View allAll Photos Tagged viewcamera
4x5 image from Belle Isle Detroit. Photographed with a Chamonix view camera and Schneider Kreuznach APO 150mm
This is a KI/KBr ambrotype on glass, the back is partially painted in black (acrylic paint), then varnished with acrylic medium. The text is then transfered still using acrylic medium.
My first ever large format image. Nothing to write home about but there it is. It's full of dust, scratches, Newton's rings, improper agitation, light leaks, and much much more.
As seen in The 52 Project, Week 19: "What is This? I Don't Even..."
matmarrashblog.squarespace.com/blog/2010/11/30/the-52-pro...
Century View Camera No. 2
1/20 sec @ f/32
Kodak Tmax 400
N Development, Kodak XTol
Freaky eyes looking at you......
FP4+ developed in Rodinal 1:50 15 mins
5x4 neg scan
Chamonix 045N-2 with a 150mm Symmar lens
Platinum on 100% Cotton. 8x10"
Taken along the Bright Angel trail in the Grand Canyon just below Indian Gardens.
B+W version of Town Beach at Port Macquarie. Lack lustre sunrise but still comes out kinda nice on the Velvia.
Taken on a Cambo SC 5x7 studio view camera with a Shen Hao 6x17 roll film adapter for 5x7 and using a 120 mm Super Angulon.
Took an image on the Canon 7D to get exposure. Image not as good as this Velvia shot:
This is my first image that I have for my final project in photo 112. I decide to make it as colorful as possible. This too is a 4x5 transparency that I will have to make a 14 x "11" print of for our final showing.
Gelatin-silver photograph on Kodak Polymax Fine Art VC FB photographic paper, image size 19.5cm X 24.6cm, from a 8x10 Tmax 100 large format negative exposed in a Plaubel Profia monorail view camera fitted with a 10 inch Commercial Ektar lens.
Titled, signed, and stamped verso.
Susan is an artist. Her aircraft pictures are famous.
Taken in the Federal Reserve Boardroom with the 4x5 Point and Shoot I made. I wanted to see how soft the images taken on Instant Film are compared to 4x5 sheet film, since I can easily hand hold 3000 ISO Fuji FP-3000b, but not so 100 ISO Ilford FP-4.
4x5 Point and Shoot, 75mm Nikkor SW
Fuji FB-3000b Instant Film
f/8 a 1/30second, Hand Held
Scanned from the Positive
Gelatin-silver photograph on Ilford Ilfobrom IB2.1P photographic paper, image size 24.6cm X 19.5cm, from a 8x10 Kodak Tmax 400 large format negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Fujinon-W 300mm f5.6 lens.
Titled, signed, and stamped verso.
My four largest cameras tip the scale at a combined weight of 24 lbs. (almost 11 kg. for you folks across the pond). How bad is it at your house?
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 24.6cm X 19.5cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Wollensak 159mm f9.5 wide angle lens. Titled, signed, and stamped verso.
Just finished refurbishing this Graflex Crown Graphic. Bare wood finish fresh wrinkle coat paint job, complete with swing modified front standard and a cool wooden tripod. Old brass lens from Kodak 5x7 camera.
its up for sale now.
Gelatin-silver photograph on Ilford MG IV RC, image size 19.5cm X 24.5cm, from a Kodak TXP 4x5 negative exposed in a Tachihara 45GF double extension field view camera fitted with a Schneider Super Angulon 90mm f8 lens.
Titled and signed recto, stamped verso.
Cambo Actus / Zeiss 21mm Distagon / Sony A7II
Scheimplfug focussing front tilt down, swing left
Copyright 2018 by Zip Zipsen Photografy .
All Rights Reserved.
Do not copy, reproduce or use in any way without permission.
If you want to licence this photo in high resolution, please contact me: zip.zipsen@gmail.com
Linhof Kardan Standard / Schneider Symmar convertible / Forte Bromofort paper negative
The bayonet mount of the first generation of Kiev SLRs was replaced from the Kiev 17 onwards for a copy of the Nikon propietary bayonet. See the wheel on the top right corner? This is the aperture knob, the only way to control lens aperture. Do you follow? This is the device that makes sure that Kiev SLR lenses won't be used on anything else, which is the reason why Kiev lenses are cheaper compared to their equivalents in other mounts. Sometimes you can find M39 adapters (to fit early Zenit lenses on Kiev bodies, that is) in ebay, which I'm planning to buy, just to mount my Helios 40 on my Kiev 15. Gross ;)
4x5
i cropped it some. it had a light leak.
black and white ones to come... i dont really like these ones. but oh well.
This is Timothy Logan, a very talented photographer from Cleveland, and the last large format portrait I have (for the time being). Taken in Cleveland, OH.
Camera: Toyo D45M
Lens: Komura 152mm f/2.8
Kodak Ektar 100
Leaving Seattle for the Big Apple.
Her website www.arianapagerussell.com/dressing/dressing_01.html
Ariana on 20/20 www.youtube.com/watch?v=YTeqjFBN8S0
this is one of my initial test shots for a DIY light tent i made.
a lot more to come. i'm enjoying this little project a lot.
Linhof Kardan Standard / Schneider Symmar / Forte Polywarmtone direct paper shot
Cute, innit? Well, this one has seen better times, but it's not really in a bad shape. A little brassing here and there, some peeling on the glossy paint... but anything serious. All in all, I got it for a mere 50 bucks at evilbay, from a Russian seller. This time Russian roulette has not been all that bad for me. I lke very much the Industar 22 that came with the body, which has no 'ear' lever. I found this curious because I thought that they only made them with the lever. Mine is a red 'P' also, which means that the quality of the coating is the best the Russians had at the moment. Or so I've been told... It's not that I'm going to shoot with the I22 too much, because I bought a nickel Helios 44 in like new condition that operates sooooo smoothly. I really love it. Period.
My first "real" large format view camera. The Graphic View was a very popular camera because it was so good, and the relatively large number of them available mean that the prices are very low. That, combined with the quality of my Graflex Super Graphic press camera convinced me that this was the right camera to get.
This camera is in very good condition (I even have the metal lensboard, but it was in a case with deteriorated felt, so I can't use it until I clean it out), and it works perfectly. The one obvious problem is the lack of the Graflex Graphic View's most iconic feature, the red bellows. Its a small price to pay, however, since the bellows have obviously been replaced recently and are in much better condition than the original red bellows would have been. Eventually I will replace these with some red leather bellows to match the original style, but for now this is fine.
Pictures taken with this camera can be found here.