View allAll Photos Tagged wavepattern
The last light of day reflects off the wet sand and breaking waves along the beach, casting a golden sheen across the shoreline. A silhouetted figure plays in the surf, adding life and contrast to this tranquil, sunlit moment captured near sunset.
Vertical version of the White Sand Dunes in Mui Ne, Vietnam. Taken with a Canon 5D Mark II, Canon 17-40 f/4 L lens. 4/11/2012. ISO 50, f/11, 1/80
Red-figure pottery fish plate from Campania. The design is on a black ground, with white highlights. Round the edge and round the center is a wave pattern.
The fish are identified as a sea-perch or bass, a small torpedo, a sargus, and an octopus-like cuttlefish.
Campanian, ca. 360-330 BCE Red-figure terracotta.
British Museum, London (1872,0603.1)
I was reading an article about looking for lines. Guess what .... the next time I went out with the camera I started seeing lines everywhere! These lines were on the shore and were made by the waves as they left the sand as the tide went out.
Given a bit of a boost in Topaz for Sliders Sunday.
Patterns of the storm - Maori Bay taken from very high up - the small looking rocks are actually very large rocks! Maori Bay and Muriwai are volcanic black sand beaches, so the foam being pulled back to the sea stands out clearly on the black sand.......
This is a colour photograph!!
Quality prints and greeting cards can be purchased at >> kaye-menner.artistwebsites.com/featured/early-morning-bro... Just right click on link and open in new tab.
I set off to Bronte Beach, Sydney on 13th Nov 2014 to see what the sunrise might offer. Although it was a hazy sunrise, I walked and waited a little and captured this image about 1.5 hours (around 7.25am daylight saving time) after sunrise when the haze had lifted giving a beautiful clear sunlit view of the beauty at Bronte Beach in Sydney's east.
With the sand being fairly flat at present, it allowed for the waves to make beautiful extended wave patterns full of foam and froth.
The first image from my latest video - please - give it a watch youtu.be/eSURjZx3MfM
A small "Sea Grass Ball" (forms from the remains of Neptune Grass (Posidonia oceanica)) on a sandy beach with trails in the sand where the waves have washed around it. Playa Carrer La Mar, El Campello, Spain
Swirling sandstone, striving up toward the surface..
Lower Antelope Canyon..
On Navajo Nation land.
Near Page, AZ
March 6, 2016
Ripples and boat wakes coincide in the Lewis Bay Channel. Hyannis, Cape Cod.
Aboard the "Grey Lady" ferry between Cape Cod and Nantucket Island
Nantucket Sound
Cape Cod - USA
Photo by brucetopher
© Bruce Christopher 2016
All Rights Reserved
No use without permission.
Please email for usage info.
A parasailing couple on Lake Wakatipu in Queenstown, New Zealand, soar over the diffraction pattern created by the boat pulling them. This was taken from the top of the Gondola, looking down on the lake.
Taken from the beach at Godrevy lighthouse
two nights ago .
Many thanks to Hans Davis & David White for a fun night shooting .
My Web Site . www.raymondbradshawphotography.co.uk/
This was a custom order for a local couple. I like how these turned out using the silver to line the silver channel instead of gold. The contrast is much more subtle on these rings but you still get the nice comfort fit. I am getting better and better at getting a consistent finish on the mokume after much frustration early on.
Nice wooden boats in a marina beneath the Västerbron (West bridge) that connects the islands of Södermalm and Kungsholmen in Stockholm, Sweden.
Only 20 travelers a day who are lucky enough to get permit for hiking to see The Wave.The Wave is a sandstone rock formation located in the United States of America near the Arizona-Utah border, on the slopes of the Coyote Buttes, in the Paria Canyon-Vermilion Cliffs Wilderness, on the Colorado Plateau. It is famous among hikers and photographers for its colorful, undulating forms, and the rugged, trackless hike required to reach it.
A delicate play of light and motion as gentle ripples move across the shoreline, bathed in the warm glow of a fading sunset. The shallow depth of field softens the horizon, drawing the eye to the subtle textures of the water’s surface and the fleeting moment between calm and tide.
Stockholm, Sweden.
Taken around 8 AM from the Västerbron bridge in Stockholm. I commuted to work over this bridge when I lived in Stockholm, weather permitting by bike, otherwise by bus. This boat wake is probably the first of the day....It's headed toward Slussen where there is a lock into the Baltic Sea.
The island to the left is called Kungsholmen. The tower almost in front of the boat is City Hall, where the Nobel Prizes are given out.
The body of water is Mälaren.
This is a cropped and enhanced version of this.
Detail of a beautiful bolt of vintage Japanese cotton fabric used to make everyday kimonos. The pattern features traditionally waves, woven in white against a sage green background.
Private collection.
An image from my latest video - please - give it a watch youtu.be/eSURjZx3MfM
A clump of multi-coloured weed on a wet sandy beach, with patterns created by the wave that has just washed it around. It makes w=me think of some weird weed monster dragging itself across the sand and leaving a trail in its wake. Playa Carrer La Mar, El Campello, Spain
Description: As the Smithsonian's first photographer and curator of photography, Thomas Smillie used images to catalog the much of the institution's physical object collection, ranging from stuffed animals to plant fossils, decorative boxes, and beyond. The photographs themselves are now part of the Smithsonian's collection.
Creator/Photographer: Thomas Smillie
Birth Date: 1843
Death Date: 1917
Born in Edinburgh, Scotland, in 1843, Thomas William Smillie immigrated to the United States with his family when he five years old. After studying chemistry and medicine at Georgetown University, he took a job as a photographer at the Smithsonian Institution, where he stayed for nearly fifty years until his death in 1917. Smillie's duties and accomplishments at the Smithsonian were vast: he documented important events and research trips, photographed the museum's installations and specimens, created reproductions for use as printing illustrations, performed chemical experiments for Smithsonian scientific researchers, and later acted as the head and curator of the photography lab. Smillie's documentation of each Smithsonian exhibition and installation resulted in an informal record of all of the institution's art and artifacts. In 1913 Smillie mounted an exhibition on the history of photography to showcase the remarkable advancements that had been made in the field but which he feared had already been forgotten.
Medium: Cyanotype
Culture: American
Date: 1890
Repository: Smithsonian Institution Archives
Collection: Thomas Smillie Collection (Record Unit 95) - Thomas Smillie served as the first official photographer for the Smithsonian Institution from 1870 until his death in 1917. As head of the photography lab as well as its curator, he was responsible for photographing all of the exhibits, objects, and expeditions, leaving an informal record of early Smithsonian collections.
Accession number: RU95_Box76_102