View allAll Photos Tagged warmtones
San Mauro Abad, Puntagorda
La Palma
Mamiya 7II, 4/80 mm, Ilford Delta 400
Print auf Oriental Warmtone mit Moersch ECO 4812
Selentonung MT 1, 1+10, 1:10 min
www.flickr.com/photos/187551935@N04/51556512808/in/datepo...
we are all just shadows
Ogunquit, Maine
Darkroom Print on Ilford Multigrade Warmtone
TX400 in Rodinal
Canon AE1-P
(French: s a French breed of taurine beef cattle. It originates in, and is named for, the Charolais area surrounding Charolles, in the Saône-et-Loire department, in the Bourgogne-Franche-Comté region of eastern France.
Charolais are raised for meat; they may be crossed with other breeds, including Angus and Hereford cattle.
It is among the heaviest of cattle breeds: bulls weigh from 1000 to 1650 kg (2200 to 3600 lb), and cows from 700 to 1200 kg (1500 to 2600 lb). The coat ranges from white to cream-colored; ( ooops they have PINK noses!)
Puntagorda, La Palma
Hasselblad 503 CW, Distagon 4/40 mm
Kodak TMY 400, Tanol
Print auf Ilford MG Warmtone FB mit Moersch ECO 4812
Selentonung MT1, 1+10, 50 sec
gebleicht mit Hexacyanoferrat/Kaliumbromid 1+49, 1 min
Vario Schwefeltoner MT 3 (50+50+900)
Captured at Bodnant Garden in North Wales, this path leads through late-summer flowers towards the stillness of an ornamental fountain. The dahlias, grasses, and warm tones signal the final flourish before autumn takes hold. It’s a scene of quiet balance — one last burst of colour before the garden rests.
New Years Day, 2019
Leica iiif, 35mm Summaron
Ilford FP4+ in Rodinal 1:100 40 min semi-stand
Ilford vc fb warmtone in D-52 1:1
Sepia toned
Photography in Greek means drawing with light or light painting.
Play of light and shadow
The man who appreciates the beauty of nature and the world is much richer and happier than those who do not notice this.
Thank you to everyone who stopped to watch, leave a comment, award, an invitation to the group! :))
Thanks to those who gave simply a smile or admiration and those who remained dissatisfied! :))
Santa Maria in Calanca GR
Schweiz
April 2015
Hasselblad 503 CW, Distagon 4/40 mm, Kodak TMY400
Print onto Oriental Warmtone with Moersch SE6 BLUE
I love the look of old maps, charts and documents — they were produced with so much more artistry and love than their modern counterparts. Cartography has become a highly technical, standardised and accurate science but has lost the romance and mystery of the maps of old — here be dragons!
Leaves in a dry creek bed here at home. Same photo as my last post.Fun to slip and slide a little, fun to slip and slide a lot.
The low sun illuminates the path and the adjacent fields in warm tones. In the background, wind turbines and industrial plants dominate the open landscape.
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Goldenes Licht auf meiner täglichen Runde
Die tiefstehende Sonne taucht den Weg und die angrenzenden Felder in warmes Licht. Im Hintergrund prägen Windkraftanlagen und Industrieanlagen die offene Landschaft.
Somewhere in Ticino
Schweiz
2001
Mamiya 7II, 4,5/50 mm, Ilford Delta 400
Print onto Oriental Warmtone with Moersch SE6 blue
The day slowly fades behind layers of light and colors, painted in gradients of gold, orange and deep blue.
Individual leaves in transition – between summer green and autumn gold. Soft light, quiet transformation.
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Oktobertöne
Einzelne Blätter im Farbwechsel – zwischen Sommergrün und Herbstgold. Weiches Licht, stille Verwandlung.
The early-autumn garden at Bodnant catches the last warmth of the year, where grasses sway like brushstrokes against a blaze of gold and amber leaves. A darkening sky adds its drama, making every colour glow that little brighter before the rain. It’s a scene suspended between calm and change — the quiet brilliance of one season bowing out and another preparing to take centre stage.
A lone bird glides across a dramatic sky layered with clouds in warm and cool tones, captured during the fleeting light of sunrise or sunset. The silhouette adds scale and motion to the textured heavens, where dense formations meet wispy trails in a dance of light and shadow. This tranquil yet dynamic scene evokes introspection, highlighting nature’s quiet grandeur and the fleeting beauty of transition.
My latest photography is now available for purchase at crsimages.pixels.com/, featuring prints, framed art, and more from my curated collections.
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Dans les prochains jours, d'autres publications festives...même si le Père Noël est déjà reparti pour la Laponie ! ;-)
*** Web translate ****
In the coming days, other festive publications...even if Santa Claus has already gone to Lapland !
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the place: The Trace Too
a small piece I made for this with a little help..
Trying to capture the feel of a hot summer's evening, with warm mellow tones as the last rays of the setting sun strike the scene — perhaps near the lavender fields of Provence. Technical: since the sun's not actually setting for a few hours and it's a bit unpredictable, I'm shooting with a hand-held flash unit and an orange gel to simulate the sunset. Balancing that with natural daylight and a couple of different takes composited together to get the light 'just right'. Coming next week — Lughnasah / Lammas and the first harvest of summer.
"Nature always wears the colors of the spirit."
A peaceful moment as the sky burns with gold and a solitary bird takes flight over the sleeping trees.
Every life finds its own patch of light to survive in — hers, a crack between old stone and new grass. She hesitated. Stay, or run and never know who I was. She stayed. I'm still not sure I answered the question.
Mikrolimano, Athens, Greece
There’s a story behind this empty seat, and things are not always as they seem.
And, like every story, it depends on who’s telling it. Please keep that in mind.
Warm red and orange tones standing gently against a cool blue background.
Sometimes, the right light and colors are all it takes to reveal the beauty in an ordinary flower.
Nikon Z6+Nikkor Z 24-200, F6.3 175mm. 1/30 ISO280
The Sedanette, aka fastback, and torpedo back was a design style embraced by all US auto manufacturers at one time or another. The look basically started in the late thirties, continued throughout the forties, and for most manufacturers it ended by 1952. Arguably, it was a look that people either liked or disliked. General Motors during that period gave their buying public an option offering sedans in either the fastback sedanette look, or the more conventional notchback. However, all Ford and Mercury sedans were fastbacks throughout the forties until 1949 when the "shoebox" became their standard sedan. All Chrysler Corp's sedans were fastbacks with the entire line, and no notchbacks were offered. They continued that look on some of their models right into the early fifties, and most looked like tubs. However, they did offer the more conventional notchback by the fifties also. All manufacturers offered both 2 door and four door versions, and the Cadillac above was considered a coupe in that style. Some cars were sleek and pretty, but IMO, some were downright ugly and looked like bathtubs. The Nash and Packard versions from the late forties and early fifties were quite ugly, and definitely looked like upside down bathtubs. Studebaker had some fastback models in the very early forties, but most models after the war were notchbacks. As is the case with the all original one pictured above, I happen to like the looks of the Cadillac sedanettes, very sleek looking, but the last year they offered that model was 1949, and after that it was notchbacks only.
Silk&Steel-Pheonix Dress
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