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Manitoga-Russel Wright house
omega view 45
210mm
fuji nph 400
house of industrial designer Russell Wright. Shot with 4x5 view camera and 120 6x7 cm rollfilm back. Garrison, NY
Luz de fondo sobre pantalla blanca. Negativo 6x7 Panatomic X, tomada con cámara de Studio. Luces frontales y de pelo. Papel 11x14 Agfa Brovira. Digitalizada (scanner). También hay decoloración ya que la impresión data de 1974.
Another early glassware photograph which endured all the way to my final portfolio. The bottles in the background are behind a scrim, which gives them their fuzzy look.
This is shot on film with a 4x5 view camera.
This piece was also one of my Extras in my Hallmark Institute of Photography final portfolio. It was also used for a glassware assignment in phase 1 or 2.
If you are interested in a print of this image, please email me and I will list one in My Store! I will also create custom products such as greeting cards for you.
© Julia Grace Arts
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My roommate and I made t-shirts. I'm pretending to look at one of the screens. The quartz studio lights came in handy for burning screens.
Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 52.
Juicy Couture sunglasses.
Strobist: Profoto Acute 2 head @ 1/8 power through a HUGE scrim @ cam left. Acute 2 head at 1/2 through a red and an orange gel in a 10 degree grid cam right. Shutter dragged(modeling lights off) for the colors.
Shot with a 4x5 and Leaf Valeo back. 1second @ F8
Technical camera Actus with Zeiss Contax 35mm lens at wide open f3.5 using all kinds of movements to get the foto straight.
See the equal sharpness of the background in relation to the equal sharp foreground!
You never can achieve ths with normal equipment!!!
Walker Titan SF.
Caltar II-N 150mm f/5.6
Fuji 160 NPL.
Still exploring why it is I take these pictures.
Firstly, I know I love the aesthetic of the way colors play together at night.
But more than that, it's about my love of industry, admiration of raw, hard work and finding beauty in these things built solely for their function and rarely for form.
I know there's more too it than that, so I have to keep shooting to find out what it is.
Which means...
I need my own Field camera. I can't shoot this work on 6x6 ever again.
First I had my wife take a portrait of me (I'm looking through a loupe).
Then I displayed it in the LCD, and shot it through the ground glass of a 4x5 view camera. The exposure of 3.2" was necessary to get a good detail on the LCD, so I had to shoot in complete dark.
BCKG: Q-flash with an umbrella (shoot-through).
View Camera: Q-flash with a 10" grid camera left and a piece of white paper camera right for some detail on the right side.
dSLR: One Vivitar 285, camera right, shooting down. One more 285 attached to the tripod (triggered manually) shooting up for some details on the handles.
2011-11-02
www.greensbororollerderby.com/
Calumet 4x5
Graflex Tele-Optar 10" (250mm) f/5.6 lens
Ilfrod FP4 125 4x5 film
Photographer's Formulary PMK Pyro (1+2+100) developer
20ºC - 10min
Gold-and palladium-toned kallitype from original camera negative
8x10
Film: HP5, developed in Pyrocat HD
toyo45CF new55 b&w (negative)
The tones this film yields are just amazing.
See the positive here: www.flickr.com/photos/31094821@N07/27963734342/in/datepos...
Staring straight down the lens of a wooden camera almost feels like staring down the barrel of a machine gun. Given today's film quality and sensitivity, I'll bet this lens size would provide awesome pictures!
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.4cm X 21.3cm, from a 4x5 Efke IR820 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Schneider Super Angulon 75mm f5.6 lens and IR680 filter.
Titled and signed recto, stamped verso.
Gelatin-silver photograph on Ilford Mg IV VC FB, image area 24.5cm X 19.5cm, from a 8x10 Tmax 400 negative exposed in a Tachihara 810HD triple extension field view camera fitted with Fujinon-W 300mm f5.6 lens with the front group removed yielding an effective focal length of approximately 580mm. A #25 red filter was added to minimise residual chromatic aberration and enhance sky detail.
Another 8x10 test paper negative from my view camera. I'm beginning to get a handle on the peculiarities of this beast. Next mission: get a tripod/head that will work for this setup!
The subject is my Graflex Series B SLR that needs a lot of help. I am considering setting it up as a pinhole camera for now with paper negatives.
Eastman 2D 8x10
12" lens
F8 @ 4 seconds
Paper negative (Ilford MGIV Pearl RC 8x10 paper).
This is an inverted scan of the paper negative. I did make a contact print and it looks fantastic!
A 5x7 view camera owned by my great grandfather. This Christmas, it was handed down to me by my uncle. It is in amazingly good shape. It needs new bellows and a few other small items but overall, it's looking great for a 100 year old camera. I can't wait to get it working and try it out.
Learn a bit more about the Seneca Camera here.
Coalshute in an outlying part of the old Boden fortress.
Modified Linhof 6x9 technika III with a Voigtländer 114mm f4,5 Heliar.
@f5,6 on Tmax100 developed by semi-stand in Rodinal 1:50.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 21.3cm X 16.4cm, from a 4x5 Kodak TriX Pan Professional negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens.
Titled and signed recto, stamped and annotated verso.
I found the Tricopherous bottle in the broad treeless valley between the Etheridge Range and Mount Northcote in Australia's Snowy Mountains. Tricopherous is a 19th century hair tonic intended to reverse advancing baldness. It consists of 97% alcohol, 1.5% castor oil, 1% cantharadins (Spanish fly!), and a whiff of fragrance. One wonders which of these ingredients prompted consumption in the high and lonely spot where the bottle was discarded maybe a century ago.