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In this district of the Marche region, many Renaissance or later Neoclassical buildings offer these vantage points, which are not coincidentally known as belvederes or loggias. The so-called ‘culture of brick’ is no accidental phenomenon: the nobility who ruled over these territories gave precise instructions to architects to ensure that their buildings offered breathtaking views over their lands.
This is Corinaldo Town Hall; I opted for a horizontal shot to try to capture the airiness of the place as much as possible.
Many couples decide to get married here.
In questo distretto delle Marche, molto edifici del rinascimento o neoclassici, offrono questi spazi di osservazione, non a caso definiti belvedere o loggiati. La cosiddetta cultura del mattone, non è casuale, le nobiltà che regnavano su questi territori impartivano precise istruzioni agli architetti, affinchè
offrissero viste mozzafiato sui loro territori.
Questo è il palazzo comunale di Corinaldo; quì ho optato per lo scatto orizzontale, per cercare di restituire il più possibile la splendida visione dal loggiato.
Molte coppie, decidono di sposarsi quì.
All right reserved © Nick Outdoor Photograpy
Wyoming woodland
near Grand Tetons
Darkroom print on Ilford Multigrade Warmtone FB
Delta 100
Burke and James 5x7.
Finding Zen in a simple composition of an autumn\winter tree.
Darkroom print on Warmtone fb.
400Tx in Rodinal.
Hassy.
Canalside pubs, The Inn and The Malt Shovel, at Shardlow Wharf. A somewhat schmaltzy edit I know, however, I recall the 50s … they were brutally austere, rationing was still in force, no one we knew actually had a car, central heating or iPads. The next decade or so may be similar thanks to Putin 😡
Did you know... under every footstep you take in the forest are about 300 miles of mycelium allowing everything you are looking at to communicate with each other. The mushroom is merely the apple on the tree.
Thanks for taking a look!
金色芭蕾
Between daylight and dusk, a tiny dancer balanced on a single foot, lifted a wing into the golden air and completed her final ballet of the day.
在白晝與黃昏之間，一位小舞者單腳站立，將羽翼輕輕舉向金色的空中，完成了這一天最後的一支芭蕾。
2026/07 Takeover p.27
Fall woodland zen
Darkroom print on Bergger Prestige Variable Warmtone
Pentax Spotmatic with Super-Takumar lens.
Hasselblad 501CM, Planar 100 with extension tube,
Kodak Plus-X exp. 05/2012,
Tanol N+3,
Oriental VC Warmtone in SE6 Blue,
MT3 Vario toner: bleach 1+40 1:30 mins, toner setting A
Sequoiadendron giganteum
Zisterzienserabtei Wettingen - Mehrerau, Bregenz
2023
Holga 120 WPC Pinhole 6x9
Fuji Acros 100 II, Kodak D-76 (1+1)
Print auf Oriental Warmtone VC (Cybergraphics)
Moersch ECO 4812
Selentonung MT1
Dreamin', dreamin' is free.
(the immortalized words of Blondie...)
Darkroom Print on Ilford Multigrade Warmtone
Softened with a bit of plastic wrap during enlargement to produce a more dreamlike glow.
Ogunquit, Maine
TX400 in Rodinal
Canon AE1-P
Tramonto dalla scogliera di Mulinetti dove la pietra rossa si fa specchio del cielo e il mare, lento e antico, racconta storie di luce che muore e rinasce. Le nuvole, come pensieri sospesi, si dissolvono nell’oro dell’orizzonte.
Sunset from the Mulinetti cliff where red stone mirrors the sky, and the sea, slow and ancient, tells stories of light that dies and is reborn. Clouds drift like suspended thoughts, fading into the gold of the horizon.
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2275 HDR
Today I spent the day at the BMW DP Tour at Wentworth, and it’s fair to say we were treated to some hefty rain spells, scattered throughout like dramatic interludes.
At times, the sky would darken suddenly, turning a deep slate grey as towering thunderclouds rolled in with theatrical force. The atmosphere felt heavy, electric—nature’s own commentary on the tournament below.
By the time I got home, golden hour had arrived, casting everything in a warm, forgiving light. I sent my drone up to chase the remnants of those storm clouds that had drenched us all day. This one here was still spilling its raindrops—only now, they shimmered in a soft orange hue, kissed by the sunset.
The town in the foreground is Welling, quietly basking beneath the drama above.
Marsh Reeds in dawn light are given an impressionistic painterly look by using a slow shutter speed and panning the lens during capture.
near Cesi
Umbrien, Italien
Digital image from original print 25x60 cm (2004)
Noblex Pro 6/150 UX
Ilford Delta 400
Print auf Oriental Warmtone
Selentonung
Acquarossa TI, Schweiz
de.wikipedia.org/wiki/Chiesa_San_Carlo_di_Negrentino
Digitalaufnahme vom Originalabzug 40x50 cm, 2003
Mamiya 7II, 4,5/50 mm
Print auf Ilford MG Warmtone
New spring undergrowth in standing water.
Darkroom print on Ilford MG Fb Warmtone.
35mm crop and reprint on transparency film.
Sunset photographed @ Meinerswijk a floodplain area located on the southern bank of the river Rhine near the center of the city of Arnhem in the Netherlands.
Sous les cyprès roux,
L'eau miroite les couleurs,
Automne murmure.
Beneath the red trees,
Water mirrors autumn's hues,
Whispers in the breeze.
The warm colours of the late afternoon sunshine, reflect onto the reservoir, as the sinking sun starts to cast shadows on the near bank.
Generated By Midjourney V6
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**Prompt :**
Plan large cinématographique en 8K d’une savane africaine baignée par une lumière dorée de fin de journée, atmosphère chaude et poussiéreuse flottant dans l’air. Au premier plan, un lion majestueux à la crinière dense et légèrement ébouriffée se tient derrière une lionne élégante allongée dans l’herbe sèche. Leurs regards sont dirigés vers l’horizon, calmes, puissants, presque méditatifs. Les textures du pelage sont extrêmement détaillées : chaque poil capte la lumière du soleil couchant, créant des nuances riches allant de l’ocre profond au miel lumineux.
La lionne, aux traits fins et expressifs, est légèrement en avant, incarnant la vigilance et la grâce, tandis que le lion impose une présence protectrice et royale. Leur proximité évoque une connexion silencieuse, presque émotionnelle.
À l’arrière-plan, une silhouette d’acacia solitaire se découpe contre un ciel spectaculaire, mélange de tons pastel et orangés, avec un soleil bas à l’horizon diffusant un halo lumineux. Une fine lune est visible dans le ciel, ajoutant une dimension poétique et intemporelle à la scène.
Style hyperréaliste avec influence peinture aquarelle subtile mais textures photoréalistes. Profondeur de champ cinématographique , léger flou artistique en arrière-plan. Color grading inspiré des films animaliers de prestige (type documentaire haut de gamme), contraste doux, tons chauds dominants.
Ambiance : paisible, majestueuse, contemplative.
Effets : poussière en suspension, lumière volumétrique, léger vent dans les herbes.
Caméra : travelling lent ou plan fixe avec micro-mouvements naturels.
Qualité : ultra HD, HDR, détails extrêmes, rendu réaliste.
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**Prompt:**
Wide cinematic shot in 8K of an African savannah bathed in golden hour light, with a warm, dusty atmosphere drifting softly through the air. In the foreground, a majestic male lion with a thick, slightly wind-tousled mane stands protectively behind an elegant lioness resting in dry grass. Both gaze toward the horizon with calm, powerful, almost meditative expressions.
The fur textures are अत्यremely detailed, each strand catching the low sunlight, revealing rich tonal variations from deep ochre to glowing amber. The lioness, with refined and expressive features, is positioned slightly ahead, embodying grace and alertness, while the lion radiates a quiet, regal strength. Their closeness suggests a silent emotional bond.
In the background, a lone acacia tree is silhouetted against a dramatic sky filled with soft pastel and orange hues. The sun sits low on the horizon, casting a diffused glow, while a faint crescent moon appears above, adding a poetic, timeless dimension.
Style blends hyper-realism with subtle watercolor influence, yet maintains photorealistic textures. Cinematic depth of field , with a gentle background blur. Color grading inspired by high-end wildlife documentaries, soft contrast, warm dominant tones.
Mood: serene, majestic, contemplative.
Effects: floating dust particles, volumetric lighting, light wind moving through the grass.
Camera: slow cinematic dolly or static shot with natural micro-movements.
Quality: ultra HD, HDR, extreme detail, lifelike rendering.
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--ar 3:2 --v 6 --style raw --q 2 --s 750 --chaos 8
Adams/Wabash 'L' Station ~ The Loop ~ Chicago, Illinois
Nikon D5100, Tamron 18-270, ISO 270, f/6.3, 270mm, 1/250s
I was on the train yesterday, coming back home after school. He sat in front of me and fell asleep. I couldn't help but notice his hands - I think they're beautiful. I have a soft spot for good-looking hands.
Nel porto di Camogli la sera scende lenta, e le luci delle case si riflettono sull’acqua come pagine di un racconto. Le barche sono ferme, pronte a ripartire all’alba, mentre il borgo vive il suo silenzio dorato. Ogni finestra illumina un frammento di vita, ogni riflesso racconta la quiete di un luogo che custodisce il mare.
In Camogli’s harbor, evening falls slowly, and the lights of the houses shimmer on the water like pages of a story. The boats rest, waiting for dawn, while the village breathes in its golden silence. Each window reveals a piece of life, each reflection tells the calm of a place that keeps the sea close.
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2866
Nottingham Castle that would be … often overlooked, these buttresses support the walls below the castle entrance.
Into the wilderness I go, in the springtime I am free...
Follow me on Primfeed - www.primfeed.com/effieslater.resident
Dress - {Zaara} Devika gown *gold* - maps.secondlife.com/secondlife/Zaara/117/108/38
Hair - Doux - Kelsy - maps.secondlife.com/secondlife/Secrets/186/155/1361
Photo Location - maps.secondlife.com/secondlife/Tuscan%20Hills/68/223/35
Two juvenile Common Buzzard gather at a small water source in the semi-arid steppe of Los Monegros, Aragón. One bird spreads its wings and calls loudly, its reflection mirrored in the still surface, while the other watches from the sandy bank. The warm tones of the dry landscape highlight the harsh yet beautiful character of this Spanish steppe habitat.
Das Kentmere Fineprint WT benötigt keine, oder nur eine geringe Menge Entwicklungsverzögerer. Links SE5 30+30+1000ml 6 Minuten. Das Ergebnis ist ein wenig zu weich. Für einen höheren Kontrast kann man entweder kürzer belichten, dann ergibt sich eine längere Entwicklungszeit, oder bei gleicher Belichtungszeit den Entwickler höher verdünnen. Ist ein höherer Kontrast und gleichzeitig mehr Farbigkeit erwünscht, ist ein Zusatz von Lith D die bessere Wahl. Der Entwickler wird dann erheblich langsamer, was die Möglichkeit eröffnet, für eine höhere Farbsättigung länger belichten zu können.
Rechts wurde dem Entwickler 10ml D (1+4 verdünnt) zugesetzt und die Belichtungszeit um 30% verlängert. Die Entwicklungszeit lag jetzt bei 9 Minuten.
The Kentmere Fineprint WT requires no, or only a small amount of development restrainer. Left SE5 30+30+1000ml 6 minutes. The result is a little too soft. For a higher contrast, you can either expose shorter, which results in a longer development time, or dilute the developer higher for the same exposure time. If a higher contrast and at the same time more colourfulness is desired, an addition of Lith D is the better choice. The developer then becomes considerably slower, which opens up the possibility of longer exposures for higher colour saturation.
On the right, 10ml of D (diluted 1+4) was added to the developer and the exposure time was extended by 30%. The development time increased to 9 minutes.