View allAll Photos Tagged visuals
A work of art I made to remember a work of art I made and gave away. I made it using a printed photograph I took, a dyed paper towel, and dried acrylic paint... Read more about it at www.lookbetweenthelines.com/journals/visual-journal-page-...
So I am embarking on a project that's pretty personal and have decided to document my journey into a chemical craziness and out the other side, starting with my hair loss, which tbh is quite liberating, just thankful for a bit of makeup really, here's to the April skies 💜
When you think about shapes, you think of how simple they are. However when you look around, you start seeing them everywhere. They from the world you live in. Start looking deep enough to understand their importance. They form movement, receptition, deapth, chaos. They make you feel, they make you move, and understand your surroundings. Look deep enough to understand what is around you. Look through the void.
Another example of my new improved art engine. I can export the images any size I want now. Eventhough I'm using Flash 9, the final bitmap is bigger then 2048.
I think its time to actually start printing some of my work onto canvas :)
That's a photo of me when I was ten. The writing on the right has many translations of the word ten. I've been saving this painting from the front of Smithsonian magazine for just the right spot. I finally found it. The sticker that says pocket was on the magazine when I got it. I had the piece of shisha embroidery out to put on the cover of my little orange book when I make it. It wound up here instead.
Your
If you look at the upper right quadrant you'll notice a profusion of tiny yellow dots. It's unexpected, uncontrolled magic like this that makes my heart skip a beat. It's the magic of what I call a Random Act of Art: when the medium and physics/chemistry/the Divine do the work and I am just one small, humble player in the creation. I never tire of this!
Quando tempo em ..... Então para não deixar desatualizado vim trazer a previa do Myself Visuals (sim mudei de nome muito productions kkk ) era pra eu te abrido o blog a duas semanas atras mais como eu tive alguns problemas blá blá , eu ainda vou pensar se irei abrir um blog acho que vou ver se tem algum blog com vagas na equipe não quero ter tanta dor de cabeça assim , bom agora só falarem o que achas etc...
Comentem ou critiquem ..
my illustrations for Bezalel academy of arts and design Jerusalem graduate show
(design by Michal Sahar studio)
Quay Brothers Return to Philly for First North American Exhibition, Film Festival Award
print version
Norristown-Native Animators, University of the Arts Grads Have Developed Global Cult Following
PHILADELPHIA (December 8, 2008) – Quirky, dark and moody has worked well for identical twins and Norristown natives Stephen and Timothy Quay. Their global cult following knows them better as the award-winning, London-based Brothers Quay, stop-action animators and graduates of The University of the Arts.
For the first time in North America, original sets (décors) from their films will be on display in the exhibition "DORMITORIUM: Film ‘Décors’ by the Quay Bros.” at their alma mater’s Rosenwald-Wolf Gallery, February 27 – April 9. Part of the University’s 50th anniversary celebration of its College of Art and Design, the festivities will include a reception with the brothers, and a presentation of the Vision Award for extraordinary achievement in filmmaking in conjunction with Philadelphia CineFest on April 3.
The décors in the exhibition range from the brothers’ critically acclaimed “Street of Crocodiles” (1986) to “The Piano Tuner of Earthquakes” (2006). The exhibition also includes décors from “The Unameable Little Broom” (1985); “Stille Nacht I (Dramolet)” (1988); “The Comb (From the Museums of Sleep)” (1990); “Rehearsals for Extinct Anatomies” (1988); “The Cabinet of Jan Svanmajer” (1984); “Rehearsals For Extinct Anatomies” (1988); and “The Calligrapher” (1991). After its run at the University’s Rosenwald-Wolf Gallery, the show travels to Parsons The New School for Design in New York City in the fall and Old Dominion University, Norfolk, Va., in the fall.
“Street of Crocodiles,” based on the short novel of the same name by the Polish author and artist Bruno Schulz, was selected by director and animator Terry Gilliam as one of the 10 best animated films of all time, and critic Jonathan Romney included it on his list of the 10 best films in any medium. “The Piano Tuner of Earthquakes” – a dark fairy tale about a demonic doctor who abducts a beautiful opera singer, with designs on transforming her into a mechanical nightingale – is the brothers’ second full-length feature film.
The Quays also directed an animated sequence in the 2002 Oscar-winning film “Frida,” starring Salma Hayek and Alfred Molina. Their first feature film, “Institute Benjamenta, or This Dream People Call Human Life” was released in 1995. Their third feature, based on Schulz’s “Sanatorium Under the Sign of the Hourglass,” is in pre-production.
They have built a cult following making dark and moody films, mostly on or influenced by Eastern European film, literature and music. Many feature partially disassembled dolls and generally have no meaningful spoken dialogue. Their work has been impacted by an array of disparate influences – from Polish animators Walerian Borowczyk and Jan Lenica to writers Franz Kafka and Robert Walser; from puppeteers Wladyslaw Starewicz and Richard Teschner to composers Leo Janácek, Zdenek Lika and Leszek Jankowski.
Born and raised in Norristown, Pa., the brothers graduated from the Philadelphia College of Art (now The University of the Arts) in 1969 (Stephen with a degree in film; Timothy with a degree in illustration) and promptly moved to England to study at the Royal College of Art, where they made their first film. During the ’70s, they spent time in the Netherlands and returned to England to team up with fellow Royal College alumnus Keith Griffiths, who has produced all of their films, to form Koninck Studios in 1980.
The University of the Arts is the nation’s first and only university dedicated to the visual, performing and communication arts. Its 2,300 students are enrolled in undergraduate and graduate programs on its campus in the heart of Philadelphia’s Avenue of the Arts. The institution’s roots as a leader in educating creative individuals date back to 1868.
Album Art: A. Golden, eyewash design. c.2004
For more information, visit: www.myspace.com/nycloft/
Created with fd's Flickr Toys.
Visual Therapy is a luxury lifestyle consultancy co-founded in 1995 by Jesse Garza and Joe Lupo that is based on a unique 5-step approach to identifying and nurturing the individual’s “style type.” Heralded by the press as a two-man “style SWAT team,” Visual Therapy has established a regular media presence on the “Oprah Winfrey Show” and tours the country bringing its fresh and enlightened principles to all aspects of consultation, including private client styling, corporate imaging, speaking engagements, retail store seminars and brand creative direction.
In distinction to other style consultants and trend experts, Visual Therapy excavates and enhances the client’s already unique style personality in the belief that true and lasting style is an outward expression of an inner state. Merging fashion, psychology and spirit, the Visual Therapy method brings clarity to the closet, enabling people to form a concise and confident coordination of their external Image and internal Identity.
Re-THINGing Gesture in Contemporary Sculpture Practice displayed at Esplanade Jendela (Visual Art Space).
På Lindholmen Science Park i Göteborg finns en makalös skärm för olika typer av visualisering. Här visar Christian Riedl hur den fungerar under Webcoat 2013.
(Observera att bilden är i färg...)
Finalmente me llegó el libro. (shop.gestalten.com/books.html) En septiembre el proyecto HMVTK hizo parte del libro Visual Storytelling -Inspiring a new visual language- . Este año quiero hacer un workshop con el mismo nombre.