View allAll Photos Tagged viewcamera
The V-Pan was a panoramic monorail view camera made by the late Chet Hanchett. It had ground glass focusing, a 617 roll film back, standard and wide angle bellows, view camera movements, and used Linhof Technika style lensboards for interchangeable lenses.
Venue : 南丫島
Camera : TOYOVIEW VX125G
Lens : Rodenstock Grandagon 90mm F6.8
Aperture : -
Shutter Speed:-
Film : Fomapan 100
Developer : Kodak HC110 Dilution B
Scanner : Epson GT-X970
Linhof Kardan Standard / Schneider Symmar convertible 150-260mm / Forte Bromofort
Looking at princelle's book, 'Cameras from the Soviet Union', one notices that the quality and ambition of FED material doesn't stop decreasing over thime. This is a fine example. The FED 50 is an involution of FED 35, a parctically identical model, only that it has a coupled rangefinder and a CdS cell meter instead of the hopelessly outdated selenium meter around the lens. Some like celenium bulbs, though. My wife is one of them; in fact the camera is hers.
The prior generation of this camera, the half frame Mikron, was indeed closely 'inspired' in the simpler models of Olympus PEN snapshot cameras, and also used a barrel selenium meter.
Hey, it is an automatic camera... with single program curve :) Wich means that it can only shoot in a very limited number of diaphragm/speed combinations, which I find fairly odd.
The previous models of this generation fo cameras, the 35 and the 35a, had a coupled rangefinder, a feature that the 50 lost. What the 50 kept was the dark green tinted finder, pretty useless in my opinion, as it doesn't need to offer any contrast with a rangefinder image.
This is how the glorious history of the camera makers from Kharkhov ends
This is an advance copy of my first published book (one made by someone other than myself). The book will be released by www.charleslanepress.com in September 2011. Charles Lane Press was started by Richard Renaldi and Seth Boyd and they are becoming known for their immaculate attention to detail in the production of their books. Mine will be the 4th book they have produced.
My first sucessfull photo taken with a 4x5 View Camera. This photo was taken in my studio with a Calumet View Camera and a Schneider Symmar 180mm lens. Lights provided by one Alien Bees 800 brollybox mounted at right and a Minolta AF4000 flash umbrella mounted on the left.
Portraits with a wooden view camera. Lit with Studio Strobes. Shot through an Industar-51 210mm lens on Ilford Photographic Paper.
More details from this session here: Portraits with the Wooden View Camera
Very similar to this shot, only in color and cropped to a slightly different field of view.
Rodenstock 210mm, f/5.6 Lens on Fujichrome Provia 100 (as scanned)
Gelatin-silver photograph on Agfa MCC 111 VC FB photographic paper, image size 24.3cm X 19.5cm, from a 8x10 Kodak Tmax 400 negative exposed in a Plaubel Profia 8x10 monorail camera fitted with a Fujinon-W 300mm f5.6 lens.
Titled, signed, and stamped verso.
This photograph was made with an extreme lateral lens shift so that horizontal picture elements would remain parallel and the reflection of the camera and photographer would not be visible in the glass.
Today's photography cliché was also shot on Porta 160VC color neg film and Velvia 50 chrome. It will be interesting to see if those worked. The 180mm lens needs some CLA loving. It won't work for anything under 1/8th.
I've gotta say I'm really pleased with the BTZS tubes for development. Rather expensive unfortunately. Everything is even across the whole negative. No more fogging with the film hangers either. These came out a bit too dense, but as you can see the result is fine.
"The delight and pride of Aulë is in the deed of making, and the thing made, and neither in possession nor in his own mastery; wherefore he gives and hoards not, and is free from care; passing ever on to some new work."
-Tolkien, The Silmarillion
Cambo Actus / Zeiss 21mm Distagon / Sony A7II
Copyright 2018 by Zip Zipsen Photografy .
All Rights Reserved.
Do not copy, reproduce or use in any way without permission.
If you want to licence this photo in high resolution, please contact me: zip.zipsen@gmail.com
This is an old Brownie camera I picked up on ebay for like $7. It is all seized up, but looks awsome on my bookcase.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 21.2cm X 16.4cm, from a 4x5 Kodak Tmax 100 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens.
Easily one of the nicest Photographers EVER!
First portrait with the Hawkeye Rapid Rectilinear 14 x 17 Portait lens. This was shot wide open at f/8 for 7 seconds and the results are very soft and diffused. Used the CFL lamps as the main light with a reflector.
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 21.3cm, from a 4x5 Arista Edu Ultra 400 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens.
Titled and signed recto, stamped verso.
It is only April and the snows have started. The road out has no snow plough service and if there isn't a break in the weather the car will stay there until September. This is not good for an automobile.
Gelatin-silver photograph on Agfa MCC 111 VC FB photographic paper exposed in contact with a 8"X10" Tmax 400 negative from a Tachihara 810HD triple extension field view camera fitted with a 121mm f8 Schneider Super-Angulon lens.
20190513 photographed with Cambo ActusMini & Zeiss Contax35 f35
This church originally was build of wood in 1123 while crossridders went to Jerusalem, After 1603 catholicism was forbidden by reformers until 1891 when the church became to narrow and a stonen neogotic cathedral was build and in 1892 reconsaced by the archbishop of Utrecht. In 1974 a beautiful carillon was installed.
The organ in the tower originally is coming from the builddown church Sint-Michaelis in Zwolle and was build by the brothers Adema. The wapon of the basilca is to be seen in front of the organ.
I have been shooting with a 4x5 view camera lately and these are some of the photos I have shot. Sorry for the bad scans.
bighugelabs.com/flickr/onblack.php?id=3633731976&size...
I got my first roll from my 4x5 monorail arcaswiss, shot in 6x7 with a rollfilm back...
photo files are huge (357 Mo)...
it make me fear to crash my computer when it will be true 4x5 scanned films :D
It will be part of a tryptich, here it's not the final version, there is still small dust spot to remove on photoshop
For strobism:
the setup is here:
600W photofloods + 80A filter.
Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 59.
1923 Eastman Kodak 2-D 8x10 view camera with one wooden Eastman film holder and 12" Kodak Anastigmat f/4.5 lens.
Shot with a 4x5 large format film camera [210mm] on Ilford HP5 (ISO 400). Scanned with a tablet as a light source, sandwich bag diffuser and a camera+tripod for actual image acquisition.
4x5 image from Belle Isle Detroit. Photographed with a Chamonix view camera and Schneider Kreuznach APO 150mm
This is a KI/KBr ambrotype on glass, the back is partially painted in black (acrylic paint), then varnished with acrylic medium. The text is then transfered still using acrylic medium.
My first ever large format image. Nothing to write home about but there it is. It's full of dust, scratches, Newton's rings, improper agitation, light leaks, and much much more.
As seen in The 52 Project, Week 19: "What is This? I Don't Even..."
matmarrashblog.squarespace.com/blog/2010/11/30/the-52-pro...
Century View Camera No. 2
1/20 sec @ f/32
Kodak Tmax 400
N Development, Kodak XTol