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May Day solidarity rally and march for social justice, human, labor and immigrant rights = Concentración y marcha solidaria del Primero de Mayo para la justice social, los derechos humanos, derechos laborales y los derechos del inmigrante, New Haven, Connecticut, Monday May 1, 2017.
From Press Release:
Four Connecticut Cities Strike and March on National “Day Without Immigrants”
Protesters unite to show solidarity among immigrant workers, Yale teachers on hunger strike, African Americans, women, and LGBT community
New Haven, CT - Hundreds of immigrants, workers, business owners and families took the streets in New Haven, Stamford, Danbury and Bridgeport on Monday, May 1 to join a national strike, a “Day Without Immigrants.” In New Haven, after rallying on the Green, more than twenty community organizations marched toward Fair Haven, where some immigrant businesses shut down for the day to demonstrate that this country depends on immigrants. Hundreds of thousands of workers and businesses across the United States pledged to strike in the largest national strike since May 1, 2006. (Visit lahuelga.com)
From the Green, protesters planned to march to a nail salon where workers were owed unpaid wages; a bank funding oil pipelines; the site where Malik Jones was killed by police 20 years ago; and the Fair Haven neighborhood where immigration raids occurred ten years ago.
“This May Day Strike is the first in a series of national strikes that will intensify,” said John Lugo of Unidad Latina en Accion, a grassroots organization of immigrant workers from greater New Haven. “After years of broken promises from politicians, we have woken up to the reality that only we can protect our communities. When we go on strike, this country will not take us for granted. We will make our families safe. We will win dignity and permanent protection for 11 million undocumented workers.”
“My dad, Luis Barrios, is scheduled to be deported this Thursday morning to Guatemala,” said Jessica Barrios, a US citizen from Derby. “Congresswoman DeLauro and more than 2000 people have asked ICE to stop his deportation because he is a great person; he has no criminal record and there’s no reason to deport him after he’s lived here 24 years.”
The family will rally with activists to protest Mr. Barrios’ deportation tomorrow May 2 at 12:00 pm at the office of Immigration & Customs Enforcement (ICE), 450 Main Street, in Hartford. (More info: action.mijente.net/p/luisbarrios )
"I've been fasting for six days because Yale is waiting out the clock, hoping that President Trump will take away my right to a union," said Charles Decker, a graduate teacher in Political Science at Yale. "Donald Trump wants us all to be disposable, as workers, as immigrants, as women, as people of color. But by treating so many of us as disposable, they bring us together and give us the chance to share each other’s strength."
“As a mother of 2 daughters, it is my duty to stand up and fight against the inhumane, cruel and racist agenda of Trump,” said Fatima Rojas, president of the Parent Teacher Association at Columbus Family Academy, one of the New Haven Public Schools. “I stand up to protect students by creating a sanctuary school policy. I stand up to continue reinforcing New Haven as a sanctuary city that protects and welcomes immigrants, African Americans, refugees, LGBTQ people, women and anybody that may be attacked under this administration. This country depends on working class people.”
Moises Vargas, the proprietor of the New Haven seafood restaurant Mariscos el Pescador, said he closed his restaurant today “to support the cause and join the rest of our people.”
End of Press Release.
Identidade visual criada para clínica de psicologia de uma jovem profissional de currículo extenso, sediada em Natal/RN. O foco são jovens e adultos, além de orientação profissional e psicologia perinatal.
A marca é uma abstração de um diálogo entre doutora e cliente.
Poem from the visual poetry book SemSé. Published in edition of 100.
44 pages in color.
Every copy signed and numbered by the artist Ragnhildur Jóhanns.
visuales también a cargo de:
Elian, Seba, Pablo, Lules, Mati, Sol, Valentino, Marcos, Tebez, el Raba y yo.
MSU Denver students take notes during a Visual Design class in the Central Classroom building. The instructor makes use of new SMART Boards and other high-tech teaching tools to present a hands-on lecture.
From Susan Tuttle's online workshop: Visual Poetry 2. The photo was a bit light but I thought I'd try it anyway, not sure if I hit the right balance of light, shadow & tone. Would love to experiment more with this....Any tips? critiques welcome too :)
Photo and texture layers are from my own collection.
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
Esqueci de comentar q esse visual e o do soldadinho é um só, um é feito no verso do outro.Esse visual uso na escola dominical para cantar a musiquinha: Florzinha de Jesus.Conforme cantamos o disco central da flor é girado e ela canta coma gente, esse visual vi na APEC, feito de colorset...
"Visual Poetry" Exhibit at Gallery 194
A mix of Diane's mixed media paintings and sculpture
on exhibit at Gallery 194, Lapeer, M
Cell phone shot by James Alt.
Natalie Noble and Brandon Snowden, UIS seniors and communication majors, record students playing video games in the Student Life Building as part of an assignment for their Visual Storytelling and Reporting course, taught by Professor Ann Strahle.
read about my epi-lasik journey on the blog: www.beautifuladieu.com/2015/03/my-journey-towards-clearer...
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Description from website: "Visual Kei is a very bright pink, with a nearly matte finish. Temporary staining is likely (keep off of fabric). *Reformulated in October 2011: Brighter, more intense colour saturation. * 9/2012: Colour amped up a notch yet again.*"
Color: Intense bright blue-pink, medium-dark, not quite purple enough to be fuchsia. Strawberry pink on steroids? It's not bright enough to be considered neon, but it is definitely a bright, statement lipstick.
Finish: Very pigmented but rather sheer satin finish, no shimmer.
Other notes: Like Glamorous Rebel, it is highly pigmented but on the sheer side, giving a stain effect rather than the look of a heavy lipstick. Surprisingly wearable for a hot pink lipstick.
Secretaría de Cultura inaugura
Exposición de la obra del Premio Nacional de Cultura 2012
Maestro Carlos Cañas
video, Conversando con Carlos Cañas
La Secretaría de Cultura de la Presidencia inauguró la exposición retrospectiva de la obra del Maestro Carlos Cañas, ganador del Premio Nacional de Cultura 2012, en la rama de Artes Plásticas, este 6 de noviembre, en la Sala Nacional de Exposiciones, Salarrué.
La inauguración ocurre un día después de que el Presidente de la República Mauricio Funes entregó el premio al Maestro Cañas durante una ceremonia realizada en el Salón de honor de Casa Presidencial, ante la presencia del Presidente de la Asamblea Legislativa, Sigfrido Reyes, la Primera Dama de la República, Vanda Pignato, la Secretaria de Cultura, Ana Magdalena Granadino, representantes del gabinete de gobierno y sedes diplomáticas e invitados especiales.
La muestra en homenaje al Maestro Carlos Cañas es una recopilación de 48 de sus obras elaboradas en los 75 años de carrera artística y “abarca todos los estilos y etapas más importantes de su producción, e incluye varias de sus obras maestras”, señala el curador de la exposición, Jorge Palomo.
De acuerdo a la directora de Artes Visuales de la Secretaría de Cultura, Katia Romero, con esta retrospectiva se espera mostrar al pueblo salvadoreño “y porque no decirlo, a la comunidad internacional la obra de este maestro, que ha sido un humanista nato y que debe ser un referente para la sociedad”.
La exposición está organizada por un recorrido cronológico, para que el público logre apreciar, en las obras de Carlos Cañas, un vasto bagaje cultural universal y de un entendimiento de las realidades de nuestro país, pues ha producido obras de impacto y de importancia histórica.
Al maestro Carlos Cañas se le reconoce como precursor nacional de diversos estilos artísticos, y por su infatigable compromiso humanista, presentando temas apegados a los derechos humanos y la justicia social a lo largo su carrera, “algo que no siempre ha sido fácil en el contexto nacional. Y lo ha logrado con obras que nunca han carecido de calidad”, señala, Jorge Palomo.
Carlos Cañas ha llamado su obra “la gran síntesis” refiriéndose al encuentro y mezcla entre estilos de arte extranjeros y modernistas con temáticas nacionales.
Parte de la obra, del Premio Nacional de Cultura 2012, la comprende: Niño sin futuro económico; la serie Terror y ternura; la serie Maya, inspirada en el texto del Popol Vuh; las pinturas y dibujos titulados Testimonios; la serie De hospitales; el mural de la cúpula del Teatro Nacional de San Salvador titulado El mestizaje cultural; y El Sumpul, esta obra de Cañas ha sido llamada la pintura histórica más importante de nuestra época contemporánea.
El artista egresó de Bachiller en Arte y Teoría de la Escuela Nacional de Artes Gráficas (1937- 1944); estudió Arte, Historia y Estética, en el Instituto de Cultura Hispanoamericana de España (1954) y Literatura en la Real Academia de Bellas Artes de San Fernando.
Cañas, junto con Julia Díaz, Noé Canjura y Raúl Elas Reyes, representa una generación de pintores salvadoreños que estudiaron en Europa durante la década de 1950 y que regresaron al país a finales de esa década, cambiando el panorama de la pintura nacional.
Carlos Cañas es el primer artista que exhibe pintura abstracta de corte cubista en El Salvador.
Sala Nacional de Exposiciones Salarrué
Costado norte del Parque Cuscatlán, San Salvador El Salvador, Centroamérica.
Teléfono:(503) 2222-4959
Abierto de martes a domingo
9.00 a.m a 12 m - 2.00 p.m A 5 p.m
Lunes cerrado al público
Salanacionaldeexposiciones.sv@gmail.com
Entrada gratuita.
9 in x 12 in Strathmore Visual Journal 90lbs CP watercolor paper,scrapbook paper, acrylic paint, rubber stamps, pigment and dye stamp ink, stencils, copic marker, rub-ons, ephemera, PITT Pen, Gel pen, chalk, image of woman from Graphics Fairy graphicsfairy.blogspot.com/
If you look at the four previous photographs, you'll be able to see how the the framework of notes on the whiteboard, and the drawn images, became this final page of notes. You can read more about this in this entry on my blog at andrewbwatt.wordpress.com
Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
VISUAL magazine 03. Cajamarca - Perú
Foto: Ana García Suarez - Carvallo / Galacia / España.
Edición virtual:
U.S. Forces Afghanistan Protective Service Detail Sgt. Jaclyn Guzman from California maintains visual surveillance as shots are fired and explosions erupt from a building in Kabul, Sept. 13. Insurgents attacked the International Security Assistance Force Afghanistan headquarters and the U.S. Embassy in Kabul, Tuesday, with small-arms fire from outside the secure zone surrounding these compounds. Afghan and coalition forces trapped the insurgents in the partially-constructed, multi-story building they were using as a firing position, and conducted a methodical, floor-by-floor clearing operation. (Photo by Sgt. Catherine Threat)