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Eco Fashion Week April 22, 2013 Three stylists with $500 each made three runway collections from outfits presented by Value Village. Photos by Sean Herd.
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Long sleeved shirt - Value Village
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Skirt designed and sewed by me from thrifted fabric (think it was a gauze type curtain)
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Chapter 3 --"Devil's Crucible,"
Perils of Nyoka (Republic, 1942). Starring Kay Aldridge, Clayton Moore, Lorna Gray, Charles Middleton, William Benedict. Directed by William Witney. Wonderful Republic-style artwork of Aldridge
From 1942, this is still another great Republic classic. (I suppose I could have started these reviews with tired, lifeless serials like PANTHER GIRL OF THE KONGO, but why not have fun first?) It has a terrific cast with a half dozen of my all-time favorite actors, a credible storyline, some really impressive sets and imaginative 'Perils', and finally, an epic-sounding main theme by Mort Glickman. This would go in the top dozen serials on my list.
PERILS OF NYOKA deals with the struggle for possession of another hot potato that everyone covets-- in this case, the Golden Tablets of Hippocrates, on which the ancient physician recorded his great medical secrets (including a cure for cancer). Not only are gold tablets valuable for their knowledge and the metal itself, they were hidden with a treasure. So it's not surprising to find the sinister Vultura and her gang of renegade Arbabs trying to seize the darn things. Vultura is played by the exotic Lorna Gray, who is a bit ripe looking for my taste but her sneering performance and long long legs have must have gotten many young boys in the audience a bit hot and bothered. (There's something about a Bad Girl...)
Vultura's main henchman is Cassib, played by the same Charles Middleton who made life interesting for Flash Gordon and Dick Tracy. Middleton has that sour, unhappy expression that makes his villainy as believable as the sort of old man who chases kids off his lawn. As if that's not enough, there's also the treacherous Torrini who poses as an ally of Nyoka. Tristram Coffin as Torrini gives an okay performance, just showing enough shiftiness to make his loyalty obviously doubtful to the kids in the audience. As good as Coffin was as a villain, I always wished he had done more heroic roles like his Jeff King in KING OF THE ROCKETMEN.
And as if THAT wasn't enough trouble for Nyoka to deal with, Vultura has a pet ape named Satan, who had never heard Diane Fossey's findings that gorillas are peaceful, gentle vegetarians. Satan was played by Emil Van Horn in a rather weak portrayal that doesn't seem to give much effort into moving like a real gorilla. And although you have to give 1940s film makers some slack with their robot and apes costumes, the way Satan's chest skin looks like shiny black rubber detracts from its credibility. This is where you have to crank your
suspension of disbelief up a few notches.
Whew! What a crew. Luckily, not only can Nyoka handle herself perfectly well, she has a partner in Dr Larry Grayson who is (for a physician) an astonishingly tough two-fisted sword-fighting gunslinger. My doctor's not like that. Clayton Moore is always convincing as hero or thug, and he seems agile and energetic enough to have been a stunt man himself. (At first, it seems a bit odd to hear that wonderful, familiar Lone Ranger voice coming from this character.) Moore goes through the serial in the classic Doc Savage outfit of riding boots, jodphurs and heavy white shirt, although this does not end up torn into tatters with the right cuff still attached.
Finally, Nyoka herself is completely likeable as a cliffhanger heroine. ("That Nyoka gal's got plenty of moxie.." one character explains.) Daughter of the missing Professor Gordon, she is well educated (one of the few who can translate the Tablets) but also completely at home in the saddle or jumping on a gorilla's back with a knife in her hand. I love Kay Aldridge's performance as Nyoka. She's serious when in danger, taking the 'perils' straight-faced but at the same time, she's obviously having a lot of fun when things are going well. It's very believable, not a grim warrior-woman sort of portrayal. Aldridge herself is appealing and gorgeous in her 1940s pin-up girl way-- her clunky culottes are not flattering at all (although admittedly practical for the situation) and she seems to be notably gifted under that big-game hunter blouse. Nyoka also seems to have two different accents going on, for some reason.
My copy of PERILS OF NYOKA is a re-issue titled NYOKA AND THE TIGERMEN, apparently because some of the Arab raiders wear striped robes. C'mon, that's stretching things a bit, Republic.Nyoka Gordon (Kay Aldridge) leads an expedition into the most remote part of the Libyan desert in search of her father, Professor Henry Gordon (Robert Strange), who disappeared while seeking out the long-lost golden tablets of Hippocrates. The tablets, among other attributes, are reputed to contain the cures for any number of deadly diseases that still plague mankind. Nyoka and her father are the only two people in the world who can translate the papyrus giving directions to the hiding place of the tablets. Her allies in her search include: Dr. Larry Grayson (Clayton Moore), a young physician; Torrini (Tristram Coffin), an Italian adventurer; Professor Campbell (Forbes Murray), a colleague of her father's; and Red Davis (Billy Benedict), their driver. Opposing them is Vultura (Lorna Gray), the leader of a deadly desert cult, who regard the tablets as sacred and will do anything -- including committing murder -- to prevent their discovery and removal. Aided by her ally, Cassib (Charles B. Middleton), and the Taureg tribesmen, Vultura and her cultists lay all manner of deadly traps, involving everything from burning pits of fire and tunnels filled with hurricane-like winds to just plain getting crushed by the embrace of Vultura's trained gorilla, Satan (Emil Van Horn). Meanwhile, Nyoka and her expedition also face the danger of treachery from within. Nyoka must first secure the papyrus and avenge the murder of Major Reynolds in the opening chapter, and then get past the opposing Taureg tribesmen -- and little does she realize that the leader of the Tauregs is far closer to her than she ever could have guessed.
The action in Nyoka and the Tigermen moves at a breakneck pace across 15 chapters, most of which are as exciting as anything in Raiders of the Lost Ark and its sequels (each of which drew a lot of their inspiration from this and one other Republic serial, Secret Service in Darkest Africa). Beyond its genuinely exciting plot, which intersects with reality just enough to keep even adults interested (there really are a North African people called the Tauregs), Nyoka and the Tigermen contains some delightful twists in its casting, production, and writing. Nyoka Gordon, as played by Kay Aldridge, is no typical movie heroine. She's beautiful, athletic, and resourceful, enough so that in the first chapter, she rides down Arab horsemen. She's perfectly capable of fighting, climbing, or diving her way out of trouble, a kind of 1940s American precursor to Emma Peel. Additionally, Lorna Gray's Vultura was, if anything, even more beautiful, and they make an enchanting pair of antagonists, especially when they mix it up physically. Both put 100 percent effort into their work here, assisted by one of the best directors and some of the best stuntmen in the business. Clayton Moore looked, if anything, better here than he did as the Lone Ranger at the other end of the decade and he made a dashing hero in his own right. Watch him in action here and see if he doesn't look like he would've been the perfect Bruce Wayne/Batman of his era. Even Emil Van Horn, in the silliest role in the movie -- as the gorilla Satan -- has a kind of visceral impact as this constantly menacing beast. Working from one of the best scripts that the studio ever devised for one of its serials, director William Witney and a crew of top stuntmen (including David Sharpe and a young Jay Silverheels), made this one of the most exciting serials ever to come out of Hollywood. More than that, the resulting chapterplay has an appeal that cuts
across the ages, as demonstrated by the debt owed to it by the Indiana Jones movies.
Another take on Nyoka and additional back ground info.
Perils of Nyoka aka Nyoka and the Tigermen
Republic, 15 Chapters, 1942. Starring Kay Aldridge, Clayton Moore, Billy Benedict, Lorna Gray, Charles Middleton, Tristram Coffin, Robert Strange, Forbes Murray, George Pembroke.
As Perils of Nyoka opens, Prof. Douglas Campbell (Forbes Murray) and his expedition arrive in the small North African town of Wadi Bartha; they are seeking an ancient treasure trove that contains–among other priceless artifacts–the Tablets of Hippocrates, on which are inscribed ”the only cure for cancer the world has ever known.” Campbell and his colleagues, including Dr. Larry Grayson (Clayton Moore), are principally interested in the Tablets’ value to humanity, but Count Benito Torrini (Tristram Coffin), the Italian colonial official attached to the expedition, has more mercenary ideas in mind and is conspiring with the devious Arab queen Vultura (Lorna Gray) to seize the treasure. After being joined by Nyoka Gordon (Kay Aldridge), the daughter of an archeologist who vanished years ago looking for the Tablets, the expedition sets out in search of the Tablets and Nyoka’s missing father, journeying into the hidden valley of the sun-worshipping Tuareg tribe while fighting Vultura and her ally Cassib (Charles Middleton) every step of the way.
Well-written, well-directed, and well-cast, Perils of Nyoka represents Republic serial-making at its absolute peak. Writers Ronald Davidson, Norman Hall, William Lively, Joseph O’Donnell, and Joseph Poland utilize a “quest” structure for their screenplay, one which keeps the characters on the move from one location to the next. The heroes must first translate an important papyrus before beginning their journey to the Tuaregs’ valley, where, upon arrival, they have to deal with the hostile natives and their chief–Nyoka’s amnesic father Professor Gordon (Robert Strange). Then, they must rescue Gordon from Vultura and restore his memory, unmask Torrini’s treachery, return to the Tuaregs’ valley for another important clue, locate the treasure, and recover it in a final showdown after it’s stolen by Vultura. This storyline not only provides plenty of opportunities for action scenes, but also gives the serial a strong sense of steadily focused progression towards a definite goal, making its overall narrative much more interesting than the loosely connected plots of many other Republic serials.
This well-paced narrative plays out in an impressive variety of indoor sets and outdoor locations–the honeycomb of tunnels in the Tuareg valley, Vultura’s mammoth palace and the cliffs nearby, numerous caverns, and various rocky hillsides. Of all Republic’s serials set in foreign realms, Nyoka manages to be the most successful in creating a believably exotic atmosphere; it helps that arid Californian locales like Iverson’s Movie Ranch and Corriganville can more convincingly double for the North African hills than they could for other African locales, like the sub-equatorial jungles or the Sahara desert.
The serial’s action scenes are handled with gusto by William Witney and his star stuntman David Sharpe. One of the many action highlights is Nyoka and Larry’s invasion of Vultura’s palace in Chapter One, which has Clayton Moore’s Larry (doubled by Sharpe) practically flying around the throne room in a combination swordfight/fistfight and eventually being attacked by Vultura’s pet gorilla Satan (Emil Van Horn), who pulls down several stone pillars on our hero and heroine. The pursuit of Nyoka by Cassib’s horsemen in Chapter Two is another memorable action sequence, as is her subsequent chariot escape from Vultura’s camp following a fight with the evil queen. There are far too many additional standout scenes for me to describe them all, but among them are the fight in the lava caves, Larry’s battle with hostile Tuaregs in their cavern temple, Nyoka trying to escape down a cliff on a rope while Satan tugs on the other end, the Tuaregs’ primitive hand-grenade attack on the expedition, and the final showdown in which Larry fights Cassib and his men while Nyoka grapples with Vultura.
The cliffhanger sequences are consistently imaginative and include one of the best-known chapter endings in the Republic canon, the sequence that has Kay Aldridge dangling over a Tuareg fire pit. Equally memorable chapter endings have Aldridge and Forbes Murray being forced towards a ceiling of spikes by an ascending floor, Aldridge about to be sliced in two by a lethal pendulum, and Aldridge being inexorably blown towards the edge of a cliff in an impressive wind tunnel.
Dave Sharpe not only doubles Clayton Moore, but also fills in for Kay Aldridge on all the really dangerous stunts. Stuntwoman Babe DeFreest doubles the heroine in other sequences, with Helen Thurston filling in for Lorna Gray; Tom Steele performs most of Charles Middleton’s stunts, while Ken Terrell, Duke Green, Duke Taylor, Henry Wills, Bud Wolfe, and Johnny Daheim make many contributions as well. Most of these stuntmen, of course, also do acting duty as various Arabs throughout the serial.
Perils of Nyoka’s action is complemented beautifully by Mort Glickman’s score, which is distinctive, memorable, and very well-suited to the setting, with a persistent but not overdone “Arabian” motif dominating both its fast-paced “action” theme and its slower opening-credits music.
The serial’s cast is filled with appealing performers, although its ostensible star, Kay Aldridge, is probably the weakest thespian in the group. Her line delivery is very energetic but awkward at times, and her face is frequently expressionless during dialogue scenes–although she does a fine job registering alarm in cliffhanger sequences. Still, Aldridge is so beautiful, and so likable despite her stiffness, that her presence really has no negative impact on the serial.
Clayton Moore contributes an enormous amount of energy to his part, continually taking the lead in both dialogue and action scenes. He delivers his lines with both seriousness and a certain swashbuckling enthusiasm, and rides and runs with an admirable athleticism that matches well with the dynamism of his double Dave Sharpe in the fight scenes. He, far more than Aldridge, comes off as the actual star of the serial.
Lorna Gray is haughty, viciously bad-tempered, and gleefully evil by turns, but never hammy or over-the-top. Her good looks contrast so startlingly with her convincingly appalling behavior that she commands attention when on-screen; her Vultura is probably the most memorable of all female serial heavies.
Charles Middleton has less time in the spotlight than in his 1930s serials, but his Cassib is still an intimidating figure, glowering grimly at Vultura’s enemies and infusing his Arabian-Nights-style dialogue with both menace (“If you let her escape, you will find death a pleasant relief from your punishment”) and dignity (“What brings you to this humble huddle of tents, Gracious One?”)
Billy Benedict, as the Campbell expedition’s driver and mechanic Red, provides low-key but amusing comic relief, stealing scenes with a single facial expression or a bit of incongruous slang. His scenes with his pet Capuchin monkey Jitters (played by “Professor”) are much more appealing than most such animal-sidekick interchanges; the monkey is not only cute but genuinely helpful to the good guys more than once, and Benedict seems to have a genuine rapport with the little creature.
One of the additional joys of Perils of Nyoka is the unusually large cast of interesting supporting characters; in sharp contrast to many Republic outings, Nyoka features meaty speaking parts for characters besides the hero, heroine, villain, action heavy, and sidekick. Robert Strange, as Nyoka’s amnesic father, has the most important supporting role and does an excellent job in both aspects of his part, dropping his grim, slow-talking, and crafty Tuareg-chieftain personality for a more kindly, upright, and brisk manner when his character’s memory is restored.
Forbes Murray is authoritative but genially avuncular as Campbell, the expedition head, and surprisingly gets in on quite a bit of action. George Pembroke, as a British expedition named Spencer, also takes part in many fights and shootouts, and provides some mild but entertaining comic relief through his verbal interchanges with Billy Benedict’s Red, in which the English scientist and the American mechanic confuse each other with their very different approaches to their common language.
Tristram Coffin, as the treacherous Torrini, is given high billing but has relatively little screen time; however, he handles his interactions with the unsuspecting heroes with the same slickness and smoothness he displayed in his similar part in Spy Smasher. Distinguished Herbert Rawlinson is killed off far too early as Major Reynolds, another expedition member, while the enjoyably hammy John Davidson has a much larger role as Lobar, the fanatical Tuareg sub-chief. Davidson rolls out each line in his inimitably resonant voice and manages to look positively pop-eyed with rage at times, particularly when defying the recovered Professor Gordon as the latter vainly tries to exercise his old authority over the Tuaregs.
Kenne Duncan has a good role as Nyoka’s tough and loyal follower Abou, while George Lewis is noticeably sinister in his small role as Cassib’s lieutenant Batan. George Renavent is enjoyably hammy in his few scenes as Vultura’s oily major-domo, Forrest Taylor pops up as a translator in Chapter Fourteen, John Bagni plays another one of Nyoka’s Bedouin friends, and John Bleifer has a brief but vivid turn as a villainous Arab street merchant in the first chapter. Jay Silverheels, star Clayton Moore’s eventual companion on the Lone Ranger show, is frequently credited as playing one of the Tuaregs, but I’ve never been able to spot him under the tribe’s burnouses and face-paint.
Ace the Wonder Dog, who also played Devil in Columbia’s The Phantom, adds a nice touch to the serial as Nyoka’s faithful dog Fang, going through some clever paces as he assists the heroine–particularly in Chapter One, when he tips over a basket, barks at two Arab guards, and then ducks inside the basket while the guards run past. Vultura’s gorilla Satan, played as an unruly and barely controllable beast by Emil Van Horn, also brings additional color to the proceedings; Van Horn’s rowdy anthropoid antics are great fun to watch.
Just as William Witney’s Spy Smasher–made the same year–represented the acme of Republic’s crime-fighting serials, so does Witney’s Perils of Nyoka represent the acme of Republic’s far-flung adventure serials. Later chapterplays like Secret Service in Darkest Africa or The Tiger Woman would try to recapture some of Perils of Nyoka’s glory, but few of them could match Nyoka’s large and interesting cast of players or its varied assortment of action scenes–and none of them boasted a story that could compete with the appeal of Nyoka‘s archetypal but enthralling treasure hunt.
More than 3100 people turned out for the No Kings 2.0 Rally in Vero Beach, Florida on October 18th, 2025. One of over 2,700 demonstrations that were held, with at least one protest in every state, and several taking place in other countries in support. This widespread participation highlighted the collective sentiment against fascism and the Trump Administration. Resist!
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Project Title: ”Value”
Classroom Teacher: Nicole Abel and Laura Woolston
School: Southwark Elementary
Grade: 3rd Grade
Project Description:
The class explored the concept of monetary and social value. For this part of the project the students were given a section of a dollar bill print out. Using a simple grid, they reproduced the image proportionately on a larger piece of paper using acrylic paint. The class re-pieced the large-scale dollar back together like a big puzzle.
Ben Nevis and Glen Coe is a national scenic area (NSA) covering part of the Highlands of Scotland surrounding Ben Nevis and Glen Coe, in which certain forms of development are restricted. It is one of 40 such areas in Scotland, which are defined so as to identify areas of exceptional scenery and to ensure its protection from inappropriate development. The Ben Nevis and Glen Coe NSA covers 903 km2 (349 sq mi) of land, lying within the Highland, Argyll and Bute and Perth and Kinross council areas. A further 19 km2 (7.3 sq mi) of the NSA are marine, covering the sea loch of Loch Leven.
National scenic areas are primarily designated due to the scenic qualities of an area, however NSAs may well have other special qualities, for example related to culture, history, archaeology, geology or wildlife. Areas with such qualities may be protected via other national and international designations that overlap with the NSA designation. Glen Coe is designated as a national nature reserve, and there are several Special Areas of Conservation and Special Protection Areas within the NSA. Although the national scenic area designation provides a degree of additional protection via the planning process, there are no bodies equivalent to a national park authority, and whilst local authorities can produce a management strategy for each one, only the three national scenic areas within Dumfries and Galloway have current management strategies .
The idea that areas of wild or remote character such as Ben Nevis and Glen Coe should be designated to protect the scenic qualities of their landscapes grew in popularity throughout the nineteenth and early twentieth centuries. In 1931 a commission headed by Christopher Addison first proposed the creation of a national park in Scotland. Following the Second World War a committee chaired by Sir Douglas Ramsay to consider the issue proposed that five areas should receive a level of protection: Glen Coe-Ben Nevis-Black Mount was one of the areas listed. The area thus became one of five designated "national park direction areas", in which planning decisions taken by local authorities could be reviewed by central government under certain circumstances.
A 1974 report by the Countryside Commission for Scotland (CCS) entitled A Park System for Scotland recommended that the Glen Coe-Ben Nevis-Black Mount area should be designated as one of four proposed "Special Parks", considering the area of national importance due to its natural beauty and amenity value, however this recommendation was not acted on. Following a further review of landscape protection in 1978, it was suggested that additional areas, alongside the existing direction areas should receive protection, and in 1981 the direction areas were thus replaced by the 40 national scenic areas, which were based on the 1978 recommendations, and included the Ben Nevis and Glen Coe area.
A further report into protection of the landscape of Scotland was published by the CCS in 1990. Entitled The Mountain Areas of Scotland - Conservation and Management, it recommended that four areas were under such pressure that they ought to be designated as national parks, each with an independent planning board, in order to retain their heritage value. The four areas identified were similar to those proposed by the Ramsay Committee, and included Glen Coe-Ben Nevis-Black Mount. The government did not however choose to establish national parks and so the status of the Ben Nevis and Glen Coe area was not altered. Following the passage of the National Parks (Scotland) Act 2000, national parks were established in the Cairngorms and Loch Lomond and The Trossachs, two of the areas identified by the Ramsay committee, however the status of the other three Ramsay areas, including Ben Nevis and Glen Coe, was again not altered. In 2013 the Scottish Campaign for National Parks proposed seven areas deemed suitable for national park status, one of which was the Ben Nevis and Glen Coe area.
Although named after Ben Nevis and Glen Coe, the national scenic area covers a much wider area of land, as detailed below. Much of the northern part of the NSA lies within the Lochaber region.
Glen Nevis (Scottish Gaelic: Gleann Nibheis) lies in the north of the national scenic area, and runs south from Fort William. It is bordered to the south by the Mamore range, and to the north by the highest mountains in the British Isles: Ben Nevis (Scotland's highest mountain), Càrn Mor Dearg, Aonach Mòr, and Aonach Beag. It is home to the second highest waterfall in Scotland, Steall Falls. Below the waterfall is a steeply walled and impressive gorge.
The Mamores form an east–west ridge approximately fifteen kilometres in length lying between Glen Nevis to the north and Loch Leven to the south. Ten of the ranges are classified as Munros. The hills can be accessed from both Glen Nevis and the former aluminium smelting town of Kinlochleven.
Glen Coe (Scottish Gaelic: Gleann Comhann) is a glen of volcanic origins, in the heart of the national scenic area. A review of the national scenic areas by Scottish Natural Heritage in 2010 made reference to the "soaring, dramatic splendour of Glen Coe", and "the suddenness of the transition between high mountain pass and the lightly wooded strath" in the lower glen. It also described the journey through the glen on the main A82 road as "one of the classic Highland journeys". The main settlement is the village of Glencoe located at the foot of the glen. The glen is regarded as the home of Scottish mountaineering and is popular with hillwalkers and climbers.
Glen Etive (Scottish Gaelic: Gleann Èite) lies to the south of Glen Coe. The River Etive (Scottish Gaelic: Abhainn Èite) rises on the peaks surrounding Rannoch Moor, with several tributary streams coming together at the Kings House Hotel. From the Kings House, the Etive flows for about 18 km, reaching the sea loch, Loch Etive. The river and its tributaries are popular with whitewater kayakers and at high water levels it is a test piece of the area and a classic run. Glen Etive has been used as the backdrop to many movies, among them Braveheart and Skyfall.
The Black Mount is situated between Glen Orchy and Glen Coe, to the east of Glen Etive, forming the southernmost part of the national scenic area. Its four Munros are Stob Ghabhar, Stob a' Choire Odhair, Creise and Meall a' Bhuiridh. The hills of Ben Inverveigh and Meall Tairbh are located between Black Mount and the Bridge of Orchy. The Black Mount Deer Forest includes moorland, the mountain, as well as several rivers, burns, lochs, and tarns.
Much of the western part of Rannoch Moor (Scottish Gaelic: Mòinteach Raineach/Raithneach), an expanse of around 50 square miles (130 km2) of boggy moorland to the west of Loch Rannoch in Scotland, is included in the national scenic area. The A82 road crosses western Rannoch Moor on its way to Glen Coe and Fort William, as does the West Highland Line, which reaches Fort William via Glen Spean rather than Glen Coe. When the line was built across the moor, its builders had to float the tracks on a mattress of tree roots, brushwood and thousands of tons of earth and ashes. Corrour railway station, the UK's highest, and one of its most remote being 10 miles (16 km) from the nearest public road, is located on this section of the line at 1,339 feet (408 m). The line takes gentle curves totalling 23 miles (37 km) across the moorland.
A number of other conservation designation are defined within or overlapping with the NSA: Glen Coe is designated as a both national nature reserve (NNR), and a Special Area of Conservation (SAC) due to wide variety of montane habitats found within the glen. Glen Coe, along with most of the southwestern portion of the NSA including Glen Etive and the Black Mount, forms part of the Glen Etive and Glen Fyne Special Protection Area (SPA), which is protected due to its breeding population of golden eagles.
Rannoch Moor is also designated as an SAC, and is particularly famous as being the sole British location for the Rannoch-rush, named after the moor. It also has populations of otters and freshwater pearl mussels. The River Tay rises on the moor within the NSA, and is designated as a separate SAC for its entire length. The Ben Nevis massif is also an SAC, as are the woodlands at North Ballachulish in the westernmost part of the NSA. The final SAC within the NSA protects the woods on the western side of Loch Etive, in the southwestern extremity of the area.
The Highlands is a historical region of Scotland. Culturally, the Highlands and the Lowlands diverged from the Late Middle Ages into the modern period, when Lowland Scots language replaced Scottish Gaelic throughout most of the Lowlands. The term is also used for the area north and west of the Highland Boundary Fault, although the exact boundaries are not clearly defined, particularly to the east. The Great Glen divides the Grampian Mountains to the southeast from the Northwest Highlands. The Scottish Gaelic name of A' Ghàidhealtachd literally means "the place of the Gaels" and traditionally, from a Gaelic-speaking point of view, includes both the Western Isles and the Highlands.
The area is very sparsely populated, with many mountain ranges dominating the region, and includes the highest mountain in the British Isles, Ben Nevis. During the 18th and early 19th centuries the population of the Highlands rose to around 300,000, but from c. 1841 and for the next 160 years, the natural increase in population was exceeded by emigration (mostly to Canada, the United States, Australia and New Zealand, and migration to the industrial cities of Scotland and England.) and passim The area is now one of the most sparsely populated in Europe. At 9.1/km2 (24/sq mi) in 2012, the population density in the Highlands and Islands is less than one seventh of Scotland's as a whole.
The Highland Council is the administrative body for much of the Highlands, with its administrative centre at Inverness. However, the Highlands also includes parts of the council areas of Aberdeenshire, Angus, Argyll and Bute, Moray, North Ayrshire, Perth and Kinross, Stirling and West Dunbartonshire.
The Scottish Highlands is the only area in the British Isles to have the taiga biome as it features concentrated populations of Scots pine forest: see Caledonian Forest. It is the most mountainous part of the United Kingdom.
Between the 15th century and the mid-20th century, the area differed from most of the Lowlands in terms of language. In Scottish Gaelic, the region is known as the Gàidhealtachd, because it was traditionally the Gaelic-speaking part of Scotland, although the language is now largely confined to The Hebrides. The terms are sometimes used interchangeably but have different meanings in their respective languages. Scottish English (in its Highland form) is the predominant language of the area today, though Highland English has been influenced by Gaelic speech to a significant extent. Historically, the "Highland line" distinguished the two Scottish cultures. While the Highland line broadly followed the geography of the Grampians in the south, it continued in the north, cutting off the north-eastern areas, that is Eastern Caithness, Orkney and Shetland, from the more Gaelic Highlands and Hebrides.
Historically, the major social unit of the Highlands was the clan. Scottish kings, particularly James VI, saw clans as a challenge to their authority; the Highlands was seen by many as a lawless region. The Scots of the Lowlands viewed the Highlanders as backward and more "Irish". The Highlands were seen as the overspill of Gaelic Ireland. They made this distinction by separating Germanic "Scots" English and the Gaelic by renaming it "Erse" a play on Eire. Following the Union of the Crowns, James VI had the military strength to back up any attempts to impose some control. The result was, in 1609, the Statutes of Iona which started the process of integrating clan leaders into Scottish society. The gradual changes continued into the 19th century, as clan chiefs thought of themselves less as patriarchal leaders of their people and more as commercial landlords. The first effect on the clansmen who were their tenants was the change to rents being payable in money rather than in kind. Later, rents were increased as Highland landowners sought to increase their income. This was followed, mostly in the period 1760–1850, by agricultural improvement that often (particularly in the Western Highlands) involved clearance of the population to make way for large scale sheep farms. Displaced tenants were set up in crofting communities in the process. The crofts were intended not to provide all the needs of their occupiers; they were expected to work in other industries such as kelping and fishing. Crofters came to rely substantially on seasonal migrant work, particularly in the Lowlands. This gave impetus to the learning of English, which was seen by many rural Gaelic speakers to be the essential "language of work".
Older historiography attributes the collapse of the clan system to the aftermath of the Jacobite risings. This is now thought less influential by historians. Following the Jacobite rising of 1745 the British government enacted a series of laws to try to suppress the clan system, including bans on the bearing of arms and the wearing of tartan, and limitations on the activities of the Scottish Episcopal Church. Most of this legislation was repealed by the end of the 18th century as the Jacobite threat subsided. There was soon a rehabilitation of Highland culture. Tartan was adopted for Highland regiments in the British Army, which poor Highlanders joined in large numbers in the era of the Revolutionary and Napoleonic Wars (1790–1815). Tartan had largely been abandoned by the ordinary people of the region, but in the 1820s, tartan and the kilt were adopted by members of the social elite, not just in Scotland, but across Europe. The international craze for tartan, and for idealising a romanticised Highlands, was set off by the Ossian cycle, and further popularised by the works of Walter Scott. His "staging" of the visit of King George IV to Scotland in 1822 and the king's wearing of tartan resulted in a massive upsurge in demand for kilts and tartans that could not be met by the Scottish woollen industry. Individual clan tartans were largely designated in this period and they became a major symbol of Scottish identity. This "Highlandism", by which all of Scotland was identified with the culture of the Highlands, was cemented by Queen Victoria's interest in the country, her adoption of Balmoral as a major royal retreat, and her interest in "tartenry".
Recurrent famine affected the Highlands for much of its history, with significant instances as late as 1817 in the Eastern Highlands and the early 1850s in the West. Over the 18th century, the region had developed a trade of black cattle into Lowland markets, and this was balanced by imports of meal into the area. There was a critical reliance on this trade to provide sufficient food, and it is seen as an essential prerequisite for the population growth that started in the 18th century. Most of the Highlands, particularly in the North and West was short of the arable land that was essential for the mixed, run rig based, communal farming that existed before agricultural improvement was introduced into the region.[a] Between the 1760s and the 1830s there was a substantial trade in unlicensed whisky that had been distilled in the Highlands. Lowland distillers (who were not able to avoid the heavy taxation of this product) complained that Highland whisky made up more than half the market. The development of the cattle trade is taken as evidence that the pre-improvement Highlands was not an immutable system, but did exploit the economic opportunities that came its way. The illicit whisky trade demonstrates the entrepreneurial ability of the peasant classes.
Agricultural improvement reached the Highlands mostly over the period 1760 to 1850. Agricultural advisors, factors, land surveyors and others educated in the thinking of Adam Smith were keen to put into practice the new ideas taught in Scottish universities. Highland landowners, many of whom were burdened with chronic debts, were generally receptive to the advice they offered and keen to increase the income from their land. In the East and South the resulting change was similar to that in the Lowlands, with the creation of larger farms with single tenants, enclosure of the old run rig fields, introduction of new crops (such as turnips), land drainage and, as a consequence of all this, eviction, as part of the Highland clearances, of many tenants and cottars. Some of those cleared found employment on the new, larger farms, others moved to the accessible towns of the Lowlands.
In the West and North, evicted tenants were usually given tenancies in newly created crofting communities, while their former holdings were converted into large sheep farms. Sheep farmers could pay substantially higher rents than the run rig farmers and were much less prone to falling into arrears. Each croft was limited in size so that the tenants would have to find work elsewhere. The major alternatives were fishing and the kelp industry. Landlords took control of the kelp shores, deducting the wages earned by their tenants from the rent due and retaining the large profits that could be earned at the high prices paid for the processed product during the Napoleonic wars.
When the Napoleonic wars finished in 1815, the Highland industries were affected by the return to a peacetime economy. The price of black cattle fell, nearly halving between 1810 and the 1830s. Kelp prices had peaked in 1810, but reduced from £9 a ton in 1823 to £3 13s 4d a ton in 1828. Wool prices were also badly affected. This worsened the financial problems of debt-encumbered landlords. Then, in 1846, potato blight arrived in the Highlands, wiping out the essential subsistence crop for the overcrowded crofting communities. As the famine struck, the government made clear to landlords that it was their responsibility to provide famine relief for their tenants. The result of the economic downturn had been that a large proportion of Highland estates were sold in the first half of the 19th century. T M Devine points out that in the region most affected by the potato famine, by 1846, 70 per cent of the landowners were new purchasers who had not owned Highland property before 1800. More landlords were obliged to sell due to the cost of famine relief. Those who were protected from the worst of the crisis were those with extensive rental income from sheep farms. Government loans were made available for drainage works, road building and other improvements and many crofters became temporary migrants – taking work in the Lowlands. When the potato famine ceased in 1856, this established a pattern of more extensive working away from the Highlands.
The unequal concentration of land ownership remained an emotional and controversial subject, of enormous importance to the Highland economy, and eventually became a cornerstone of liberal radicalism. The poor crofters were politically powerless, and many of them turned to religion. They embraced the popularly oriented, fervently evangelical Presbyterian revival after 1800. Most joined the breakaway "Free Church" after 1843. This evangelical movement was led by lay preachers who themselves came from the lower strata, and whose preaching was implicitly critical of the established order. The religious change energised the crofters and separated them from the landlords; it helped prepare them for their successful and violent challenge to the landlords in the 1880s through the Highland Land League. Violence erupted, starting on the Isle of Skye, when Highland landlords cleared their lands for sheep and deer parks. It was quietened when the government stepped in, passing the Crofters' Holdings (Scotland) Act, 1886 to reduce rents, guarantee fixity of tenure, and break up large estates to provide crofts for the homeless. This contrasted with the Irish Land War underway at the same time, where the Irish were intensely politicised through roots in Irish nationalism, while political dimensions were limited. In 1885 three Independent Crofter candidates were elected to Parliament, which listened to their pleas. The results included explicit security for the Scottish smallholders in the "crofting counties"; the legal right to bequeath tenancies to descendants; and the creation of a Crofting Commission. The Crofters as a political movement faded away by 1892, and the Liberal Party gained their votes.
Today, the Highlands are the largest of Scotland's whisky producing regions; the relevant area runs from Orkney to the Isle of Arran in the south and includes the northern isles and much of Inner and Outer Hebrides, Argyll, Stirlingshire, Arran, as well as sections of Perthshire and Aberdeenshire. (Other sources treat The Islands, except Islay, as a separate whisky producing region.) This massive area has over 30 distilleries, or 47 when the Islands sub-region is included in the count. According to one source, the top five are The Macallan, Glenfiddich, Aberlour, Glenfarclas and Balvenie. While Speyside is geographically within the Highlands, that region is specified as distinct in terms of whisky productions. Speyside single malt whiskies are produced by about 50 distilleries.
According to Visit Scotland, Highlands whisky is "fruity, sweet, spicy, malty". Another review states that Northern Highlands single malt is "sweet and full-bodied", the Eastern Highlands and Southern Highlands whiskies tend to be "lighter in texture" while the distilleries in the Western Highlands produce single malts with a "much peatier influence".
The Scottish Reformation achieved partial success in the Highlands. Roman Catholicism remained strong in some areas, owing to remote locations and the efforts of Franciscan missionaries from Ireland, who regularly came to celebrate Mass. There remain significant Catholic strongholds within the Highlands and Islands such as Moidart and Morar on the mainland and South Uist and Barra in the southern Outer Hebrides. The remoteness of the region and the lack of a Gaelic-speaking clergy undermined the missionary efforts of the established church. The later 18th century saw somewhat greater success, owing to the efforts of the SSPCK missionaries and to the disruption of traditional society after the Battle of Culloden in 1746. In the 19th century, the evangelical Free Churches, which were more accepting of Gaelic language and culture, grew rapidly, appealing much more strongly than did the established church.
For the most part, however, the Highlands are considered predominantly Protestant, belonging to the Church of Scotland. In contrast to the Catholic southern islands, the northern Outer Hebrides islands (Lewis, Harris and North Uist) have an exceptionally high proportion of their population belonging to the Protestant Free Church of Scotland or the Free Presbyterian Church of Scotland. The Outer Hebrides have been described as the last bastion of Calvinism in Britain and the Sabbath remains widely observed. Inverness and the surrounding area has a majority Protestant population, with most locals belonging to either The Kirk or the Free Church of Scotland. The church maintains a noticeable presence within the area, with church attendance notably higher than in other parts of Scotland. Religion continues to play an important role in Highland culture, with Sabbath observance still widely practised, particularly in the Hebrides.
In traditional Scottish geography, the Highlands refers to that part of Scotland north-west of the Highland Boundary Fault, which crosses mainland Scotland in a near-straight line from Helensburgh to Stonehaven. However the flat coastal lands that occupy parts of the counties of Nairnshire, Morayshire, Banffshire and Aberdeenshire are often excluded as they do not share the distinctive geographical and cultural features of the rest of the Highlands. The north-east of Caithness, as well as Orkney and Shetland, are also often excluded from the Highlands, although the Hebrides are usually included. The Highland area, as so defined, differed from the Lowlands in language and tradition, having preserved Gaelic speech and customs centuries after the anglicisation of the latter; this led to a growing perception of a divide, with the cultural distinction between Highlander and Lowlander first noted towards the end of the 14th century. In Aberdeenshire, the boundary between the Highlands and the Lowlands is not well defined. There is a stone beside the A93 road near the village of Dinnet on Royal Deeside which states 'You are now in the Highlands', although there are areas of Highland character to the east of this point.
A much wider definition of the Highlands is that used by the Scotch whisky industry. Highland single malts are produced at distilleries north of an imaginary line between Dundee and Greenock, thus including all of Aberdeenshire and Angus.
Inverness is regarded as the Capital of the Highlands, although less so in the Highland parts of Aberdeenshire, Angus, Perthshire and Stirlingshire which look more to Aberdeen, Dundee, Perth, and Stirling as their commercial centres.
The Highland Council area, created as one of the local government regions of Scotland, has been a unitary council area since 1996. The council area excludes a large area of the southern and eastern Highlands, and the Western Isles, but includes Caithness. Highlands is sometimes used, however, as a name for the council area, as in the former Highlands and Islands Fire and Rescue Service. Northern is also used to refer to the area, as in the former Northern Constabulary. These former bodies both covered the Highland council area and the island council areas of Orkney, Shetland and the Western Isles.
Much of the Highlands area overlaps the Highlands and Islands area. An electoral region called Highlands and Islands is used in elections to the Scottish Parliament: this area includes Orkney and Shetland, as well as the Highland Council local government area, the Western Isles and most of the Argyll and Bute and Moray local government areas. Highlands and Islands has, however, different meanings in different contexts. It means Highland (the local government area), Orkney, Shetland, and the Western Isles in Highlands and Islands Fire and Rescue Service. Northern, as in Northern Constabulary, refers to the same area as that covered by the fire and rescue service.
There have been trackways from the Lowlands to the Highlands since prehistoric times. Many traverse the Mounth, a spur of mountainous land that extends from the higher inland range to the North Sea slightly north of Stonehaven. The most well-known and historically important trackways are the Causey Mounth, Elsick Mounth, Cryne Corse Mounth and Cairnamounth.
Although most of the Highlands is geographically on the British mainland, it is somewhat less accessible than the rest of Britain; thus most UK couriers categorise it separately, alongside Northern Ireland, the Isle of Man, and other offshore islands. They thus charge additional fees for delivery to the Highlands, or exclude the area entirely. While the physical remoteness from the largest population centres inevitably leads to higher transit cost, there is confusion and consternation over the scale of the fees charged and the effectiveness of their communication, and the use of the word Mainland in their justification. Since the charges are often based on postcode areas, many far less remote areas, including some which are traditionally considered part of the lowlands, are also subject to these charges. Royal Mail is the only delivery network bound by a Universal Service Obligation to charge a uniform tariff across the UK. This, however, applies only to mail items and not larger packages which are dealt with by its Parcelforce division.
The Highlands lie to the north and west of the Highland Boundary Fault, which runs from Arran to Stonehaven. This part of Scotland is largely composed of ancient rocks from the Cambrian and Precambrian periods which were uplifted during the later Caledonian Orogeny. Smaller formations of Lewisian gneiss in the northwest are up to 3 billion years old. The overlying rocks of the Torridon Sandstone form mountains in the Torridon Hills such as Liathach and Beinn Eighe in Wester Ross.
These foundations are interspersed with many igneous intrusions of a more recent age, the remnants of which have formed mountain massifs such as the Cairngorms and the Cuillin of Skye. A significant exception to the above are the fossil-bearing beds of Old Red Sandstone found principally along the Moray Firth coast and partially down the Highland Boundary Fault. The Jurassic beds found in isolated locations on Skye and Applecross reflect the complex underlying geology. They are the original source of much North Sea oil. The Great Glen is formed along a transform fault which divides the Grampian Mountains to the southeast from the Northwest Highlands.
The entire region was covered by ice sheets during the Pleistocene ice ages, save perhaps for a few nunataks. The complex geomorphology includes incised valleys and lochs carved by the action of mountain streams and ice, and a topography of irregularly distributed mountains whose summits have similar heights above sea-level, but whose bases depend upon the amount of denudation to which the plateau has been subjected in various places.
Climate
The region is much warmer than other areas at similar latitudes (such as Kamchatka in Russia, or Labrador in Canada) because of the Gulf Stream making it cool, damp and temperate. The Köppen climate classification is "Cfb" at low altitudes, then becoming "Cfc", "Dfc" and "ET" at higher altitudes.
Places of interest
An Teallach
Aonach Mòr (Nevis Range ski centre)
Arrochar Alps
Balmoral Castle
Balquhidder
Battlefield of Culloden
Beinn Alligin
Beinn Eighe
Ben Cruachan hydro-electric power station
Ben Lomond
Ben Macdui (second highest mountain in Scotland and UK)
Ben Nevis (highest mountain in Scotland and UK)
Cairngorms National Park
Cairngorm Ski centre near Aviemore
Cairngorm Mountains
Caledonian Canal
Cape Wrath
Carrick Castle
Castle Stalker
Castle Tioram
Chanonry Point
Conic Hill
Culloden Moor
Dunadd
Duart Castle
Durness
Eilean Donan
Fingal's Cave (Staffa)
Fort George
Glen Coe
Glen Etive
Glen Kinglas
Glen Lyon
Glen Orchy
Glenshee Ski Centre
Glen Shiel
Glen Spean
Glenfinnan (and its railway station and viaduct)
Grampian Mountains
Hebrides
Highland Folk Museum – The first open-air museum in the UK.
Highland Wildlife Park
Inveraray Castle
Inveraray Jail
Inverness Castle
Inverewe Garden
Iona Abbey
Isle of Staffa
Kilchurn Castle
Kilmartin Glen
Liathach
Lecht Ski Centre
Loch Alsh
Loch Ard
Loch Awe
Loch Assynt
Loch Earn
Loch Etive
Loch Fyne
Loch Goil
Loch Katrine
Loch Leven
Loch Linnhe
Loch Lochy
Loch Lomond
Loch Lomond and the Trossachs National Park
Loch Lubnaig
Loch Maree
Loch Morar
Loch Morlich
Loch Ness
Loch Nevis
Loch Rannoch
Loch Tay
Lochranza
Luss
Meall a' Bhuiridh (Glencoe Ski Centre)
Scottish Sea Life Sanctuary at Loch Creran
Rannoch Moor
Red Cuillin
Rest and Be Thankful stretch of A83
River Carron, Wester Ross
River Spey
River Tay
Ross and Cromarty
Smoo Cave
Stob Coire a' Chàirn
Stac Polly
Strathspey Railway
Sutherland
Tor Castle
Torridon Hills
Urquhart Castle
West Highland Line (scenic railway)
West Highland Way (Long-distance footpath)
Wester Ross
I finished up my value quilt last night! I'm really happy with how it turned out. I'll have to take some better photos at some point, it was starting to get dark! :)
I just did some simple straight line quilting on both sides of the HST middle seam. :)
Hornstrandir nature reserve was established in 1975. It covers around 58.000 ha of the northernmost part of the Westfjord peninsula, a diverse landscape with fjords, mountains and abandoned settlements.
The area was inhabited from the 9th century, when the first settlers arrived in Iceland and was originally valued for easily accessible fishbanks with abundant amounts of fish. Later, excursions were also made to the area from other parts of the country to collect some of the driftwood that characterizes the shores of Hornstrandir and to hunt for the seabirds that nest there in large colonies.
During the centuries the population of the area fluctuated according to climatic conditions and it seems that the traditional subsistence farming and fishing on small boats was on the verge of supporting the settlements. The farms were small, 5-10 sheep and a cow. Unimproved grassland and wetland was used for haymaking, a necessity in the harsh winter conditions.
The area was abandoned between the 1930's and 1952 when the last inhabitants decided to move from the area. It has since been one of the tourist attractions of Iceland, equally visited by Icelandic and foreign tourists. There are no roads in the area and it is only accessible by boat or by traditional trekking routes.
The vegetation of the area has changed dramatically during the last 50 years, grassland has turned into flower meadows or in some cases a monoculture of Angelica archangelica. Heavy snowcover during the winter and an intensive, if short, growing season with 24 hrs sunlight create special conditions for rare species and the absence of grazing ruminants gives a new perspective on the capacity of many common species in these harsh conditions.
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Have returned to Iceland after five years for a 10-days hike in the abandoned, awesome and exceptional area of Hornstandir. This is a place where the toughest of mankind finally failed to permanently dominate the nature.
Fjords, mountains, lonely houses, lost graveyards; no villages, no roads, no shops, nothing. Just an unspoiled nature, beautiful flowers, arctic foxes giving good night and seals peacefully playing close to the coastline.
(For those who are interested – the itinerary was as follows: Fljótavík -> Hlöðuvík -> Hornvík -> Hornbjargsvíti -> Bolungarvík -> Reykjafjörður -> Hrafnfjörður -> Grunnavík.)
This is a shot taken in the morning during our 7th day in the area - we were hiking from Reykjafjörður across Þaralátursfjörður and Furufjörður to finally reach Hrafnfjörður fjord where we spent a night.
More tests today. I'm learning how to control very light values. But first I did a little ink test in the upper left to see if you get green when you mix yellow and black ink. Yes, you do if you are very fast and mix them while they are still wet. I used a yellow Micron pen and a black Zig pen.
My main test was to slowly build up dilute colors. I had burnt sienna in one Kuretake Mini waterbrush and cobalt in another. I applied a wash, waited for it to dry completely, and added another. I did this four times to create four increasingly darker values. You have to be very patient, but it works. I learned this method from a book called "The Wash Method of Handling Water Colour" by Frank Forrest Frederick published in 1908. I found it for free on Archive.org
archive.org/details/washmethodofhand00freduoft
Where you can download it as a PDF, ePub, or Kindle file.
Finally I tried to get the lightest value possible with a number of colors. I used a wet round brush to pick up a little dried tube paint. I then quickly dipped the brush in water, tapped the brush against the inside of my water container (to dislodge a little water) and then made a brush mark down the dry page. This deposits very little pigment and is a good way to make beautiful, light colors. I also tried lifting some color out with a thirsty brush (in the cadmium red/lemon yellow mix), and I tried adding a little more color on top of the wet first stroke (ultramarine and cobalt - bottom left).
Early morning walk.
Just put me in mind of the Ents as I’m re-reading Lord of the Rings at the moment. Mind you, they’d have to find the Entwives first.
The hardest part is trusting ourselves. Once we let go and do that our true authenticity and creative voice can shine!
-Value yourself
-Value your visions
-Remain true to the artist you want to be
-Go with your heart, always
Starring Arthur Franz, Joanna Moore, Judson Pratt, Nancy Walters, Troy Donahue, and Whit Bissell. Directed by Jack Arnold.
This was Jack Arnold's last horror film for Universal, and the director pulled out all the tricks of his trade for this foray into the teenage drive-in monster genre. Joanna Moore and Arthur Franz star, and Troy Donahue makes an early screen appearance, in this campy campus creature feature.
Universal's B unit produced another sci-fi/horror hybrid in late 1958. It comes as an interesting coincidence, being released around the time of Hideous Sun Demon. Evolution must have been a hot topic then. Both movies feature a Jekyll & Hyde theme with "regressive evolution" as the science part of their fictions. Directed by Jack Arnold (of Black Lagoon fame), Monster on Campus (MoC) has above-average production values for the B market. The acting is pretty solid, with a couple exceptions, and the props are also above-average for what the B market was becoming accustomed to. The overall effect is an entertaining, if somewhat predictable tale.
Plot Synopsis
A university professor receives a ceolacanth (a "prehistoric" fish still found off South Africa). A dog who licks up the melt water from the fish's ice, goes savage. His fangs grow. The professor, Donald, cuts his hand on the fish's teeth and gets more melt water in the cut. He feels woozy, so a nurse drives him home. She is found dead (of fright) and Donald's house ransacked. He remembers nothing. The police suspect him, but fingerprints at the scene are not his. Later, a dragonfly is eating (or drinking) off the fish body. It later returns 2 feet across. Donald kills it, but its blood drips in his pipe. He smokes it, and gets woozie again. He becomes an ape-man. In this state, he kills a policeman assigned to guard him. Donald is sure that the ceolacanth's blood causes reverse evolution. Dog to wolf, dragonfly to a Meganeura, and a man back into an ape-like cave man. Donald's bosses think he's becoming unglued with his talk of giant bugs and ape men, so he's sent up to a mountain cabin for rest. In the cabin, Donald decides to inject himself with ceolacanth plasma, tape record the results and had set up cameras to capture it on film. He does this, but his girlfriend, Madeline, is driving up to see him. She encounters the ape-man on the road, swerves and crashes. Ape-man carries her off. When she screams, a forest ranger investigates. Ape-man kills him with a hatchet. The police arrive too, but Donald has returned to normal. After learning of the killings, Donald decides there is just one thing to do. He says he'll take them all to see the ape-man. He injects himself. When he returns down the hill as the ape-man, the police shoot and kill him. In death, he reverts back to Donald. The End.
The production values are good enough to keep a viewer focused on the story. As yet another evolution-based modernization of Dr. Jekyll and Mr. Hyde, it has some interest. Jack Arnold does a good job keeping the visuals interesting and the pace moving. The musical score uses many familiar themes and tones. One can almost hear the Creature's theme woven in there. It was also fun to see the old familiar trope of the "monster" carrying off the pretty girl in his arms.
There's no Cold War here. There is only a minor element of atomic cautionary tale in that gamma radiation altered the ceolacanth's blood to make it the monster-maker. Radiation makes monsters. Everyone knows that.
Several of the actors and others in MoC are familiar 50s sci-fi names. Jack Arnold directed Creature from the Black Lagoon ('54) and Tarantula ('55). Writer David Duncan wrote for Monster That Challenged the World ('57) and Black Scorpion ('57). Arthur Franz, who plays Donald, also starred in Invaders from Mars ('53) and The Flame Barrier ('57). Whit Bissel plays the skeptical Dr. Cole. He also played in Creature From the Black Lagoon and Target Earth ('54).
Another Jekyll & Hyde -- Like Hideous Sun Demon, MoC reuses the good-doctor and evil-beast device. As in HSD, the transformation was accidental, not deliberate as in Jekyll's case. MoC does return to the chemical agent, and returns to the ape-like imagery of the evil-beast. Common to them all is the good-doctor not remembering what he did while the evil-beast. All three had the faithful girlfriend. He original and HSD had the "other" woman (Ivy and Trudy), but MoC had only a rather chaste echo of that in Molly Riordan. MoC returned to the moral of the original, that every modern man carries his beast within.
The populist form of the theory of evolution is the unmistakable foundation of MoC. The genetic connection to the past was more scientifically clean than the embryology basis used in Hideous Sun Demon. The notion that chromosomes were additive over time was quite a leap, however. The ceolacanth was symbolic of evolution halted. Hence, it's blood (with some gamma ray help) had the power to neutralize those modern added layers. Hence the savage ape man, wolf-dog and giant dragonfly.
Shown in the first couple minutes of the movie, Professor Blake's collection of anthropoid face sculptures is a classic linear progression. A quick-eyed viewer might spot Piltdown Man in the line. This "early human ancestor" was finally confirmed as a hoax in 1953, fabricated from a modern human skull fragment and an orangutan jaw. Scientists might drop bogus facts quickly, but the public tends to hang onto them -- especially if they fit the mental model.
Near the end, Donald gives a little monologue on mankind. "It's the savage in man which science must meet and defeat if humanity is to survive." This was a rather Neitzschian view, that mankind was evolving into a better being, leaving behind his brutal self. Note, too, the science-as-savior angle. Mankind's savage nature (evil) was something chemical which science could cure.
Bottom line? MoC is a notch above the typical B-movie fare of the late 50s. It's production quality is enjoyable. The recast of Jekyll and Hyde is entertaining too. A triple feature of the 1931 Jekyll & Hyde movie, the Hideous Sun Demon and MoC, would be fun.
synopsis - second opinion.
In this sci-fi film, a college professor must deal with the cataclysmic consequences that ensue when a transmogrifying dragonfly bites a prehistoric fish from Madagascar. Soon after the bite, the strange fish becomes gigantic and begins passing on its new ability to morph all it comes in contact with back into their primal forms. When it bites a dog, the dog becomes a wolf. When some fish slime ends up in the professor's pipe, the professor put it to his lips, and he turns into a rampaging Neanderthal with a very large stone-axe that he freely wields around the terrified college campus. Bloody mayhem ensues.
review
Any Jack Arnold movie from the 1950s is worth seeing, but Monster On The Campus is clearly in the bottom half of his output, despite some suspenseful scenes and clever moments. Arthur Franz brings a dour sincerity to his portrayal of Dr. Donald Blake, the researcher who falls victim to contamination from an ancient fossil that causes him (or any other living thing) that comes in contact with it to revert to a pre-historic state. The movie also provides a vehicle for established veteran players such as Helen Westcott and Alexander Lockwood, and newcomer Troy Donahue, which makes it a strange mix on that level; and the presence of ubiquitous horror/sci-fi player Whit Bissell gives the movie resonance with modern cultists (William Schallert must have been busy elsewhere during the three weeks this movie was in production . . .). But Monster On The Campus, just by virtue of its title, has a certain built-in campiness that expresses itself overtly in a few scenes that, undoubtedly, elicited howls, hoots, and mocking gasps from drive-in audiences at the time. In all, it's not as atmospheric -- except in a few stylistically claustrophobic scenes -- or persuasive as Arnold's best work, and even lacks the underlying sincerity that helped drive works such as The Space Children. It's a fun thrill ride within its modest budgetary and production dimensions, but not much more.
College student JIMMY heads to campus with his dog, while in a classroom MADELEINE, the daughter of the UNIVERSITY PRESIDENT, gets a plaster cast made of her face by fiance DR. DONALD BLAKE. They are interrupted as Jimmy shows up with a special delivery - an ancient fish called a coelacanth that Donald has ordered from Madagascar. Donald notes that the coelacanth has a special ability to "resist evolution." The dog drinks some of the coelacanth blood - and soon goes crazy, attacking Madeleine. Jimmy and Donald subdue the dog and stick it in a cage.
Donald takes a sample of the dog's saliva for a rabies test, and notes that the dog has huge teeth. It seems to be an evolutionary throwback to a prehistoric wolf. The UNIVERSITY DOCTOR's assistant MOLLY shows up to get the saliva sample. Donald cuts himself on the coelacanth's teeth as he puts it away, and soon feels woozy. Molly puts him in her car and takes him home. Donald passes out in the car. Molly goes inside to call the Doctor - and a CREATURE comes in and attacks her!
Madeleine and a SECURITY GUARD look for Donald in the lab. He's not there, but the dog is back to being a friendly pet. Madeleine heads to Donald's house. It has been trashed. She finds Donald passed out in the back yard - and Molly dead! Cops soon arrive. At first they suspect Donald because they find his tie clip in Molly's hand, but he is quickly exonerated when the cops find an enormous handprint on a window. Is there a killer on the loose? The cops also note that Molly didn't die of any wounds - she had a heart attack. She died of fright!
Donald lectures to his students about evolution using the coelacanth as an example. Jimmy shows up to check on the dog, and Donald tries to show him the huge teeth - but they are gone. Donald wonders if he is imagining things. Cop STEVENS is sure that someone is personally after Donald, but Donald has no enemies. Stevens gives Donald bodyguard EDDIE.
Donald and Eddie note a small dragonfly land on the coelacanth. Donald also sees "crystallized bacteria" on a slide. He quickly shows the slide to the Doctor, but the bacteria seem totally normal. Did Donald imagine something again? Meanwhile, Jimmy and his girlfriend SYLVIA hear a strange, loud buzzing sound as they hide under some trees to make out. There is a moment of a fake scare, but it turns out to be another couple making out. Jimmy and Sylvia go to the science building - and here they and Donald all see a huge GIANT DRAGONFLY outside the window. Jimmy and Donald trap the giant dragonfly, which Donald recognizes as a prehistoric species.
Donald studies the giant dragonfly. As he does so, blood falls into his pipe, which he then smokes. As the dragonfly shrinks back to its original state, Donald transforms into a PREHUMAN ANTHROPOID! The "anthropoid" smashes up the lab and kills Eddie. The cops come, but find only dead Eddie, a huge footprint, and Donald passed out. Donald recognizes the footprint as coming from a prehistoric subhuman, but Stevens thinks it must have been faked to frame Donald.
Donald investigates, does experiments, and calls a PROFESSOR in Madagascar who investigates how the fish was preserved. Donald finds that the fish was preserved using gamma ray radiation! Donald cancels lots of classes to continue his studies, and Madeleine and her father are afraid he is cracking up. The President comes to Donald to ask him to take a leave of absence. Donald explains what he has learned - the coelacanth blood, treated with radiation, is transforming creatures into evolutionary throwbacks for short periods of time. Just as he explains this, Donald realizes that he was probably the person who transformed into the monster.
Donald heads up to the University President's cabin, where he prepares to experiment on himself. He plans to inject the coelacanth blood into himself and capture the transformation with cameras he has rigged around the room. Meanwhile, Jimmy and Sylvia tell Madeleine about the giant dragonfly. Donald isn't crazy after all! Madeleine heads up to the cabin to see Donald.
Donald injects himself with the coelacanth blood as Madeleine drives. He transforms into the anthropoid, trashes the cabin, and runs out into the road. Madeleine sees the anthropoid, screams, and crashes her car. A FOREST RANGER races to the scene and sees the anthropoid standing over her. He calls the cops and grabs his gun. The anthropoid carries Madeleine away. The cops trail them, and the ranger shoots the anthropoid in the arm. Madeleine wakes up and runs, the creature pursues and knocks her out again, and then kills the ranger. Madeleine recovers and makes it back to the cabin as the anthropoid transforms back into Donald. The cops meet them here. Donald develops the film from the cameras and sees a shot of the creature. He knows now that "the beast within" himself is the killer. He takes the cops outside, claiming to know where the anthropoid is hiding. As the Doctor looks on, he injects himself with the coelacanth blood one last time, telling the doctor to "watch closely and see evolution in reverse." He transforms into the anthropoid, and the cops shoot him before the Doctor can stop them. The Doctor and the cops watch in amazement as the dead anthropoid turns back into mild-mannered Donald.
religion has no intrinsic therapeutic value and relives in some way only because of the expectation that it will
Hasbro - 6 Inch "Value" Star Wars Figures
Picked up at Big Lots, Walgreens, and a Canadian trade
Darth Maul, Darth Vader, Han Solo, Kanan Jarrus, Death Trooper, Luke Skywalker, C-3PO, Rey, Finn, First Order Stormtrooper, Captain Phasma, and Kylo Wren
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In the 1980s, BHS moved into the large block on O'Connell Street which is now home to Penneys. The space was shared with other members of the Storehouse group, Mothercare and Habitat. However, as part of a rationalisation programme in March, 1992, Storehouse closed down its operations in the Republic Of Ireland.
British Home Stores (BHS) is a British department store chain with branches mainly located in high street locations or shopping centres, primarily selling clothing and household items. It was founded in 1928 by a group of U.S. entrepreneurs.
In recent years, the company expanded into furniture, electronics, entertainment, convenience groceries and, most recently, fragrance and beauty products. The company operated 163 stores throughout the United Kingdom, and 74 international stores across 18 separate territories.
BHS was bought by Sir Philip Green in 2000 and taken private. The company became part of Green's Arcadia Group in 2009.
On 12 March 2015, BHS was sold to the consortium Retail Acquisitions Ltd for the nominal value of £1. On 25 April 2016 it was confirmed that the chain had entered administration, following the failure to bring an estimated £60 million into the business, required to safeguard its future.
On 2nd June 2016 it was announced that the company would be wound down following failed attempts to find a buyer. A creditors vote on liquidation is set for the 23rd June.
True Value, Shop Rite Hardware and Paint Supply, Silas Deane Hwy Wethersfield, CT, Pics by Mike Mozart , AKA MiMo on Instagram instagram.com/MikeMozart
Value City Furniture #129 (61,084 square feet)
9110 West Broad Street, Tuckernuck Plaza, Richmond, VA
This location opened in summer 2005; it was originally part of a Farm Fresh Super Saving Center, which opened in October 1985. It became a The Grocery Store on August 6th, 1989, Rack & Sack on November 5th, 1995, which closed on December 30th, 2000, and American Signature Home in 2003.