insieme questo incredibile furto!
Vi chiediamo di farlo liberamente, ognuno con i propri mezzi, ognuno con le proprie capacità,
Siete invitati a partecipare tutti e di farlo in maniera ANONIMA senza firmare le opere che lascerete nelle nostre città, per far parlare direttamente i vari TINTORETTO, MANTEGNA, PISANIELLO ETC, coinvolgendo chi volete (le realtà che oggi hanno a disposizione spazi non mancano, quindi destinatarie di questo messaggio e di certo non abbiamo niente da insegnarvi su come si può fare arte per strada...).
Quando avete fatto mandateci le foto a questo indirizzo:
iononmilasciofregare@gmail.com
o postatele su questa pagina
www.facebook.com/iononmilasciofregare/
sarà nostra cura farle girare il più possibile perchè #iononmifacciofregare
Ecco la lista dei nostri 17 capolavori da adottare:
1 Antonio Pisano detto Pisanello, Madonna col bambino
2 Jacopo Bellini, San Girolamo penitente
3 Andrea Mantegna, Sacra Famiglia
4 Giovanni Francesco Caroto, Ritratto di giovane con disegno infantile
5 Giovanni Francesco Caroto, Ritratto di giovane monaco benedettino
6 Jacopo Tintoretto, Madonna allattante
7 Jacopo Tintoretto, Trasporto dell’arca dell’alleanza
8 Jacopo Tintoretto, Banchetto di Baltassar
9 Jacopo Tintoretto, Sansone
10 Jacopo Tintoretto, Giudizio di Salomone
11 Cerchia di Jacopo Tintoretto, Ritratto maschile
12 Domenico Tintoretto, Ritratto di Marco Pasqualigo
13 Bottega di Domenico Tintoretto, Ritratto di ammiraglio veneziano
14 Peter Paul Rubens, Dama delle licnidi
15 Hans de Jode, Paesaggio
16 Hans de Jode, Porto di mare
17 Giovanni Benini, Ritratto di Girolamo Pompei
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(eng)
I WON'T GET SCREWED OVER
# Iononmilasciofregare
This call arises from the desire to remember what happened on Nov. 19, 2015 in Verona, a call that we have written many hands in an ANONYMOUS way and that wants to be a "call of duty" for artist friends and people of good will.
THE FACT
17 works of great value were stolen from the Museum of Castelvecchio: Tintoretto, Mantegna, Rubens just to mention a few painters, basically a real small museum (photos of stolen works can be found in our album to this address: https: //www.facebook.com/media/set/....)
The operation lasted nearly an hour and a half and it was carried out with extreme calm. A real scandal! A few words spoken by the media after the incident, the institutions have staged the usual buck and the online sensibilization campaign has had little success.
A part of those extraordinary works is also MINE, is also YOURS! I want back our piece of MANTEGNA, TINTORETTO, BELLINI, etc! I do not know if you are aware of that but they are stealing our past and our FUTURE!
I do not accept it, do you? Let's transmit a signal on the streets and in the internet to keep attention focused on this case that risks to disappear without a trace.
We appeal to artist friends: what we do is painting, do not waste time, let's do it. The idea is to take each of us one of the 17 works and create a mural (or a poster or any urban installation) reinterpreting our own way the original work. Let's exploit the media interest in street art to denounce loud together this incredible theft!
We ask you to do it freely, each with their own means, each with their own abilities,
You are all invited to attend and do it in an ANONYMOUS way, without signing the works that you will leave in our cities, to speak directly to TINTORETTO, MANTEGNA, PISANELLO, etc, involving those who want to participate.
Once you did it, please send photos to this address:
iononmilasciofregare@gmail.com
or post them on this page
www.facebook.com/iononmilasciofregare/
We will spread them as much as possible, because:
I WON'T GET SCREWED OVER
"Day sky to night sky, the change was so gradual it seemed not to have a boundary, but there was a point where you could say one had come and the other shoved aside."
~Helen E Davis (By Blade and Cloth)
All images copyright of Karen Wyatt and any use without permission is illegal
We cruised around Bristol looking for a few more sports to potentially hit up for shots. Ive always had this nasty brick bank to warlike in mind but its without a doubt one for the big wheels and Scott rides big wheels!
Body \ Nikon D800
Lens \ Sigma 15mm Fisheye
Strobe \ Canon 540EZ @ 1/16 power 90mm Right
Strobe \ Canon 540EZ @ 1/8 power 80mm Far Left
Triggers \ Pocket Wizards
Copyright © 2010 Ruggero Poggianella. All rights reserved.
Please, do not use my photos without my written permission.
Deriva dal latino Drepanum o Drepana dal greco drepane, ossia falce, riferendosi al promontorio su cui sorge la città che è "falcato" (curvato).
Il sale marino artigianale si ottiene semplicemente lasciando evaporare l’acqua marina all’interno di grandi vasche sistemate sulla costa: le saline, appunto. Gli elementi essenziali per la nascita del sale, quindi, sono tre: l’acqua del mare, il sole e il vento. Di fronte alla costa trapanese (fra Trapani, Paceco e Marsala) in un suggestivo scenario di acqua, mulini a vento e piramidi bianche che diventano rosa al calare del sole, esiste un’importante realtà produttiva, e non soltanto industriale. Tutta la zona ricade all’interno di due splendide aree protette: la riserva naturale orientata delle saline di Trapani e Paceco e le saline dello Stagnone (nel comune di Marsala). La produzione avviene durante il periodo estivo, in particolare nei mesi di luglio e agosto. Si compiono circa tre raccolti, a seconda delle condizioni climatiche (un’ultima raccolta può essere realizzata anche nel mese di settembre). Ciò che differenzia il prodotto del Presidio dalla versione industriale è il metodo di “coltivazione”, ma soprattutto la lavorazione. Il sale tradizionale è raccolto a mano dal salinaio. Nella produzione industriale, invece, la raccolta è fatta con strumenti meccanici e, nella fase della lavorazione, il sale può subire procedimenti di raffinazione e aggiunte di altri sali minerali. I produttori artigianali sono pochi e poco organizzati. Così il loro sale ha difficoltà commerciali e non riesce a reggere la concorrenza con il prodotto industriale e con quello di miniera, il cosiddetto salgemma.
A tavola
Il sale marino artigianale di Trapani sala di più, e si perdoni la cacofonia. Rispetto agli altri sali da cucina, infatti, contiene più potassio, più magnesio e una quantità minore di cloruro di sodio.
Prodotto umile e anonimo, il sale concorre tuttavia alla realizzazione di moltissime specialità tipiche del patrimonio agroalimentare italiano. Attualmente è utilizzato nella salatura dei prodotti di un altro Presidio locale, la bottarga di Favignana. Secondo l’esperienza dei produttori, infatti, questo prodotto dà risultati migliori nella salamoia per le uova o per le altre parti del tonno, sia in termini di conservazione sia di profumi. Inserire il sale nel progetto dei Presìdi significa anche far circolare maggiore conoscenza attorno a questo ingrediente. Significa proporlo alla ristorazione e ai consumatori e fare in modo che prodotti come questo siano usati anche nella produzione di formaggi e salumi di qualità.
Una filiera corretta e completa deve partire anche dal sale, ma a differenza di quel che succede in Francia, ad esempio, dove il fleur du sal è un prodotto di grande valore, in Italia manca la cultura di questo alimento. Questo Presidio potrebbe rappresentare un primo passo.
Area di produzione Comuni di Trapani, Paceco, Marsala (provincia di Trapani).
Without it, he would never be able to see beyond his immediate world; nor could the world see the man within~
Quote -Claudia Lady Bird Johnson
Taken during the 2011 Scott Kelby Worldwide Photowalk in Sheffield Alabama inside an old church along the route that is actually for sale! The walk was organized and hosted by Dave Reasons- Ken & I had a fantastic time!
The John Day is the longest free-flowing river without dams in Oregon. It’s also one of the longest in the United States. Elevations range from 265 feet at the confluence with the Columbia River to over 9,000 feet at the headwaters in the Strawberry Mountain Range.
In 1988, Congress designated 148 miles of the main John Day as well as 101 miles of the north and south forks as National Wild and Scenic Rivers. The John Day offers diverse geology with columnar basalt monoliths, towering buttes and the eroded red & green soils of ancient fossil-rich ecosystems.
The John Day watershed supports one of the largest remaining populations of wild Chinook salmon and steelhead in the Columbia Basin, and is known for its excellent bass fishing. A wide variety of bird life may be found here, as well.
Recreation opportunities include hunting, fishing, sightseeing, horseback riding, hiking, snowmobiling, skiing, camping, and whitewater rafting.
The John Day Wild and Scenic River is part of the Bureau of Land Management's National Conservation Lands. The National Conservation Lands include nearly 27 million acres of National Monuments, National Conservation Areas, Wild and Scenic Rivers, and National Scenic and Historic Trails. The National Conservation Lands work to conserve the essential fabric of the West, while offering exceptional opportunities for recreation, solitude, wildlife viewing, exploring history, and scientific research. Photos were captured in June of 2016 by Bob Wick, BLM