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Kodak Tri-X 400, Canon EOS 1n
Image ©Philip Krayna, all rights reserved. This image is not in the public domain. Please contact me for permission to download, license, reproduce, or otherwise use this image, or to just say "hello". I value your input and comments.
My loyalty remains with Flickr, however you can also see me more often on Instagram. Follow me: @dyslexsyk
I've had these laying around for 4 years and have never really use them. What sort of value do they have now?
So what value is a self portrait when you can take a selfie anywhere? Do we still spend time working on selfies and posing and light? I never used to take them but since I have lost so much weight I find myself doing them more abs more. Is the self portrait now a more interesting thing? A more out there thing? What value do we have with it now?
"Society Hill is a historic neighborhood in Center City Philadelphia, with a population of 6,215 as of the 2010 United States Census. Settled in the early 1680s, Society Hill is one of the oldest residential neighborhoods in Philadelphia. After urban decay developed between the late 19th and early 20th centuries, an urban renewal program began in the 1950s, restoring the area and its many historic buildings. Society Hill has since become one of the most expensive neighborhoods with the highest average income and second-highest real estate values in Philadelphia. Society Hill's historic colonial architecture, along with planning and restoration efforts, led the American Planning Association to designate it, in 2008, as one of the great American neighborhoods and a good example of sustainable urban living.
The neighborhood hosts one of the largest concentrations of original 18th- and early 19th-century buildings in the United States. Society Hill is noted for its Franklin street lamps, brick sidewalks, cobblestone and Belgian block streets bordered by two- to four-story brick rowhouses in Federal and Georgian architecture, and public buildings in Greek Revival architecture such as the Merchants' Exchange Building and the Old Pine Street Church.
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City, and the 68th-largest city in the world. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and world's 68th-largest metropolitan region, with 6.245 million residents as of 2020. The city's population as of the 2020 census was 1,603,797, and over 56 million people live within 250 mi (400 km) of Philadelphia.
Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence. Philadelphia hosted the First Continental Congress in 1774 following the Boston Tea Party, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, both the Battle of Germantown and the Siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 while the new national capital of Washington, D.C. was under construction.
During the 19th and 20th centuries, Philadelphia emerged as a major national industrial center and railroad hub. The city’s blossoming industrial sector attracted European immigrants, predominantly from Germany and Ireland, the two largest reported ancestry groups in the city as of 2015. In the 20th century, immigrant waves from Italy and elsewhere in Southern Europe arrived. Following the end of the Civil War in 1865, Philadelphia became a leading destination for African Americans in the Great Migration. In the 20th century, Puerto Rican Americans moved to the city in large numbers. Between 1890 and 1950, Philadelphia's population doubled to 2.07 million. Philadelphia has since attracted immigrants from East and South Asia, Eastern Europe, and Latin America.
With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2021, the Philadelphia metropolitan area was the nation's ninth-largest metropolitan economy with a gross metropolitan product (GMP) of US$479 billion. Philadelphia is the largest center of economic activity in Pennsylvania and the broader multi-state Delaware Valley region; the city is home to five Fortune 500 corporate headquarters as of 2022. The Philadelphia skyline, which includes several globally renowned commercial skyscrapers, is expanding, primarily with new residential high-rise condominiums. The city and the Delaware Valley are a biotechnology and venture capital hub; and the Philadelphia Stock Exchange, owned by NASDAQ, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, including Philadelphia International Airport, the PhilaPort seaport, freight rail infrastructure, roadway traffic capacity, and warehouse storage space, are all expanding.
Philadelphia is a national cultural hub, hosting more outdoor sculptures and murals than any other American city. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest contiguous urban parks and the 45th largest urban park in the world. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in total economic impact to the city and surrounding Pennsylvania counties.
With five professional sports teams and a hugely loyal fan base, the city is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.
Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
© Saira Bhatti
"Cada valor positivo tiene su precio en términos negativos. El genio de Einstein conduce a Hiroshima"
"Every positive value has its price in negative terms... the genius of Einstein leads to Hiroshima" ~Pablo Picasso
Montserrat is a multi-peaked rocky range which is part of the Catalan Pre-Coastal. This landscape is situated 60 to 70km outside of Barcelona. The travel to this location offers a nice drive via car on the A-2 and C-55 route, however, for those without a car, there is an option to take the public transit using special train service #Canon #Landscape #Espana #Photography #Montserrat #Spain
Kendo (剣道 kendō?), meaning "Way of The Sword", is a modern Japanese martial art of sword-fighting based on traditional samurai swordsmanship, or kenjutsu.[2] Kendo is a physically and mentally challenging activity that combines strong martial arts values with sport-like physical elements.
Having photographed the NR HST set a number of times around South Yorkshire with the origin of Derby RTC , it was nice to get a new starting point , Burton Wetmore seemingly the temporary base for RTC test trains whilst Derby is being remodelled .
Seen passing through Beighton is the 0810 1Q17 Burton Wetmore Sidings - Heaton TMD with 43014 and 43062 in charge.
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Source: en.wikipedia.org/wiki/Greenville,_Illinois
Greenville is a city in Bond County, Illinois, United States, 51 miles (82 km) east of St. Louis. The population as of the 2010 census was 7,000. It is the county seat of Bond County.
Greenville is part of the St. Louis Metropolitan Statistical Area. It is also considered part of the Metro East region of Illinois.
Greenville celebrated its Bicentennial in 2015 as one of the oldest communities in Illinois. It is home to Greenville University, the Richard Bock Museum, the American Farm Heritage Museum, the Armed Forces Museum and the Demoulin Museum and a federal prison, Federal Correctional Institution, Greenville (FCI Greenville). It is also home to internationally known companies, including Nevco Scoreboard, the largest privately owned scoreboard company in the world, and DeMoulin Brothers, the world's oldest and largest manufacturer of band uniforms.
Source: www.americanfarmheritagemuseum.com/about-us.html
The American Farm Heritage Museum was one man's dream. The Museum became a reality when a group of men, mostly farmers, sitting in coffee shop, talked about the dream of building a museum to preserve the farm heritage. Sixty farmers, collectors, and civic leaders held a meeting to share their ideas with the public in April of 2002. It was agreed that Bond County, being near the middle of the state and right along 1-70, would be the perfect place. Meetings were conducted, fundraisers were held, and ideas were passed around. In 2002 the land for the museum was acquired and a name for the museum was chosen.
The American Farm Heritage Museum would sit on seventeen acres, along the south side of interstate 70, just east of the Route 127 overpass. Its goal would be to promote and share the heritage of America's rural life: living, farming and travel. One very generous family purchased the land and leased it for ninety-nine years to the American Farm Heritage Museum, NFP organization. After a year of planning, the first 32'x64' building, with a gambrel roof, was completed. It was finished just days before the first Heritage Days Show in July 2004. This building, originally was to be a tractor maintenance shop, but later became known as the Lil' Red Barn Museum.
In the winter of 2005, owners of a truck terminal building in St. Louis gave the building to the Museum, if we took it down. Several members went to work and got the 200'x100' building moved and rebuilt. Since then other buildings and groups have been added to the show grounds.
We are growing with each passing year. Our Main building is the site of numerous events throughout the year. The Lil' Red Barn is a little piece of history, with collections of items from the past. In 2009 this building received the Illinois Governor's Home Town Award. The Tractor Shed displays different makes of tractors and tools of the past. Our Christmas building, which operates as a work shop and houses all the Christmas boxes for The Christmas Lights Wonderland, partners with The Lil' Red Barn, Railroad, Hill's Fort and the Armed Forces Museum to put on a spectacular Christmas display.
The American Heritage Railroad, established in 2003 is a division of the American Farm Heritage Museum. Many rail-enthusiast members realized as farms were connected by the American Railroad so should the Museum have an operating railroad for its historic value, as well as provide a fun ride for visitors. May 10, 2005 the railroad division was officially formed and an intensive search began to procure equipment. Many thousands of hours of volunteer labor, by friends of the railroad, have resulted in over a mile of 13" gauge track being laid, on the grounds. It is our desire to honor the great railroads that have served Bond County, such as the Vandalia, Nickel Plate, Pennsylvania and CB & Q. In 2005 the Ben Winter's Museum railroad was purchased which provided a G-15 diesel train set. The final move of the Ben Winter's railroad was completed in November, in three days with 20 volunteers, 9 trailers and one semi-truck. The collection has grown to include both diesel and steam engines and a variety of rolling stock. The railroad owns three steam locomotives. It is hoped the 1926 Wagner 4-4-2 steam engine will be ready for operation for the 2015 season.
2005 Hill's Fort also joined the Museum. Hill's Fort played an important part in the opening of Northwest Territory. Hill's Fort may have started as early as 1806 when early settlers first arrived. The Fort's location appears on an 1808 survey map by Capt. Isaac Hill, leader of a team commissioned by President Thomas Jefferson to survey the Illinois Territory. The Legislature fixed Hill's Fort as the temporary county seat. Earliest records are preserved from Hill's Fort and include court and marriage dockets. The Bond County seat was later moved to Perrysville and, in 1821 to Greenville, Illinois. No longer useful as a fort or county seat, Hill's Fort was abandoned and fell to ruin.
Following excruciating study of the original site, a replica of the Fort has been recreated on the grounds of the Farm Museum. It is open to the public on the 1st Saturday of the month from May through October and also open, for tours and special occasions. At Christmas time they are open Friday and Saturday nights for the Christmas lights. They dress in period dress and cook over the open fireplace in the cabin, and are eager to answer questions.
In 2012 The Armed Forces Museum, "Memories of Steel", joined our Museum. It maintains as its sole mission, to preserve these important pieces of military history. The Museum houses one of the largest collections of military vehicles in the County. It currently watches over approximately 15 privately-owned and 25 museum-owned vehicles. The members are involved in a program called "Living history" which furnishes displays of t1istoric vehicles and memorabilia and, works with re-enactors at civil events like Armed Forces Day and Veterans Day. Each of these vehicles has an historic story and plays a very important role in connecting us with the soldiers who lived and died in their service to the country.
Irlanda - Parque Nacional de Killarney - Bosque
ENGLISH:
Killarney National Park (Irish: Páirc Náisiúnta Chill Airne), near the town of Killarney, County Kerry, was the first national park in Ireland, created when Muckross Estate was donated to the Irish Free State in 1932. The park has since been substantially expanded and encompasses over 102.89 km2 (25,425 acres) of diverse ecology, including the Lakes of Killarney, oak and yew woodlands of international importance, and mountain peaks. It has the only red deer herd on mainland Ireland and the most extensive covering of native forest remaining in Ireland. The park is of high ecological value because of the quality, diversity, and extensiveness of many of its habitats and the wide variety of species that they accommodate, some of which are rare. The park was designated a UNESCO Biosphere Reserve in 1981. The park forms part of a Special Area of Conservation.
Killarney possesses the most extensive area (approximately 120 square kilometres (30,000 acres)) of semi-natural native woodland (woodland dominated by indigenous species) remaining in Ireland. Most of this woodland is encompassed by the national park. There are three main types of woodland in the park: acidophilous oak woodland (Quercus petraea-Ilex aquifolium) on Devonian sandstone; moss-rich yew woodland (Taxus baccata) on Carboniferous limestone outcrops; and wet woodland (also called carr) dominated by alder on low-lying swampy limestone soils on the lake edges. The woods in the park fall naturally into two sectors, along the geologic divide. The oak and yew woodlands are of international importance.
Mixed woodland and conifer plantations also occur in the park. The mixed woodland on Ross Island has one of the richest herb layers in the park's woods.
Grazing and rhododendron invasion threaten the park's woodlands. Rhododendrons affect approximately two-thirds of the oak woodlands. A rhododendron removal programme is under way in the park. The yew woodlands have been negatively affected by heavy grazing for many years.
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ESPAÑOL:
Killarney National Park (en irlandés: Páirc Náisiúnta Chill Airne) está situado junto a la localidad de Killarney, Condado de Kerry (Irlanda). Fue el primer parque nacional establecido en Irlanda, creado cuando la casa Muckross fue donada al estado irlandés en 1932. El parque ha sido desde entonces expandido sustancialmente y engloba más de 102,89 km2 de ecología diversa, incluyendo los lagos de Killarney, bosques de roble y tejo de importancia internacional, y picos de montañas. Tiene manadas de ciervos rojos, las únicas que pueden encontrarse en Irlanda, y el más extenso bosque nativo restante en Irlanda. El parque tiene un alto valor ecológico por su calidad, diversidad, y su extensión de muchos de sus hábitats y la gran variedad de especie que contienen, alguna de las cuales son raras. El parque fue designado una Reserva Mundial de la Biosfera por la UNESCO en 1981. El parque es también conocido por su bello paisaje. El parque está dirigido por National Parks and Wildlife Service.
Nail technicians and skin-care specialists (the salon workers who do the most waxing) earn a mean annual pre-tax wage of $22,150 to $31,990. This figure doesn't include tips, which can total another $4,430 to $6,398—a clear financial incentive to befriend your clients in this service-based, nonreciprocal way.
And yet. When it came to 38, I wanted the cash, not the compliment, to show the value of my abilities. And maybe, to compensate for how she got to leave feeling so clean and sexy—but I could still smell her body on me, ever so faintly, even after I threw away the gloves and washed my hands.
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I’m not sure what the phrase “owning your sexuality” means to you, but for me, one thing it entails is responsibility: doing my best to make sexual choices that are sound for me and a partner. (That’s also part of doing consent well.)
If I am offering something sexually light and fun but anticipate that it will be emotionally or interpersonally complex–or if I’m feeling stressed, confused and worried about it–then I can know that easy-breezy is neither what I can expect nor earnestly offer.
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.....item 1).... Ms. Magazine blog ... msmagazine.com/blog/ ...
You are here: Home / Health / Can Sex “Just for Fun” Be Emotionally Healthy?
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Can Sex “Just for Fun” Be Emotionally Healthy?
October 11, 2011 by Heather Corinna
msmagazine.com/blog/blog/2011/10/11/can-sex-just-for-fun-...
This week’s installment of Heather Corinna‘s sex-and-relationships advice column tackles the issue of casual sex.
...Q: So excited for this new blog spot! Can you discuss whether it’s emotionally healthy to have sex outside of relationships? I want to own my sexuality, but all of the advice around me seems to be no-sex-outside-of-relationships-or-marriage. I know this depends on the individual, but any insight would be great! I’ve been toying with asking an ex–whom I am friends with–to have sex just for fun. I’m 98 percent sure he’ll agree, but I am worried about emotional health consequences. He has always wanted a much closer relationship than I do. I’m worried I’ll feel guilty for possibly leading him (or myself) into wanting more.
You’re right: this is a very individual and situational decision. To give some context, a recent study found that, on average, for 20-year-olds, casual sex and committed relationships led to the same level of psychological health. But individuals aren’t averages. Not everyone wants or is comfortable with sex in the same kinds of relationships or scenarios (including committed relationships). Context and interpersonal dynamics factor in, too.
There are some guidelines, however, that everyone can apply. When a sexual situation is likely to be sound, we usually feel good heading into it, as does anyone else involved. If we feel uncertain or predict negative feelings on anyone’s part, those are strong cues not to proceed.
I’m not sure what the phrase “owning your sexuality” means to you, but for me, one thing it entails is responsibility: doing my best to make sexual choices that are sound for me and a partner. (That’s also part of doing consent well.) If I am offering something sexually light and fun but anticipate that it will be emotionally or interpersonally complex–or if I’m feeling stressed, confused and worried about it–then I can know that easy-breezy is neither what I can expect nor earnestly offer.
Even when I’m having sex-for-sex’s-sake–which I would define as sex that takes place outside of a larger intimate relationship, without any agreed-upon, intended or implied commitment–that doesn’t mean I have zero responsibility for my emotional health or that of others. My partner (or wanna-be partner) and I still owe one another respect, care and consideration, which includes considering possible outcomes, even if we don’t intend to be there with each other for them.
It sounds like you’re on board with that, and you’ve already voiced your own sense that this specific situation probably isn’t sound for you or your ex. While he’d likely agree to sex, clearly some of this wouldn’t be fun for him or you, and could be an emotional landmine. While your romantic relationship may be over, you two are in a relationship: you have a history and a friendship, and it sounds like you have strong feelings for and about one another that are not only or primarily sexual. If what you want is just a roll in the proverbial hay, this isn’t likely to be it.
It also sounds like you’ve been curious about sex outside of romantic relationships, but you haven’t felt supported in or exposed to alternatives. So you might also want to give yourself more time to take a bit more stock of what you want and to find people to talk with who aren’t all saying the same things. If that’s not currently available to you, Sex & Single Girls is a great anthology with a diverse array of women writing about various sexual experiences. I also think Jaclyn Friedman’s new book, What You Really Really Want, could be just the thing for you.
My best advice is that you hold out for an opportunity to explore casual sex if and when you feel a lot better about it. That will also likely entail a partner or scenario you don’t feel so conflicted about; that feels more likely to be explosive in the ways you want, rather than the ways you don’t.
Check out last week’s advice about lube blues.
Have a sex, sexual-health or relationships question you want answered? Email it to Heather at sexandrelationships@msmagazine.com. By sending a question to that address, you acknowledge you give permission for your question to be published. Your email address and any other personally identifying information will remain private. Not all questions will receive answers.
Photo from Flickr user skampy under Creative Commons 2.0.
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.....item 2).... Ms. Magazine blog ... msmagazine.com/blog ...
You are here: Home / Life / When the Sweet Spot Becomes a Sore Spot
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When the Sweet Spot Becomes a Sore Spot
October 31, 2011 by Heather Corinna
msmagazine.com/blog/blog/2011/10/31/when-the-sweet-spot-b...
Q: I’m a 21-year-old lesbian. A problem has popped up in me and my girlfriend’s sex life. When we practice tribadism with just skin, after a while a very small raw spot will show up, bringing with it a sharp pain. Both of us have this problem. Neither of us is clean-shaven, but we do trim–would shaving help? Is there anything else we can do?
A: Ah, friction. Sometimes it feels so awesome. Other times it hurts. Part of what makes genitals so sensitive is that genital tissue is far more delicate than other kinds of skin on our bodies. With genital friction, there’s a tipping point after which a wowie can turn into an owie.
To avoid being rubbed raw, first make sure you and your partner are always very well-lubricated. Lube from a bottle tends to do the job better than our bodies’ lubricant when it comes to friction-intensive sex.
Apply lube before you start and add more as needed throughout. Be generous and don’t skimp.
I checked in with Searah Deysach, the fantastic owner of Early to Bed, to see if she had any specific lube suggestions; she keeps up with brands and types like nobody’s business. She suggested a high-quality silicone lube, such as Uberlube or Sliquid Silver–they tend to be longer-lasting and slicker than water-based lubricants. But if you prefer water-based, she suggests glycerin-free brands such as Sliquid Sea or Liquid Silk (my fave), which are kinder to vulvas and vaginas than those with glycerin.
Searah and I are of one mind about hairy issues. She says, “Hair that is growing back after shaving can be especially irritating, as stubble can be vicious on delicate tissues. “ I agree. Stubble from hair removal is more likely to irritate than the softer pubic hair we tend to have when we don’t shave. If all you do is trim, chances are hair isn’t the problem.
Consider positioning. I’d suggest experimenting with an eye for reducing how much weight is being put on each of your genitals. Try finding ways you can scissor without anyone really being “on top” at all, like lying on your backs toe to head. Searah suggested straddling your lover’s thigh as an alternative. Similar feeling, less pain. If you do like a missionary-style V-on-V position, whoever’s on top can try to balance so less weight rests on the other person’s tender bits–e.g., by bracing their hands on a headboard. Mixing up positions often helps, too. And if and when either of you start feeling raw, don’t keep going with the activity that got you there–take a break from genital sex or at least consider that spot done for the day. If it remains raw the next day, lay off the intense pressure for as long as it takes to heal.
Now and then this still might happen, especially because, when we’re very aroused, pleasure can cause us to space out on signals of pain. But with these adjustments, you can probably make it a rarity instead of a norm.
Check out last week’s advice to a woman whose fiancé monitored her vagina’s size.
Have a sex, sexual-health or relationships question you want answered? Email it to Heather at sexandrelationships@msmagazine.com. By sending a question to that address, you acknowledge you give permission for your question to be published. Your email address and any other personally identifying information will remain private. Not all questions will receive answers.
Photo from Flickr user Gray Marchiori-Simpson under license from Creative Commons 2.0
Line drawing from Wikimedia Commons.
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......item 3).... Slate ... www.slate.com ... HOME / DOUBLEX : WHAT WOMEN REALLY THINK ABOUT NEWS, POLITICS, AND CULTURE.
My Year in Waxing School
Naked people don't tip well, and more tricks of the trade.
By Virginia Sole-Smith|Posted Friday, Nov. 19, 2010, at 12:08 PM ET
www.slate.com/articles/double_x/doublex/2010/11/my_year_i...
The 38th client I worked on at Beauty U. was my first full Brazilian wax—the kind where you remove all (or almost all) of your hair below the belt. I'd waxed many bikini lines and other body parts. I'd also assisted on Brazilians, handing my teachers wax-dipped Popsicle sticks the way nurses hand over scalpels. But now, it was my turn to wield the wax, solo. "I know—I'm a hairy beast!" Client 38 apologized, hopping onto the waxing table, clad in disposable thong. "You have to fix me. I'm going on vacation with my boyfriend."
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She spread her legs. I put on some vinyl gloves and worked down and across her pelvis, twirling clumps of hair and trimming them free. You have to trim any hair longer than eyebrow-length to prevent "locking" with the wax. You also have to act like this is normal, even though a part of your brain is thinking, "Pubic hair, pubic hair, oh my God, pubic hair." But I was getting better at trimming, and also at acting. And so clouds of hair piled up on the paper-covered table while 38 chatted about her vacation plans (the Poconos; if she was lucky, a proposal), her C-section scar, and how she liked my red glasses.
The $1.8 billion business of superfluous hair removal is our most intimate and uncomfortable kind of beauty labor. When I enrolled in a 600-hour aesthetics program at my local strip mall beauty school, I knew the standard feminist rhetoric against hair removal: Women wax because we've been culturally indoctrinated to hate our bodies in their natural state. I also knew the women's magazine defense, that removing excess hair celebrates our femininity and increases sexual pleasure. And I'd been in 38's position enough to know that waxing can make you feel vulnerable in ways feminists haven't even considered and hurts more than women's magazines (or at least, their beauty advertisers) let you believe.
But being on the other side of the waxing table turns out to feel simultaneously more exploitative and more empowering than I ever expected. There is, for example, the moment when your client shuts off from you, closing her eyes to "relax." Your client is in charge, having commissioned you to perform this service. And yet they are also terribly vulnerable, half naked, exposed and—eyes closed—hoping for the best.
After I trimmed, I tested the temperature of the hot wax on the inside of my wrist and painted a stripe along 38's inner thigh, quickly covering it with a muslin strip. She tensed before I ripped, then relaxed even as her brown skin tinted pink: "That hurt so much less than last time!" I watched some spots of blood well up. "I'm going to have you do my eyebrows, too," she added. And as I waxed my way along the crevice of her inner thigh to some very sensitive parts, 38 closed her eyes, drifting into that blissful state we enter whenever a spa service goes well.
With most Beauty U. clients, I liked offering this respite from their harried lives and from the even more harried relationship they had with their bodies. Before beauty school began, I hoped this body shame part wouldn't be so true. Instead, I saw women hating their bodies—in subtle ways, like 38's matter-of-fact "I'm a hairy beast!"—with every spa service I performed. So I saw my role as providing a kind of safe haven of acceptance, where a client could feel comfortable enough to drift away
Two hours into 38's appointment, I was the one who could not relax. I had waxed right through my dinner break and my back ached from hunching over the table. I removed all the hair 38 had asked me to (all but a delicate landing strip) and cleaned up her brows. I held a hand mirror between her legs, angling it so she could decide if she was satisfied. I'd snipped off her paper thong, so we looked together like those consciousness-raising women's groups from the 1970s. Only with me still wearing my vinyl gloves, now sticky with a layer of wax.
By that time, I knew that 38 had two kids, was divorced, and was going back to college. I liked 38. I wanted her to enjoy vacation and get engaged and have a good life. But we weren't friends. There was nothing reciprocal in our conversation. We were taught to avoid sharing personal information about ourselves whenever possible. "Customers don't care about your life," teachers told us. "They're buying your full attention." And that seemed to work. Once clients relaxed, they told us all sorts of personal things, like when they next expected to have sex and why their mothers made them crazy. And we learned that letting clients share these intimate details was good for business. "Remember to mention something about them or their life that they've talked about previously. Keep notes about each customer on file if you need to," advised one handout. It was much like being a therapist, serving soul and body.
In April, the New York Post reported that "NYC Women are Strangely Bonded to the Beauticians who Wax Their Brazilians," quoting smitten spa-goers who viewed their waxers as surrogate moms. But the story didn't explain how this one-sided friendship is made all the more awkward by socioeconomic differences. No matter how friendly their relationship, the client still pays and the waxer still needs that money. Nail technicians and skin-care specialists (the salon workers who do the most waxing) earn a mean annual pre-tax wage of $22,150 to $31,990. This figure doesn't include tips, which can total another $4,430 to $6,398—a clear financial incentive to befriend your clients in this service-based, nonreciprocal way.
Before starting, I assumed that most clients tip the industry's expected standard of 20 percent. They don't. I wasn't surprised, for example, when 38 tipped me just $5 (under 15 percent) because we never got big tips when clients got naked. Like johns who mistake their hooker's acrobatics for true love, clients can put such emphasis on the girlfriend-bonding time that slipping us a wad of cash would destroy the fantasy.
If her tip had been bigger, I would have been more delighted that 38 had taken time to write a "Client Kudos!" card about me: "She was professional and friendly at the same time. … Thanks so much!" She even drew a star on top next to my name. "That makes up for the bad tip," said my classmate Campbell about my Client Kudos. "Look how happy you made her!" Most salon workers say making clients feel good is their biggest source of job satisfaction. But I'm not convinced it's enough to balance out the often exhausting, difficult, and underpaid labor. No matter how much we liked our clients, we still had to brush stray pubic hairs off our sleeves, pick seaweed-stained disposable thongs out of the shower, and work around the occasional menstruating bikini wax client.
But it's also true that many waxers find this work empowering because the services require such skill and our clients are so thrilled with the results. Even if we don't totally return our clients' affections, we feel a kind of sisterhood with them and our fellow salon workers, because we're all toiling away together to meet some impossible beauty standard. When Campbell and I practiced our first Brazilian together, she rubbed the back of our "client" (another classmate), singing songs to distract her from the pain. We all traded stories about waxing and then, childbirth—that other time when a woman spreads her legs in pain and the support of other women gets her through.
And yet. When it came to 38, I wanted the cash, not the compliment, to show the value of my abilities. And maybe, to compensate for how she got to leave feeling so clean and sexy—but I could still smell her body on me, ever so faintly, even after I threw away the gloves and washed my hands.
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Try not to become a man of success, but rather try to become a man of Values.
_Einstein
No edit. Straight from camera. Used 300mm lens. Shot at Belandur lake, Bangalore.
Do you know about Sketchcrawl?
The idea is that of a global drawing marathon: taking a day to journal and draw all that is around you.
More about it -> www.sketchcrawl.com/
Results of last sketchcrawl -> www.sketchcrawl.com/forum/viewtopic.php?f=49&t=4925&a...
I am joining tomorrow event. Let me know if anyone in Bangalore interested?
There is facebook based group also. Search for 'sketchcrawl bangalore'.
A bull is an intact (i.e., not castrated) adult male of the species Bos taurus (cattle). More muscular and aggressive than the females of the same species (i.e. cows proper), bulls have long been an important symbol in many religions, including for sacrifices. These animals play a significant role in beef ranching, dairy farming, and a variety of sporting and cultural activities, including bullfighting and bull riding.
Due to their temperament, handling of bulls requires precautions.
Nomenclature
See also: List of animal names
The female counterpart to a bull is a cow, while a male of the species that has been castrated is a steer, ox, or bullock, although in North America, this last term refers to a young bull. Use of these terms varies considerably with area and dialect. Colloquially, people unfamiliar with cattle may also refer to steers and heifers as "cows", and bovines of aggressive or long-horned breeds as "bulls" regardless of sex.
A wild, young, unmarked bull is known as a micky in Australia.[3] Improper or late castration on a bull results in him becoming a coarse steer, also known as a stag in Australia, Canada, and New Zealand. In some countries, an incompletely castrated male is known also as a rig or ridgling.
The word "bull" also denotes the males of other bovines, including bison and water buffalo, as well as many other species of large animals, including elephants, rhinos, seals and walruses, hippos, camels, giraffes, elk, moose, whales, dolphins, and antelopes.
Characteristics
Bulls are much more muscular than cows, with thicker bones, larger feet, a very muscular neck, and a large, bony head with protective ridges over the eyes. These features assist bulls in fighting for domination over a herd, giving the winner superior access to cows for reproduction. The hair is generally shorter on the body, but the neck and head often have a "mane" of curlier, wooly hair. Bulls are usually about the same height as cows or a little taller, but because of the additional muscle and bone mass, they often weigh far more. Most of the time, a bull has a hump on his shoulders.
In horned cattle, the horns of bulls tend to be thicker and somewhat shorter than those of cows, and in many breeds, they curve outwards in a flat arc rather than upwards in a lyre shape. It is not true, as is commonly believed, that bulls have horns and cows do not: the presence of horns depends on the breed, or in horned breeds on whether the horns have been disbudded. (It is true, however, that in many breeds of sheep only the males have horns.) Cattle that naturally do not have horns are referred to as polled, or muleys.
Castrated male cattle are physically similar to females in build and horn shape, although if allowed to reach maturity, they may be considerably taller than either bulls or cows, with heavily muscled shoulders and necks.
Bulls become fertile around seven months of age. Their fertility is closely related to the size of their testicles, and one simple test of fertility is to measure the circumference of the scrotum; a young bull is likely to be fertile once this reaches 28 centimetres (11 in); that of a fully adult bull may be over 40 centimetres (16 in). Bulls have a fibroelastic penis. Given the small amount of erectile tissue, little enlargement occurs after erection. The penis is quite rigid when not erect, and becomes even more rigid during erection. Protrusion is not affected much by erection, but more by relaxation of the retractor penis muscle and straightening of the sigmoid flexure. Bulls are occasionally affected by a condition known as "corkscrew penis". The penis of a mature bull is about 3–4 cm in diameter, and 80–100 cm in length. The bull's glans penis has a rounded and elongated shape.
Misconceptions
A common misconception widely repeated in depictions of bull behavior is that the color red angers bulls, inciting them to charge. In fact, like most mammals, cattle are red–green color blind. In bullfighting, the movement of the matador's cape, and not the color, provokes a reaction in the bull.
Management
Beef production
Other than the few bulls needed for breeding, the vast majority of male cattle are castrated and slaughtered for meat before the age of three years, except where they are needed (castrated) as work oxen for haulage. Most of these beef animals are castrated as calves to reduce aggressive behavior and prevent unwanted mating, although some are reared as uncastrated bull beef. A bull is typically ready for slaughter one or two months sooner than a castrated male or a female, and produces proportionately more and leaner muscle.
Frame score is a useful way of describing the skeletal size of bulls and other cattle. Frame scores can be used as an aid to predict mature cattle sizes and aid in the selection of beef bulls. They are calculated from hip height and age. In sales catalogues, this measurement is frequently reported in addition to weight and other performance data such as estimated breed value.
Temperament and handling
Adult bulls may weigh between 500 and 1,000 kg (1,100 and 2,200 lb). Most are capable of aggressive behavior and require careful handling to ensure the safety of humans and other animals. Those of dairy breeds may be more prone to aggression, while beef breeds are somewhat less aggressive, though beef breeds such as the Spanish Fighting Bull and related animals are also noted for aggressive tendencies, which are further encouraged by selective breeding.
An estimated 42% of all livestock-related fatalities in Canada are a result of bull attacks, and fewer than one in 20 victims of a bull attack survives. Dairy breed bulls are particularly dangerous and unpredictable; the hazards of bull handling are a significant cause of injury and death for dairy farmers in some parts of the United States. The need to move a bull in and out of its pen to cover cows exposes the handler to serious jeopardy of life and limb. Being trampled, jammed against a wall, or gored by a bull was one of the most frequent causes of death in the dairy industry before 1940.[1] With regard to such risks, one popular farming magazine has suggested, "Handle the bull with a staff and take no chances. The gentle bull, not the vicious one, most often kills or maims his keeper".
Handling
In many areas, placing rings in bulls' noses to help control them is traditional. The ring is usually made of copper, and is inserted through a small hole cut in the septum of the nose. It is used by attaching a lead rope either directly to it or running through it from a head collar, or for more difficult bulls, a bull pole (or bull staff) may be used. This is a rigid pole about 1 m (3 ft) long with a clip at one end; this attaches to the ring and allows the bull both to be led and to be held away from his handler.
An aggressive bull may be kept confined in a bull pen, a robustly constructed shelter and pen, often with an arrangement to allow the bull to be fed without entering the pen. If an aggressive bull is allowed to graze outside, additional precautions may be needed to help avoid him harming people. One method is a bull mask, which either covers the bull's eyes completely, or restricts his vision to the ground immediately in front of him, so he cannot see his potential victim. Another method is to attach a length of chain to the bull's nose-ring, so that if he ducks his head to charge, he steps on the chain and is brought up short. Alternatively, the bull may be hobbled, or chained by his ring or by a collar to a solid object such as a ring fixed into the ground.
In larger pastures, particularly where a bull is kept with other cattle, the animals may simply be fed from a pickup truck or tractor, the vehicle itself providing some protection for the humans involved. Generally, bulls kept with cows tend to be less aggressive than those kept alone. In herd situations, cows with young calves are often more dangerous to humans. In the off season, multiple bulls may be kept together in a "bachelor herd".
Artificial insemination
Many cattle ranches and stations run bulls with cows, and most dairy or beef farms traditionally had at least one, if not several, bulls for purposes of herd maintenance.[32][33] However, the problems associated with handling a bull (particularly where cows must be removed from his presence to be worked) has prompted many dairy farmers to restrict themselves to artificial insemination (AI) of the cows. Semen is removed from the bulls and stored in canisters of liquid nitrogen, where it is kept until it can be sold, at which time it can be very profitable; in fact, many ranchers keep bulls specifically for this purpose. AI is also used to improve the quality of a herd, or to introduce an outcross of bloodlines. Some ranchers prefer to use AI to allow them to breed to several different bulls in a season or to breed their best stock to a higher-quality bull than they could afford to purchase outright. AI may also be used in conjunction with embryo transfer to allow cattle producers to add new breeding to their herds.
Relationship with humans
Aside from their reproductive duties, bulls are also used in certain sports, including bullfighting and bull-riding. They are also incorporated into festivals and folk events such as the Running of the Bulls and were seen in ancient sports such as bull-leaping. Though less common than castrated males, bulls are used as draught oxen in some areas. The once-popular sport of bull-baiting, in which a bull is attacked by specially bred and trained dogs (which came to be known as bulldogs), was banned in England by the Cruelty to Animals Act 1835.
As with other animals, some bulls have been regarded as pets. The singer Charo, for instance, has owned a pet bull named Manolo.
Significance in human culture
Sacred bulls have held a place of significance in human culture since before the beginning of recorded history. They appear in cave paintings estimated to be up to 17,000 years old. The mythic Bull of Heavens plays a role in the ancient Sumerian Epic of Gilgamesh, dating as far back as 2150 BC. The importance of the bull is reflected in its appearance in the zodiac as Taurus, and its numerous appearances in mythology, where it is often associated with fertility. See also Korban. In Hinduism, a bull named Nandi, usually depicted seated, is worshipped as the vehicle of the god Shiva and depicted on many of the images of that deity.
Symbolically, the bull appears commonly in heraldry. Bulls appears as charges and crests on the arms of several British families. Winged bulls appear as supporters in the arms of the Worshipful Company of Butchers. In modern times, the bull is used as a mascot by both amateur and professional sports teams.
Bulls also have a special significance in Spanish culture, where the Running of the Bulls celebration occurs every year in summer. During this festival, a group of human runners called "mozos" try to outrace a group of bulls running behind them, while large crowds watch the entire race.
A popular NBA team, the Chicago Bulls, features the bull as its mascot.
Maurizio Cattelan was born in Padua, Italy, in 1960. Since the early 1990s Maurizio Cattelan has been internationally recognized for his humorous and ironic works which provoke and challenge the limits of contemporary value systems. Maurizio Cattelan’s retrospective, Sussurro, will be showcased at the Serralves Villa, a 1930s Art Deco house. The exhibition brings together a selection of works deeply connected to history, reflecting Cattelan's approach to art. In addition to the pieces displayed in the Villa, sculptures by the artist will be installed throughout the Serralves Park. Together, these settings offer a unique contextualization of both Maurizio Cattelan´s work and of Serralves Park and Villa.
Most of the works selected for Sussurro demonstrate Maurizio Cattelan’s interest in History: historical changes, historical trauma, and historical icons. The times of transition, these in-betweens, seem to captivate Cattelan. The hanging, elusive moment between childhood and adulthood, between life and death, between historical eras, between laughter and sobs, is the source of his iconography. He turns these moments into icons.
Maurizio Cattelan has conceived his work as a series of saynètes populated by a cast of characters ranging from, and raging with, historical figures, self-portraits, friends and acquaintances, a bestiary, children, to familiar objects, locations and images. A détournement… a family of misfits, including direct references to some of his ancestors: Joseph Beuys, Lucio Fontana, Giovanni Anselmo, Piero Manzoni, Mario Merz, Jannis Kounellis, Carlo Collodi, Walt Disney, Günter Grass, Volker Schlöndorff, Stephen King and Stanley Kubrick… and between all the lines, Andy Warhol, for his furtive relationship to public image, his status as an image-maker, his entrepreneurial and publisher scheme, and his obsession with death.
The saynètes demonstrate an understanding of space that is quasi-theatrical or cinematographic. Locations, as the Serralves Villa, are key; framing, angles and sightlines are never innocent, nor is Maurizio Cattelan; and the overall context is a defining perception of the work. Scenography and art directing are as important in his work as the historical or cultural references. His conception of space and the way we, as visitors, encounter the works, is fully informed by the legacy of conceptual and minimal art, the phenomenological approach to space and to the awareness of space. The way the objects are strategically positioned, oriented in a room, on a public square, affects and informs our apprehension and reading of the works.
Sussurro is to Serralves what Hieronymus Bosch’s Temptations of Saint Anthony is to the Museu Nacional de Arte Antiga in Lisbon. The Tentation de Lisbonne has now its symmetrical with the Tentation de Porto. Bosch’s painting is an exacerbated spectacle of human madness, the vision of a world spinning towards an end with the background of Biblical allegory of good and bad, the psychotic vision of decay where humans and animals dance towards their damnation on a scorched earth. With Bosch, grotesque and humor, mimicry and blasphemy are extracted from the world and expose, iconically, the complicity between humanity and corruption. Images are salvation.
Maurizio Cattelan breaks in a culture in which the question of the place, the role, the veracity of images is at the center of an endemic malaise and he provides answers with images that are themselves effractions imbued with a malaise. This malaise might be our laughter.
Maurizio Cattelan’s visual aphorisms are exercises in re-routing, hacking a broad database of images deeply embedded in history, culture, belief systems and in our taboos. Sussurro speaks out loudly for those who want, and may not want, to hear.
Produced by the Serralves Foundation – Museum of Contemporary Art Porto, the exhibition is curated by Philippe Vergne, the Museum Director and is coordinated by Giovana Gabriel.
There's still a beauty in Greece and in being Greek. Even if these days it means reminding myself of what it was like growing up with Greek values and Greek traditions outside of Greece.
The drawing is part of a set created for Art Source Publishing illustrating what being Greek means to Greeks living abroad.
You can see the rest of the Traditionally Greek set too.
