View allAll Photos Tagged viewcamera
First photo( paper negative ) from the camera in the previous photo. I pretty much got the desired effect from blur to more in focus. It's part of the fun for me, making photos like this that never quite turn out the way I intend but often come out better in a damaged way :)
1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji UM/MA - 8x10 X-Ray Film (6x6 Mask) - HC110 1+100 - Unaltered Negative Scan
Camera: 4x5
Film: Polaroid Type 79
*UPDATE:
Flickr Photo Blog 3/12/2011: blog.flickr.net/en/2011/03/12/stayin-alive/
Thanks for all the comments and favorites on the photo. I had long forgotten about this one, seeing as how I shot it 3 years ago.
1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan
1905 Korona View - Agfa Repromaster 210mm - f/45 - Ilford Delta 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
Focus mechanism for my Speed Graphic view camera. For the September 17 Macro Mondays theme "Cogwheel." Four images focus-stacked.
The camera was manufactured in the late 1940s or early 50s. I bought this one, used, with my paper route money and took pictures for my high school yearbook during the late 1960's.
1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan
Graflex Graphic View II, Rodenstock Sironar 240mm f5.6, Lomograflok with Instax wide. Photogenic Flashmaster AA with 16 inch dish.
More 5x10 fun: 1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan
Yes, even gas pipes and valves and regulators makes for interesting subject matter.
Graflex Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford HP5+ @ ASA-200
Adox Atomal 49 (Stock) 6:45 @ 20C
Meter: Gossen Lunasix F
Scanner: Epson V700
Editor: Adobe Photoshop CC
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
14" Veritar f6 lens on shop made lens board. Since the geared focusing works great I have most of the work done rebuilding this camera. I still haven't decided if I want to re-paint it or strip it down to the cherry wood.
with Graflex 9230 adapter from Pacemaker to square lens board. Lens is a Rodenstock Sironar 240mm f5.6.
Ever have people talk right next to you as if you're not even there?
It was the end of the day and I liked the way the sunlight was casting shadows along the ridge of the mountain with a wonderful full moon. I lugged out my view camera set it all up and prepared to focus with my focusing cloth covering my head. A man with a child comes by and I hear him say...
"That's an antique... they don't even make those anymore."
I couldn't stand it that he thought I couldn't even hear him.
I pulled off the focusing cloth and smiled at him.
"Hey, who you calling an antique?"
The father's mouth dropped open, then we both laughed.
(And my camera's not an antique, it's just a different non digital way to see the world...)
While Milton is a large and ever growing community, our roots as a agricultural centre is not that far away from the sprawl. This historic farm on Bell School Line just above the town on the Niagara Escarpment. We might have plenty of new businesses and industry, our rural roots still show in our summer Farmer's Market that occupies the downtown.
Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford FP4+ @ ASA-64
Pyrocat-HD (1+1+100) 8:00 @ 20C
Meter: Pentax Spotmeter V
Editor: Adobe Photoshop CC
Been working on dialing in at least one other lens to perfection on the 4x5 as I have yet really only made good photos with the Ilex 260. This is the one for sure.
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
these are street portraits taken of strangers ask to physically interact wit each other in the same frame
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
www.nelson-atkins.org/art/Exhibitions/Sinsabaugh/index.cfm
12 X 20-inch Banquet View Camera owned by Art Sinsabaugh
www.nelson-atkins.org/blog/2008/02/seeing_art_sinsabaugh....
American Horizon Panoramic Landscapes on view at the Nelson-Atkins Museum of Art in Kansas City, Missouri
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
During quarantine I've been walking a tremendous amount and noticing things around town. I've started to photograph them.
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (6"x6" Mask) - HC110 1+100 - Unaltered Negative Scan
April 2, 2017
Ikeda Wood View, Schneider 90mm Super Angulon f/8
Ilford FP4+ 4x5 film in SP-445 tank
Caffenol (per liter: 32g soda, 18g Vit. C, 42.5g coffee)
presoak, develop 11:00, agitate 1st 10 sec, then 5 sec ea min.
It's been 6 months since I've had my view camera out, and I've been waiting for a sunny weekend morning (for easy parking) to do a city skyline by way of exercising the equipment and my view cam technique. I did two shots on FP4 and two on Fomapan 100 and developed one of each together in my caffenol recipe as a test.
I'd not tried FP4 with caffenol before. In this run, I preferred it to the Fomapan.
Sinar P
Schneider 150mm lens
Foma100 film developed in Ilford ID11 1+1 10mins and printed onto MGRC paper via the Devere 504 enlarger
Shot on 4x5 Kodak Ektar 100, Nikkor 90mm f/4.5 at f/32 for about 4 minutes (!), Lee polarizing filter
The hike to Grotto Falls is actually the first 1.3 miles of the Trillium Gap Trail in the Great Smoky Mountains National Park which takes you up to the top of Mount LeConte. On certain days (I think 2 or 3 times a week), you can catch the llama train running supplies up to LeConte Lodge at the top of the mountain, which is a fantastic photo op as long as you’re not using a 4x5 view camera with slow film. I was fortunate enough to beat them to the trail this particular morning and had time to set up this shot behind the falls before they came through. This is a very busy trail and if you want to have some peace and quiet around the falls, your best bet is to hit the trail just before sunrise. I did that and had it all to myself for about an hour before other folks started showing up.
Thanks for looking! I appreciate all views, comments, and faves!
Old Post overlooking the Skagit Bay Estuary on Fir Island in Washington State.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is Fomapan 100 developed in Rodinal 1:50.
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
From today: (6x8)1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Unaltered Negative Scan
Foxee sunning himself on the patio.
Photographed with a Zeiss Ikon Maximar 9X12cm camera. The film is Kodak Plus-X Pan (4147) expired 11/1981, developed it in Kodak HC-110 Dilution B for 5 minutes with some Benzotriazole to help reduce fog.
Near the exit to the famed "wall street" section of the Virgin River Narrows, lies the Imlay Boulder. This boulder is frequently photographed, as you must pass it to enter or exit this section of the Narrows, and in the afternoon for a short time, the sun filters down into the 1800 foot deep slot canyon creating this gorgeous reflected light.
In July of 2013, after visiting the Narrows for the first time, I returned a second time to explore and photograph the entire 16-mile length of this canyon, and made my first version of this image. At the time, I'd never seen any photograph of this scene, and was simply captivated by the scene and this seemed the best composition. Only over a year later did I see images from other photographers of the scene.
In January of 2016, I decided to switch back to film for my fine art work, and purchased a 6x4.5cm sized medium format film camera to begin getting used to exposing film instead of digital sensors again. Later in the year, I switched to a 6x7cm format camera, to get used to bellows focusing and a larger image capture plane. Finally, in early fall of 2016, I switched to 4x5in format, and a wooden view camera - technology that has existed since the 1800s, but which has not yet been surpassed in the digital age.
In November, I made this trip to Zion National Park for the fall colors, and decided to take the opportunity to recreate this image on the vastly improved quality of large format color transparency film. Arriving on-site, I captured 4 exposures of the scene, 3 on Kodak Ektar 100, and 1 on Fujifilm Velvia 100. Other large format photographers told me the Velvia wouldn't be able to contain the wide range of light in this scene, from the brilliant highlights to the deep shadows. However, I decided to give it a try anyway, and the result is what you see here. I love the way the Velvia renders this beautiful canyon scene.
Own a signed limited edition print of this image at: lowerylandscapes.com/zion
1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan
1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan