View allAll Photos Tagged viewcamera
Camera: 4x5
Film: Polaroid Type 79
*UPDATE:
Flickr Photo Blog 3/12/2011: blog.flickr.net/en/2011/03/12/stayin-alive/
Thanks for all the comments and favorites on the photo. I had long forgotten about this one, seeing as how I shot it 3 years ago.
A beauty of a 4x5 view camera... Taken on a Flickr Meet Columbus tour of the Southern Theather provided by CAPA.
One of our members Mike Fiction does a lot of film work, including medium format with his Hasselblad and his big guy this view camera.
this shot taken as a 2 second exposure on a tripod (50mm f/8 @ ISO400)).
Eastman 33A 5x7 View Camera, Kodak Commercial Ektar 10"/6.3 in barrel, Ilford HP5, HC-110/ dil. b, 7 min.
More 5x10 fun: 1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
with Graflex 9230 adapter from Pacemaker to square lens board. Lens is a Rodenstock Sironar 240mm f5.6.
Yes, even gas pipes and valves and regulators makes for interesting subject matter.
Graflex Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford HP5+ @ ASA-200
Adox Atomal 49 (Stock) 6:45 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (6"x6" Mask) - HC110 1+100 - Unaltered Negative Scan
these are street portraits taken of strangers ask to physically interact wit each other in the same frame
Old Post overlooking the Skagit Bay Estuary on Fir Island in Washington State.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is Fomapan 100 developed in Rodinal 1:50.
Foxee sunning himself on the patio.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is Kodak Plus-X Pan (4147) expired 11/1981, developed it in Kodak HC-110 Dilution B for 5 minutes with some Benzotriazole to help reduce fog.
Been working on dialing in at least one other lens to perfection on the 4x5 as I have yet really only made good photos with the Ilex 260. This is the one for sure.
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
From today: (6x8)1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Unaltered Negative Scan
While Milton is a large and ever growing community, our roots as a agricultural centre is not that far away from the sprawl. This historic farm on Bell School Line just above the town on the Niagara Escarpment. We might have plenty of new businesses and industry, our rural roots still show in our summer Farmer's Market that occupies the downtown.
Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford FP4+ @ ASA-64
Pyrocat-HD (1+1+100) 8:00 @ 20C
Meter: Pentax Spotmeter V
Editor: Adobe Photoshop CC
Ever have people talk right next to you as if you're not even there?
It was the end of the day and I liked the way the sunlight was casting shadows along the ridge of the mountain with a wonderful full moon. I lugged out my view camera set it all up and prepared to focus with my focusing cloth covering my head. A man with a child comes by and I hear him say...
"That's an antique... they don't even make those anymore."
I couldn't stand it that he thought I couldn't even hear him.
I pulled off the focusing cloth and smiled at him.
"Hey, who you calling an antique?"
The father's mouth dropped open, then we both laughed.
(And my camera's not an antique, it's just a different non digital way to see the world...)
WillTravel 3d Printed 4x5 - Schneider Angulon 90mm - f/32 - Tri-X 320 - 4x5 Film - Legacy Pro L110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
During quarantine I've been walking a tremendous amount and noticing things around town. I've started to photograph them.
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
www.nelson-atkins.org/art/Exhibitions/Sinsabaugh/index.cfm
12 X 20-inch Banquet View Camera owned by Art Sinsabaugh
www.nelson-atkins.org/blog/2008/02/seeing_art_sinsabaugh....
American Horizon Panoramic Landscapes on view at the Nelson-Atkins Museum of Art in Kansas City, Missouri
April 2, 2017
Ikeda Wood View, Schneider 90mm Super Angulon f/8
Ilford FP4+ 4x5 film in SP-445 tank
Caffenol (per liter: 32g soda, 18g Vit. C, 42.5g coffee)
presoak, develop 11:00, agitate 1st 10 sec, then 5 sec ea min.
It's been 6 months since I've had my view camera out, and I've been waiting for a sunny weekend morning (for easy parking) to do a city skyline by way of exercising the equipment and my view cam technique. I did two shots on FP4 and two on Fomapan 100 and developed one of each together in my caffenol recipe as a test.
I'd not tried FP4 with caffenol before. In this run, I preferred it to the Fomapan.
Sinar P
Schneider 150mm lens
Foma100 film developed in Ilford ID11 1+1 10mins and printed onto MGRC paper via the Devere 504 enlarger
Original exposure and development:
Asham Meads BBOWT, Otmoor, Oxfordshire
11th May 2019 3:30pm
Chamonix 810V
Nikkor-SW 150 f/8
Ilford FP4+ 8x10
¼" f/32
Rear and front tilts forward, down angle on Arca Cube head
No filters
Pyrocat HD 2:2:100 in BTZS tube
N, 10'30" (5min prewash in distilled water; 1min acetic acid stop bath; 10min fix in TF4; 1min sodium sulfite hypoclear; 30min wash)
Print:
7th May 2022 / 21.5ºC / 52% RH
10x8 contact print from Ilford FP4+ negative on 14x11 Bergger Cot320
3ml Fotospeed argyrotype sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)
Paper dried 3hrs15mins, no prehumidification
8’30’ daylight exposure, full sun, 4pm
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Dried flat for 48hrs
Digitized with Nikon D800E/85PC-E, stitch of two shifted frames.
Shot on 4x5 Kodak Ektar 100, Nikkor 90mm f/4.5 at f/32 for about 4 minutes (!), Lee polarizing filter
The hike to Grotto Falls is actually the first 1.3 miles of the Trillium Gap Trail in the Great Smoky Mountains National Park which takes you up to the top of Mount LeConte. On certain days (I think 2 or 3 times a week), you can catch the llama train running supplies up to LeConte Lodge at the top of the mountain, which is a fantastic photo op as long as you’re not using a 4x5 view camera with slow film. I was fortunate enough to beat them to the trail this particular morning and had time to set up this shot behind the falls before they came through. This is a very busy trail and if you want to have some peace and quiet around the falls, your best bet is to hit the trail just before sunrise. I did that and had it all to myself for about an hour before other folks started showing up.
Thanks for looking! I appreciate all views, comments, and faves!
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
Near the exit to the famed "wall street" section of the Virgin River Narrows, lies the Imlay Boulder. This boulder is frequently photographed, as you must pass it to enter or exit this section of the Narrows, and in the afternoon for a short time, the sun filters down into the 1800 foot deep slot canyon creating this gorgeous reflected light.
In July of 2013, after visiting the Narrows for the first time, I returned a second time to explore and photograph the entire 16-mile length of this canyon, and made my first version of this image. At the time, I'd never seen any photograph of this scene, and was simply captivated by the scene and this seemed the best composition. Only over a year later did I see images from other photographers of the scene.
In January of 2016, I decided to switch back to film for my fine art work, and purchased a 6x4.5cm sized medium format film camera to begin getting used to exposing film instead of digital sensors again. Later in the year, I switched to a 6x7cm format camera, to get used to bellows focusing and a larger image capture plane. Finally, in early fall of 2016, I switched to 4x5in format, and a wooden view camera - technology that has existed since the 1800s, but which has not yet been surpassed in the digital age.
In November, I made this trip to Zion National Park for the fall colors, and decided to take the opportunity to recreate this image on the vastly improved quality of large format color transparency film. Arriving on-site, I captured 4 exposures of the scene, 3 on Kodak Ektar 100, and 1 on Fujifilm Velvia 100. Other large format photographers told me the Velvia wouldn't be able to contain the wide range of light in this scene, from the brilliant highlights to the deep shadows. However, I decided to give it a try anyway, and the result is what you see here. I love the way the Velvia renders this beautiful canyon scene.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
This was made using a Chamonix 45F 4x5 camera, exposed on Ilford Delta 100 film using a 6 stop ND filter
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
This shat was a tough one, it wasn't the location or the composition, instead it was waiting for the right conditions that was the most time consuming. Each morning I would park at the designated area near the park entrance than walk up to this spot and wait for the light, only on the fourth morning did everything come together for this shot.
This was a 5 second exposure on Fomapan 100 8x10 film with a 2-stop soft grad to hold down the sky. The lens used was the Rodenstock Apo-Sironar-S 240mm f/5.6 with no camera movement on the Chamonix Alpinist X.
The film was developed in ADOX Rodinal 1+50 dilution at the standard rate and scanned using an Epson V850 flatbed and Silverfast.
Bruce Gregory under the hood of his 4 x 5 view camera in 1986 photographing the Granite Mountains in the East Mojave desert of California. We explored this area frequently in the 1980's and 1990's and Bruce was often seen lugging his heavy gear around the desert. You can see his work at flickr.com/photos/17178767@N05/ This photo is from a scanned slide.