View allAll Photos Tagged viewcamera
Gold-and palladium-toned kallitype from original camera negative
8x10
Film: HP5, developed in Pyrocat HD
Gelatin-silver photograph on Agfa MCC 111 VC FB, image size 19.5cm X 24.6cm, from a 8x10 Tmax 400 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Fujinon-W 300mm f5.6 lens. Winton is in the semi-desert outback of Australia and it contains everything that was ever transported there save what has been consumed or rusted away. Arno is a private man and built his wall out of accumulated junk.
Walker Titan SF.
Caltar II-N 150mm f/5.6.
Fuji 160 NPL.
Firstly, I know I love the aesthetic of the way colors play together at night.
But more than that, it's about my love of industry, admiration of raw, hard work and finding beauty in these things built solely for their function and rarely for form.
I know there's more too it than that, so I have to keep shooting to find out what it is.
Which means...
I need my own Field camera. I can't shoot this work on 6x6 ever again.
Portraits with a wooden view camera. Lit with Studio Strobes. Shot through an Industar-51 210mm lens on Ilford Photographic Paper.
More details from this session here: Portraits with the Wooden View Camera
Avni was nice enough to pose for me so I could finish off my box of Kodak Ektar 100. Taken in State College, PA.
Camera: Toyo D45M
Lens: Komura 152mm f/2.8
Kodak Ektar 100
This is my first image that I have for my final project in photo 112. I decide to make it as colorful as possible. This too is a 4x5 transparency that I will have to make a 14 x "11" print of for our final showing.
Linhof Kardan Standard / Schneider Symmar convertible 150-260mm / Forte Bromofort
Looking at princelle's book, 'Cameras from the Soviet Union', one notices that the quality and ambition of FED material doesn't stop decreasing over thime. This is a fine example. The FED 50 is an involution of FED 35, a parctically identical model, only that it has a coupled rangefinder and a CdS cell meter instead of the hopelessly outdated selenium meter around the lens. Some like celenium bulbs, though. My wife is one of them; in fact the camera is hers.
The prior generation of this camera, the half frame Mikron, was indeed closely 'inspired' in the simpler models of Olympus PEN snapshot cameras, and also used a barrel selenium meter.
Hey, it is an automatic camera... with single program curve :) Wich means that it can only shoot in a very limited number of diaphragm/speed combinations, which I find fairly odd.
The previous models of this generation fo cameras, the 35 and the 35a, had a coupled rangefinder, a feature that the 50 lost. What the 50 kept was the dark green tinted finder, pretty useless in my opinion, as it doesn't need to offer any contrast with a rangefinder image.
This is how the glorious history of the camera makers from Kharkhov ends
Shot with a 4x5 large format film camera [210mm] on Ilford HP5 (ISO 400). Scanned with a tablet as a light source, sandwich bag diffuser and a camera+tripod for actual image acquisition.
Leaving Seattle for the Big Apple.
Her website www.arianapagerussell.com/dressing/dressing_01.html
Ariana on 20/20 www.youtube.com/watch?v=YTeqjFBN8S0
This is an advance copy of my first published book (one made by someone other than myself). The book will be released by www.charleslanepress.com in September 2011. Charles Lane Press was started by Richard Renaldi and Seth Boyd and they are becoming known for their immaculate attention to detail in the production of their books. Mine will be the 4th book they have produced.
Gelatin-silver photograph on Agfa MCC 111 VC FB photographic paper exposed in contact with a 8"X10" Tmax 400 negative from a Tachihara 810HD triple extension field view camera fitted with a 121mm f8 Schneider Super-Angulon lens.
1923 Eastman Kodak 2-D 8x10 view camera with one wooden Eastman film holder and 12" Kodak Anastigmat f/4.5 lens.
1923 Eastman Kodak 2-D 8x10 view camera with one wooden Eastman film holder and 12" Kodak Anastigmat f/4.5 lens.
My first sucessfull photo taken with a 4x5 View Camera. This photo was taken in my studio with a Calumet View Camera and a Schneider Symmar 180mm lens. Lights provided by one Alien Bees 800 brollybox mounted at right and a Minolta AF4000 flash umbrella mounted on the left.
Gelatin-silver photograph on Agfa Classic MCC111 FB VC, image area 24.7cm X 19.5cm, from a Tri-X negative exposed in a home-made Bender 8x10 view camera fitted with a Schneider Symmar 300mm f5.6 lens and a #25 red filter.
600W photofloods + 80A filter.
Burke & James 5x7 view camera with 4x5 reducing back, 8" f/7.5 Graflex Optar, Polaroid Type 59.
A few medium format cameras all in a row...
Calumet CC400
Schneider-Xenar Kreuznach Symmar 210mm ƒ/5.6 Lens
Shanghai GP3
HC-110 Dil. M
Scanned on Agfa Duoscan F40
During the fall semester, I took a class through our local Community College, which is well regarded for its photography program and resources. I was loaned a Toyo Field Camera (Large Format, 4x5 inch negatives) for the 12 weeks semester.
We learned to load the film, make exposures, develop negatives (in the darkroom or using the Patterson tank), and make prints (either by scanning into digital images to be edited if desired in Lightroom Classic, before printing, or printed in the dark room).
What a learning curve for me...
These are all black and white images exposed and developed from 4x5 inch negatives.
November 28, 2023.
Scan 2909
Taken in Colma, California, where it's great to be alive, with the Sony A7Rii mounted on a Galvin Medium Format View Camera and a Schneider 210mm lens.
Gelatin-silver photograph on Agfa MCC 111 VC FB photographic paper, image size 24.3cm X 19.5cm, from a 8x10 Kodak Tmax 400 negative exposed in a Plaubel Profia 8x10 monorail camera fitted with a Fujinon-W 300mm f5.6 lens.
Titled, signed, and stamped verso.
This photograph was made with an extreme lateral lens shift so that horizontal picture elements would remain parallel and the reflection of the camera and photographer would not be visible in the glass.
Gelatin-silver photograph on Ilford MG IV RC photographic paper, image size 24.7cm X 19.5cm, from a 8x10 Kodak Tmax 400 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Schneider Super Angulon 121mm f8 lens.
Titled, signed, and stamped verso.
Easily one of the nicest Photographers EVER!
First portrait with the Hawkeye Rapid Rectilinear 14 x 17 Portait lens. This was shot wide open at f/8 for 7 seconds and the results are very soft and diffused. Used the CFL lamps as the main light with a reflector.
Very similar to this shot, only in color and cropped to a slightly different field of view.
Rodenstock 210mm, f/5.6 Lens on Fujichrome Provia 100 (as scanned)