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elkemay.typepad.com/captured/2011/01/i-am-trying-toadopt-...
visual journal, collage, mixed media, art journal
På Lindholmen Science Park i Göteborg finns en makalös skärm för olika typer av visualisering. Här visar Christian Riedl hur den fungerar under Webcoat 2013.
(Observera att bilden är i färg...)
Finalmente me llegó el libro. (shop.gestalten.com/books.html) En septiembre el proyecto HMVTK hizo parte del libro Visual Storytelling -Inspiring a new visual language- . Este año quiero hacer un workshop con el mismo nombre.
© Copyright Tommy Simms All Rights Reserved.
The Atlanta Botanical Garden provides many photo opportunites, especially the flower and insect macro. Atlanta Botanical Garden in Atlanta, Georgia.
Part of my Atlanta Botanical Garden set.
3-2491
My Nordic forces (NDC) duking it out with Chandler Parker's U.S. forces on Magnus' modular landscape at BrickFair 2010.
Design de identidade visual para a Casa dos Sentidos + Jardim Sensorial (PR - Brasil) que consiste em marca e identidade gráfica. Todas as formas e objetos projetados surgem dos elementos essenciais da geometria.
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É um projeto cultural promovido pela Montenegro Produções que acontecerá em 2021. Ambos formam a maior exposição interativa do sul do paÃs, que trará ao público sensações e estÃmulos a partir de leituras poéticas de cenários cotidianos e naturais, sob a ótica do universo autista. Novos artistas também integram a programação da mostra, que depois de Curitiba seguirá para Ponta Grossa.
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A partir de abril de 2021, no ParkShopping Barigui. Mais informações www.montenegroproducoes.com
Visual Storytelling - Inspiring a New Visual Language
Visual storytelling uses graphic design, info graphics, illustration, and photography to convey information in the most elegant, entertaining, and informative way. Today, a new generation of designers, illustrators, data journalists, and graphic editors is spending the creative scope of existing visual storytelling techniques -- meeting the formidable challenge of extracting valuable new, surprising findings, and relevant stories from a daily flood of data head on.
Visual Storytelling is the first book to focus solely on contemporary and experimental manifestations of visual forms that can be classified as such. The rich selection of cutting-edge examples featured here if put into context with an introduction and text features by magazine expert Andrew Losowsky as well as interviews with the New York Times, Francesco Franchi, DensityDesign, Carl Kleiner, Antoine Corbineau, Golden Section Graphics, Les Graphiquants, and Peter Grundy.
I'll try to tell you the feel of the moment at this sight.
Do you see slow movement of the water, the dancing glare of the sun, do you hear my shoe steps on the grass, my breathing and the beat of my heart, did you see that tiny fish escaping in the hide, and that slow movement of the shades in between the reeds singing the lullaby, the whisper is lost, look, listen to the tiny air bubble burst
Essa foi feita para a Flavinha Borges do Ateliê Arte com Amor, a bonequinha foi feita baseada nas bonecas de EVA que ela faz www.flickr.com/photos/flavinhaartesanatos/ =D
Orçamentos e informações:
contato@danysabadini.com.br
A mind map of my webinar on Architecture of participation at #CoLearn12 (right) + some notes (left).
Decal of Re-THINGing Gesture in Contemporary Sculpture Practice displayed at the floor of Esplanade Mall.
Se refiere a la textura obtenidas por medios mecánicos, ejemplos tramas, tipografÃas, papeles con texturas visualmente.
Por ejemplo: Tarjetas postales, cajas o empaques de carton, todo lo que se puede hacer de manera mecanica o por imprenta.
I made these graphics on photoshop ( all except Bert and Ernie!) and created a visual timetable for the children so they know what to expect during their day.
VCAD - Visual College of Art and Design of Vancouver
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A field test of vintage and vintage-styled equipment for an upcoming "expedition" planned for the summer.
A mere two-mile walk revealed a number of issues:
1. Old canvas may be fragile and prone to tearing, even if it appears sound to visual inspection. The straps tore out of the old No. 573 haversack (backpack) at both the top and bottom connecting points even though I carried nothing in the pack other than an empty cardboard box to give it some volume.
2. They don't make 'em like they used to: a new leather whip holder (from Todd's Costumes) -- essentially a band of leather secured into a loop by a metal rivet -- failed when the metal rivet snapped.
3. Break-in of new boots will take time. This was expected. I am not accustomed to wearing tall boots. Some experimentation with the tightness of the lacing and sock thickness is called for. After less than a mile I became aware of chafing around the heel. After two miles I ended up with blisters on the backs of both heels. The heel chafing seems to afflict me any time I wear new shoes for the first time. My current running shoes, for example, caused me considerable discomfort when new, but now I have no problem with them.
4. Big boots are heavy! Hiking in knee-high boots, long trousers, and a heavy poplin shirt while carrying a backpack and satchel differs considerably from jogging in shorts, t-shirt, and sneakers. I got tired -- winded -- much more quickly than I would have anticipated. What a wimp! Regular running will not adequately address the fitness requirements for a "full gear" hike. Continuing full gear practice hikes are an obvious necessity if I am to complete the upcoming adventure as planned.
5. My pants are worn out! While the Willis & Geiger bush poplin safari shirt will likely last forever, my inexpensive, lightweight cargo pants were worn thin in spots, and by the end of my trek I had managed to tear a large hole in the backside. Between the backpack, the whip holder, and my trousers, I managed to destroy three pieces of gear in the course of a 45-minute, two-mile hike! But that's why I intend to complete a number of these practice hikes: to find out what works, what doesn't, and what I need to repair, replace, or approach differently.
6. Not all observations are negative. For instance, "working epaulettes" as the shoulder straps on the bush poplin safari shirt were described in the old Willis & Geiger catalogs, made a significant difference in the comfort of carrying a backpack. I had no problem with pack straps sliding off my shoulders. On the rare occasions that I carry a backpack, this issue annoys me to such an extent that I swear that I will never carry a backpack again if I can help it. Securing the pack straps under the button-down flaps on the shirt completely eliminated the shifting straps problem.
7. Pith helmet for the win! I wore this Wolseley-style pith helmet when I hiked across the Grand Canyon in 2009. The hat is so lightweight and fits so naturally and comfortably that I often forgot I was wearing it during that hike, and I was pleasantly reminded of that again today.
8. While heavy, and definitely requiring some getting accustomed to, the tall, leather Thorogood boots were less clumsy than I feared they might be and seemed to provide a sure grip and good balance on uneven ground... at least until my legs got so tired I could barely lift my feet. As my strength increases, I think these "work boots" will serve adequately as rough-terrain hiking footwear... at least when "old school aesthetics" are desired.
20 April 2013
School of Art and Art History at University of Iowa in Iowa City, Iowa. Designed by New York City architect Steven Holl Architects.
Buscamos gente con estética Lolita, Kodona, Visual, Decora, Kabuki, Japones Tradicional, etc... para hacer sesiones de fotos, no hace falta que seas modelo profesional, si estas interesad@, solicita mas información contactando con nosotros en fashion@visualkeistyle.com
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