View allAll Photos Tagged viewcamera
First working shot from my Toyo monorail 4x5 camera. Fujibro WP paper negative, developed in d72, scanned and inverted. 10 second exposure time wide open in daylight, for an effective ISO of around 3.
Graphic View II 4x5
Graphex Optar 135mm f/4.7
1/20 sec, f/22
Ilford FP4 Plus (125)
Microphen (1+1) - 10 minutes
Canoscan 9000F
"Shorelines" series
f45 @ 1/2 second + Yellow Filter
ShenHao HZX45-IIA + Fujinon-W 135mm f5.6 + Arista EDU Ultra 100 @ 50 iso + HC-110 1:200 @ 60 min (Jobo Tank, 1 min initial agitation followed by 3 turns @ every minute for next 5 minutes, slight turn at 30 minutes, stand developed)
Manitoga-Russel Wright house
omega view 45
210mm
fuji nph 400
house of industrial designer Russell Wright. Shot with 4x5 view camera and 120 6x7 cm rollfilm back. Garrison, NY
Luz de fondo sobre pantalla blanca. Negativo 6x7 Panatomic X, tomada con cámara de Studio. Luces frontales y de pelo. Papel 11x14 Agfa Brovira. Digitalizada (scanner). También hay decoloración ya que la impresión data de 1974.
Taken with 4x5 Bender + Rodenstock Grandagon N 90mm f/6,8. I found this fantastic tree by chance at the end of the day just before dusk. Scala film.
Technical camera Actus with Zeiss Contax 35mm lens at wide open f3.5 using all kinds of movements to get the foto straight.
See the equal sharpness of the background in relation to the equal sharp foreground!
You never can achieve ths with normal equipment!!!
My roommate and I made t-shirts. I'm pretending to look at one of the screens. The quartz studio lights came in handy for burning screens.
Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 52.
First I had my wife take a portrait of me (I'm looking through a loupe).
Then I displayed it in the LCD, and shot it through the ground glass of a 4x5 view camera. The exposure of 3.2" was necessary to get a good detail on the LCD, so I had to shoot in complete dark.
BCKG: Q-flash with an umbrella (shoot-through).
View Camera: Q-flash with a 10" grid camera left and a piece of white paper camera right for some detail on the right side.
dSLR: One Vivitar 285, camera right, shooting down. One more 285 attached to the tripod (triggered manually) shooting up for some details on the handles.
This is the final steps in the restoration of a Burke & James Grover 4x5 camera. No more battleship gray! Brand new bellows. Brand new tripod mounting block (the original one was missing).
When I think that I had this one sitting in a box in the basement for 20 years... All it needs now is a lens.
toyo45CF new55 b&w (negative)
The tones this film yields are just amazing.
See the positive here: www.flickr.com/photos/31094821@N07/27963734342/in/datepos...
Staring straight down the lens of a wooden camera almost feels like staring down the barrel of a machine gun. Given today's film quality and sensitivity, I'll bet this lens size would provide awesome pictures!
Gelatin-silver photograph on Ilford Mg IV VC FB, image area 24.5cm X 19.5cm, from a 8x10 Tmax 400 negative exposed in a Tachihara 810HD triple extension field view camera fitted with Fujinon-W 300mm f5.6 lens with the front group removed yielding an effective focal length of approximately 580mm. A #25 red filter was added to minimise residual chromatic aberration and enhance sky detail.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.4cm X 21.3cm, from a 4x5 Efke IR820 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Schneider Super Angulon 75mm f5.6 lens and IR680 filter.
Titled and signed recto, stamped verso.
A 5x7 view camera owned by my great grandfather. This Christmas, it was handed down to me by my uncle. It is in amazingly good shape. It needs new bellows and a few other small items but overall, it's looking great for a 100 year old camera. I can't wait to get it working and try it out.
Learn a bit more about the Seneca Camera here.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 21.3cm X 16.4cm, from a 4x5 Kodak TriX Pan Professional negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens.
Titled and signed recto, stamped and annotated verso.
I found the Tricopherous bottle in the broad treeless valley between the Etheridge Range and Mount Northcote in Australia's Snowy Mountains. Tricopherous is a 19th century hair tonic intended to reverse advancing baldness. It consists of 97% alcohol, 1.5% castor oil, 1% cantharadins (Spanish fly!), and a whiff of fragrance. One wonders which of these ingredients prompted consumption in the high and lonely spot where the bottle was discarded maybe a century ago.