View allAll Photos Tagged warmtones

Just relaxing and walking around the backyard, all the snow has melted, and finding little treasures left behind from fall.

New Years Day, 2019

Leica iiif, 35mm Summaron

Ilford FP4+ in Rodinal 1:100 40 min semi-stand

Ilford vc fb warmtone in D-52 1:1

Sepia toned

Photo www.flickr.com/photos/aivars_k/55226311358/in/dateposted-... + AI Flux Klein 9B color grading + Topaz labs Photo Ai post-processing

 

Riga, LATVIA

Aka grape hyacinth. One of the earliest lumen prints I have made more than six years ago. Ilford MG RC warmtone paper used.

 

www.instagram.com/juliasumangil/

2nd pass lith after Ferricyanide/Bromide bleach.

old Kentmere VC Warmtone

Puntagorda, La Palma

 

Hasselblad 503 CW, Distagon 4/40 mm

Kodak TMY 400, Tanol

Print auf Ilford MG Warmtone FB mit Moersch ECO 4812

Selentonung MT1, 1+10, 50 sec

gebleicht mit Hexacyanoferrat/Kaliumbromid 1+49, 1 min

Vario Schwefeltoner MT 3 (50+50+900)

(French: s a French breed of taurine beef cattle. It originates in, and is named for, the Charolais area surrounding Charolles, in the Saône-et-Loire department, in the Bourgogne-Franche-Comté region of eastern France.

 

Charolais are raised for meat; they may be crossed with other breeds, including Angus and Hereford cattle.

 

It is among the heaviest of cattle breeds: bulls weigh from 1000 to 1650 kg (2200 to 3600 lb), and cows from 700 to 1200 kg (1500 to 2600 lb). The coat ranges from white to cream-colored; ( ooops they have PINK noses!)

Hawkey with flipped lens

Paper Retrobrom

Dev. Moersch Warmtone

Generated By Midjourney V6

 

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**🎬 Prompt :**

 

Un jeune bouffon charismatique au sourire malicieux, debout au centre d’une foire médiévale animée au coucher du soleil. Il porte un costume de bouffon luxueux rouge et or, richement texturé, avec des broderies fines, des lanières de cuir et des accessoires suspendus à la ceinture, dont un petit masque sculpté. Son chapeau à deux pointes se balance légèrement dans le vent.

 

Il tient dans une main une carte à jouer illustrée (valet/bouffon stylisé), et dans l’autre une sphère brillante irisée semblant flotter au-dessus de sa paume, comme chargée de magie. Autour de lui, des cartes et des dés semblent suspendus en plein mouvement, capturés dans une dynamique quasi surnaturelle.

 

L’arrière-plan montre une foire vivante avec des tentes rayées rouges et blanches, une foule floue en mouvement, des lanternes suspendues diffusant une lumière chaude. L’atmosphère est remplie de particules lumineuses dorées flottantes, créant une ambiance féerique.

 

Lumière cinématographique dorée (golden hour), avec un contraste doux et une profondeur de champ marquée (bokeh artistique sur la foule). Le sujet est parfaitement net, éclairé par une lumière chaude venant de l’arrière et légèrement de côté (rim light), accentuant les contours et les textures du costume.

 

Style hyperréaliste, rendu 8K, détails de peau visibles (grain naturel, légères imperfections), cheveux légèrement en mouvement. Expression confiante, espiègle, presque provocante, regard direct vers la caméra.

 

Ambiance : fantasy médiévale, magie subtile, énergie vivante, charme et mystère.

 

**Paramètres suggérés :**

– ultra detailed, hyperrealistic, cinematic lighting

– depth of field, volumetric light, particles

– high dynamic range (HDR)

– photorealistic textures, subsurface scattering skin

 

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**🎬 Prompt:**

 

A charismatic young jester with a mischievous smile stands at the center of a lively medieval fair during sunset. He wears an opulent red and gold jester costume, richly textured with intricate embroidery, layered fabrics, leather straps, and detailed accessories hanging from his belt, including a small carved mask. His two-pointed jester hat sways slightly in the breeze.

 

In one hand, he holds a detailed playing card (a stylized jack/jester figure), while in the other, he presents a glowing iridescent sphere hovering just above his palm, radiating subtle magical energy. Around him, playing cards and dice float mid-air, frozen in dynamic motion as if suspended by invisible forces.

 

The background reveals a vibrant fair scene with red-and-white striped tents, a softly blurred moving crowd, and hanging lanterns casting warm ambient light. The air is filled with golden glowing particles drifting gently, enhancing the magical, dreamlike atmosphere.

 

Cinematic golden hour lighting with soft contrast and pronounced depth of field (artistic bokeh on the crowd). The subject is sharply in focus, illuminated by warm backlighting and subtle side rim light, enhancing the contours and textures of the costume.

 

Hyperrealistic style, 8K resolution, visible skin details (natural texture, slight imperfections), hair slightly tousled by the wind. His expression is confident, playful, and slightly provocative, making direct eye contact with the viewer.

 

Mood: medieval fantasy, subtle magic, lively energy, charm and mystery.

 

**Suggested parameters:**

– ultra detailed, hyperrealistic, cinematic lighting

– depth of field, volumetric lighting, floating particles

– high dynamic range (HDR)

– photorealistic textures, subsurface scattering skin

 

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--ar 3:2 --v 6 --style raw --q 2 --s 250 --chaos 8 --seed 12345

  

San Mauro Abad, Puntagorda

La Palma

 

Mamiya 7II, 4/80 mm, Ilford Delta 400

Print auf Oriental Warmtone mit Moersch ECO 4812

Selentonung MT 1, 1+10, 1:10 min

 

www.flickr.com/photos/187551935@N04/51556512808/in/datepo...

  

we are all just shadows

 

Ogunquit, Maine

Darkroom Print on Ilford Multigrade Warmtone

TX400 in Rodinal

Canon AE1-P

Captured at Bodnant Garden in North Wales, this path leads through late-summer flowers towards the stillness of an ornamental fountain. The dahlias, grasses, and warm tones signal the final flourish before autumn takes hold. It’s a scene of quiet balance — one last burst of colour before the garden rests.

 

 

Dans les prochains jours, d'autres publications festives...même si le Père Noël est déjà reparti pour la Laponie ! ;-)

 

*** Web translate ****

 

In the coming days, other festive publications...even if Santa Claus has already gone to Lapland !

  

__________________________________________

 

© Tous droits réservés / All rights reserved

DON'T CLAIM AS YOUR OWN | NON-COMMERCIAL PURPOSE

 

Please, don't copy and use this image on websites, blogs or

other media and social media.

 

All my images are protected under international authors copyright laws and may not be shared, downloaded, reproduced, copied, or edited -in any way- without my written explicit permission. Any unauthorized use is strictly illegal and can be punishable by law.

 

If you want to use my photographs, you must request my permission via ✎ Flickr Mail or using → My Website's Contact Form

(I speak french, italian and a little bit of english).

 

__________________________________________________

 

→ Instagram | Instagram (my 2nd account)

→ Website | Contact | Guestbook

 

Rock Grayling; Hipparchia alcyone perched on skeletonweed at sunrise, Sierra de Gredos, Spain

Generated By Midjourney V6

 

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**🎬 Prompt :**

 

Deux fées majestueuses flottent face à face au cœur d’une forêt enchantée baignée d’une lumière surnaturelle, atmosphère crépusculaire entre jour et nuit. L’une incarne la glace et la lumière céleste : peau pâle lumineuse, longs cheveux argentés ondulant comme dans l’eau, robe diaphane bleutée incrustée de cristaux scintillants, ailes translucides aux reflets irisés rappelant le givre et les constellations. L’autre représente le feu et la chaleur : chevelure flamboyante rouge-or animée comme des flammes, robe fluide aux teintes incandescentes (orange, ambre, rouge profond), ailes lumineuses semblables à des braises vivantes.

 

Leurs mains se rejoignent au centre de l’image, créant une sphère d’énergie magique intense mêlant étincelles dorées et particules bleutées, générant un contraste visuel puissant entre chaud et froid. Une explosion douce de lumière irradie autour de leur contact, illuminant la scène avec un éclairage volumétrique cinématographique.

 

La forêt est dense et féerique, remplie de détails : fleurs luminescentes, particules en suspension, papillons brillants, petits animaux observant la scène (cerf en arrière-plan, renard et lapins au premier plan). Le sol est couvert de végétation riche, humide, avec reflets subtils. Brume légère et profondeur de champ cinématographique (bokeh), arrière-plan légèrement flou.

 

Style hyperréaliste, rendu 8K, textures ultra détaillées, éclairage global illumination, ray tracing, contraste de couleurs complémentaire (bleu vs orange), composition symétrique, ambiance fantasy épique, inspiration film haute production type cinéma, qualité photoréaliste, HDR, particules dynamiques, atmosphère magique immersive.

 

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**🎬 Prompt:**

 

Two majestic fairies float facing each other in the heart of an enchanted forest, bathed in a supernatural twilight glow between day and night. One embodies ice and celestial light: luminous pale skin, long flowing silver hair moving as if underwater, a delicate translucent blue gown adorned with shimmering crystal details, and large iridescent wings reflecting frost, starlight, and constellations.

 

The other represents fire and warmth: blazing red-gold hair flowing like living flames, a fluid dress in incandescent tones (orange, amber, deep red), and radiant wings resembling glowing embers and firelight.

 

Their hands meet at the center of the scene, forming an intense sphere of magical energy that blends golden sparks with cool blue particles, creating a powerful visual contrast between heat and cold. A soft explosion of light radiates outward from their touch, illuminating the scene with cinematic volumetric lighting.

 

The forest is dense, magical, and highly detailed: glowing flowers, floating particles, sparkling butterflies, and small animals quietly observing (a deer in the background, a fox and rabbits in the foreground). The ground is rich with moist vegetation and subtle reflections. A light mist enhances the depth, with cinematic depth of field (bokeh) and a softly blurred background.

 

Hyperrealistic style, 8K resolution, ultra-detailed textures, global illumination, ray tracing, complementary color contrast (blue vs orange), symmetrical composition, epic fantasy atmosphere, high-end cinematic production quality, photorealistic rendering, HDR lighting, dynamic particles, immersive magical ambiance.

 

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--v 6 --style raw --ar 3:2 --q 2 --s 750 --chaos 8 --seed 12345

  

1958 Edsel Citation Convertible

Concours d'Elegance

Geneva, Illinois near 41.885323, -88.308488

August 25, 2024

 

All of my Geneva Concours pictures

 

More pictures of head on front ends

 

More of my extremely wide <20mm shots

 

Edsel is a defunct brand of automobiles that was produced by the Ford Motor Company from the 1958 to 1960 model years. The namesake of Edsel Ford, the Edsel line was developed in an effort to give Ford a fourth brand to gain additional market share from Chrysler and General Motors. Established as an expansion of the Lincoln–Mercury Division (re-christened as the Mercury–Edsel–Lincoln Division), Edsel shared a price range with Mercury and its bodies with both Mercury and Ford.

 

Competing against Buick, Oldsmobile, Pontiac, Dodge, and DeSoto, Edsel was the first new brand introduced by an American automaker since the 1939 launch of Mercury and the 1956 launch of Continental; the latter was retired and merged into Lincoln during the 1957 model year.

 

In the year leading up to its release, Ford invested in an advertising campaign, marketing Edsels as the cars of the future. While 1958 Edsels introduced multiple advanced features for the price segment, the launch of the model line became symbolic of commercial failure. Introduced in a recession that catastrophically affected sales of all medium-priced cars, Edsels were considered overhyped, low quality, and unattractive; a central part of their design featured a vertical grille (and its resemblance to a horse collar).

 

Following a loss of over $250 million (equivalent to $2.72 billion in 2025 dollars) on development, manufacturing, and marketing on the model line, Ford quietly discontinued the Edsel brand in November 1959, shortly after the 1960 model line was introduced. wikipedia

 

COPYRIGHT 2024, 2026 by Jim Frazier All Rights Reserved. This may NOT be used for ANY reason without written consent from Jim Frazier.

 

20240825cz7-7800-2500

Photography in Greek means drawing with light or light painting.

  

Play of light and shadow

  

The man who appreciates the beauty of nature and the world is much richer and happier than those who do not notice this.

 

Thank you to everyone who stopped to watch, leave a comment, award, an invitation to the group! :))

 

Thanks to those who gave simply a smile or admiration and those who remained dissatisfied! :))

  

I do not answer on favorites without comment .

I love the look of old maps, charts and documents — they were produced with so much more artistry and love than their modern counterparts. Cartography has become a highly technical, standardised and accurate science but has lost the romance and mystery of the maps of old — here be dragons!

The early-autumn garden at Bodnant catches the last warmth of the year, where grasses sway like brushstrokes against a blaze of gold and amber leaves. A darkening sky adds its drama, making every colour glow that little brighter before the rain. It’s a scene suspended between calm and change — the quiet brilliance of one season bowing out and another preparing to take centre stage.

The low sun illuminates the path and the adjacent fields in warm tones. In the background, wind turbines and industrial plants dominate the open landscape.

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Goldenes Licht auf meiner täglichen Runde

 

Die tiefstehende Sonne taucht den Weg und die angrenzenden Felder in warmes Licht. Im Hintergrund prägen Windkraftanlagen und Industrieanlagen die offene Landschaft.

 

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Upgrade your luck with updated IKON Fortune Eyes!

Sold individually and in packs. Each purchase includes BOM/System eyes and Lelutka Evo/X appliers.

I'm wearing the colour distant from the Arcane Fatpack.

Available at IKON

 

✨-Credits-✨

✦ Hair by TRUTH - Mood

✦ Bikini By - ERSCH - Starlet

 

__________________________________________

 

© Tous droits réservés / All rights reserved

DON'T CLAIM AS YOUR OWN | NON-COMMERCIAL PURPOSE

 

Please, don't copy and use this image on websites, blogs or

other media and social media.

 

All my images are protected under international authors copyright laws and may not be shared, downloaded, reproduced, copied, or edited -in any way- without my written explicit permission. Any unauthorized use is strictly illegal and can be punishable by law.

 

If you want to use my photographs, you must request my permission via ✎ Flickr Mail or using → My Website's Contact Form

(I speak french, italian and a little bit of english).

 

__________________________________________________

 

→ Instagram | Instagram (my 2nd account)

→ Website | Contact | Guestbook

 

Lithprint on Ilford Warmtone

Moersch SE5

 

Leaves in a dry creek bed here at home. Same photo as my last post.Fun to slip and slide a little, fun to slip and slide a lot.

  

Off to the ballet....(Nutcracker 2019)

Happy you found my gallery - welcome! Please come in a look around!

 

Have a super day everyone!

Nikon FE with HP5 in HC110

Paper Foma 131

Moersch SE6 Blue

I know - warmtone paper with the cold Blue :-))

A lone bird glides across a dramatic sky layered with clouds in warm and cool tones, captured during the fleeting light of sunrise or sunset. The silhouette adds scale and motion to the textured heavens, where dense formations meet wispy trails in a dance of light and shadow. This tranquil yet dynamic scene evokes introspection, highlighting nature’s quiet grandeur and the fleeting beauty of transition.

  

My latest photography is now available for purchase at crsimages.pixels.com/, featuring prints, framed art, and more from my curated collections.

  

"Nature always wears the colors of the spirit."

A peaceful moment as the sky burns with gold and a solitary bird takes flight over the sleeping trees.

the place: The Trace Too

  

a small piece I made for this with a little help..

  

🎧 Soft & Slow (Winter's Goodbye)

Individual leaves in transition – between summer green and autumn gold. Soft light, quiet transformation.

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Oktobertöne

Einzelne Blätter im Farbwechsel – zwischen Sommergrün und Herbstgold. Weiches Licht, stille Verwandlung.

Trying to capture the feel of a hot summer's evening, with warm mellow tones as the last rays of the setting sun strike the scene — perhaps near the lavender fields of Provence. Technical: since the sun's not actually setting for a few hours and it's a bit unpredictable, I'm shooting with a hand-held flash unit and an orange gel to simulate the sunset. Balancing that with natural daylight and a couple of different takes composited together to get the light 'just right'. Coming next week — Lughnasah / Lammas and the first harvest of summer.

Am Rohrspitz

Gaißau, Vorarlberg

2022

 

Hasselblad 503 CW, Distagon 3,5/60 mm, Ilford HP5+, Rodinal 1+25

Print onto Oriental Warmtone with Moersch Meritol

Selen MT1

Steinbach am Attersee

Oberösterreich

May 2004

 

Mamiya 7II, 4/80 mm, Konica Infrared, Filter IR 715

Print onto Ilford MG Warmtone with Moersch ECOMOL 1+7

Short sulfur toning MT4 without bleaching

 

The Sedanette, aka fastback, and torpedo back was a design style embraced by all US auto manufacturers at one time or another. The look basically started in the late thirties, continued throughout the forties, and for most manufacturers it ended by 1952. Arguably, it was a look that people either liked or disliked. General Motors during that period gave their buying public an option offering sedans in either the fastback sedanette look, or the more conventional notchback. However, all Ford and Mercury sedans were fastbacks throughout the forties until 1949 when the "shoebox" became their standard sedan. All Chrysler Corp's sedans were fastbacks with the entire line, and no notchbacks were offered. They continued that look on some of their models right into the early fifties, and most looked like tubs. However, they did offer the more conventional notchback by the fifties also. All manufacturers offered both 2 door and four door versions, and the Cadillac above was considered a coupe in that style. Some cars were sleek and pretty, but IMO, some were downright ugly and looked like bathtubs. The Nash and Packard versions from the late forties and early fifties were quite ugly, and definitely looked like upside down bathtubs. Studebaker had some fastback models in the very early forties, but most models after the war were notchbacks. As is the case with the all original one pictured above, I happen to like the looks of the Cadillac sedanettes, very sleek looking, but the last year they offered that model was 1949, and after that it was notchbacks only.

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