View allAll Photos Tagged wavepattern
I guess if you ask nice enough you will receive. I had a very small break in the weather. (Believe me as I am writing this downpour is happening.) I was luckily near some nice scenery and decided to pan waves as they rushed up onto the shore. I liked the colors and tones.
A dreamy, abstract capture of the ocean’s rhythmic movement, where turquoise and deep blue hues blend in a mesmerizing dance. The soft, flowing textures of the waves evoke a sense of serenity and power, showcasing the ever-changing essence of the sea.
Holkham Hall was built for Thomas Coke, later 1st earl of Leicester (1697-1759). It was first conceived around 1722 and the foundation stone laid in 1734. The south-west wing was finished by 1741 and the south front by 1753. The exteriors were complete by 1759 and the interiors by 1761, after Coke's death. The design is now thought to be by Coke himself in discussion with Lord Burlington, but employing Matthew Brettingham the Elder as draughtsman and William Kent as supervisor.
The house is entered by the Stone Hall, sometimes called the Marble Hall. Its structure was completed by 1752 but the interior had only been filled to the level of the main floor by 1757, when, in the following two years, major changes were made to the north or entrance front wall and the staircase. The Hall evokes the Vitruvian so-called Egyptian Hall and the apsed and aisled antique basilica adapted by Palladio. Internally, it has alabaster facings and a rich Ionic order adapted from the Temple of Fortuna Virilis in Rome. The walls at ground floor level are faced with pink Derbyshire alabaster and are decorated with a frieze with a Greek key pattern running below one with a wave pattern (seen here). The gallery, at main-floor level, has a cast-iron balustrade and free-standing Ionic columns of pink alabaster. The walls of the gallery contain niches for sculpture.
Holkham Hall was built for Thomas Coke, later 1st earl of Leicester (1697-1759). It was first conceived around 1722 and the foundation stone laid in 1734. The south-west wing was finished by 1741 and the south front by 1753. The exteriors were complete by 1759 and the interiors by 1761, after Coke's death. The design is now thought to be by Coke himself in discussion with Lord Burlington, but employing Matthew Brettingham the Elder as draughtsman and William Kent as supervisor.
The house is entered by the Stone Hall, sometimes called the Marble Hall. Its structure was completed by 1752 but the interior had only been filled to the level of the main floor by 1757, when, in the following two years, major changes were made to the north or entrance front wall and the staircase. The Hall evokes the Vitruvian so-called Egyptian Hall and the apsed and aisled antique basilica adapted by Palladio. Internally, it has alabaster facings and a rich Ionic order adapted from the Temple of Fortuna Virilis in Rome. The walls at ground floor level are faced with pink Derbyshire alabaster. The gallery, at main-floor level, has a cast-iron balustrade and free-standing Ionic columns of pink alabaster (as seen here). The walls of the gallery contain niches for sculpture. The marble doorcases have pulvinated friezes.
Note that this comes in two print sizes. This is the larger print. Either way I want to go to the beach now and dip my toes in the waves.
Holkham Hall was built for Thomas Coke, later 1st earl of Leicester (1697-1759). It was first conceived around 1722 and the foundation stone laid in 1734. The south-west wing was finished by 1741 and the south front by 1753. The exteriors were complete by 1759 and the interiors by 1761, after Coke's death. The design is now thought to be by Coke himself in discussion with Lord Burlington, but employing Matthew Brettingham the Elder as draughtsman and William Kent as supervisor.
The house is entered by the Stone Hall, sometimes called the Marble Hall. Its structure was completed by 1752 but the interior had only been filled to the level of the main floor by 1757, when, in the following two years, major changes were made to the north or entrance front wall and the staircase. The Hall evokes the Vitruvian so-called Egyptian Hall and the apsed and aisled antique basilica adapted by Palladio. Internally, it has alabaster facings and a rich Ionic order adapted from the Temple of Fortuna Virilis in Rome. The gallery, at main-floor level, has a cast-iron balustrade and free-standing Ionic columns of pink alabaster. The walls of the gallery contain niches for sculpture (as seen here). The marble doorcases have pulvinated friezes.
Vector Oriental traditional pattern background - Illustration
www.istockphoto.com/vector/oriental-traditional-pattern-1...
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ca. 2nd-4th centuries --- Roman Mosaic of Dionysus and His Court --- Image by © Archivo Iconografico, S.A./CORBIS
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Out of this world public domain images from NASA. All original images and many more can be found from the NASA Image Library
Higher resolutions with no attribution required can be downloaded: www.rawpixel.com/board/418580/nasa
Title
Symbols - Daytime, Boot - Regal Shoe Store, Busy Corner, Women Shoppers, Haviland Chocolates Truck in front of F. W. Woolworth, Art Deco Sign, Wave Molding above Windows, Washington Street
Contributors
researcher: Gyorgy Kepes (American, 1906-2001)
researcher: Kevin Lynch (American, 1918-1984)
photographer: Nishan Bichajian (American, 20th century)
Date
creation date: between 1954-1959
Location
Creation location: Boston (Massachusetts, United States)
Repository: Rotch Visual Collections, Massachusetts Institute of Technology (Cambridge, Massachusetts, United States)
ID: Kepes/Lynch Collection, 72.38
Period
Modern
Materials
gelatin silver prints
Techniques
documentary photography
Type
Photograph
Copyright
(c) Massachusetts Institute of Technology
Access Statement
Creative Commons Attribution-NonCommercial 3.0
creativecommons.org/licenses/by-nc/3.0/
Identifier
KL_001803
DSpace_Handle