Family Virtues and Family Values Group
View allAll Photos Tagged value
"I always thought that there is little merit in virtue and very little fault in error." "Also because I still have not understood what exactly the virtue and what exactly is the error. "
"Why just move the latitude and see how the values become disvalues and vice versa"
Thanks for your recent visit ,comment, fav and invite, always all much appreciated...
I wish you a wonderful week :)
Images and textures are mine
All rights reserved. Image can not be inserted in blogs, websites or any other form, without my written permission.
Primula is a genus of mainly herbaceous flowering plants in the family Primulaceae. They include the familiar wildflower of banks and verges, the primrose (P. vulgaris). Other common species are P. auricula (auricula), P. veris (cowslip) and P. elatior (oxlip). These species and many others are valued for their ornamental flowers. They have been extensively cultivated and hybridised - in the case of the primrose, for many hundreds of years. Primula are native to the temperate northern hemisphere, south into tropical mountains in Ethiopia, Indonesia and New Guinea, and in temperate southern South America. Almost half of the known species are from the Himalayas. Primula has about 500 species in traditional treatments, and more if certain related genera are included within its circumscription. Primula is a complex and varied genus, with a range of habitats from alpine slopes to boggy meadows. Plants bloom mostly during the spring, with flowers often appearing in spherical umbels on stout stems arising from basal rosettes of leaves; their flowers can be purple, yellow, red, pink, blue, or white. Some species show a white mealy bloom (farina) on various parts of the plant. Many species are adapted to alpine climates. 4424
Sometimes you will never know the value of a moment until it becomes a memory.
"Paw Prints Left By You" (author unknown)
You no longer greet me, as I walk through the door. You're not there to make me smile, to make me laugh anymore. Life seems quiet without you, you were far more than a pet. You were a family member, a friend... a loving soul I'll never forget.
It will take some time to heal - for the silence to go away. I still listen for you, and miss you every day. You were such a great companion, constant, loyal and true. My heart will always wear the paw prints left by you.
This is an old picture taken when they had only been together a few weeks. We bought Penny because Stella was lonely for dog company. She wanted a playmate.
I think I’ve solved our winter energy crisis!
When the lights get turned off between 4 and 7 on those dark winter nights you just need to turn on a few fairy lights!
Problem solved!
I would suggest that there is a double benefit in that when they stop working, you could just sauté then in a little butter and that’s supper sorted too, however these bonnets are not toxic but have no nutritional value, a bit like a cream cracker in that respect.
So far I’ve collected about 150 and arranged them strategically around the house and guess what happened when I turned all the lights off…….…..yes, **** all!
The drawing board beckons, or was it the corkscrew?
I took this photo of the Wolf Moon (the first full moon of 2022) on 18th January 2022. It appeared so near and large and I used a similar technique to the one I used with one of my first photographs added to Flickr, with the setting sun, framing the moon with some garden foliage.
Since my first upload of the setting sun in 2015 I have become confident converting a number of my colour photographs to black and white (as is the case with this one). I really enjoy the creativity that I can achieve with tonal values in black and white images.
It was interesting to see that this image was also taken with a trusty compact (three versions later), although I now have a bridge camera and a 4/3 mirrorless camera.
Featured in the Flickr Gallery for 'Recreating your First Flickr Photo' for Flickr's 18th birthday.
Carmen Fantasy – Gil Shaham – Claudio Abbado, Berliner Philarmonic Orchestra
Have a nice evening, you all :-)
Germany. In the woods called "Schönbuch" nearby the City of Stuttgart.
SONY A7II (ILCE-7M2) with e-mount adapted old projection lens Leitz COLORPLAN CF 2.5/90. Sony full-frame in body image stabilization ON. ISO 100. 1/200s. Self made round aperture of about f/4.5 placed in the light beam. Manual mode. The lens (in this case on a Sony a6000) can be seen here --> Colorplan lens.
More photos of this mini sequence with this camera/lens combination can be found here: ---> In The Woods (1) and In The Woods (2).
Feel free to visit my albums. All my old lenses can be found there.
El Sukiennice (« Llotja de teixits ») és un dels monuments històrics més emblemàtics de la ciutat de Cracòvia. Aquesta imponent llotja comercial de dos pisos, aixecada el segle xiii i després adaptada a l'època del Renaixement, ocupa el lloc central de la gran Plaça del Mercat i forma part del Patrimoni de la Humanitat de la UNESCO.[1]
A la planta baixa, la Llotja acull avui comerços d'artesania, mentre que el primer pis acull la Galeria d'art polonès del segle xix, una filial del Museu nacional de Cracòvia amb la més important col·lecció d'obres poloneses del món. Entre elles, la famosa tela Les Torxes de Neró, oferta a l'obertura del museu pel seu pintor, Henryk Siemiradzki i el quadre gegant Homenatge prussià de Jan Matejko.
Història
Posicionada segons l'eix nord-sud de la plaça, amb les seves façanes oest i est simètriques respecte als eixos de les entrades, la Llotja de teixits de Cracòvia reuneix elements arquitectònics d'èpoques molt diferents, i constitueix una síntesi global de l'arquitectura de la ciutat.
El nom Sukiennice ve de la paraula polonesa sukno que vol dir teixit, roba. En efecte, els drapers disposaven les seves parades al centre de la plaça del Mercat per a la venda a l'engròs de teixits.
La primera llotja, aixecada al segle xiii, després de la concessió a la ciutat d'una carta de Drets de Magdeburg, es limitava a dues fileres de botigues de pedra que formaven un carrer al mig de la Plaça del Mercat. El comerç als Sukiennice era una font important d'ingressos per a la ciutat: segons el privilegi reial, els venedors vinguts de l'exterior només podien vendre la seva pròpia mercaderia, i només en aquest lloc.
L'any 1358, el Casimir III fa construir el primer edifici de 100 m de longitud amb dos portals ogivals situats al centre de les façanes principals. Després d'un incendi que va consumir l'edifici l'any 1555, es va cridar als italians que havien vingut amb la reina Bona Sforza (esposa italiana del rei Segimon el Vell). La Llotja de teixits renovada a l'estil Renaixement llavors es va dotar d'un àtic decorat amb una cresta amb gàrgoles, estilitzades amb caps humans, realitzades probablement segons els projectes de Santi Gucci. Giovanni Maria Mosca divideix l'edifici en dos pisos i està connectat per escales cobertes per lògies situats sobre els costats més curts.
Els últims treballs importants són duts a terme al segle xix per Tomasz Prylińeski. L'arquitecte transforma la llotja a la planta baixa, instal·lant-hi al llarg dels murs botigues de fusta. El sostre serà adornat més tard amb l'escut de les ciutats poloneses, els emblemes dels gremis i els segells. Prylińeski afegeix també arcades neogòtiques de pedra per tal de donar l'elegància a l'edifici,[1] així com dels mascarons representant caricatures dels presidents de l'època de la ciutat de Cracòvia, realitzats segons un dibuix de Jan Matejko. La llotja superior és adaptada a les necessitats del museu.
The Kraków Cloth Hall (Polish: Sukiennice, pronounced [sukʲɛˈɲːit͡sɛ]), in Lesser Poland, dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (the historic center of Kraków), which since 1978 has been listed as a UNESCO World Heritage Site).
t was once a major centre of international trade. Travelling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
In the immediate vicinity of the hall, the Great Weigh House and the Small Weigh House existed until the 19th century. Other, similar cloth halls have existed in other Polish as well as other European cities such as in Ypres, Belgium; Braunschweig, and in Leeds, EnglandKraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw at the end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on a design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.[1]
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as King Charles III, then Prince of Wales, and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall is still used as a center of commerce.
History
Barberton daisy and Gerbera jamesonii
Barberton daisy can purify air and remove formaldehyde and benzene. Barberton daisy are valued most in gardens for the striking colors of their large blooms. Often used in flower beds, cut flower gardens, and container plantings, they can make a striking addition to any kind of flower garden.
The gerbera daisy on the other hand symbolizes purity, innocence, and beauty. The most significant characteristic of this flower is its bright, radiant colors, which represent energy and rejuvenation to many. Its colors encourage youthfulness and joy that radiate into the daily lives of individuals.
For my friend matiz ° o.
See her art here: www.flickr.com/photos/m2matiz/
As always, a big thanks to my loyal visitors especially now when I'm extremely busy and hardly on Flickr at all. Someday I'll be back........
"Face Value"
Thank you all for your views, faves and comments.
www.flickr.com/explore/2025/04/12
www.fluidr.com/explore/interesting/2025/04/12
#130
Kentmere 100 rated at 64 ASA, developed in Rodinal 1:25 for 9 minutes. Though I found this development dilution/time for this film, it resulted in severely overdeveloped negatives. Never again, Rodinal. I've come to hate the stuff.
Also, I am getting rid of my remaining stock of Kentmere 120. It lacks sharpness and high value definition, and images from it are difficult to edit. There's a kind of flatness to the results. It's a fine film for students and those who have to stay on-budget, but otherwise it lacks charisma.
Rolleiflex 2.8 E Planar.
Excerpt from historicplaces.ca:
Description of Historic Place
The Navy Hall stands alone in a carefully manicured park setting just below Fort George National Historic Site. Designed with clear, clean lines, it is a low, rectangular, stone-clad structure with a hipped-roof clad in copper, and with a symmetrical organization of its windows and entry points. The designation is confined to the footprint of the building.
Heritage Value
The Navy Hall is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values.
Historical Value:
The Navy Hall is a very good example of a building associated with the beginnings of the heritage movement in the first half of the 20th century. It illustrates changing approaches to the management of important historic buildings over time. In particular, it illustrates the role of aesthetics in conservation in the 1930s. Originally a commissariat storehouse, regular troops, the militia and also the Boy Scouts used the building, built in 1815. In the 1930s, the building was taken over by the Niagara Parks Commission.
Architectural Value:
The Navy Hall is valued for its good aesthetic design. The exterior fabric of the structure, the stone cladding, the copper clad roof, and the enhanced symmetry of the fenestration are features of the 1930s intervention. These features, clearly of a later era and philosophy, reflect the classical revival tastes of the period and the design idiom of the Niagara Parks Commission. Good functional design is evidenced in the placement of doors and windows, and in the spatial arrangement and planning of the interior.
Environmental Value:
The Navy Hall reinforces the landscaped parkway that runs along the Niagara lakefront and is a familiar landmark to residents and to visitors.
Character-Defining Elements
The character-defining elements of the Navy Hall should be respected.
Its good aesthetic, good functional design and good quality materials and craftsmanship, for example:
-the simple, rectangular massing.
-the low-pitched hipped roof, the copper roof cladding, and the symmetrically placed chimneys.
-the stone cladding of the exterior walls, the small multi-paned windows and large entrances.
-the interior spatial arrangement of the principal rooms.
The manner in which the Navy Hall reinforces the landscaped setting and is a familiar landmark, as evidenced by:
-its simple design and materials that harmonize with the landscaped parkway consisting of well-maintained lawns and walks, all introduced as part of the Niagara Park Commission’s parkway landscaping in the 1930s.
-its visibility and recognition by those frequenting the parkway and the National Historic Site.
totum visits the ethers
there is so much more to life than is ever seen
"The true sign of intelligence is not knowledge but imagination." Albert Einstein
"The value of a life does not depend on the place we occupy;
it depends on the way we occupy that place." ~ Therese of Lisieux
This is Lost Lake (yes, I found it) up atop Kebler Pass.
Thank you for viewing,
Bev
Kebler Pass
Colorado
USA
© All Rights Reserved
Macro 1X (focus stacking)
Fondos MNCN-CSIC
Macro 1X con apilamiento de foco por control de anillo de enfoque
Macro 1X by focus stacking using the focus ring control
Ingredientes:
-Nikon D600 + Nikor 105mm macro 1X
-Helicon Remote para control automático de la pila de foco mediante el anillo de enfoque (por medio de USB)
-Helicon Soft para apilamiento de foco (36 shots, Method B, R=4, S=2)
-Helicon lo puedes bajar a prueba durante 1 mes gratis, o una licencia para un año por 50€, controla casi todas las Nikon y Canon mediante USB. Existen otros proveedores de soft para stacking (apilamiento), p. ej. Zerene, ControlMyNikon o Canon, Combine Z, etc
-Opcional: impresora 3D (Up Plus 2) para la fabricación de focos, soportes, mesa de trabajo, etc. Puedes utilizar el sencillo 123D Design (free soft) para diseñar las piezas.
Receta:
-Montamos el bodegón con sujeto y fondo
-Lo iluminamos con 4 o 5 micro-focos de leds. Los focos se pueden diseñar e imprimir utilizando una impresora 3D y después montar los leds (alta luminosidad y 5300K), la alimentación es de 12vdc para grupos de 3 o 4 leds. La ventaja frente al uso de flash, es que se pueden dirigir los focos y componer la iluminación antes del disparo, además del volumen que se consigue jugando con la iluminación.
-Disparamos las fotografías utilizando, p. ej., Helicon Remote: Helicon controla el enfoque con el movimiento del anillo de enfoque antes de disparar cada foto, todo el proceso de toma de fotos es automático, se pueden ver videos en youtube
-Para 1X se necesitan de 20 a 100 fotos, según valor de f, focal utilizada y profundidad de campo necesaria, lo calcula el soft automáticamente. Se suele utilizar el punto dulce de la lente (normalmente en el entorno de f5.6) para optimizar los resultados
-Apilamos el stack de n fotografías utilizando Helicon Soft
-Utilizamos Lightroom o similar para eliminar “halos” y “artefactos”
-Una vez se tiene práctica, todo el proceso puede durar 15 min
pepo
/ POOR ENGLISH
Macro 1X by focus stacking using the focus ring control
How do you can do it :
Ingredients:
-Nikon D600 + 105mm macro nikor 1X
-Helicon Remote control for automatic focus stack using the camera focus ring (using USB)
-Helicon Soft Focus Stacking (36 shots, Method B, R = 4, S = 2)
-Helicon You can download a free trial for 1 month, or a license for a year for € 50, it controls almost many Nikon and Canon via USB. There are other suppliers of soft for stacking, p. ex. Zerene, ControlMyNikon or Canon, Combine Z, etc.
-optional: 3D (Up Plus 2) printer to manufacture light bulbs, brackets, desk, etc. You can use the friendly 123D Design (free soft) for pieces designing.
Recipe:
-Ilumination with 4 or 5 micro-LED bulbs. The lighters can be designed and printed using a 3D printer and then mount the LED´s (high brightness and 5300K), the power is 12VDC for groups of 3 or 4 LEDs. The advantage over use of flash, is that you can positioning the lights and lighting make up before shooting, in addition to the volume to be achieved by playing with these lighting.
-Shot photographs using, p. eg Helicon Remote. Helicon controls the approach to the movement of the focus ring before the photo shot, the whole process of taking pictures is automatic, you can watch videos on youtube
-For 1X do you needed 20-100 photos, depending on value of f, focal and deep of field needed, automatically calculated by the soft. Often used the sweet spot of the lens (usually in the vicinity of f5.6) to optimize results
-Now we stack of shots using Helicon Soft
-We can use Lightroom or the like to remove "halos" and "artifacts"
-Once you have practice, the whole process can take 15 min
-And sorry my English, please.
pepo
"Viewing the ocean from the Sun's point of view
I lose the reflection in the contrast...
There's a difference in
Living and living well
You can't have it all...
Caught a fish, caught a breeze...
What more can I ask for?"
© Leanne Boulton, All Rights Reserved
Street photography from Glasgow, Scotland.
Colour re-edit of a shot from July 2017. Enjoy.
Restoring intended value through an application of intended use.
Paper and masking tape.
Dimensions variable.
I set this against a picture of violets in Richard Mabey's book, Flora Britannica.
Thank you all so much for sharing your quality photos which is a great way to see and keep in touch with the world from home. Also for your kind comments and favours which are much valued.
I am not able to take on any more members to follow or to post to groups. I prefer not to receive invites to groups.
A shot uploaded for interest value finds a number of Hymeks, and a Warship, lounging in the scrapyard at Swindon Works, awaiting the cutter's torch, in March 1975.
The cold, bleak day sort of sums up the mood as, by now, BR's drive to rid themselves of diesel-hydraulics locomotives was underway with nothing short of a vengeance.
Nearest the camera looking decidedly sorry for itself is 7068 and, just behind her, is Warship class 806 (previously "Cambrian"), and then another Hymek, 7023.
Just to the left of 7068 can be seen the remnants of 7054 - one of the few and perhaps the only one, to still be carrying its original green livery when withdrawn. See also link attached ....
www.flickr.com/photos/davidhayes/5769434558
Fujichrome 100
1st March 1975
This was an experiment where I used a flashlight in a darkened room to provide side lighting in order to create a feeling of mystery and nostalgia in the subject.
English ten pound note.
If you are familiar with this banknote then this image may strike you as being a little odd. You’ll know the iridescent holograms on the left, but you may not have seen the large yellow figures ‘10’ formed in the pattern at the top.
That’s because this image was taken in UV light. There are patches of fluorescent ink printed on the note that just look like white paper in ordinary light. The five-pound note has a 5 in the same place. I couldn’t afford a £20 note to check it out for consistency (or should that be cheque?) ;)
The British pound sterling is the oldest currency in the world that has been in constant circulation. It was adopted around 800AD being modelled on the currency of the French kingdom of Charles the Great (Charlemagne) which was established a few years before. Italian, Spanish and Portuguese currency had the same roots.
The French livre (pound) had 20 sous each of 12 deniers, like the 20 shillings and 12 pennies of sterling. Interestingly although the small denomination was called a penny its symbol was the ‘d’, just like the French denier, the Spanish Dinero and the Portuguese Dinheiro. All the names derive from the Roman denarius coin.
Sterling was decimalised in 1971 which caused all the prices to go up and the parking meters to stop working :) The pound now has 100 new pennies (p or pence).
Originally one French livre was worth a pound weight of silver (equivalent to 14.6 Troy ounces), but by 850 the pound sterling was only worth eleven and a quarter Troy ounces of silver. Looking at tonight’s spot price for silver my note should be redeemable for £1868.62 of the shiny metal… times change.
This image measures under 3 inches across as per the rules.
One thing that photographers should be aware of is that it is illegal to reproduce a digital picture of more than 50% of one side of the note without an overstamp, and the Queen’s head must not be distorted. There are the normal copyright issues as well and these can be rigorously prosecuted. See the Bank of England website for more details.
Thank you for taking the time to look. I hope you enjoy the image. Happy Macro Mondays :)
Landschaftspark Duisburg-Nord --Importance of memory--
Landschaftspark is a public park located in Duisburg-Meiderich, Germany. It was designed in 1991 by Latz + Partner (Peter Latz), with the intention that it work to heal and understand the industrial past, rather than trying to reject it. The park closely associates itself with the past use of the site: a coal and steel production plant (abandoned in 1985, leaving the area significantly polluted) and the agricultural land it had been prior to the mid 19th century
Conception and creation
In 1991, a co-operative-concurrent planning procedure with five international planning teams was held to design the park. Peter Latz’s design was significant, as it attempted to preserve as much of the existing site as possible. Unlike his competitors, Latz recognized the value of the site’s current condition. He allowed the polluted soils to remain in place and be remediated through phytoremediation, and sequestered soils with high toxicity in the existing bunkers. He also found new uses for many of the old structures, and turned the former sewage canal into a method of cleansing the site.
Design
The park is divided into different areas, whose borders were carefully developed by looking at existing conditions (such as how the site had been divided by existing roads and railways, what types of plants had begun to grow in each area, etc.). This piecemeal pattern was then woven together by a series of walkways and waterways, which were placed according to the old railway and sewer systems. While each piece retains its character, it also creates a dialogue with the site surrounding it. Within the main complex, Latz emphasized specific programmatic elements: the concrete bunkers create a space for a series of intimate gardens, old gas tanks have become pools for scuba divers, concrete walls are used by rock climbers, and one of the most central places of the factory, the middle of the former steel mill, has been made into piazza. Each of these spaces uses elements to allow for a specific reading of time.
The site was designed with the idea that a grandfather, who might have worked at the plant, could walk with his grandchildren, explaining what he used to do and what the machinery had been used for. At Landschaftspark, memory was central to the design. Various authors have addressed the ways in which memory can inform the visitor of a site, a concept that became prevalent during Postmodernism.
Source: en.wikipedia.org/wiki/Landschaftspark_Duisburg-Nord
You might also look at these adresses: