View allAll Photos Tagged warmtones

Steinbach am Attersee

Oberösterreich

May 2004

 

Mamiya 7II, 4/80 mm, Konica Infrared, Filter IR 715

Print onto Ilford MG Warmtone with Moersch ECOMOL 1+7

Short sulfur toning MT4 without bleaching

The Empire State Building upon its completion, on April 11, 1931, 12 days ahead of schedule, just an amazing 410 days after construction commenced.

The tulips glow like little flames in the spring light. The warm shades of orange and red seem to glow from within, making the whole scene shine.

----------------------------------

Glühende Tulpenpracht

Die Tulpen leuchten wie kleine Flammen im Frühlingslicht. Die warmen Orange‑ und Rottöne scheinen von innen heraus zu glühen und bringen die ganze Szene zum Strahlen.

My old Willow tree

low water, Lake Constance

Bregenz

2025

 

Olympus 35 SP, Zuiko 1,7/42 mm, Kentmere Pan 100, Rodinal 1+25

Print onto Oriental Warmtone with Moersch ECO 4812

Selen MT1, 1+15, 1 min

The 1911 Hispano-Suiza 15T Alfonso refers to a model of the Hispano-Suiza Alfonso XIII, a groundbreaking early sports car developed by Marc Birkigt. The Type 15T engine was a four-cylinder inline engine that powered these successful race cars, and the model was named for its admirer, King Alfonso XIII of Spain. This model, also known as the 45cr in its race version, was a lightweight and successful motorsport competitor, arguably laying claim to being one of the first true sports cars.

 

Key Characteristics:

Type 15T Engine:

A four-cylinder, water-cooled, cast iron engine with a T-head valve gear, producing 64 horsepower.

Monobloc Construction:

It featured a monobloc four-cylinder engine, a novel design that simplified construction and created a lighter, stronger, and more durable engine.

Sports Car Pedigree:

The 15T model was derived from a series of successful long-stroke four-cylinder racing cars, establishing the Alfonso XIII as one of the first real sports cars.

Royal Connection:

King Alfonso XIII of Spain was a loyal customer, and his purchase of a Type 15T in 1912 led to the model being named the Alfonso XIII.

 

Significance:

Pioneering Design:

The Alfonso XIII was significant for its advanced engine design, a pioneering effort by Marc Birkigt that would influence future engine development.

Motorsport Success:

The car achieved considerable success in various voiturette races, further solidifying its reputation as a high-performance vehicle.

Luxury and Elite Appeal:

Due to its cost, the Alfonso XIII was only affordable to the elite and was considered a symbol of luxury and prestige.

Feuilles d'or tombent,

Le cyprès chauve s'embrase,

Reflet rouge en eau.

 

Golden leaves descend,

Bald cypress burns in soft flame,

Red mirrored in pond.

L’Ibis sacro si apre alla luce come un dipinto vivente: le ali spiegate diventano un ventaglio di rame, oro e verde antico, sfiorate da un chiaroscuro che scolpisce ogni piuma come fosse materia d’atelier. Nel gesto sospeso, tra cura e rito, l’uccello sembra evocare un’antica divinità che si manifesta attraverso il colore. Il ramo diventa piedistallo, l’ombra cornice, e la scena respira come un quadro che prende vita.

-------------------

The Sacred Ibis unfolds into the light like a living painting: its open wings form a fan of copper, gold, and aged green, brushed by a chiaroscuro that sculpts each feather as if shaped in an artist’s studio. In this suspended gesture, part grooming and part ritual, the bird evokes an ancient deity revealing itself through color. The branch becomes a pedestal, the shadow a frame, and the scene breathes like a canvas coming alive.

-----------------

3532 HDR

It connects Graubünden with Ticino

Switzerland

 

Mamiya 7II, 4/80 mm, Ilford Delta 400

Print onto Oriental Warmtone with Moersch 6 blue

Selen MT1, 1+15, 1:20 min

bleaching with Hexacyanoferrat/Kaliumbromid 1+49, 25 sec

Vario Schwefeltoner MT 3 (50+50+900)

 

A close-up view of the same sunset, shooting straight into the sun through the wild flora along the ridge. Simple, minimal, and completely backlit by that final burst of fiery orange.

Canon EOS 5D Mark II

Canon EF 70-200 F/4 L USM

 

Bonne année à tous ☺️

 

Ps.: je vais -enfin- pouvoir passer dans vos belles galeries, dans les prochains jours ! Hâte d'admirer vos magnifiques photos !

  

*** Web translate ****

 

Happy New Year to all ⭐️

 

Ps .: I will - finally - be able to visit your beautiful galleries in the next few days! Can't wait to admire your beautiful photos!

 

__________________________________________

 

© Tous droits réservés / All rights reserved

DON'T CLAIM AS YOUR OWN | NON-COMMERCIAL PURPOSE

 

Please, don't copy and use this image on websites, blogs or

other media and social media.

 

All my images are protected under international authors copyright laws and may not be shared, downloaded, reproduced, copied, or edited -in any way- without my written explicit permission. Any unauthorized use is strictly illegal and can be punishable by law.

 

If you want to use my photographs, you must request my permission via ✎ Flickr Mail or using → My Website's Contact Form

(I speak french, italian and a little bit of english).

 

__________________________________________________

 

→ Instagram | Instagram (my 2nd account)

→ Website | Contact | Guestbook

 

Hasselblad 500c/m

80mm C T*

ND-10

Tri-x @320

Rodinal 1+100, semi stand

 

Print: Ilford FB Warmtone

Developed in Moersch SE30 Meritol (3 min)

FP4 in Tanol N+1

Ilford MG Warmtone in VGT two tray, 2nd pass lith: Copper bleach, redeveloped in Easy Lith 4+4+900ml at about 40°C 50 seconds followed by hot water 40 seconds

 

The Nadasty-Klause on the Aurach was built in 1716 and was used to transport wood for the boiling house of the salt works in Ebensee. In 1892, it was abandoned and converted into the dams that still exists today.

 

Neukirchen bei Altmüster, Oberösterreich

2004

 

Mamiya 7II, 4/50 mm, Ilford Delta 400

Print onto Oriental Warmtone with Moersch ECO 4812

Selen MT1

Griechenland 2000

 

Mamiya 7II, 4/150 mm, Kodak TMY 400

Print onto Ilford MG Warmtone with Moersch ECO 4812

Variotoner MT 3 (yellow setting) after short bleaching

Generated By Midjourney V6

 

---

 

**Prompt :**

 

Portrait cinématographique hyperréaliste d’une jeune femme aux longs cheveux roux flamboyants, légèrement ondulés, capturant la lumière dorée d’un coucher de soleil printanier. Sa peau est lumineuse, délicatement rosée, avec des détails de texture extrêmement fins (pores subtils, reflets naturels, micro-ombres). Ses yeux bleus clairs, profonds et expressifs, regardent légèrement hors champ avec une douceur rêveuse.

 

Elle porte une robe éthérée en tulle translucide, ornée de broderies dorées complexes et de pierres précieuses scintillantes incrustées sur l’épaule, chaque détail textile étant visible avec une précision microscopique (fils, reflets, transparence des couches).

 

L’arrière-plan révèle un jardin romantique luxuriant, inspiré des jardins classiques européens : fontaines en pierre finement sculptées, statues élégantes, massifs de fleurs pastel (roses, pivoines, fleurs sauvages), légèrement flous avec un bokeh cinématographique. Des particules lumineuses flottent dans l’air, évoquant du pollen doré ou de la poussière magique, capturées en suspension.

 

L’éclairage est de type *golden hour*, doux et enveloppant, avec des reflets chauds qui soulignent les contours du visage et des cheveux, créant un halo lumineux naturel. Subsurface scattering sur la peau, profondeur de champ réduite, rendu 8K ultra détaillé, style photographie de cinéma avec optique haut de gamme (85mm f/1.4), contraste subtil, couleurs riches mais naturelles.

 

Ambiance : onirique, romantique, presque féerique mais ancrée dans un réalisme photographique extrême.

Qualité : hyperréalisme, photoréalisme avancé, détails peau et cheveux ultra précis, rendu HDR, lumière volumétrique, global illumination.

 

---

  

**Prompt:**

 

Hyper-realistic cinematic portrait of a young woman with long, flowing fiery red hair, softly wavy and illuminated by the warm golden light of a spring sunset. Her skin is luminous and delicately flushed, with extremely fine texture details (subtle pores, natural highlights, micro-shadows). Her clear blue eyes are deep and expressive, gazing slightly off-camera with a dreamy, serene emotion.

 

She wears an ethereal translucent tulle gown, adorned with intricate golden embroidery and embedded gemstones on the shoulder, each textile detail rendered with microscopic precision (threads, reflections, layered transparency).

 

The background reveals a lush romantic garden inspired by classical European landscapes: finely sculpted stone fountains, elegant statues, and abundant pastel flowers (roses, peonies, wild blossoms), softly blurred with cinematic bokeh. Tiny glowing particles float in the air, resembling golden pollen or magical dust, suspended mid-motion.

 

Lighting is golden hour, soft and enveloping, with warm highlights contouring her face and hair, creating a natural radiant halo. Subsurface scattering on skin, shallow depth of field, ultra-detailed 8K rendering, cinematic photography style using a high-end lens (85mm f/1.4), subtle contrast, rich yet natural color grading.

 

Mood: dreamy, romantic, almost ethereal with a grounded photographic realism.

Quality: hyperrealism, advanced photorealism, ultra-detailed skin and hair, HDR rendering, volumetric lighting, global illumination.

 

---

 

--v 6 --style raw --ar 3:2 --q 2 --s 150 --chaos 5 --seed 1234

   

Nikon FE and Rollei rpx in HC 110

Paper Foma 123

Moersch easy lith

Toner selenium

Am Ahornboden wandern ist vor allem im Herbst ein unvergessliches Erlebnis. Der große Ahornboden im Karwendel in Tirol ist nämlich für seine unfassbar schöne Laubfärbung berühmt. Und zieht dann mit seinen über 2000 Bäumen jedes Jahr unzählige Menschen zum Wandern an. Nicht umsonst wurde der Große Ahornboden sogar zum Naturdenkmal erklärt.

 

Hiking at Ahornboden is an unforgettable experience, especially in autumn. The large Ahornboden in the Karwendel in Tyrol is famous for its incredibly beautiful foliage color. And then attracts with its over 2000 trees every year countless people to hike. It is not for nothing that the Große Ahornboden was even declared a natural monument.

Nikon FE with HP5 in HC110

Paper Foma 131

Moersch SE6 Blue

I know - warmtone paper with the cold Blue :-))

The Katrin (1,542 m) is the local mountain of Bad Ischl in the Salzkammergut region.

 

Oberösterreich 2001

 

Mamiya 7II, 4/80 mm, Ilford Delta 400

Print onto Ilford MG Warmtone with Moersch ECO 4812

Another one from Yosemite National Park, California

Join me:

www.instagram.com/mmm.photo.studio/

www.facebook.com/mmmphotostudio/

- Sponsored By IKON -

 

New IKON Beguiled Eyes

Available exclusively at TMD until March 31st.

Then afterwards at IKON

I am wearing wight from the Eternal pack

Taken at

Hazardous

Between the fading light and the coming night, nothing needed to move.

 

Zea Marina, Piraeus, Athens, Greece

The war was over and the gold rush was on!

Ghost town, shot in Bannack, Montana 2021

 

 

The Gerschnialp is an idyllic Swiss alp located at about 1,300 meters above sea level, directly below the summit of the Titlis.

 

Photo taken from the historic funicular, which connects the valley station in Engelberg directly to the alp in a ride lasting about 5 minutes.

 

Engelberg OW

Schweiz

2023

 

Canon EOS 50E, Canon EF 100mm f/2.8L Macro IS USM

Fuji Acros II, Kodak D-76 (1+1)

Print onto Oriental Warmtone with Moersch ECO 4812

Selen MT1

 

Gandria is located at 295 m above sea level on the northern shore of Lake Lugano on the steep slope of Monte Brè. It is a district of the city of Lugano. The village has about 300 inhabitants, a few restaurants, tiny alleys, stairs, and old buildings. (Wiki)

 

Schweiz

Feb 2023

 

Mamiya 7II, 4/80 mm, Ilford Delta 400

Print onto Oriental Warmtone with Moersch ECO 4812

Selen MT1

Oberösterreich

May 2004

 

Mamiya 7II, 4/80 mm, Konica Infrared, Filter IR 715

Print onto Ilford MG Warmtone with Moersch ECOMOL 1+7

Short sulfur toning MT4 without bleaching

Am Rohrspitz

Lake Constance

Höchst, Vorarlberg

 

Feb 2026

 

Minolta AF-TELE super, Ilford SFX (no filter), Rodinal 1+25

Print onto Ilford MG Warmtone with Moersch ECO 4812

Late afternoon sun casting an amber haze over the shore. The coastal air always hits differently right before dusk.

 

LATEST FROM THE BLOG:

Is the 2017 Fujifilm X-E3 still relevant for travel?

Discover why this compact 24MP rangefinder remains a powerful, budget-friendly bargain.

 

👉 Read the full review on Photo at Heart

Market in front of the Église Saint-François-de-Sales

 

Haute-Savoie

Frankreich

 

Aug 2026

 

Olympus XA4 macro, Zuiko 3,5/28 mm

Ilford SFX, no filter, Rodinal 1+100, 1 h semi-stand

Print onto Oriental Warmtone with Moersch ECOMOL 1+7

M2, SA 21mm, HP5+ @1600

Tirage gélatino-argentique, manuel

Papier baryte Warmtone, 24x30

www.pascalrotzetter.com

Thank you for stopping by. I appreciate it.

Feuilles d'or tombent,

Le cyprès chauve s'embrase,

Reflet rouge en eau.

 

La magie automnale des cyprès chauves de l'étang de Boulieu.

 

---

 

Golden leaves descend,

Bald cypress burns in soft flame,

Red mirrored in pond.

 

The autumn magic of the bald cypresses of Boulieu pond.

Holga 120N

Rollei RPX100 in Tanol (ca. N+2) 15 Minuten bei 20°C

printed on Kentmere VC Warmtone 27x28cm

Zweibad/two tray

SE5 Lith A-B-D 80+80+2000+50 6 mins

Catechol 1+150 plus 20ml Ammoniumchloride 20% to two liter working solution 2,5 mins

 

softer shorter in Lith, longer in Catechol

 

Sonnenaufgangs‑Foto vom Steinhuder Meer

Das Steinhuder Meer begeistert mit seiner weiten Wasserlandschaft, idyllischen Uferwegen und unberührter Natur. Ein Ort zum Entspannen, Entdecken und Genießen.

Foglie d’autunno

Un contrasto vibrante che celebra il cambiamento stagionale.

-----------------

Close-up of autumn leaves

A vibrant contrast that celebrates seasonal change.

-------------------

6735

Pier on Willamette River at Oregon City

December 1, 2021

Leica iiif, Ilford Delta 100 in Rodinal 1:50 9:00

Print 9 x 6 inches on Ilford mg fb warmtone

Toned dark sepia and lightly tinted with warm black tea

Would have liked the focus to be a little closer, but I think I was focusing on the people fishing/walking at the time..

Azom Monastery in Pharping, Dakshinkali municipality, Kathmandu Valley. Nepal.

 

Photographic film: Ilford Delta 400 Professional

Photographic paper: Ilford Multigrade FB Warmtone Semi-Matt Sheets

Scanner: Epson Perfection V-700 Photo

Additional software: Adobe Photoshop CC

 

La vie est un boomerang. Ce que vous donnez à la vie, c'est ce que la vie vous rendra. Si vous lui donnez du mal, la vie vous le rendra sûrement par du mal. Si vous donnez de la gentillesse, c’est la seule chance que vous avez dans la vie de vous la rendre sous forme de gentillesse. Mais comme il s’agit d’un monde injuste, cela ne vous arrivera pas toujours. Mais c'est la seule chance que vous avez. La vie est un boomerang.

Zawadi petite grenouille

 

.....

You are an element of reality, you are principle, truth, reality... you are tattva. You are breath, essence, being... you are ātman. You are a energy, a spirit, a soul... you are a yivá... or often, a sleeping jiva.

 

If you don't reach the perfection of nirvana, you will have to come back to life in a new body to continue learning what was left undone... start all over in the magic theatre of life.

 

.....

Image et chanson dédiées à Pat, ma "complice". Merci pour vos conseils pour cette photo. 21 Mars 2024. Pharping, Nepal.

 

J'etais perdu dans la rue. Fatigue et mal au cul. J'ai vu un petit cafe avec une fille dedans et je lui disais: Puis-je m'asseoir aupres de toi pour te regarder? J'aimerais la compagnie de ton soleil. Je ne veux pas plus que ca... Puis Je?

 

.....

Reel Life (Evolution II), song from the album "Man With A Movie Camera" (2003) by The Cinematic Orchestra

Tattva, Sleeping Jiva, Start All Over and Magic Theatre, songs from the album "K" (1996) by Kula Shaker. .

Puis Je?, song from the album "Shooting At The Moon" (1970) by Kevin Ayers.

We headed out into the Molise countryside specifically to catch the eclipse, even if the trip was far from meticulously planned. When we arrived, a heavy, stubborn haze was blanketed across the horizon, threatening to block the view completely. As the evening went on, the thickest layer gradually melted away, but the eclipse itself remained elusive. There was no visible moon bite out of the sun disc, and surprisingly, not even a noticeable drop in ambient light—just an incredible, uninterrupted warm glow over the rolling hills.

1 2 ••• 4 5 7 9 10 ••• 79 80