View allAll Photos Tagged warmtones
The last sliver of light before it slipped below the horizon and called it a night..
I liked the one little duck swimming in the sunset. :)
The time of sunset is defined in astronomy as the moment when the trailing edge of the Sun's disk disappears below the horizon. Near to the horizon, atmospheric refraction causes the ray path of light from the Sun to be distorted to such an extent that geometrically the Sun's disk is already about one diameter below the horizon when sunset is observed.
The spinning Earth lit by the Sun as seen from far above the North Pole. All along the terminator, the rays from the sun hit Earth horizontally, neglecting any atmospheric effects and Earth's orbital motion.
Sunset is distinct from twilight, which has three phases, the first being civil twilight, which begins once the Sun has disappeared below the horizon, and continues until it descends to 6 degrees below the horizon; the second phase is nautical twilight, between 6 and 12 degrees below the horizon; and the third is astronomical twilight, which is the period when the Sun is between 12 and 18 degrees below the horizon. Dusk is at the very end of astronomical twilight, and is the darkest moment of twilight just before night. Night occurs when the Sun reaches 18 degrees below the horizon and no longer illuminates the sky,
Wikipedia
Thanks for peeking :-)
~Christie
Holga, HP5 in Finol.
Printed onto Fomatone 131.
SE6 Blue 1+10 3 minutes.
For the last batches of Fomatone, I recommend hardening the gelatine before Selenium toning.
Hardener 1+5 1 minute after fixing (or instead the usual stop bath) washing time at least 7-10 minutes to remove the acid of the hardener.
Das im SE6 Blue entwickelte Silberbild setzt dem Selentoner einen stärkeren Widerstand entgegen, es dauert etwas länger, bis die Schatten einen rötlichen Farbton annehmen. Die Lichter werden noch später angegriffen als üblicherweise, was genutzt werden kann wenn eine Zweifarbigkeit erwünscht ist. Voraussetzung für einen Farbsplitt zwischen Schatten und Lichtern (ohne viel Aufwand) ist die Verwendung eines Warmtonpapiers (wie Forte oder Fomatone).
Mit Bromsilberpapieren sind ähnliche Ergebnisse nur mit einem erheblich höheren Aufwand möglich (tonen - bleichen - rückentwickeln).
Wie beim vorherigen Bild ist ein fetter Toner (MT1 1+10) vorteilhaft, denn es soll ja einen relativ schnellen Farbumschlag in den Schatten geben. Während der ersten Minute scheint relativ wenig zu passieren, der kritische Punkt wird nach zwei bis zweieinhalb Minuten erreicht. Bevor auch die Mitteltöne rötlich werden, muss die Tonung rasch unterbrochen werden.
The silver image developed in SE6 Blue offers greater resistance to selenium toner, so it takes a little longer for the shadows to take on a reddish hue. The highlights are affected even later than usual, which can be used to advantage if a two-tone effect is desired. The prerequisite for colour separation between shadows and highlights (without much effort) is the use of warmtone papers (such as Forte or Fomatone).
With bromide silver papers, similar results are only possible with considerably more effort (toning – bleaching – re-developing).
As with the previous image, a rich toner (MT1 1+10) is advantageous, as the aim is to achieve a relatively rapid colour change in the shadows. During the first minute, relatively little seems to happen, but the critical point is reached after two to two and a half minutes. Before the mid-tones also turn reddish, the toning must be stopped quickly.
Toskanapark
Gmunden, Oberösterreich
2006
Mamiya 7II, 4/80 mm, Ilford Delta 400
Print onto Oriental Warmtone with Moersch Meritol
Toutes vos critiques, commentaires et fav sont les bienvenus !
All criticisms, comments, and fav are welcome !
Balance, as equilibrium : a head of star anise in delicate balance on a stem.
For Macro Mondays theme.
Credits
KraftWork Cottagecore Laundry Set
• Backsplash
• Basket Counter (Graphite)
• Citrus Cleaner
• Cleaning Supplies Basket
• Cloth Basket
• Counter Washing Supplies
• Drawers Counter Cabinet
• Dryer (Graphite – Decor Only)
• Electric Iron
• Folded Sheet A
• Folded Sheet B
• Folded Sheets
• Hangers
• Hanging Vase
• Laundry Powder
• Laundry Tub (Graphite PG)
• Machines Tower (Graphite)
• Organic Soap
• Pro Cleaner
• Top Wood Closing
• Upper Wood Cabinet
• Washboard
• Washer (Graphite – PG + Static)
• Washing Pods
• Wicker Basket
• Wicker Basket Full
KraftWork – Laundry Utilities Add-ons
• Utilities Frame – Graphite / Graphite PBR / White Wood / White Wood PBR
• Utilities Tray – Graphite / Graphite PBR / Wood / Wood PBR
• Floor Clothesline – A / B / C
• Laundry Wall Rack – Option A / B / C
📍Event: [KUSTOM9 June]
✨ Mod / Copy
✨ PBR + Legacy textures available
✨ Decor not included in base setup
Un grand Merci pour tous vos voeux et jolis mots, déposés dans mes précédentes publications !
Je vous souhaite de passer un lumineux réveillon de Noël, entourés de vos proches et d'Amour.
***
A big thank you for all your wishes and kind words, posted in my previous posts !
I wish you a bright Christmas Eve, surrounded by your loved ones and a lot of Love.
✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨
Nikon D5200 + Lensbaby Twist 60
✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨✨
→ My other (and new) account : These Authentic Feelings ♥
__________________________________________________
© Tous droits réservés / All rights reserved
DON'T CLAIM AS YOUR OWN | NON-COMMERCIAL PURPOSE
Please, don't copy and use this image on websites, blogs or
other media and social media.
All my images are protected under international authors copyright laws and may not be shared, downloaded, reproduced, copied, or edited -in any way- without my written explicit permission. Any unauthorized use is strictly illegal and can be punishable by law.
If you want to use my photographs, you must request my permission via ✎ Flickr Mail or using → My Website's Contact Form
(I speak french, italian and a little bit of english).
__________________________________________________
A rare winter visitor to the UK.
Thrilled to even see one, let alone photograph one, albeit at a great distance. I sat down amongst the ferns and waited to see if it would come closer. It did a little bit.
Isolette, with Delta, in Rodinal
Very dark negative
I used a magenta filter nr. 5
Warmtone developer Moersch
Paper Adox Satin
Griechenland 2000
Mamiya 7II, 4/80 mm, Kodak TMY 400
Print onto Oriental Warmtone with Moersch ECO 4812
Allgäu, Baden-Württemberg
2005
Mamiya 7II, 4/80 mm, Ilford Delta 400
Print onto Oriental Warmtone with Moersch Meritol
at Lake Constance, Bayern
2014
Hasselblad 503 CW, Makro Planar 4/120 mm
Ilford Delta 400
Print auf Ilford MG Warmtone FB mit Moersch ECO 4812
Another around the house shot.
Japanese Teacup
Darkroom print on Ilford Multigrade FB Warmtone.
Toned in Sepia.
Apx 100 film in caffenol
Nikon N75 with the Soviet Vega 12b lens.
Kodak 2D 8x10 inch with Louis lens
Foma 100 --> 50 asa in rodinal
Contactprint on Ilford Artpaper
Moersch Warm tone developer
See below the camera and the place
🇬🇧 A quiet room wrapped in amber light.
The window filters the day into fragments,
each reflection caught between shadow and memory.
Silence is not absence — it’s the shape of light slowing down.
👉 Album complet In the Wake of Light – Shadows and Structures: www.flickr.com/photos/201798544@N06/albums/
🇫🇷 Une pièce silencieuse enveloppée de lumière ambrée.
La fenêtre filtre le jour en fragments,
chaque reflet suspendu entre ombre et mémoire.
Le silence n’est pas l’absence — c’est la forme que prend la lumière lorsqu’elle ralentit.
Bregenz, Kriegerdenkmal für die Toten des 1. Weltkriegs, 1931, Bildhauer: Albert Bechtold, bei der Stadtpfarrkirche St. Gallus
Dying warrior
Bregenz, war memorial for the dead of the 1st World War, 1931, sculptor: Albert Bechtold, near the parish church St. Gallus
Canon EOS 50E, EF 100mm f/2.8L Macro IS USM
Ilford FP4, Rodinal 1+25
Print auf Ilford MG Warmtone mit Moersch ECO 4812
gebleicht mit Hexacyanoferrat/Kaliumbromid 1+49, 50 sec
Vario Schwefeltoner MT 3 (50+50+900)
Selentonung MT 1, 1+10, 1 min
Gmunden am Traunsee, Oberösterreich
2023
Holga 120 WPC Pinhole 6x9
Fuji Acros 100 II, Rodinal 1+50
Print auf Oriental Warmtone mit Moersch ECO 4812
Selentonung MT1, 1+9, 20 sec
a trial is not won in a single, brilliant moment.
it is won in the quiet, repetitive work that no one sees.
the endless turning of pages.
the steady rhythm of a thousand small steps.
it is a long distance, run against the fading light,
with only your own reflection as a witness.
there is no finish line.
there is only the next step.
and the one after that.
Rouge cyprès flamboie,
Sous l’étreinte de l’automne,
Vert murmure au loin.
Crimson cypress glows,
In autumn’s tender embrace,
Green whispers afar.
Amden SG, Schweiz
2022
Olympus XA, F-Zuiko 2,8/35 mm, Cinestill BwXX, Kodak D-76 (1+1)
Print onto Oriental Warmtone VC (Cybergraphics)
Moersch ECO 4812
Selentonung MT1, 1+9, 35 sec
Ligurien/Italien
Noblex Pro 6/150 UX
Ilford Delta 400
Print mit Moersch 2 WARM auf Ilford MG Warmtone
Selentonung MT 1, 1+20, 1:30 min
Lichter etwas gebleicht
Vario Schwefeltonung MT 3 (50+50+900)
Feuilles d'or tombent,
Le cyprès chauve s'embrase,
Reflet rouge en eau.
Golden leaves descend,
Bald cypress burns in soft flame,
Red mirrored in pond.
Taken two weeks ago on a trip to Achill Island.
Not a great scan of the print. Some water bubbles on the right.... Hasselblad with 150mm, orange filter. Trix devd in xtol. paper is ilford mg warmtone devd in moersch meritol. Toned in moersch MT3
Sous les cyprès roux,
L'eau miroite les couleurs,
Automne murmure.
Beneath the red trees,
Water mirrors autumn's hues,
Whispers in the breeze.
captured in the warm alleys of palma de mallorca, this photograph presents a moment of reflection and solitude. the subject, seated against a textured wall, is engrossed in her own world, enjoying a simple meal. the warm tones emphasize the summer heat, while her expression suggests a calm escape from the bustling surroundings. her tattoos and unique style add a layer of personal narrative to the image, contrasting with the historical charm of the old town's narrow streets.
"If we were actually confronted with the fact that we are alone on a little rock with water floating in the most vast expanse of nothingness with black holes and other dimensions that has existed for trillions of billions of years, your brain would implode, and that doesn’t help you eat salad and brush your teeth."
-Jeremy Mann.
Darkroom print on Ilford Warmtone in Caffenol
Rollei 25 film, Rolleicord.