View allAll Photos Tagged visuals

Or: Every day routine

 

Lines'n'stripes at a misty station

Coils and knots

Shape and control

Human intervention

This image of my eye was shot by Gabrielle Mensah

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I wanted to post it here as I felt she would get more feedback from my lovely followers here on flickr!

Laguna Miscanti / Reserva Nacional Los Flamencos / Deserto do Atacama / Chile.

4.300 metros de altitude.

In dreams, I see shapes and colors like these and I hear music as the shapes and colors change. It seems perfect to imagine those feelings and sensations with fractals.

Lower Antelope Canyon in Page Arizona was our last stop in a week long trip to National parks in the area before we hit the Las Vegas. Last time I was here in afternoon so could not see the different shades of Red color which only is visible in morning time and you can see so many colors changing from here as morning sun rises above.

 

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Ni en el momento más delicado ni más acrobático del baño y sus correspondientes sacudidas, pierde este correlimos común ( Calidris alpina), el contacto visual con ese "bulto sospechoso" de la orilla del estero

Visual Magick’s Igneous mods for the Kobold are beautiful beyond words! I’m wearing Lava, and its definitely HOT! I had a lot of fun playing with particle fire to take the last 2 photos. :)

Mod: marketplace.secondlife.com/p/Igneous-Lava/8159119

not sure what to say about this image......simply messing around yesterday with old photos and this is one of the things that happened.

The Visual Impact of some Caithness wind turbines as viewed from Scapa Beach, Orkney.

Here is my first attempt at architecture. I admire people who can just take those photos that are perfectly aligned or even know how to edit them so they are straight.

 

Well I dont know either but I do know that to see all these shapes in one place at a time aligned with the light and shadow is utter magic.

 

Here is a special thank you to my friend who brought me there. And saw me freaking out at this sight (:

Travelstart / Re-branding of previous visual identity

 

Collaboration with Damian Stephens

"Losing someone is like when the sun comes through a window, moving across the room with each hour, until night falls and all you can do is try to remember the soothing shapes it made.” Stewart Lewis

Much of my time these days is spent on work and family and photography has totally taken a backseat for many months now. In fact, my impatient 9 year old daughter was waiting and whining behind me as I was making this shot. I had to find ways to resuscitate my lost creativity nowadays and continue my visual journey...

 

My apologies for the very rare visits to your streams nowadays.

 

IR Modified Canon EOS 50D ı Canon EF-S10-22mm f/3.5-4.5 USM ı 10mm ı 1/40s ı f/8 ı ISO 200

 

©Rik Amar 2014. All Rights Reserved

Perfomance with Oregon Painting Society on December 12th, 2008 at Rotture

 

watch the video!

vimeo.com/2554

 

Visual is a dance troupe that consists of (not exclusively)

 

Morgan Alexandra Ritter

Dana Dart-McLean

Kersti Jan Werdal

Brenna Murphy

Barbara Kinzle

Lynn Dunham

Asia Wong

Molly Pringle

    

some of my long time flickr friends may "get"

this more readily , knowing that most often i

can be found in a garden , either whenever

the seasonal maintenance & climate allows

OR

-- those regions of my mind may propel --

 

ps: HFF and happy positive resolutions 😃

My favourite time of year is Fall because it is such a visual delight. The wonderful colors, the smell in the air and everything that goes with it. This area of Fish Creek shows a river gently winding through an area of colorful trees.

Visual is the new Gacha collection for Kustom9 - March

13 Items, 3 rares and 10 Commons.

Fresh and Mediterranean set.

 

maps.secondlife.com/secondlife/kustom9/146/91/22

More info

 

100% Original Mesh

30 Days of Perception: Day 6

Following the gesture and movements of the branches of the trees.

Every morning, I take a pre-dawn walk to listen to birdsong and enjoy a brief moment of free movement before the rest of the world wakes up.

Time for the archives.

 

The poet. 1989.

Visual Magick’s Igneous mods for the Kobold are beautiful beyond words! I’m wearing Lava, and its definitely HOT! I had a lot of fun playing with particle fire to take the last 2 photos. :)

Mod: marketplace.secondlife.com/p/Igneous-Lava/8159119

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Looking at you - Moderation Visual Art - (HQ) - Click Here

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Each Monday and Friday we present to you an artwork from one of our originals member. Come and visit our site on theoriginals.net.au

Did you know you can purchase this artwork online…..

Proudly sponsored by Visual Images Online and TheOriginals

 

  

v-i-o.com/blog2/theoriginals-net-au-artist-week-wendy-sin...

Chameleons are absolutely fascinating animals. They are able to watch in two different directions at the same time.

My better half Jerri is the Big Cheese of Orchids here... This was taken in her Orchid House. Thanks for the Visit and have a Large Tuesday.

mannequin eye and building reflection

Each of these, in its own way is like a visual haiku to me.

analog impressions @ work

 

Carl Zeiss Planar T*1.4/50 ZK @ Pentax LX

Kodak Tri-X @ 800 ASA

“You're something between a dream and a miracle.”

 

(Elizabeth Barrett Browning)

Day 24 of 365

 

I took this photograph couple of days ago while we were heading to library with Aura. In my mind this picture compares very closely to Day 19. Not only is it taken almost from the same spot, but the light is a bit similar and again the whole picture is based on a very well known visual motif of silhouette figure. I hope the guy is at least someone else this time! When I took that earlier picture, I wrote about feeling mixed about it because pictures which are too much based on known visual motifs become clichés easily. Looking it now, I feel I need to lighten my stance and focus it a bit.

 

I don't want to be against visual motifs. If you look at the history of photography, it quickly becomes clear that it isn't reasonable stance to take. As a matter of fact, many classic photographs can be considered, if not only to be based on visual motifs, but also something which have created them in the first place. Like someone who commented my earlier picture said, there are only a finite number of different visual motifs, maybe just a few hundred. And being 'language of photography' they can be put to use in different ways, which means that the motifs don't control photography as much as one would think. So, yes I'm lightening my stance here, but here comes the focus part. I think that if photography is solely based on repeating these visual motifs, it is reduced, I think, to be repeated for didactic purposes. To me, some genres of photography are close to this, but I can understand there are different approaches to this. In my mind I would like to think that good photography also needs a context, a story or some other 'interpretative dimension' to make them something more than just 'pictures of the world'. I know it's a challenging claim to make, but it is also very much something that I need to learn myself too.

 

Year of the Alpha – 365 Days of Sony Alpha Photography: www.yearofthealpha.com

Visual Magick made these adorable inflatable shark mods!!!! Look at that face! Those hand holds! I want to float away somewhere when I wear this mod! There is even a walker included with squeeky sounds! Comical! Rubber! Adorable! Check-ch-check-check-check-ch-check it out! What-wha-what-what-what’s it all about?! Link: marketplace.secondlife.com/p/VM-Slugger-Shark-Inflatable-...

  

I’m deliriously tired so that might have been a strange review lol.

30 Days of Perception - Day 6

"Movement through gesture is a form of communication.

All phenomena are animate and expressive."

Kim Manley-Ort

 

As we express ourselves through gesture, movement and body language, so do all living things, including plants.

 

I cut a small branch of ivy to put in a vase to illustrate how the graceful movements suggest body language. I notice how the tiny new branches take directions of their own away from the main stem and how each leaf has its own personal expression. When I observe the movement of the branch, I enter into communication with the way it expresses itself. It's as if I can feel a movement and sway.

Bishopsgate, City Of London

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