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Holga 120N
Rollei RPX100 in Tanol (ca. N+2) 15 Minuten bei 20°C
printed on Kentmere VC Warmtone 27x28cm
Zweibad/two tray
SE5 Lith A-B-D 80+80+2000+50 6 mins
Catechol 1+150 plus 20ml Ammoniumchloride 20% to two liter working solution 2,5 mins
softer shorter in Lith, longer in Catechol
Feuilles d'or tombent,
Le cyprès chauve s'embrase,
Reflet rouge en eau.
La magie automnale des cyprès chauves de l'étang de Boulieu.
---
Golden leaves descend,
Bald cypress burns in soft flame,
Red mirrored in pond.
The autumn magic of the bald cypresses of Boulieu pond.
The Overland Story
In 1902, Charles Minshall, president of Standard Wheel of Terre Haute, Indiana, decided he'd want to add a car to his company's offering. Knowing he would need an engineer to develop this new project he hired Claude Cox, fresh out of engineering school in 1902, to create a marketable automobile for Standard Wheel to sell. Over coffee they had decided that “Overland” would be its name, and by 1903 Minshall had started the company and Cox had a car to show for it. Over the next few years, and unbeknownst to me as to why, Minshall lost interest in the car business and sold the business rights to one of his clients, David Parry in 1906. Cox stayed with Parry and would continue to develop, and improve the car. Unfortunately for David Parry, the Panic of 1907 swooped in and trashed his dream of owning an automobile company. He would be totally bankrupted, even losing his home.
Enter John North Willys
Meanwhile, Overland was in full stoppage when its chief car dealer, John North Willys, decided to visit the factory in late 1907 to see why his orders weren’t being fulfilled and why no one was answering the phone at the Overland factory. Arriving there, and seeing nothing but an empty factory and scattered parts, Willys, a take-charge kind of personality, decided to do just that. He wired for money to rehire the help, calmed disgruntled creditors to keep them at bay, set up a circus tent to operate an assembly line, and got to work making Overlands to fulfill his customers’ orders. 1907 production turned out five Overlands, but in 1908, 465 were produced. By 1909, Willys had turned the company around, and it produced 4,907! Willys then reorganized Overland, which he now owned, into the Willys-Overland Company in October of 1909. 1910 to 1915 was a time for runabouts and roadsters as a core component of any successful car company, as this model was used extensively for business professionals, doctors, and singles who wanted a gadabout to get in and go. Overland provided!
In late 1913, the 79 series would issue a Model 79-R roadster with almost identical dimensions when compared to the Model 71-R. However, not listed in the general sales brochures, but nevertheless in the model lineup, was a special model known as the 79-S, or “Speedster.” Its appearance was similar to the 79-R, except it had no enclosed passenger compartment. Given other Overland practices, we can assume that it had the same specs as its 79-series kin. How come the 79-S was not promoted? Who knows….Overland experts speculate that only 50 or fewer Model 79-S’s were made. Two or three are presently known to exist, and the one pictured above is one of those examples.
Willys-Overland had expanded to two factory locations, and both were sorely needed to fulfill the demand for Overlands. By 1914, and a little known fact, Overland was the second largest producers of cars in the US automobile industry following Ford. By 1915, the two factories had increased sales to 93,724, a very meaningful number!
The story of the Overland speedster ends with the Model 79-S, but Overland as a company flourished and crashed, flourished again, and crashed again. This routine played out through two world wars, several recessions, and the Great Depression.
John North Willys gave his full measure to Overland, and in turn, Overland took its last piece of Willys’ heart on August 26, 1935, when J.N. died of a heart attack while serving his last term as Overland’s president.
Overland itself (the car) would peter out over the next several years, but the Willys-Overland Company did not. Rather, it was tasked to produce American Bantam’s design for an Army personnel transport, affectionately known as the Jeep, for the duration of WWII. Then from 1948 - 1950 the very successful, and today, very collectible Jeepster was developed, and sold. And, arguably around that time, the first 4 wheel drive sport utility (UTE/SUV) was created and sold.
Postwar, the history connecting Overland, Willys, and the U.S. Army’s Jeep would motor on through mergers and acquisitions. In 1953 the company changed hands one more time and it was purchased by the Kaiser Car Company. And today, the Jeep continues to live on, but only after several more changes in ownership. First when American Motors bought Jeep from Kaiser, and that would be followed by Chrysler Corp's purchase of AMC, and now most recently by the acquisition of Chrysler by Stellantis in 2021.
Ronald Sieber, Classicspeedster.com
edited, and modified some by me
=^.^=
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Living on the edge...
Darkroom print on ilford Multigrade Warmtone.
Warmed in sepia.
Rolleicord and Rpx 100 in Pyrocat HD.
Azom Monastery in Pharping, Dakshinkali municipality, Kathmandu Valley. Nepal.
Photographic film: Ilford Delta 400 Professional
Photographic paper: Ilford Multigrade FB Warmtone Semi-Matt Sheets
Scanner: Epson Perfection V-700 Photo
Additional software: Adobe Photoshop CC
La vie est un boomerang. Ce que vous donnez à la vie, c'est ce que la vie vous rendra. Si vous lui donnez du mal, la vie vous le rendra sûrement par du mal. Si vous donnez de la gentillesse, c’est la seule chance que vous avez dans la vie de vous la rendre sous forme de gentillesse. Mais comme il s’agit d’un monde injuste, cela ne vous arrivera pas toujours. Mais c'est la seule chance que vous avez. La vie est un boomerang.
.....
You are an element of reality, you are principle, truth, reality... you are tattva. You are breath, essence, being... you are ātman. You are a energy, a spirit, a soul... you are a yivá... or often, a sleeping jiva.
If you don't reach the perfection of nirvana, you will have to come back to life in a new body to continue learning what was left undone... start all over in the magic theatre of life.
.....
Image et chanson dédiées à Pat, ma "complice". Merci pour vos conseils pour cette photo. 21 Mars 2024. Pharping, Nepal.
J'etais perdu dans la rue. Fatigue et mal au cul. J'ai vu un petit cafe avec une fille dedans et je lui disais: Puis-je m'asseoir aupres de toi pour te regarder? J'aimerais la compagnie de ton soleil. Je ne veux pas plus que ca... Puis Je?
.....
Reel Life (Evolution II), song from the album "Man With A Movie Camera" (2003) by The Cinematic Orchestra
Tattva, Sleeping Jiva, Start All Over and Magic Theatre, songs from the album "K" (1996) by Kula Shaker. .
Puis Je?, song from the album "Shooting At The Moon" (1970) by Kevin Ayers.
Scanned LF print.
Graflex Crown Graphic w/ Wollensak Optar 135 mm/f4.7. March 7, 2021.
Kodak Tmax 100 4x5" (cut down from 13x18 cm) in Adox Rodinal 1+100, semistand 1 h.
Printed on Fomatone MG 131, developed in Moersch SE2 warmtone (1+14) and toned in Selenium 1+9, 60s.
PS borders.
Hallstatt, Oberösterreich
2023
Olympus XA, Cinestill BwXX, Kodak D-76 (1+1)
Print onto Oriental Warmtone with Moersch SE6 blue
After elementary school I learned carpentry at the technical school in Hallstatt. On the occasion of the 60th anniversary, I met with my former colleagues and visited the workshops of the various specialties.
Sola… eppure completa del suo mondo.
La piccola barca riposa sospesa tra oro liquido e mare profondo, mentre il tramonto incendia l’acqua e il tempo sembra sciogliersi piano.
Luce e silenzio… poesia salata.
---------------------
Alone… yet whole within its own universe.
The small boat drifts in liquid gold while the sunset sets the water on fire, and time simply dissolves into calm.
Light and silence… sea poetry.
-----------------------------
0828
Cyprès rouge flamboie,
Sous l’étreinte de l’automne,
Vert murmure au loin.
Crimson cypress glows,
In autumn’s tender embrace,
Green whispers afar.
With a height of 23 meters and a width of 150 meters, the Rhine Falls are one of the most powerful waterfalls in Europe. They are located in Switzerland in the municipalities of Neuhausen SH (right bank) and Laufen-Uhwiesen ZH (left bank), near the city of Schaffhausen.
Schweiz
2019
Hasselblad 503 CW, Makro Planar 4/120 mm, Kodak TMY 400
Print onto Oriental Warmtone with Moersch SE4 neutral
A slight MT3 toning seems likely to me, but I didn't make a note of it.
Unlabeled print from the archive, Mamiya 7II,
presumably on Oriental Warmtone, selenium toned
around 2000
On #Explore ⭐️ October, 24th 2025 www.flickr.com/explore/2025/10/24/
Tower of Kız Kulesi, Üsküdar
Istanbul 🇹🇷
Longue pose de 50s au ND1000, sans retouches ajoutées.
Long exposure of 50 seconds at ND1000, no
editing added.
Tous droits réservés ©️
Copyright Louis Ruellan 2025
All rights reserved ©️
Copyright Louis Ruellan 2025
Pier on Willamette River at Oregon City
December 1, 2021
Leica iiif, Ilford Delta 100 in Rodinal 1:50 9:00
Print 9 x 6 inches on Ilford mg fb warmtone
Toned dark sepia and lightly tinted with warm black tea
St. Luzisteig GR
Schweiz
2022
Mamiya 7II, 4/80 mm, Ilford SFX, Filter red (29), Rodinal 1+50
SE5 Lithprint (some E) onto Oriental Warmtone
Selen MT1
Freiburg, Wiehre
Nikon FM2, Kodak TriX 400, dev. in Moersch Pyro 48, printed on Ilford MG WT in Moersch Blue, toned in MT3
Taken April, 1981
Leica M4-2, 21mm
Agfapan 100 in Rodinal 1:50
Print 4.5 x 8", August, 2020
Ilford MG FB Warmtone, Sepia toned
November 29, 2021
Leica iiif, Ilford Delta 100 in rodinal 1:50 9:00
Print 9 x 5.5 inches on Ilford mg fb warmtone
Toned dark sepia and lightly tinted with warm black tea ~30sec
Sous les cyprès roux,
L'eau miroite les couleurs,
Automne murmure.
Beneath the red trees,
Water mirrors autumn's hues,
Whispers in the breeze.
Lugano TI, Schweiz
2002
Mamiya 7II, 4/80 mm, Ilford Delta 400
Print auf Oriental Warmtone mit Moersch ECO 4812
Selentonung MT 1, 1+9, 40 sec
The last sliver of light before it slipped below the horizon and called it a night..
I liked the one little duck swimming in the sunset. :)
The time of sunset is defined in astronomy as the moment when the trailing edge of the Sun's disk disappears below the horizon. Near to the horizon, atmospheric refraction causes the ray path of light from the Sun to be distorted to such an extent that geometrically the Sun's disk is already about one diameter below the horizon when sunset is observed.
The spinning Earth lit by the Sun as seen from far above the North Pole. All along the terminator, the rays from the sun hit Earth horizontally, neglecting any atmospheric effects and Earth's orbital motion.
Sunset is distinct from twilight, which has three phases, the first being civil twilight, which begins once the Sun has disappeared below the horizon, and continues until it descends to 6 degrees below the horizon; the second phase is nautical twilight, between 6 and 12 degrees below the horizon; and the third is astronomical twilight, which is the period when the Sun is between 12 and 18 degrees below the horizon. Dusk is at the very end of astronomical twilight, and is the darkest moment of twilight just before night. Night occurs when the Sun reaches 18 degrees below the horizon and no longer illuminates the sky,
Wikipedia
Thanks for peeking :-)
~Christie
Toskanapark
Gmunden, Oberösterreich
2006
Mamiya 7II, 4/80 mm, Ilford Delta 400
Print onto Oriental Warmtone with Moersch Meritol
Toutes vos critiques, commentaires et fav sont les bienvenus !
All criticisms, comments, and fav are welcome !
Balance, as equilibrium : a head of star anise in delicate balance on a stem.
For Macro Mondays theme.
Credits
KraftWork Cottagecore Laundry Set
• Backsplash
• Basket Counter (Graphite)
• Citrus Cleaner
• Cleaning Supplies Basket
• Cloth Basket
• Counter Washing Supplies
• Drawers Counter Cabinet
• Dryer (Graphite – Decor Only)
• Electric Iron
• Folded Sheet A
• Folded Sheet B
• Folded Sheets
• Hangers
• Hanging Vase
• Laundry Powder
• Laundry Tub (Graphite PG)
• Machines Tower (Graphite)
• Organic Soap
• Pro Cleaner
• Top Wood Closing
• Upper Wood Cabinet
• Washboard
• Washer (Graphite – PG + Static)
• Washing Pods
• Wicker Basket
• Wicker Basket Full
KraftWork – Laundry Utilities Add-ons
• Utilities Frame – Graphite / Graphite PBR / White Wood / White Wood PBR
• Utilities Tray – Graphite / Graphite PBR / Wood / Wood PBR
• Floor Clothesline – A / B / C
• Laundry Wall Rack – Option A / B / C
📍Event: [KUSTOM9 June]
✨ Mod / Copy
✨ PBR + Legacy textures available
✨ Decor not included in base setup
Holga, HP5 in Finol.
Printed onto Fomatone 131.
SE6 Blue 1+10 3 minutes.
For the last batches of Fomatone, I recommend hardening the gelatine before Selenium toning.
Hardener 1+5 1 minute after fixing (or instead the usual stop bath) washing time at least 7-10 minutes to remove the acid of the hardener.
Das im SE6 Blue entwickelte Silberbild setzt dem Selentoner einen stärkeren Widerstand entgegen, es dauert etwas länger, bis die Schatten einen rötlichen Farbton annehmen. Die Lichter werden noch später angegriffen als üblicherweise, was genutzt werden kann wenn eine Zweifarbigkeit erwünscht ist. Voraussetzung für einen Farbsplitt zwischen Schatten und Lichtern (ohne viel Aufwand) ist die Verwendung eines Warmtonpapiers (wie Forte oder Fomatone).
Mit Bromsilberpapieren sind ähnliche Ergebnisse nur mit einem erheblich höheren Aufwand möglich (tonen - bleichen - rückentwickeln).
Wie beim vorherigen Bild ist ein fetter Toner (MT1 1+10) vorteilhaft, denn es soll ja einen relativ schnellen Farbumschlag in den Schatten geben. Während der ersten Minute scheint relativ wenig zu passieren, der kritische Punkt wird nach zwei bis zweieinhalb Minuten erreicht. Bevor auch die Mitteltöne rötlich werden, muss die Tonung rasch unterbrochen werden.
The silver image developed in SE6 Blue offers greater resistance to selenium toner, so it takes a little longer for the shadows to take on a reddish hue. The highlights are affected even later than usual, which can be used to advantage if a two-tone effect is desired. The prerequisite for colour separation between shadows and highlights (without much effort) is the use of warmtone papers (such as Forte or Fomatone).
With bromide silver papers, similar results are only possible with considerably more effort (toning – bleaching – re-developing).
As with the previous image, a rich toner (MT1 1+10) is advantageous, as the aim is to achieve a relatively rapid colour change in the shadows. During the first minute, relatively little seems to happen, but the critical point is reached after two to two and a half minutes. Before the mid-tones also turn reddish, the toning must be stopped quickly.