Details

Taken at Elysion

Here I used Dandelion complementary reflected color and light to enhance the little foreground arc of For-get-me-nots wayside blossoms

They're creepy and they're spooky, they're mysterious and cooky, they're Day Twenty Nine...

Thank you to Parker Droverson for being part of this collaboration - check the tags to see his incredibly stunning feed!

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Find credits for the entire look here!

To grasp the full value of happiness you need someone to share it with !

Thank you very much Em for the day we spent together ☺️

👫 *Pose:

"PhotoLovers" Happines is better

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Credits

For me, beauty is valued more than anything - the beauty that is manifest in a curved line or in an act of creativity.

~ Oscar Niemeyer

This is a close up of The Arc, a building I posted recently, and added to the first comment here.

This building was designed by Walter Franci, but I really liked the quote by Brazilian architect, Oscar Niemeyer.

The first increases the second.

Streets of Philadelphia.

Blogged at - Value.

Happy Mothers Day!

My Mother-in-law's jewellery.

Weekly Themes: Two Textures - smooth gem stone and patterned metal surround.

Challenge on Flickr 31 Object/Close Up

In the Japanese Garden on the Clingendael estate you will even find a tea pavilion.

This is the most eye-catching and is a popular place to admire the garden from there. In the tea pavilion you will find an indication of the age of the garden. The date "9-7-1913" is applied in the ridge of the pavilion. The Japanese Garden is the oldest of its kind in the Netherlands and has a high historical value.

Shot with DxO ONE

100: I reckon you are a number.

103: I count you as a number

142: I value you higher than the former two

*** : I think you are superfluous.

(temporary assemblage)

“Remain true to your values. If you don’t stand for something, you’ll fall for anything.”

― Frank Sonnenberg

Location: Green story

Excerpt from www.historicplaces.ca/en/rep-reg/place-lieu.aspx?id=15154:

Description of Historic Place

Bronte Cemetery is located in Bronte Village between the West Street fork, south of Seneca Drive, in the Town of Oakville. The forested cemetery had its first burial in 1823.

The property was designated, by the Town of Oakville in 1987, for its heritage value, under Part IV of the Ontario Heritage Act, By-law 1987-294.

Heritage Value

Bronte Cemetery is associated with the area's earliest pioneers. In 1830, Philip Sovereign deeded the east corner of his farm for the cemetery, after several people had been buried there, beginning in 1823. He specified that it be for people of "all orders, sects, nations and parties". Almost a third of the headstones belong to children, others to mariners. The mariners interred include, Jimmy Baker, first mate on the schooner Magellan, who died when it collided with the U. L. Hurd, in 1877 and the Dorland brothers, fishermen lost east of Bronte in the great gale and snowstorm of December 1886. Many of the early notable families in the cemetery include: Adams, Belyea, Butler, Dorland, Lucas, MacDonald, McWane, Osborne, Ribble, Sovereign, Triller and Williams.

Bronte Cemetery is a good representation of 19th century cemetery design. It is characterised by a naturalistic setting to attract and comfort the living, the use of markers and monuments to perpetuate the memory of individuals of historic importance and a park-like layout for public use. True to the original plan, gravesites are placed with separate individual markers.

Character-Defining Elements

Character defining elements that contribute to the heritage value of Bronte Cemetery include its:

- original markers and monuments, with their surviving inscriptions

- variety of styles, materials and symbolism represented in the markers and monuments

- range of size and sophistication of markers and monuments, from modest to elaborate

- park-like layout including its mature trees

- monuments

- individual grave markers with their surviving inscriptions

- location in Bronte on early settlement grounds

"The value of a life does not depend on the place we occupy;

it depends on the way we occupy that place." ~ Therese of Lisieux

This is Lost Lake (yes, I found it) up atop Kebler Pass.

Thank you for viewing,

Bev

Kebler Pass

Colorado

USA

© All Rights Reserved

Moon and Back Photography & Graphics

Moon and Back Photography

In January 2015, the City of Broken Hill was included on the National Heritage Register. This register lists 106 other iconic landmarks such as the Sydney Harbour Bridge, Kakadu National Park, and the Australian Alps. Broken Hill is the first city to be listed. Extensive research and consultation with the Broken Hill community was a key part of the listing.

The National Heritage List is Australia’s pre-eminent heritage list recognising and protecting the nation’s most valued natural, indigenous, and historic heritage sites. Listing is the highest heritage honour in Australia and listed placed receive national attention and benefits from increased domestic and international tourism. Broken Hil has been assessed against the nine National Heritage Criteria, which include historic, aesthetic, and social values, creative and technical achievements, associations with significant peoples, and others.

The following is the Statement of Significance for the City of Broken Hill which was prepared as part of the listing process:

“The City of Broken Hill has outstanding significance to the nation for its role in creating enormous wealth, for its long, enduring and continuing mining operations, and the community’s deep and shared connection with Broken Hill as the isolated city in the desert, its outback landscape, the planned design and landscaping of the town, the regeneration areas and particularly the physical reminders of its mining origins such as the Line of Lode, the barren mullock heaps, tailings, skimps and slagheap escarpment and relict structures. It exhibits historic qualities in its ongoing mining operations since 1883, the current and relict mining infrastructure and its landscape setting. It is significant for its industrial past ….. together with its role as a pioneer in setting occupational health and safety standards.”

“The Broken Hill zinc-lead-silver ore deposit is one of the world’s largest ore bodies and contains an extraordinary array of minerals. It is geologically complex and has national scientific significance. The Broken Hill operation is significant for its immense size and unrecorded mineral species continue to be found. It contributes to an understanding of the formation of the Australian continent and more than 2, 300 million years of the earth’s history.”

The City of Broken Hill is delighted that the special heritage values of the city are recognised and celebrated nationally and internationally by this listing.

Wilyakali Country:

Wilyakali lies in the east of the state of South Australia, crossing into New South Wales, including the town of Broken Hill. The Wilyakali people traditionally visited the Paakantji people on the Menindee Lakes in the Darling Riverine Plains Bioregion each year.

The three Major language groups for the Broken Hill Region are the Paakantji, Mayyankapa, and Nyiimpaa.

Wilyakali and Danggali both lie east of the Ngadjuri language and north of the upper River Murray languages.

Wilyakali and Danggali are part of the Darling River Language Group or Paakantyi / Paakantji language group. This is a group of closely related languages in South Australia and New South Wales, which can be subdivided into two groups: the “Northern Dialects” and the “Southern Dialects.” Wilyakali and Danggali are both part of the “Southern Dialects.”

Other “Southern Dialects” include Pulaali, Southern Pankantyi, Pantyikali, Wanyuparlku and Marrawarra. Some of these languages have been recorded more than others. Although each language has its own distinguishing features, they are so similar they can be understood by speakers of other languages in this group. Therefore, the following reference list will include Southern Paakantyi references that may be helpful. The language name is noted in square brackets after each reference, when known.

Today the Wilyakali people are still the main Aboriginal group in Broken Hill, though there are a number of Aboriginal people that come from other language groups.

The Aboriginal people of Broken Hill have established working parties to pursue their vision of a better future. They continue to look after their traditional lands and are joint managers of the Mutawintji National Park which is the first national park handed back to the traditional owners in New South Wales. There are many strong elders who continue to maintain and pass on their traditional knowledge to their young people and, today, share their stories with the wider community.

Source: Broken Hill: A Guide to the Silver City by Elizabeth Vines, Mobile Language Team, & Aboriginal Housing Office.

(Bas-Rhin, Alsace, France)

x-default

A house sparrow feeding his young ones ...

The bird was not so happy at being filmed ( or maybe not so happy at the fool with the camera) and it took me about 3 hours to get this shot, by which time the light was fading and the ISO value was increasing more and more ... oh! for a faster, and longer length lens ... but I don't have one so this is the best I could do, but I thought it interesting enough to post :>)

France (Alpes Maritimes)

"Remember the fallen. Honor those who serve. Teach the next generation the value of freedom."

These are the words from Wreaths Across America's (WAA) website noted as "Our Mission". And, it is clearly observed in their commitment to the soldiers buried across the country in the many "national cemetery's" with the wreaths placed against the headstones. However, this is just one of the many ways that WAA remembers, honors, and teaches the next generation about our fallen. Please check out their website for more information about the many ways they accomplish this goal...

www.wreathsacrossamerica.org/

Additionally, the location of the photograph above is the Nashville National Cemetery in Madison, Tennessee (just north of Downtown Nashville) which is listed on the National Register of Historic Places (NRHP). More information about this "national cemetery" can be found here:

npgallery.nps.gov/AssetDetail/NRIS/96001516

Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.

"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11

The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/

Your value doesn't decrease based on someone's inability to see your worth

The Jurassic Coast begins in Exmouth, East Devon, and continues for 95 miles to Old Harry Rocks, near Swanage, Dorset. It is England's only natural World Heritage Site, and was inscribed by UNESCO in 2001 for the outstanding universal value of its rocks, fossils and landforms.

There's something inherently sad about household objects left out for the trash man. They are like castoffs; broken or no longer cherished, and left ignominiously out on the curb. This easy chair caught my eye the other day. Part of the forlorn quality of scenes like this is the object being ripped from its normal context. I wouldn't give the chair a second look in someone's living room. But it seemed horribly out of place on the edge of the state highway that bisects the village. That, and the sedentary nature of a recliner juxtaposed against passing traffic. Wonderful visual metaphors for the life cycle of things we purchase and the passage of time (and with it life). In the eerie stillness after the truck passed I contemplated the chair and the many other personal objects scattered about the lawn behind me. There's a village-wide trash haul this weekend, and little collections such as this are springing up all around. I have to admit a weird impulse to inspect them, and yearn to pull over when driving by. I can't help but think I will find something of value (I almost never do) but also that idle curiosity about seeing the remnants of someone else's life (remember I did preface this as weird). I'll be placing some of my own items out on the curb soon. I tend to wait until the night before, perhaps to avoid having others inspect them as I did this chair. Even when it's sheer junk, I feel an odd sentimental tug about letting go of things. And that spell lasts as long as the objects remain on my tree lawn before the pickup. Much like this chair, they are in the condemned phase, but still retrievable. I can simply go back out and reclaim them. That sentiment vanishes the moment the objects are tossed onto the truck. Maybe that's why I wait until the last minute to put them out. I just can't stand that in between time.

© Leanne Boulton, All Rights Reserved

Street photography from Glasgow, Scotland.

Colour re-edit of a shot from July 2017. Enjoy.

Take a moment from time to time to remember that you are alive.

I know this sounds a trifle obvious, but it is amazing how little time

we take to remark upon this singular and gratifying fact.

By the most astounding stroke of luck an infinitesimal portion

of all the matter in the universe came together to create you

and for the tiniest moment in the great span of eternity

you have the incomparable privilege to exist ...

Bill Bryson

The Merganser tried unsuccessfully for over 20 minutes to try to swallow its catch but eventually had to give up..... a little too big

English ten pound note.

If you are familiar with this banknote then this image may strike you as being a little odd. You’ll know the iridescent holograms on the left, but you may not have seen the large yellow figures ‘10’ formed in the pattern at the top.

That’s because this image was taken in UV light. There are patches of fluorescent ink printed on the note that just look like white paper in ordinary light. The five-pound note has a 5 in the same place. I couldn’t afford a £20 note to check it out for consistency (or should that be cheque?) ;)

The British pound sterling is the oldest currency in the world that has been in constant circulation. It was adopted around 800AD being modelled on the currency of the French kingdom of Charles the Great (Charlemagne) which was established a few years before. Italian, Spanish and Portuguese currency had the same roots.

The French livre (pound) had 20 sous each of 12 deniers, like the 20 shillings and 12 pennies of sterling. Interestingly although the small denomination was called a penny its symbol was the ‘d’, just like the French denier, the Spanish Dinero and the Portuguese Dinheiro. All the names derive from the Roman denarius coin.

Sterling was decimalised in 1971 which caused all the prices to go up and the parking meters to stop working :) The pound now has 100 new pennies (p or pence).

Originally one French livre was worth a pound weight of silver (equivalent to 14.6 Troy ounces), but by 850 the pound sterling was only worth eleven and a quarter Troy ounces of silver. Looking at tonight’s spot price for silver my note should be redeemable for £1868.62 of the shiny metal… times change.

This image measures under 3 inches across as per the rules.

One thing that photographers should be aware of is that it is illegal to reproduce a digital picture of more than 50% of one side of the note without an overstamp, and the Queen’s head must not be distorted. There are the normal copyright issues as well and these can be rigorously prosecuted. See the Bank of England website for more details.

Thank you for taking the time to look. I hope you enjoy the image. Happy Macro Mondays :)

1-Oñati-City Hall-Guipuzkoa-Basque Country

Pls.Zoom

Arquitecto :Martin de Carrera

Architect: Martin de Carrera

El ayuntamiento de Oñati es Monumento Histórico Artístico de la Provincia de Gipuzkoa desde 1964, y su obra es considerada como una de las más importantes del Barroco Civil en todo el País Vasco. Si la Universidad de Oñati realizada bajo el mecenazgo de Mercado de Zuazola se puede comparar con las más importantes universidades renacentistas del momento, el Ayuntamiento aunque cronológicamente no es el primero de estas características, es motivo de referencia constante, por su factura, ubicación y belleza.

El edificio municipal construído entre los años de 1764-1783 fue diseñado por Martín de Carrera, colaborando con el proceso constructivo Francisco de Echánove quien se encargó de la cantería y Francisco de Cortaberría y Miguel de Sarazíbar de la carpinteria. La más que notable labor de herrería la llevaron a cabo José de Labroche, Joaquín de Arbe y Ventura Jubiondo, correspondiento el diseño de la sillería de la sala principal Manuel Martín de Carrera . A pesar del fallecimiento del arquitecto Martín de Carrera el 31 de agosto de 1768, la obra se desarrolla con normalidad, entregándose en los plazos establecidos.

La Casa Consistorial de Oñati es una construcción exenta de finales del Barroco que está ubicada en uno de los extremos de la plaza, entre las calles Zumalacárregui y Barria, poseyendo un fuerte sentido urbano. Edificio de piedra sillar, tiene planta rectangular, acceso por soportales más dos alturas y cubierta a cuatro aguas. Su fachada principal tiene una composición simple y una primorosa decoración con destacada obra de cantería y talla que da al edificio un valor añadido. Cuatro pilastras gigantes elevadas sobre unas pequeñas basas, van desde el suelo hasta prácticamente la cornisa y recorren verticalmente dicha fachada ordenando simetricamente la composición en tres alturas. Al nivel del suelo se abren los soportales que dan acceso al pórtico por medio tres arcos carpaneles, algo retranquedados con respento a las pilastras, lo que aumenta el movimiento en fachada. Los pisos superiores poseen seis vanos moldurados, tres por cada altura que corresponden con los balcones, en torno a los cuales se concentra la riquísima decoración: rocallas, orejeras, frontones curvos partidos, florones, cartelas, molduras, hojarasca, elementos vegetales, veneras, ménsulas, guirnaldas caídas, decoración menuda…. Por otra parte la labor de forja de los balcones y la escalinata son de magnífica factura, a base de de rocallas, flores de chapa recortada, formas geométicas con juegos ondulados y líneas redondeadas en movimiento. La abundancia decorativa continúa en el tramo central con el escudo, que rompe el alero dejándolo a modo de frontón. Finalmente cinco pináculos sobre el tejado coincidiendo con las bandas de fachada, aumenta todavía más la faceta decorativa. Eli nterior es conglomerado y se accede mediante los arcos cubiertos de bóveda de arista enyesados. Bajo ellos se encuentra la puerta principal que conduce a una gran escalera de un tramo, que tras el descansillo se convierte en escalera doble. La caja de esta escalera está cubierta con un pequeño tambor ciego y un cupulín con gajos. El gran salón de sesiones tiene tres puertas de entrada, coincidentes con los balcones de fachada. Las fachadas laterales son de piedra sillar en la primera planta y el resto de mampostería revocada. La variedad de usos; juzgado, vivienda, archivo, alhóndiga, cárcel… parece que caracterizó los primeros años de actividad de este singular edificio, cuya popularidad hace olvidar otros ayuntamientos de similar composición que carecen de su elegancia

The town hall of Oñati has been a Historic Artistic Monument of the Province of Gipuzkoa since 1964, and its work is considered one of the most important of the Civil Baroque in the whole of the Basque Country. If the University of Oñati, built under the patronage of Mercado de Zuazola, can be compared with the most important Renaissance universities of the time, the Town Hall, although chronologically not the first of these characteristics, is a constant reference point for its workmanship, location and beauty.

The municipal building, built between 1764 and 1783, was designed by Martín de Carrera, with Francisco de Echánove collaborating in the construction process, who was in charge of the stonework, and Francisco de Cortaberría and Miguel de Sarazíbar in charge of the carpentry. The more than notable ironwork was carried out by José de Labroche, Joaquín de Arbe and Ventura Jubiondo, with the design of the seating in the main hall corresponding to Manuel Martín de Carrera. Despite the death of the architect Martín de Carrera on 31 August 1768, the work was carried out normally and was delivered within the established time frame.

The Town Hall of Oñati is a free-standing building from the late Baroque period, located at one end of the square, between Zumalacárregui and Barria streets, with a strong urban feel. The ashlar stone building has a rectangular floor plan, access through arcades and two floors and a hipped roof. Its main façade has a simple composition and exquisite decoration with outstanding stonework and carving that gives the building added value. Four giant pillars raised on small bases, go from the ground to practically the cornice and run vertically along the façade, symmetrically arranging the composition in three floors. At ground level, the arcades open out and give access to the portico through three basket-shaped arches, slightly set back from the pillars, which increases the movement of the façade. The upper floors have six moulded openings, three for each height, corresponding to the balconies, around which the rich decoration is concentrated: rocailles, lancets, split curved pediments, rosettes, cartouches, mouldings, foliage, plant elements, scallops, corbels, hanging garlands, small decoration... On the other hand, the wrought iron work on the balconies and the staircase is of magnificent workmanship, based on rocailles, cut metal flowers, geometric shapes with wavy interplays and rounded lines in movement. The decorative abundance continues in the central section with the coat of arms, which breaks the eaves leaving it as a pediment. Finally, five pinnacles on the roof coinciding with the façade bands, further increase the decorative aspect. The interior is made of conglomerate and is accessed through the arches covered with plastered groin vaults. Below them is the main door leading to a large one-flight staircase, which after the landing becomes a double staircase. The stairwell is covered with a small blind drum and a small dome with segments. The large assembly hall has three entrance doors, coinciding with the balconies on the façade. The side façades are made of ashlar stone on the first floor and the rest of plastered masonry. The variety of uses; court, residence, archive, market, prison… seems to have characterised the first years of activity of this unique building, whose popularity makes us forget other town halls of a similar composition that lack its elegance.

Ref:Edit Eusko Ikaskuntza .Bilbao 2014

It is the main wetland area of the Castellón province, as well as one of the least damaged habitats of the Valencian Community. Its special scenic, geological and ecological characteristics make this area one of great value within the context of natural heritage of the Valencian region.

Es la principal zona húmeda de la provincia de Castellón, al tiempo que uno de los hábitats húmedos menos alterados de la Comunidad Valenciana. Sus especiales características paisajísticas, geológicas y ecológicas le confieren un gran valor en el contexto del patrimonio natural valenciano.

Parc Natural Prat de Cabanes-Torreblanca (Castelló/ Spain)

www.turismodecastellon.com/es/que-hacer/naturaleza/parque...

Restoring intended value through an application of intended use.

Paper and masking tape.

Dimensions variable.

designed by @gavinkeech

...have fascinated me and I am deeply impressed every time I see them somewhere in the forests of Switzerland. I know this picture is not very new anymore but I recently got some input or an idea from someone who shared his beautiful photo from a jay with us here on Flickr. I had completely forgotten that I have various pictures of jays myself, but never published them on my photostream here. This happens to me very often because I spend most of my time in the wild nature and can then take photos of various animals. The time spent out there is the most important thing for me and the wonderful moments of being able to experience it up close and in the middle of the wild. Selecting the many photos later on is always a lot of work for me and I shy away from it whenever possible. In this way, many of my photos stay on the memory card for a long time before I copy them to my computer. A lot of things are forgotten and I only discover the pictures when I really find the time or when I get a thought-provoking idea from someone like now. In this sense, I would like to thank Mike for recently publishing one of his photos of jays. www.flickr.com/photos/191055893@N07/

This was a good opportunity to check myself again to see if I have anything useful about jays - this beautiful and clever bird of the forest.

As you can see, I found what I was looking for, but I had a lot of trouble choosing one photo from the many that I have. On top of that, I have a lot of trouble choosing one of my usually many photos. I really hope that I have chosen the right one for you and that it is beautiful enough to enjoy?

Well, the story behind this photo might also be informative for you. Actually, I was out and about in the forests of Switzerland and my surroundings again, primarily to photograph squirrels, because I now knew very well where you could find them and at what time. But things usually turn out differently than you think and, as is so often the case out there in nature, you experience small or large surprises. Anyway, I saw squirrels and was able to photograph some very nicely, but the real star of the day was definitely the jay. Why? To my great surprise and even greater joy, the jay passed by several times where I was photographing the squirrels, or at least trying to haha..

This jay sat on a branch not very far from me and maybe watched me doing something strange. At least that's how it seemed to me and it didn't fly away straight away but stayed in the tree for a while before moving on. As if that wasn't enough, he kept coming back to me and the whole game started again. I was simply fascinated by this magnificent bird with its beautiful blue feathers on its side. What more could you expect from a day in the wild than such an amazing spectacle that you can then capture with your camera. There was just one thing that annoyed me a little: my wrong settings on my camera. I was probably a bit nervous and set the exposure time much too short because I now had a camera with image stabilization. In that sense, I could have halved the time and the ISO values would not have been so high. I can't change it now and I'm very happy despite everything because the really nice thing about it all was the great experience with the clever jay, which made me lose track of time that day.

The wonders of creation are so diverse that this beauty will never end. Creation is here. It is in you right now, it has always been. The world is a wonder. The world is magic. The world is love. And it is here, now.

- Iroquois Indian

We must protect the forests for our children, grandchildren and children yet to be born. We must protect the forests for those who cannot speak for themselves, like the birds, animals, fish and trees.

- Qwatsinas Edward Moody

Barton Hill depot in Bristol will be the temporary home for 20901 and 20905 for the next 5 weeks whilst they undergo a repaint into Balfour Beatty livery.

The depot opened in 1840 as a locomotive depot until 1870 when it became a carriage and wagon servicing facility.

I remember it being the home of the Blue Pullman in the early 70s. It was used by RES for a little bit in the mid 90s and went into Arriva ownership in 2011.

Its great to see some locomotives from the 1960s in a depot building dating back to the 1840s.

stacked

On the 15th December 2010, they killed-off the Harrier to save less than £1bn. This year the UK government has already spend more than £300bn fighting COVID-19. That’s more money per day on COVID-19 than the entire savings from retiring the Harrier force.

PointsPlus Value: 6

CORE

Servings: 8

Preparation Time: 5 min

Cooking Time: 30 min

Level of Difficulty: Moderate

Course: main meals

Ingredients

2 Tbsp Worcestershire sauce

2 Tbsp fat-free sour cream

1 tsp paprika

1 Tbsp dried parsley

1/2 tsp black pepper

1 tsp table salt

1 Tbsp olive oil

1 medium carrot(s), peeled and chopped

1 medium onion(s), chopped

1/2 cup frozen green peas

1 Tbsp cornstarch

1 3/4 pound raw extra lean ground beef

1 cup fat-free beef broth

1/2 cup fat-free chicken broth

2 pound whole uncooked white potato, peeled and cubed

Instructions

Boil potatoes in salted water until tender, about 12 minutes. Drain potatoes and pour them into a bowl. Combine sour cream and 1/2 c. chicken broth. Add the cream mixture into potatoes and mash until potatoes are almost smooth.

While potatoes boil, preheat a large skillet over medium high heat. Add oil to hot pan with beef or lamb. Season meat with salt and pepper. Brown and crumble meat for 3 or 4 minutes. Add chopped carrot and onion to the meat. Cook veggies with meat 5 minutes, stirring frequently.

In a second small skillet over medium heat whisk together cornstarch, 1 c. beef broth, and Worcestershire sauce. Thicken gravy 1 minute.

Add gravy to meat and vegetables. Stir in peas. Preheat broiler to high. Fill a small rectangular casserole with meat and vegetable mixture. Spoon potatoes over meat evenly. Top potatoes with paprika and broil 6 to 8 inches from the heat until potatoes are evenly browned. Top casserole dish with chopped parsley and serve.

Here in Germany there is money to be made by scouring litter bins looking for discarded glass/plastic bottles and tin cans, as 99% of them have deposit value on them.

The deposits can range from 8 cents to 25 cents depending on the type of container.

During my breaks at motorway services in my truck I often see guys going around the huge dome shaped litter bins with torches & grab sticks fishing out the 'money'.

When I spotted this woman doing the rounds I turned around and beat her to the next bin, set up my shot and simply waited.

Thanks for taking the time to view my image. Your comments, faves & constructive criticism are greatly appreciated.

Created with fd's Flickr Toys.

UNESCO World Heritage Site

Outstanding Universal Value

Brief synthesis

Situated in North Yorkshire, the 18th century designed landscape of Studley Royal water garden and pleasure grounds, including the ruins of Fountains Abbey, is one harmonious whole of buildings, gardens and landscapes. This landscape of exceptional merit and beauty represents over 800 years of human ambition, design and achievement.

Studley Royal Park is one of the few great 18th century gardens to survive substantially in its original form, and is one of the most spectacular water gardens in England. The landscape garden is an outstanding example of the development of the ‘English’ garden style throughout the 18th century, which influenced the rest of Europe. With the integration of the River Skell into the water gardens and the use of ‘borrowed’ vistas from the surrounding countryside, the design and layout of the gardens is determined by the form of the natural landscape, rather than being imposed upon it. The garden contains canals, ponds, cascades, lawns and hedges, with elegant garden buildings, gateways and statues. The Aislabies’ vision survives substantially in its original form, most famously in the spectacular view of the ruins of Fountains Abbey itself.

Fountains Abbey ruins is not only a key eye catcher in the garden scheme, but is of outstanding importance in its own right, being one of the few Cistercian houses to survive from the 12th century and providing an unrivalled picture of a great religious house in all its parts.

The remainder of the estate is no less significant. At the west end of the estate is the transitional Elizabethan/Jacobean Fountains Hall, partially built from reclaimed abbey stone. With its distinctive Elizabethan façade enhanced by a formal garden with shaped hedges, it is an outstanding example of its period.

Located in the extensive deer park is St Mary’s Church, a masterpiece of High Victorian Gothic architecture, designed by William Burges in 1871 and considered to be one of his finest works.

Criterion (i): Studley Royal Park including the ruins of Fountains Abbey owes its originality and striking beauty to the fact that a humanised landscape was created around the largest medieval ruins in the United Kingdom. The use of these features, combined with the planning of the water garden itself, is a true masterpiece of human creative genius.

Criterion (iv): Combining the remains of the richest abbey in England, the Jacobean Fountains Hall, and Burges’s miniature neo-Gothic masterpiece of St Mary’s, with the water gardens and deer park into one harmonious whole, Studley Royal Park including the ruins of Fountains Abbey illustrates the power of medieval monasticism and the taste and wealth of the European upper classes in the 18th century.