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A beauty of a 4x5 view camera... Taken on a Flickr Meet Columbus tour of the Southern Theather provided by CAPA.

 

One of our members Mike Fiction does a lot of film work, including medium format with his Hasselblad and his big guy this view camera.

 

this shot taken as a 2 second exposure on a tripod (50mm f/8 @ ISO400)).

First photo( paper negative ) from the camera in the previous photo. I pretty much got the desired effect from blur to more in focus. It's part of the fun for me, making photos like this that never quite turn out the way I intend but often come out better in a damaged way :)

This is a single 5x7 inch sheet film negative. Since I don't have a scanner that can handle large negatives, I scanned it in three parts.

 

Camera: Eastman View No. 2 5x7. Ektar 10 lens in Ilex No. 4 Shutter.

Pan x film in HC 110

Camera: 4x5

Film: Polaroid Type 79

 

*UPDATE:

Flickr Photo Blog 3/12/2011: blog.flickr.net/en/2011/03/12/stayin-alive/

 

Thanks for all the comments and favorites on the photo. I had long forgotten about this one, seeing as how I shot it 3 years ago.

 

DIY 6x7 view camera from Polaroid CU-5 and Mamiya Press 23 parts .

More 5x10 fun. Finally working the kinks out. Made by masking an 8x10 sheet of film in camera. 1897 Ak-sar-ben Camera - Schneider G-Claron 210mm (Dagor type) - f/45 - Fomapan 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan

 

Chamonix 45n-1, Fomapan100

1905 Korona View - Agfa Repromaster 210mm - f/45 - Ilford Delta 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan

 

Les couleurs ont attiré mon regard.

Photogenic Flashmaster AA-01. Taken with Graflex Graphic View, Schneider-Kreuznach Symmar-S 180mm f5.6, Lomograflok with Instax wide, using another Photogenic Flashmaster system. Nobody seems to want these centralized "pack and head" flash systems these days. The energy is stored in big capacitors in the power pack and distributed using heavy high voltage cables to up to four flash heads.

Eastman 33A 5x7 View Camera, Kodak Commercial Ektar 10"/6.3 in barrel, Ilford HP5, HC-110/ dil. b, 7 min.

More 5x10 fun: 1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fomapan 100 - 8x10 Film - HC110 1+100 - Unaltered Negative Scan

 

1897 Ak-sar-ben Camera - Repromaster 210mm - f/45 - Fuji UM/MA - 8x10 X-Ray Film (6x6 Mask) - HC110 1+100 - Unaltered Negative Scan

 

1905 Korona View - Agfa Repromaster 210mm - f/45 - Fomapan 100 - 5x7 Film - HC 110 1+100 - Unaltered Negative Scan

 

1905 Korona View - Kodak Commerical Ektar 213mm - f/45 - Fomapan 100 - 5x7 Film - HC110 1+100 - Unaltered Negative Scan

 

Yes, even gas pipes and valves and regulators makes for interesting subject matter.

 

Graflex Pacemaker Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford HP5+ @ ASA-200

Adox Atomal 49 (Stock) 6:45 @ 20C

Meter: Gossen Lunasix F

Scanner: Epson V700

Editor: Adobe Photoshop CC

Fomapan100 dev in Rodinal. Chamonix viewcamera 4x5

Times Theater - Rockford, Il

 

Graflex Graphic 4x5 View Camera - Zeiss Tessar 13.5 in Compur Shutter.

 

Plus X Pan Sheet Film in HC 110

14" Veritar f6 lens on shop made lens board. Since the geared focusing works great I have most of the work done rebuilding this camera. I still haven't decided if I want to re-paint it or strip it down to the cherry wood.

1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

  

with Graflex 9230 adapter from Pacemaker to square lens board. Lens is a Rodenstock Sironar 240mm f5.6.

Ever have people talk right next to you as if you're not even there?

It was the end of the day and I liked the way the sunlight was casting shadows along the ridge of the mountain with a wonderful full moon. I lugged out my view camera set it all up and prepared to focus with my focusing cloth covering my head. A man with a child comes by and I hear him say...

"That's an antique... they don't even make those anymore."

I couldn't stand it that he thought I couldn't even hear him.

I pulled off the focusing cloth and smiled at him.

"Hey, who you calling an antique?"

The father's mouth dropped open, then we both laughed.

 

(And my camera's not an antique, it's just a different non digital way to see the world...)

Been working on dialing in at least one other lens to perfection on the 4x5 as I have yet really only made good photos with the Ilex 260. This is the one for sure.

 

1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

  

Kallitype on Strathmore 300gsm paper; X-ray Negative made from 5x7 Silver Positive Contact Print

 

While Milton is a large and ever growing community, our roots as a agricultural centre is not that far away from the sprawl. This historic farm on Bell School Line just above the town on the Niagara Escarpment. We might have plenty of new businesses and industry, our rural roots still show in our summer Farmer's Market that occupies the downtown.

 

Crown Graphic - Schneider-Kreuznach Symmar-S 1:5.6/210 - Ilford FP4+ @ ASA-64

Pyrocat-HD (1+1+100) 8:00 @ 20C

Meter: Pentax Spotmeter V

Editor: Adobe Photoshop CC

these are street portraits taken of strangers ask to physically interact wit each other in the same frame

www.nelson-atkins.org/art/Exhibitions/Sinsabaugh/index.cfm

12 X 20-inch Banquet View Camera owned by Art Sinsabaugh

www.nelson-atkins.org/blog/2008/02/seeing_art_sinsabaugh....

American Horizon Panoramic Landscapes on view at the Nelson-Atkins Museum of Art in Kansas City, Missouri

www.iub.edu/~iuam/online_modules/sinsabaugh/p_main.html

April 2, 2017

  

Ikeda Wood View, Schneider 90mm Super Angulon f/8

Ilford FP4+ 4x5 film in SP-445 tank

Caffenol (per liter: 32g soda, 18g Vit. C, 42.5g coffee)

presoak, develop 11:00, agitate 1st 10 sec, then 5 sec ea min.

 

It's been 6 months since I've had my view camera out, and I've been waiting for a sunny weekend morning (for easy parking) to do a city skyline by way of exercising the equipment and my view cam technique. I did two shots on FP4 and two on Fomapan 100 and developed one of each together in my caffenol recipe as a test.

 

I'd not tried FP4 with caffenol before. In this run, I preferred it to the Fomapan.

 

Using my Kodak Master View 4x5 large format camera to photograph an Argus C3.

1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

thanks to Steph&Paula for their help! :)

Sinar P

Schneider 150mm lens

Foma100 film developed in Ilford ID11 1+1 10mins and printed onto MGRC paper via the Devere 504 enlarger

During quarantine I've been walking a tremendous amount and noticing things around town. I've started to photograph them.

 

1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

  

1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

1891 Rochester Optical Company Universal - Repromaster 135mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

testing out an idea for the Utata Summer project. My first ever solargraph

Northern Liberties,Phila Pa-35mm Leica Minilux,Ilford XP2 400

Muse: Helene

Artist: Paul van Bueren

Sinar P2

Kodak 320TXP

 

Copyright by Paul van Bueren

www.paulvanbueren.com

 

LOOKING FOR NEW MUSES!!

Shot on 4x5 Kodak Ektar 100, Nikkor 90mm f/4.5 at f/32 for about 4 minutes (!), Lee polarizing filter

 

The hike to Grotto Falls is actually the first 1.3 miles of the Trillium Gap Trail in the Great Smoky Mountains National Park which takes you up to the top of Mount LeConte. On certain days (I think 2 or 3 times a week), you can catch the llama train running supplies up to LeConte Lodge at the top of the mountain, which is a fantastic photo op as long as you’re not using a 4x5 view camera with slow film. I was fortunate enough to beat them to the trail this particular morning and had time to set up this shot behind the falls before they came through. This is a very busy trail and if you want to have some peace and quiet around the falls, your best bet is to hit the trail just before sunrise. I did that and had it all to myself for about an hour before other folks started showing up.

 

Thanks for looking! I appreciate all views, comments, and faves!

 

4x5 Fomapanfilm 100, developed in Fomadon excel, Chamonix viewcamera.

1891 Rochester Optical Company Universal - Ilex Paragon 260mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

  

Original exposure and development:

 

Asham Meads BBOWT, Otmoor, Oxfordshire

11th May 2019 3:30pm

 

Chamonix 810V

Nikkor-SW 150 f/8

Ilford FP4+ 8x10

¼" f/32

Rear and front tilts forward, down angle on Arca Cube head

No filters

 

Pyrocat HD 2:2:100 in BTZS tube

N, 10'30" (5min prewash in distilled water; 1min acetic acid stop bath; 10min fix in TF4; 1min sodium sulfite hypoclear; 30min wash)

  

Print:

7th May 2022 / 21.5ºC / 52% RH

10x8 contact print from Ilford FP4+ negative on 14x11 Bergger Cot320

3ml Fotospeed argyrotype sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)

Paper dried 3hrs15mins, no prehumidification

8’30’ daylight exposure, full sun, 4pm

 

5mins wash in 1.5l distilled water with squeeze of lemon juice

5mins wash in 1.5l tap water

3mins fix in hypo

1hr final soak

Dried flat for 48hrs

 

Digitized with Nikon D800E/85PC-E, stitch of two shifted frames.

1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - UM/MA X-Ray Film - 8x10 Film (6"x6" Mask) - HC110 1+100 - Unaltered Negative Scan

 

1891 Rochester Optical Company Universal - G-Claron (Dagor Type) 210mm - f/45 - Fomapan 100 - 4x5 Film - HC 110 1+100 - Unaltered Negative Scan

 

From today: (6x8)1897 Ak-sar-ben Camera - Schneider G-Claron 240mm - f/45 - Fuji UM/MA X-Ray - 8x10 Film (6x8 Mask) - HC110 1+100 - Unaltered Negative Scan

Student assignment long ago at Brooks Institute of Photography

Calumet 4x5 View Camera

4x5 Ektachrome

Copied by Sony A99 with Minolta AF 100mm f/2.8 Macro Lens

Processed in Capture One

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