Family Virtues and Family Values Group
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A cat in greenery is a harmonious combination ... however, cats are always and everywhere harmonious :)
The ancient Egyptians had a special relationship with cats: they were revered as sacred animals; mummified like humans; depicted in sculpture and frescoes. And the very first cat "portrait" was written by the Egyptians.
For a long time it was believed that the Egyptians tamed cats. However, in 2004, a burial site dating back to 9500 BC was discovered in Cyprus. e., in which a cat was found together with a man. A wild beast would hardly have been put in a grave. It turned out that cats lived with people long before they appeared in Egypt. The Middle East began to be considered the birthplace of domestic cats, and Egypt was forgotten for some time. But not for long: in 2008, a burial was opened in southern Egypt, in which six cats were found - a male, a female and four kittens. Although this burial was younger than the Cypriot one (about 6000 years), it became clear that cats were known in Egypt much earlier than was thought until recently.
It is known that the ancestor of the domestic cat was the steppe cat Felis silvestris lybica - it still lives in the steppe, desert and partly mountainous regions of Africa, Western, Central and Central Asia, in Northern India, Transcaucasia and Kazakhstan. In 2007, it was possible to establish that all modern cats descended from him.
Seafarers brought the first cats to Rus' in the pre-Christian era. Exotic animals were a valuable commodity: the cost of a cat until the 15th century was comparable to the value of a healthy arable animal - an ox.
ISO 500
26 mm
S10 - full auto mode
low light scenery
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Brightness Value - 1.15
Exposure Bias - 0 EV
Max Aperture Value - 2.4
Metering Mode - Center-weighted average
vom Muttertags Strauß für Karin
To grasp the full value of happiness you need someone to share it with !
Thank you very much Em for the day we spent together ☺️
👫 *Pose:
"PhotoLovers" Happines is better
Edelmetall-Handel >
Kupferbarren 1oz "Kupferknuffel"/Cu, gegossen
Kupferbarren 1oz "Kupferknuffel"/Cu, gegossen
Produktbeschreibung
1oz Kupferbarren / Kupferknuffel.
Bei diesem 1 Unzen Kupferknuffel (31,1g) handelt es sich um ein gegossenes Stück Kupfer, welches auf der Oberseite punziert ist mit 1oz, Kupfer 999 und dem ESG Logo.
Da die Herstellungskosten bei kleinen Kupferbarren deutlich über dem Materialwert liegen handelt es sich hierbei nicht um ein Investmentprodukt, sondern um einen formschönen Handschmeichler, welcher sich hervorragend als Geschenk, Briefbeschwerer oder ähnliches eignet. Da die Kupferknuffel gegossen werden, ist jedes Stück ein Unikat mit leicht abweichenden Abmaßen.
Copper ingots 1oz "Kupferknuffel"/Cu, cast
Product
1oz copper ingots / copper pinchers.
This 1 ounce copper nut (31.1g) is a cast piece of copper, which is marked on the top with 1oz, copper 999 and the ESG logo.
Since the production costs of small copper bars are significantly higher than the material value, this is not an investment product, but a shapely hand flatterer, which is ideal as a gift, paperweight or the like. Since the copper sniffles are cast, each piece is unique with slightly different dimensions.
HMM to all participants 💙💙💙
No, I just refuse to believe my eyes
In front of me something I can't recognize
You stood beside me all my life
The heart machines are ticking
I can hear the life support pumping
The line between life and death doesn't become any clearer than this
Covered with an oxygen mask
These words will be his last
With the energy he has got left
He turns to me and say
I can not stand by you
Till the end of the world like I said I would do
No, I won't be able to
Help you carry the weight of the world
My time has come
Silent as a butterfly
I'll be flying beside you
Watching above you
Silent as a butterfly
All of a sudden I've lost my strength
Isn't it scary how things can change
Mm, in an instant just like that
Whenever I had questions
You always had the answers
You taught me about life
And the importance of being yourself
And to highly value honesty
How not to lose grip of reality
With both your feet on the ground
I can not stand by you
Till the end of the world like I said I would do
No, I won't be able to
Help you carry the weight of the world
My time has come
Silent as a butterfly
I'll be flying beside you
Watching above you
Silent as a butterfly
You weren't suppose to see me like this
And I'm sorry, sorry
I must leave, it's my turn
But I will see you soon (soon)
I cannot stand by you
Till the end of the world like I said I would do
No, I won't be able to
Help you carry the weight of the world
My time has come
Silent as a butterfly
I'll be flying beside you
Watching above you
Silent as a butterfly
As A Butterfly - Dead By April
A huge thank you to Abigail Brewer for posing for me in this shot. It wouldn't have felt right to me if I did it without you. ♥♥
Photo taken at Lux Aeterna. Please go check out the beautiful SIM.
Valle de Estós, La Ribagorza, Huesca, Aragón, España.
El valle de Estós (en aragonés benasqués Vall d'Estós o Ball d'Estós) es un valle pirenaico situado en la comarca aragonesa de La Ribagorza.
Se ubica en la zona noroccidental del valle de Benasque (noreste de la provincia de Huesca) y dentro del parque natural Posets-Maladeta. Al norte de este valle, que es de origen glaciar, está el macizo del Perdiguero (3.221 m), y al sur el macizo del Posets (3.375 m). Este valle, orientado de oeste a este, tiene una longitud aproximada de 12 km y en el fondo de él transcurren las aguas del río Estós, afluente del río Ésera. Clarabides, Gías, Oô, son picos que también superan los 3.000 m y hacen frontera con Francia. La altitud del valle oscila entre los 1.400 m y los 3.375 m.
Desde el año 1994 forma parte del parque natural de Posets-Maladeta por sus importantes valores ecológicos. El paisaje predominante es el de la alta montaña pirenaica con buena representación de los pisos climáticos alpino, subalpino y montano. La flora predominante son los pastizales de montaña y los bosques, de coníferas (pino negro y abeto), de caducifolios (haya, álamo temblón, abedul, sauce, arce y avellano) y como principales arbustos el boj, enebro y rododendro. También se encuentran algunos endemismos pirenaicos. En cuanto a la fauna, encontramos a todos los animales presentes en los ecosistemasde la alta montaña pirenaica destacando una importante población de sarrios y corzos y como aves más representativas el urogallo, la perdiz nival y el quebrantahuesos.
El río Estós, al que afluyen múltiples barrancos y torrentes procedentes de los numerosos ibones (lagos de origen glaciar), de las nieves perpetuas y de algunos de los glaciares más meridionales de Europa, recorre el fondo del valle.
El valle tiene un gran atractivo turístico para los amantes de las excursiones de montaña, de la escalada, el esquí de montaña y el alpinismo. También se practica la pesca de la trucha y la caza mayor (sarrios, corzos y jabalíes). En la época veraniega sus laderas son lugar de pasto de un gran rebaño de vacas.
El acceso al valle se realiza preferentemente a pie a través de una red de senderos bien señalizados, aunque hay una pista forestal restringida al tránsito de vehículos autorizados. A lo largo del camino encontramos numerosas cabañas de pastores y un refugio de montaña guardado (1.895 m) gestionado por un guarda de la Federación Aragonesa de Montaña.
The Estós Valley (in Benasquese Aragonese, Vall d'Estós or Ball d'Estós) is a Pyrenean valley located in the Aragonese region of La Ribagorza.
It lies in the northwestern part of the Benasque Valley (northeast of the province of Huesca) and within the Posets-Maladeta Natural Park. To the north of this valley, which is of glacial origin, is the Perdiguero massif (3,221 m), and to the south, the Posets massif (3,375 m). This valley, oriented from west to east, is approximately 12 km long, and the Estós River, a tributary of the Ésera River, flows through its bottom. Clarabides, Gías, and Oô are peaks that also exceed 3,000 m and form the border with France. The valley's altitude ranges from 1,400 m to 3,375 m.
Since 1994, it has been part of the Posets-Maladeta Natural Park due to its significant ecological value. The predominant landscape is that of the high Pyrenees, with a good representation of the alpine, subalpine, and montane climate zones. The predominant flora consists of mountain pastures and forests, including conifers (black pine and fir), deciduous trees (beech, aspen, birch, willow, maple, and hazel), and, as main shrubs, boxwood, juniper, and rhododendron. Several Pyrenean endemic species are also found. As for the fauna, all the animals present in the high Pyrenean mountain ecosystems are found here, with a significant population of Pyrenean chamois and roe deer, and the most representative birds being the capercaillie, the ptarmigan, and the bearded vulture.
The Estós River, fed by numerous ravines and streams originating from the many glacial lakes (ibones), the permanent snowfields, and some of the southernmost glaciers in Europe, flows through the valley floor.
The valley is a popular tourist destination for mountain hikers, climbers, ski mountaineers, and alpinists. Trout fishing and big game hunting (chamois, roe deer, and wild boar) are also popular. In the summer, its slopes serve as grazing land for a large herd of cattle.
Access to the valley is primarily on foot via a network of well-marked trails, although there is a forest track restricted to authorized vehicles. Along the way, you'll find numerous shepherd's huts and a staffed mountain refuge (1,895 m) managed by a warden from the Aragonese Mountain Federation.
Happy New Year 2025!
A favorite sunrise over Idaho's Lake Cascade. The clouds and colors were bold and dynamic.
Thank you for your gracious comments, encouragement and valued friendships during the past year, and more. Much appreciated!
Wishing you all the best in the New Year!
The purpose of Arches National Park is to protect extraordinary examples of geologic features including arches, natural bridges, windows, spires, and balanced rocks, as well as other features of geologic, historic, and scientific interest, and to provide opportunities to experience these resources and their associated values in their majestic natural settings.
It had rained for much of the afternoon but the sun came out once more to illuminate the Belluno Dolomites. In 2009 UNESCO listed the Dolomites as a World Heritage Site for the aesthetic value of its landscape and for the scientific importance of its geology and geomorphology. The Dolomites consist of nine mountainous systems each separated by valleys, rivers and other mountains. The Belluno Dolomites are the only National Park in the Dolomites. The photo was taken at Rifugio Pian de Fontana on the last evening of our Dolomites traverse on the Alta Via 1.
Processed in Capture One Windows
51 mm equiv. (standard)
Exp. Corr. Value: +0.0 EV
Exp. Program: Normal
Metering mode: Spot
WB Settings: Auto
Introducing our new Sago Palm Trees!! While “palm” is part of their common name, sago palms are not really palms at all, they’re cycads. Like ferns, these giant beauties have been around since before the dinosaurs, and their stunning display is truly evocative of an age long gone. Dark green and lush with sturdy foliage, if your parcel or sim is on the beach or in a high temperature zone, this plant is for you.
These 100% original mesh creations are highly detailed with realistic textures and animated foliage resulting in a true, life-like appearance. A choice of four seasons are readily available via an easy to use pop-up menu to keep your landscaping current. Owner permissions allow Copy & Modify to ensure that each item can be adapted to suit your unique needs with a total land impact value of 3 Li.
The Liaison Collaborative runs from TLC runs from September 3rd to September 26th
TAXI to The Liaison Collaborative
Contest on our Facebook page for a chance to win the Palms
After the event you will find the products at The Little Branch In-World Store or on MarketPlace
El Sukiennice (« Llotja de teixits ») és un dels monuments històrics més emblemàtics de la ciutat de Cracòvia. Aquesta imponent llotja comercial de dos pisos, aixecada el segle xiii i després adaptada a l'època del Renaixement, ocupa el lloc central de la gran Plaça del Mercat i forma part del Patrimoni de la Humanitat de la UNESCO.[1]
A la planta baixa, la Llotja acull avui comerços d'artesania, mentre que el primer pis acull la Galeria d'art polonès del segle xix, una filial del Museu nacional de Cracòvia amb la més important col·lecció d'obres poloneses del món. Entre elles, la famosa tela Les Torxes de Neró, oferta a l'obertura del museu pel seu pintor, Henryk Siemiradzki i el quadre gegant Homenatge prussià de Jan Matejko.
Història
Posicionada segons l'eix nord-sud de la plaça, amb les seves façanes oest i est simètriques respecte als eixos de les entrades, la Llotja de teixits de Cracòvia reuneix elements arquitectònics d'èpoques molt diferents, i constitueix una síntesi global de l'arquitectura de la ciutat.
El nom Sukiennice ve de la paraula polonesa sukno que vol dir teixit, roba. En efecte, els drapers disposaven les seves parades al centre de la plaça del Mercat per a la venda a l'engròs de teixits.
La primera llotja, aixecada al segle xiii, després de la concessió a la ciutat d'una carta de Drets de Magdeburg, es limitava a dues fileres de botigues de pedra que formaven un carrer al mig de la Plaça del Mercat. El comerç als Sukiennice era una font important d'ingressos per a la ciutat: segons el privilegi reial, els venedors vinguts de l'exterior només podien vendre la seva pròpia mercaderia, i només en aquest lloc.
L'any 1358, el Casimir III fa construir el primer edifici de 100 m de longitud amb dos portals ogivals situats al centre de les façanes principals. Després d'un incendi que va consumir l'edifici l'any 1555, es va cridar als italians que havien vingut amb la reina Bona Sforza (esposa italiana del rei Segimon el Vell). La Llotja de teixits renovada a l'estil Renaixement llavors es va dotar d'un àtic decorat amb una cresta amb gàrgoles, estilitzades amb caps humans, realitzades probablement segons els projectes de Santi Gucci. Giovanni Maria Mosca divideix l'edifici en dos pisos i està connectat per escales cobertes per lògies situats sobre els costats més curts.
Els últims treballs importants són duts a terme al segle xix per Tomasz Prylińeski. L'arquitecte transforma la llotja a la planta baixa, instal·lant-hi al llarg dels murs botigues de fusta. El sostre serà adornat més tard amb l'escut de les ciutats poloneses, els emblemes dels gremis i els segells. Prylińeski afegeix també arcades neogòtiques de pedra per tal de donar l'elegància a l'edifici,[1] així com dels mascarons representant caricatures dels presidents de l'època de la ciutat de Cracòvia, realitzats segons un dibuix de Jan Matejko. La llotja superior és adaptada a les necessitats del museu.
The Kraków Cloth Hall (Polish: Sukiennice, pronounced [sukʲɛˈɲːit͡sɛ]), in Lesser Poland, dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (the historic center of Kraków), which since 1978 has been listed as a UNESCO World Heritage Site).
t was once a major centre of international trade. Travelling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
In the immediate vicinity of the hall, the Great Weigh House and the Small Weigh House existed until the 19th century. Other, similar cloth halls have existed in other Polish as well as other European cities such as in Ypres, Belgium; Braunschweig, and in Leeds, EnglandKraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw at the end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on a design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.[1]
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as King Charles III, then Prince of Wales, and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall is still used as a center of commerce.
History
Wikipedia: The city of Nan's most famous wat is renowned for its cruciform ubosot which was constructed in 1596 and restored during the reign of Phra Chao Anantaworritthidet (Chao Nakhon Nan No.62nd) (1852-1892).
It is the only temple which was built as if it were on the back of two immense snakes (or Nagas). Each of the four entrances is preceded by a small corridor topped by a finely decorated, point-shaped structure (underlining the royal origin of the temple) and is equipped with smoothly carved doors; with Chinese demon guards in the east, flowers in the north and forest life motives in the Lanna style in the west and south.
The wat's interior is impressive. It is also a good example of Thai Lue architecture. The structure of the roof is supported by twelve teak pillars decorated with gold on black and red lacquer and elephants' motives. The ceiling is also finely decorated. The flowered altar resting in the center of the bôt supports four Buddhas of the Sukhothai style in the pose of Bhūmisparsa mudrā
Well preserved murals of great value illustrating the Khattana Kumara Jataka on the Northern wall and the Nimi Jatakas on the Western wall as well as scenes of the local life of the time when they were painted by Thai Lue artists during the restoration of the temple at the end of the 19th century. Europeans can even be noticed: a reference to the arrival of the French to whom the East of the Nan valley area was yielded in 1893. The style is rather distinctive and quite removed from the traditional style of temple paintings in Thailand.
Wandiligong is a town in north-eastern Victoria in the alpine region around 330 kilometres from Melbourne. Established in the 1850s as part of the Victorian Gold Rush, Wandiligong became a hub for many gold miners, including a large Chinese community. At its peak, the town was home to over two thousand inhabitants and boasted shops, churches, a public library, halls and even an hotel. Much has changed since those heady days of the gold rush, and the picturesque town nestled in a valley and built around the Morses Creek, is now a sleepy little town full of picturesque houses which are often let to visitors to the area. The whole town is registered with the National Trust of Australia for its historic landscape and buildings of historic value.
Le case galleggianti a Sausalito. Rifugio per bohémiens e hippy negli anni '50 e '60, oggi fra le più ambite e costose abitazioni della San Farncisco Bay Area.
A haven for bohémiens from Frisco in the '50s and for hippies in the '60s, today these floating homes are among the most valued and expensive properties in the San Francisco Bay Area.
"The secret of a good life is to have the right loyalties and hold them in the right scale of values."
-Norman Thomas-
__________________________
[TURN]
Anson Seabra - Trying My Best
_______________________
I know you think I got it all figured out
내가 당신의 모든 걸 이해할 수 있을 거라 생각했다는 것을 알아요
'Cause I walk around like my head's in the clouds
나는 공상에 빠진 듯 걸어가니까
But I'm just a boy with his heart pouring out of his head
하지만 저는 그저 머릿속 생각들을 풀어놓는 소년인 걸요
I wish that you could see the pain that I've seen
내가 겪은 이 고통을 알아줬으면 해요
And all of the times I spent being not me
내가 아닌 모습으로 살았던 모든 시간들을
I hope you know that it's not always happy in my head
나의 머릿속에서 난 항상 행복하지 않다는 것을 알아줬으면 해요
'Cause I don't know
모르겠으니까
The perfect road to go down
완벽한 길이 어딘지 모르겠으니까
But I know
하지만 난 알아요
I'm trying my best
난 최선을 다했다는 걸
I'm trying my best to be okay
쓰러지지 않기 위해 최선을 다했다는 걸
I'm trying my best but every day it's so hard
난 최선을 다하고 있어요, 하지만 하루하루가 너무 힘드네요
And I'm holding my breath
난 숨을 죽일 거예요
I'm holding my breath 'til I can say
내가 말할 수 있을 때까지 숨을 죽일 거예요
All of the words I wanna say from my heart
내가 진심으로 하고 싶은 모든 말들
If you really wanted I could ley you inside
당신이 진심으로 원한다면 난 당신을 받아들일 거예요
It's been so long and I've got nothing left to hide
한참이 지났고 난 이제 숨길 것이 없어요
Would you believe me if I told you that I've got flaws
내게 결점이 있다면 믿어줄래요?
Now it's time to let the curtains unfold
이제 커튼을 걷어 젖히고
And tell all the stories that I didn't want told
내가 하기 싫었던 말들을 해야 할 때가 됐군요
I let it out so I unburden my soul I won't stop
난 내 속마음을 털어놓을 거예요, 멈추지 않을 거예요
'Cause I don't know
모르겠으니까
The perfect road to go down
완벽한 길이 어딘지 모르겠으니까
But I know
하지만 난 알아요
I'm trying my best
난 최선을 다했다는 걸
I'm trying my best to be okay
쓰러지지 않기 위해 최선을 다했다는 걸
I'm trying my best but every day it's so hard
난 최선을 다하고 있어요, 하지만 하루하루가 너무 힘드네요
And I'm holding my breath
난 숨을 죽이고 있어요
I'm holding my breath 'til I can say
내가 말할 수 있을 때까지 숨을 죽일 거예요
All of the words I wanna say from my heart
내가 진심으로 하고 싶은 모든 말들
I'm trying my best
난 최선을 다하고 있어요
I'm trying my best to be okay
쓰러지지 않기 위해 최선을 다하고 있어요
I'm trying my best but every day it's so hard
난 최선을 다하고 있지만 하루하루가 너무 힘드네요
And I'm holding my breath
난 숨을 죽이고 있어요
I'm holding my breath 'til I can say
내가 말할 수 있을 때까지 숨을 죽일 거예요
All of the words I wanna say from my heart
내가 진심으로 하고 싶은 모든 말들
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Originally built as a private residence in 1917, Filoli was opened to the public in 1975 as a 501(c)(3) nonprofit organization and site of the National Trust for Historic Preservation. The property is considered one of the finest remaining country estates of the 20th century, featuring a 54,000+ square-foot Georgian revival-style mansion, 16 acres of exquisite English Renaissance gardens, a 6.8-acre Gentleman’s Orchard, and a nature preserve with eight miles of hiking trails.
Filoli is dedicated to connecting our rich history with a vibrant future through beauty, nature and shared stories, so that one day all people will honor nature, value unique experiences, and appreciate beauty in everyday life. Filoli's mission and vision strive to live Mr. Bourn's original credo authentically: to fight for a just cause, love your fellow man, and live a good life.
Filoli is owned by the National Trust for Historic Preservation and operated by the Filoli Center.
100: I reckon you are a number.
103: I count you as a number
142: I value you higher than the former two
*** : I think you are superfluous.
(temporary assemblage)
Celebrate all the strong women in your life who have “nurtured” you in life just as a mother would. Sometimes, mothers can not be there for their children and other women help them out. I am so grateful for those women who help our daughters out when we physically can not be there. Our daughters are amazing mothers! But having gone through those early stages of motherhood without close family by, I know the value of good friends who have helped us out no matter how strong I thought I was. It takes a village to raise a child.
it also comes from the mind and the heart of the artist. The photograph is his vision of the world and expresses, however subtly, his values and convictions :-)
Paul Strand
HMM! Peace Now!
camellia, 'Konkin Gold', j c raulston arboretum, ncsu, raleigh, north carolina
totum visits the ethers
there is so much more to life than is ever seen
"The true sign of intelligence is not knowledge but imagination." Albert Einstein
"The value of a life does not depend on the place we occupy;
it depends on the way we occupy that place." ~ Therese of Lisieux
This is Lost Lake (yes, I found it) up atop Kebler Pass.
Thank you for viewing,
Bev
Kebler Pass
Colorado
USA
© All Rights Reserved
“Our ability to perceive quality in nature begins, as in art, with the pretty. It expands through successive stages of the beautiful to values as yet uncaptured by language.”
― Aldo Leopold, A Sand County Almanac and Sketches Here and There
Thank you to all those who gave feedback about the site after yesterday's quieter ad.
I value the comments of Flickr friends greatly as many of you are very experienced and excellent photographers...far more so than just an opportunist enthusiast like me. Still, my own web gallery was always a goal.
The lira is very weak and sites and domains are expensive, Smugmug, with the Flickr discount, was my only option. Which is why the eBook produce will hopefully back up the few print sales to allow renewal.
Some drawbacks to using Smugmug but overall, not bad. Their helpdesk support has been superb!
Thank you again and I hope the indulgence of this ad isn't too obtrusive!
Wishing you all a good weekend!
The Halifax Clock Tower was completed in 1803, a gift to the city from Prince Edward, Duke of Kent (and also the father of Queen Victoria.) It has been keeping the correct time, mostly with original clockworks intact, since that time although restoration work has been done in the '60s and may have briefly interrupted the clockworks. The story has it that Prince Edward valued punctuality and felt that "Haligonians" needed a little helpful reminder that could be seen from most places in the city at that time.
An early start at Penarth Pier in the Vale of Glamorgan, Wales. This was about a four minute exposure using a Lee Big Stopper and Lee 0.9 ND grad. It was actually relatively still quite dark at this point, the colour has come from a combination of long exposure and filter use as well as the sunrise itself. The dark top is from the graduated filter. I think I lucked out with wind direction.
Have a great week all! :-)
This was painted by my late husband, Tom and hangs on the wall in this room where the computer is.
Thank you everyone so much for sharing your quality photos which is a great way to see and keep in touch with the world from home. Also for your kind comments and favours which are much valued.
I am not able to take on any more members to follow or to post to groups. I prefer not to receive invites to groups
This magnificent Japanese Garden which is located in Clingendael Park in The Hague and Due to its fragility, the garden can be visited only during a short period of the year, from end of April to mid June. The vibrant colors and the Intoxicating aromas of the flowers make the visit an unforgettable experience not to be missed.
The Japanese Garden was created in the beginning of the 20th century by the former owner of the country estate of Clingendael, Marguérite M. Baroness van Brienen (1871-1939), also called Lady Daisy. Lady Daisy sailed off a number of times by ship to Japan and brought back to the Netherlands a number of lanterns, a water cask, sculptures, the pavilion, the little bridges and several plants.
The original design with the serene pond, meandering brook and the winding pathways has remained intact all these years.
The Municipality of The Hague has always taken great care of the Japanese Garden because of its uniqueness and tremendous historical value. The garden was placed on the list of national historical monuments in 2001.
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Colour re-edit of a shot from July 2017. Enjoy.
"Remember the fallen. Honor those who serve. Teach the next generation the value of freedom."
These are the words from Wreaths Across America's (WAA) website noted as "Our Mission". And, it is clearly observed in their commitment to the soldiers buried across the country in the many "national cemetery's" with the wreaths placed against the headstones. However, this is just one of the many ways that WAA remembers, honors, and teaches the next generation about our fallen. Please check out their website for more information about the many ways they accomplish this goal...
Additionally, the location of the photograph above is the Nashville National Cemetery in Madison, Tennessee (just north of Downtown Nashville) which is listed on the National Register of Historic Places (NRHP). More information about this "national cemetery" can be found here:
npgallery.nps.gov/AssetDetail/NRIS/96001516
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
There's something inherently sad about household objects left out for the trash man. They are like castoffs; broken or no longer cherished, and left ignominiously out on the curb. This easy chair caught my eye the other day. Part of the forlorn quality of scenes like this is the object being ripped from its normal context. I wouldn't give the chair a second look in someone's living room. But it seemed horribly out of place on the edge of the state highway that bisects the village. That, and the sedentary nature of a recliner juxtaposed against passing traffic. Wonderful visual metaphors for the life cycle of things we purchase and the passage of time (and with it life). In the eerie stillness after the truck passed I contemplated the chair and the many other personal objects scattered about the lawn behind me. There's a village-wide trash haul this weekend, and little collections such as this are springing up all around. I have to admit a weird impulse to inspect them, and yearn to pull over when driving by. I can't help but think I will find something of value (I almost never do) but also that idle curiosity about seeing the remnants of someone else's life (remember I did preface this as weird). I'll be placing some of my own items out on the curb soon. I tend to wait until the night before, perhaps to avoid having others inspect them as I did this chair. Even when it's sheer junk, I feel an odd sentimental tug about letting go of things. And that spell lasts as long as the objects remain on my tree lawn before the pickup. Much like this chair, they are in the condemned phase, but still retrievable. I can simply go back out and reclaim them. That sentiment vanishes the moment the objects are tossed onto the truck. Maybe that's why I wait until the last minute to put them out. I just can't stand that in between time.