View allAll Photos Tagged visuals
the bedspread, the wardrobe, the uniform, the fringe... oh the hell of boarding school... no freaken wonder i'm pulling that face
Communicating through images today is fast & easy — with your smart phone you can tell the world where you are, what you’re doing & what you’re eating with just a few button presses. But has that cost us something?
Does the sheer amount of mundane images we see make good photos matter less?
Read more on my blog.
"Nunca he sentido pasión por la fotografÃa "en si misma", sino por la posibilidad de captar - olvidándome de mà mismo - en una fracción de segundo, la emoción que el tema desprende y la belleza de la forma. En otras palabras, una geometrÃa desvelada por lo que se ofrece.
La fotografÃa es, para mÃ, el impulso espontáneo de una atención visual perpetua, que atrapa el instante y su eternidad"
(Henri Cartier-Bresson)
Visual notes from JSB's keynote at the 2010 NMC Summer Conference, captured using Autodesk SketchBook Pro on my iPad.
Taken June 12, 2010.
A couple and their dog move in near-perfect rhythm. Three figures caught mid-stride under the soft evening light of Oostende. The simplicity of it made me smile: the matching pace, the calm intimacy, the quiet choreography of everyday life.
There’s something deeply human in scenes like this. Nothing staged, nothing grand – just a shared moment of motion and companionship against the stillness of sand and sea. These are the fragments I love to catch; small stories hidden in plain sight.
OUT NOW!
A5 MAGAZINE ISSUE 9 - REMIX
---------------------------------------------------------------------------------------------------------------------
77 ARTISTS PRESENT WORKS INSPIRED BY MUSIC AND THEIR FAVORITE SONGS
---------------------------------------------------------------------------------------------------------------------
82 separate postcards (size 19x19 cm) in a special box //
Printed in black and white + additional blue color //
All texts in Hebrew and English
---------------------------------------------------------------------------------------------------------------------
AVAILABLE AT OUR NEW ONLINE SHOP. VISIT:
El Cuerpo. Nuestros cuerpos,
enredados dándole al movimiento,
danzantes, danzan en caricias y besos, enredados el uno contra el otro.
Mientras nuestras lenguas hablando, hablantes, hablan el mismo lenguaje.
Para después entre besos besarse, gozarse.
Mezclando nuestras salivas y entre besos ellas dos gozando, gozan.
El Cuerpo, el cuerpo se agita,
se convulsiona va adoptando la forma amorosa de la pasión acelerada hasta
que llega la sudoración corporal y la paz invade los cuerpos, al final del alma.
Autora autodidacta Jade Bueno Morales poesÃa echa a partir de un sentimiento
Autora autodidacta Jade Bueno Morales Fotógrafa
I was on a photo walk and saw this little scene in a vestibule. Initially, it the color of the coffee cup grabbed my eye, but once I was in the milieu, there was just so much to keep my eye there. First, there's a newspaper. You just don't see those that often any more. Then there are the bricks on the floor mirroring the bricks on the wall. Then there are the bits of paper to the left of the cup which add visual intrigue. Finally, I liked how the brick on the other side of the door is white, contrasting with the black brick.
The Ring Nebula (M57) is bright enough to be a popular visual target for backyard telescopes or binoculars. At low power it's a surprising circle in a sea of dots, and when imaged it's a red, white, and blue remnant of a collapsed star.
A personal take on this: When picking targets for imaging I've skipped over the ring in recent years, with a sense that I've already imaged it many times. The nebula is well positioned, high in the sky in my yard's limited view, so it seems it's always available during the warmer months. "The world does not need another image of M57" is the sort of thought that pops into my head as I scan the chart. So I was surprised to see in my Flickr album that the last Ring image I posted was 6 years ago, and it was the second deep sky target I ever attempted as I tumbled into this hobby -- see tinyurl.com/ydcsbnx9
I've learned a lot since then and sharing images and expertise has been a big part of my so-called retirement (which started just a few weeks before I shot the 2014 image). Even today, I have a Zoom meeting scheduled for planning our next classes teaching Urban Astrophotography here in NYC. If you've read this far thanks for your attention as one of the wonderful people around the world who share this interest in this time when we've never been more isolated from the night sky but have extraordinary tools which allow us to reclaim it.
Questar 3.5" at f/16, guided/QHY5iii174 mono/captured in SharpCap, 10 minutes livestacks of L & G at 15 second exposures, and HA and O3 using 30 second exposures. Processed with PixInsight. Imaged from my yard in Westchester County, NY
Seems a sort of visual commentary in a way.
Somewhere around a place called Stinking Creek in Tennessee on I-75 S.
My resolutions (not especially for 2011)
- To be more kindly with my mirror image
- Learn to draw from real life
- Sleep more
- Be more impatient
By doing the Visual Study from the beginning I felt that it was not going the way I wanted, not having control of the charcoal, It was hard for me to take on the shape and the spaces that I needed. I was struggling but managed to continue on the basic shape of the art work in front of me and little by little I have managed to give few details also creating waves of patterns by using the charcoals as well as using shadowing in my work which made the visual project stand out more.
I'm entering this in a call for visual journals by the Brooklyn Sketchbook Library to be put in a time capsule for 50 years (!). I've decided the theme will be birds, with the Emily Dickinson quote in mind, "I hope you love birds too. It's economical. It saves going to heaven."
Visual expression of "Heart" for Advanced Lighting assignment. I chose to focus on the Eshu and Shakti charms i normally wear around my neck.
This image also appears as part of a trans-formed work by my flickr friend Trans-formation.
In addition to the work of Essomba72 seen below, LouisCypher has offered up a mod of this image in his photostream.
Great Egret, Airborne. Central Valley, California. January 16, 2017. © Copyright 2017 G Dan Mitchell - all rights reserved.
A great egret flies past, skimming above wetland plants
In some ways these magnificent birds are very accessible, but in other they can be hard to photograph in interesting ways. They are common at the locations where I frequently photograph birds, and when I have decent cover (shooting from a vehicle or similar) I can frequently get relatively close to them without scaring them into flight. The key is a very slow and cautious approach and sensitivity to the body language of the bird — there are often hints when egrets think that I am getting too close. From just outside that boundary the egrets are large enough to fill the frame in good conditions, and I have lots of photographs of them on the ground feeding. Perhaps too many!
That's the problem. An egret on the ground is interesting, but not often quite as interesting as an egret in the air. (Grounded egrets can be beautiful in the right light and with the right background and so forth.) In flight they are beautiful birds, typically using slow wing motion and often gliding, and they assume impressive poses when taking off and when landing. However, the lift off is sudden and the flight path typically takes the bird away from me. But sometimes I get lucky, as I did with this specimen. I was actually unaware of its presence and, in fact, it may have been unaware of mine. I had stopped to photograph something else when the bird suddenly flew into range from my left and passed in front of me as it made a gentle turn around my position. I've learned to react fairly quickly and to get the camera up and tracking, but in the best of circumstances it is still a challenge. The first couple of frames are almost humorously off-target, but then I found my subject and centered it in the frame as it passed by very closely.
G Dan Mitchell is a California photographer and visual opportunist. His book, "California's Fall Color: A Photographer's Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email
All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.
When it's 100 during the day, people come out at night. Even in the rain! These streets were full of little restaurant, bars, and tourist traps. Plenty of county fair type games, and even a few traditional Japanese archery rooms.
School of Art and Art History at University of Iowa in Iowa City, Iowa. Designed by New York City architect Steven Holl.
#landcarlos1 #sx50carlos1 #2014carlos1 #piedadecarlos1 #instagram
UM LINDO VISUAL...
- Este jogo de sombras e luz, que adoro, me faz lembrar de uma colega de trabalho... a Beatriz. Ela também adora fotos, mas não é muito fã de sair...
- No chão o que se encontra no céu...
A BEAUTIFUL LOOK...
- This play of shadows and light, which I love, reminds me of a coworker... Beatriz. She also loves photos, but she's not much of a fan...
- On the ground what is in the sky...