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This is an example of value as value is the ratio from light to dark and this picture shows tone of light (white) vs Dark (black).
Monday April 29, 11am–2pm
Learn how to use colour value in your quilts to create more dynamic designs with Cheryl Arkison, the co-author of Sunday Morning Quilts. Value is what our eye reads as light, dark or medium. This class focusses on determining value, regardless of colour, within a pile of fabric. Students will sew a series of half square triangle blocks to demonstrate value through various layouts and designs.
photo courtesy of Cheryl Arkison
BLM Winter Bucket List #14: Cache Creek Natural Area, California, for Eagle Hikes
On Saturdays in January through mid-February, you can join the BLM California and other outdoors enthusiasts for guided eagle hikes in the Cache Creek Natural Area. Spend four or five hours hiking across the secluded, hilly expanse of oak woodlands and grasslands - a combination of over 70,000 acres of BLM managed lands and 4,700 acres of state and county lands.
Eagles often soar over the Cache Creek or perch in streamside trees, and visitors often spot other wildlife, including tule elk, golden eagles, osprey, herons, red-tailed hawks and egrets.
The Cache Creek Natural Area is managed to improve habitat for wildlife and rare plants, to protect cultural resource values, and to offer primitive recreation opportunities, including wildlife viewing, river running, hiking, equestrian use and fishing. In 2006, approximately 27,245 acres within the Cache Creek Natural Area were designated as the Cache Creek Wilderness Area.
Learn more about the hikes: on.fb.me/1tMTsac
Photos by Bob Wick, Wilderness Specialist for the BLM’s National Conservation Lands
Metropolitan Detroit photographer, specializing in Natural Light, Portrait, Boudoir, Sports and Event photography
We appreciate your business and we certainly want to be the one-stop-shop for your photographic needs. We offer a full array of photographic services, from Family to Individual Portrait sessions, including Fine Art Boudoir imagery, High School Senior pictures, Sports, Event and Product photography,
as well as a wide selection and sizes for prints and showcase pieces. We focus on color, details, perspective and professionalism and we value photographs because they tell a story. Let us tell yours...
#bruceturnerphotography #detroitphotographer #detroitboudoirphotographer #detroitfashionphotographer #detroit #photographer #portraiture #boudoir #beauty #model #chicago #cleveland #milwaukee #miami #newyork #losangeles #la
Giclée (/ʒiːˈkleɪ/ zhee-KLAY) is a neologism coined in 1991 by printmaker Jack Duganne for fine art digital prints made on inkjet printers. The name was originally applied to fine art prints created on a modified Iris printer in a process invented in the late 1980s. It has since been used loosely to mean any fine-art printing, usually archival, printed by inkjet. It is often used by artists, galleries, and print shops to suggest high quality printing, but is an unregulated word with no associated warranty of quality.
About color reproductions, I love them and have no qualms about hanging them in my home. I don't think I will ever own a original Dufy but I have a nice poster that makes me happy purchased sixty years ago for one dollar. My question here is value for product, the commercial side of fine art.
At Kennedy Galleries we did a good business in the sale of John Stobart limited edition color offset prints. Asked if the value would increase over time most of the sales staff would say something vague about the secondary market but few would guarantee a growth in value. The average price was five hundred for a hand signed print, forty years later the secondary market hovers around six hundred for many of his prints. Fair market value?
I finished up the value quilt top today! I am really loving it so far! I think I will straight line quilt it. Now that I'm comfortable with my walking foot, I want to play around with straight quilting a little!
Almost all my points match, which makes me quite happy because I did not take the time to trim down every HST block. It just takes too long!!
Michael has become my go-to quilt holder-upper! :D
Eco Fashion Week April 22, 2013 Three stylists with $500 each made three runway collections from outfits presented by Value Village. Photos by Sean Herd.
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桃園縣大溪鄉 Daxi Township, Taoyuan County
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True Value, Shop Rite Hardware and Paint Supply, Silas Deane Hwy Wethersfield, CT, Pics by Mike Mozart , AKA MiMo on Instagram instagram.com/MikeMozart
La Transiraniana ha unito per la prima volta il Paese. Un esempio di come un'infrastruttura sia potu
salini, we build value, transiraniana www.diggita.it/v.php?id=1525415
The Unitarian Universalist Fellowship of Central Oregon sends children off to religious education classes with a tradition the growing congregation insists on keeping no matter how big it gets. This commitment to community amidst rapid change is part of why the Unitarian Universalist Association named the fellowship a Breakthrough Congregation.
See “Community Spirit" by Elaine McArdle, UU World (Summer 2016), pages 22–27. Photograph © 2016 Karen Cammack.
The Fountain of Putti is a monumental work in Carrara marble , located at the entrance to Piazza dei Miracoli and Via Santa Maria in Pisa .
It was built between 1746 and 1765 by Giuseppe Vaccà , who took care of the base, and by Giovanni Antonio Cybei , author of the marble group of putti holding the coats of arms of Pisa and the Opera del Duomo, based on a design by the painter Giovanni Battista Tempesti
The presence of a first fountain in the Piazza del Duomo, although simple and devoid of ornaments, has been attested since 1659. However, it was thanks to the Operaio dell'Opera Francesco Quarantotti , appointed in 1729, that the current structure was built , strategically moved a few meters compared to the position of the previous fountain and placed "on the corner of the paved road that goes to the church" , that is, in front of the exit of via Santa Maria into Piazza del Duomo. For the new monument, an aesthetic solution was chosen that could better harmonize with the classic appearance of the monuments in the square .
The first phase of construction of the fountain was entrusted to the Carrara sculptor Giuseppe Vaccà, who had participated together with his father Giovan Battista and his cousin in the furnishing of the Cathedral , a phase which ended in 1746 with the construction of a base decorated with cherubs and acanthus leaves. The pillar of the source was built in Avenza di Massa in the Vaccà workshop in just under a year, and despite the construction difficulties caused by the soft ground (which it was necessary to consolidate by driving 33 pine poles deep) , in September by 1746 the fountain could now be said to be completed . Its creation, as reported in the Memoria del Duomo by Filippo D'Angelo, was defined as "not magnifying but beautiful and gallant" .
In 1763 Anton Francesco Maria Quarantotti, who had succeeded his father in the service of the Opera del Duomo, agreed with Vaccà to complete the structure of the fountain with a sculptural group to be positioned above the marble base. Vaccà in all likelihood in this case only played the role of entrepreneur : the construction was in fact entrusted to Giovanni Antonio Cybei , who worked starting from a preparatory drawing by the painter Giovanni Battista Tempesti . From 1763, the work kept Cybei busy for about two years ; the sculptural group was transported to the city by sea and up the Arno a few days before Christmas 1765
Shortly after the completion of the work, the first critical assessments also emerged, which were directed in particular against the sculptural group of the three putti. The oldest written testimony of these negative judgments dates back to Filippo D'Angelo , who, in his Memoirs of the Cathedral and events of the city of Pisa in 1767 , defined the author as "a terrible statuary" .
In 1848, the Pisan sculptor Girolamo Marconi was the first to propose replacing the sculptural group with a statue of the city's patron saint, San Ranieri , also replacing the base with another, more sober one, bearing the city coat of arms [9] . However, probably due to lack of funds, the proposal was not followed up .
With the foundation in Pisa of the Association for the embellishments of the Piazza del Duomo (1862), born in the period of national unification, the hypothesis of replacing the group of three putti, judged to be of little value, with the statue of Buscheto , architect of the Cathedral . However, not even this time did the intent to restore a more austere appearance to the square lead to concrete results.
The opportunity for a new attempt to remove the group presented itself with the appointment of Archbishop Pietro Maffi in 1905. Maffi, who was an astronomer and had been appointed president of the Vatican Observatory in 1904 , proposed replacing the putti with a monument to Galileo Galilei . To reduce costs, he also suggested removing only the sculptural group, using the fountain below. The project, however, was harshly criticized when it was made public in 1906; on this occasion, for the first time, some defenders of the Fontana dei Putti intervened as a historical and symbolic element of the square. The determination of Maffi, who in the meantime had become cardinal, led him to a second attempt in 1922, when the Genoese sculptor Antonio Bozzano was entrusted with the task of creating a sketch for the work . Once again, however, the project was not successful: the survival of the Fontana dei Putti was probably guaranteed by the failure of Maffi to be elected to the papal throne in the Council of 1922 , which instead led to the election of Achille Ratti with the name of Pope Pius XI. This event marked the end of a century of replacement projects and allowed the three cherubs to maintain their role among the prominent monuments in the square.
The history of the attribution of the sculptural group of the three putti has been the subject of complex developments.
Despite the relevant testimony of Girolamo Tiraboschi , who already in 1786, in his biography dedicated to Cybei, mentioned among the artist's works the three putti in the Piazza del Duomo of Pisa , over time the name of the author of group was lost.
In 1873 Tiraboschi's words were also reported by the Marquis Giovanni Campori in his Biographical Memoirs of sculptors, architects, painters, etc. natives of the Province of Massa in 1873 , but despite this testimony for a long time the role of Cybei was ignored and the sculptures were attributed to Giuseppe Vaccà. The attribution to Vaccà also remained in the Pisa Guide by Bellini Pietri and in a 1931 essay by Giorgio Castelfranco entitled The Fountain of G. Vaccà in Piazza del Duomo in Pisa.
Subsequently, in 1990, Paolo Roberto Ciardi seemed to resolve the issue by publishing the contract stipulated in 1763 between the Worker Quarantotti and Giuseppe Vaccà, which recognized the latter as the author of the three putti. However, towards the end of the nineties, the discovery of an autograph by Cybei, in which the sculptor explicitly declared that he had created the group for the fountain, allowed the paternity of the work to be returned to him
The base created by Giuseppe Vaccà appears as a parallelepiped positioned vertically, characterized on two sides by acanthus leaves, which create a bulge in the lower part of the plinth, while, on the opposite sides, two volutes resting on a base support the basin for the 'waterfall.
In the areas of the squares of the fountain's pedestal the artist is inspired by the architectural formulas of the sixteenth and seventeenth centuries, proposing an architecture animated by two different themes: on two sides, a geometric ornamentation; on the other two, mythological figures in high relief. The artist also uses different techniques for the two pairs of panels: high relief for the figurative images and low relief for the more ornamental decoration .
In the squares of the parallelepiped, the artist creates a dialogue between art and nature , representing an acanthus leaf that invades the lower part of the base, a symbol widely used in architectural decorative resolutions. The artist here clearly refers to classical models [19] , loading them with allusive values: the acanthus leaf, a constant presence on capitals, ceiling and wall decorations, returns here to symbolize freshness and refreshment, themes that are well suited to the nature and function of the monument.
The considerable volume of acanthus leaves also has its own structural utility . It distributes the weight thrusts at the base of the parallelepiped towards the ground in a more uniform and less incidental way, avoiding the formation of cracks and ensuring better cohesion between the different parts. To confirm this, we observe the presence of two overturned shelves under the two basins, which also serve to balance the downward forces.
In the other two areas of the panels, however, the work is loaded with allegorical-symbolic values through one of the most traditional figures of mythological language: the Triton who fights with the sea monster. The extremely popular theme, however, seems to refer in particular to a preparatory drawing by Marco da Faenza for the grotesques of the Triton in combat, preserved at the superintendence for artistic and historical heritage of Florence .
The young Tritons, represented in a mirrored manner in the mirrors of the base, have the aim of enhancing the wonder of the sea. One, by blowing the conch, seems to attract the attention of the other intent on fighting, immortalized in the gesture of throwing a stone at the monster subjected to him, in a playful and carefree atmosphere. The volumes of the figures burst into space, projecting to the maximum, with a powerful modeling that goes beyond the limits of high relief.
The sculptural group created between 1763 and 1765 by Antonio Cybei is located above the base and depicts three colossal putti, also in white Carrara marble , holding the coats of arms of Pisa and the Opera del Duomo .
In his reworking of the work, Cybei did not modify the poses of the three putti compared to the original sketch proposed by Tempesti, but inverted the central putto counterclockwise, creating a composition capable of further highlighting the dynamism of the figures.
The spiral arrangement of the figures had the aim of lightening the base and, at the same time, creating the optical illusion of an ascending movement, as if the direction given to the movement was not directed downwards, but was going towards the sky . The different compositional arrangement between Tempesti's sketch and Cybei's work highlights a different intent. In Tempesti's sketch, which is arranged clockwise, the shield seems to move downwards, as if it descended directly from the sky into the arms of the children . On the contrary, in the layout given by Cybei the figures are positioned counterclockwise, with the statues appearing to raise the shield upwards, in a gesture "of thanksgiving and consecration of the Pisan people to God".
In this sense, the execution of Tempesti's modeling still has a baroque character, in which the composition rotates around a central axis, and the distribution of weights moves in a spiral that converges downwards. On the contrary, the change made by Cybei, with the anti-clockwise movement of the figures, seems to mark, according to Mario Noferi, the transition from baroque to rococo . In fact, the revision, which proposed an ascending dynamism in the form of a spiral, seems to lighten the weight of the compositions that characterizes baroque works while maintaining the basic principles of representation intact, in line with one of the main objectives of the Rococo. In summary, the reworking of Cybei made the work more modern compared to Tempesti's sketch, which still reflected the influence of the Roman school .
Another notable characteristic of the Putti group is certainly the plastic treatment of the volumes, capable of expressing the sensation of the softness of the flesh. The skilful use of chiaroscuro also contributes to this rendering, which gives the sculpture an almost pictorial character, to the point of pushing Mario Noferi to believe that "the sculptor, with intention, wanted to leave traces of the original design idea taken from the drawing of a painter". Evidence of these plastic abilities would also be, according to the scholar, the careful reproduction of an atmospheric phenomenon: the disheveled hair of the children, in fact, seems to be agitated by the wind, a re-enactment of a natural phenomenon that contributes to the overall movement of the work
From a symbolic point of view, the presence of water refers to the concept of purification, historically also referring to the dawn of Christianity, when fountains were placed in the atrium of Christian basilicas to introduce the sacred space. In the same way it would then be possible, according to Mario Noferi, to consider the monumental fountain as a spiritual entrance to the square, at the convergence of all the city streets that lead to the Cathedral.
Furthermore, according to the scholar, the iconic buildings of the square symbolize the essential phases of human life in relation to faith: birth represented by the baptistery, life symbolized by the cathedral and death evoked by the cemetery. Similarly, the three lively children who adorn the top of the Fountain represent a specific phase of human existence, recalling the short period of childhood characterized by energy and recklessness in games
The introduction of postal cards is believed to have contributed to the revaluation of the fountain in the 19th century . Initially, in fact, the classic view of the square included only the Baptistery, the Cathedral and the famous Leaning Tower. However, as time passed, the fountain was included in other images taken from different angles, acquiring a significant role among other major monuments and arousing the interest of both postcard buyers and the recipients themselves .
This process gradually led the fountain to establish itself in the collective imagination as an essential element of the urban panorama of the Piazza dei Miracoli. However, it is with the advent of mobile devices and new technologies that the fountain has taken on an even more relevant role. Today, thanks to the ease with which it is possible to take photographs and videos, the fountain is included in many images of the square, deliberately chosen to offer added value to the image itself and enhance the other monuments present.
Furthermore, a notable aspect is that from the perspective located at the intersection between Piazza dei Miracoli and Via Santa Maria, it is possible to appreciate in a single glance all three faces of the children who, with their different contortions, support the coat of arms of the city of Pisa .
Ultimately, the fountain on the Piazza dei Miracoli has undergone a process of revaluation over the years, becoming a fundamental element of the urban landscape. Thanks to social media, its presence is increasingly constantly documented, while the peculiar detail of the cherubs holding up the coat of arms of Pisa contributes to increasing the curiosity and attention of visitors
The Fountain of Putti also appears in the theme song of the fourth animated season of " Lupine III - The Italian Adventure ", a derivative of the manga by the Japanese cartoonist Monkey Punch and broadcast in 2015 .
The series, made up of twenty-six episodes, is entirely set in Italy and the opening theme features several important Italian tourist places (such as Rome, the canals of Venice, San Marino, Santa Maria del Fiore in Florence). Among these, a significant shot is reserved for the Leaning Tower of Pisa, with the Fountain of the Putti placed right in the foreground.
Pisa is a city and comune in Tuscany, central Italy, straddling the Arno just before it empties into the Ligurian Sea. It is the capital city of the Province of Pisa. Although Pisa is known worldwide for its leaning tower, the city contains more than twenty other historic churches, several medieval palaces, and bridges across the Arno. Much of the city's architecture was financed from its history as one of the Italian maritime republics.
The city is also home to the University of Pisa, which has a history going back to the 12th century, the Scuola Normale Superiore di Pisa, founded by Napoleon in 1810, and its offshoot, the Sant'Anna School of Advanced Studies.
History
For a chronological guide, see Timeline of Pisa.
Ancient times
The most believed hypothesis is that the origin of the name Pisa comes from Etruscan and means 'mouth', as Pisa is at the mouth of the Arno river.
Although throughout history there have been several uncertainties about the origin of the city of Pisa, excavations made in the 1980s and 1990s found numerous archaeological remains, including the fifth century BC tomb of an Etruscan prince, proving the Etruscan origin of the city, and its role as a maritime city, showing that it also maintained trade relations with other Mediterranean civilizations.
Ancient Roman authors referred to Pisa as an old city. Virgil, in his Aeneid, states that Pisa was already a great center by the times described; and gives the epithet of Alphēae to the city because it was said to have been founded by colonists from Pisa in Elis, near which the Alpheius river flowed. The Virgilian commentator Servius wrote that the Teuti founded the town 13 centuries before the start of the common era.
The maritime role of Pisa should have been already prominent if the ancient authorities ascribed to it the invention of the naval ram. Pisa took advantage of being the only port along the western coast between Genoa (then a small village) and Ostia. Pisa served as a base for Roman naval expeditions against Ligurians and Gauls. In 180 BC, it became a Roman colony under Roman law, as Portus Pisanus. In 89 BC, Portus Pisanus became a municipium. Emperor Augustus fortified the colony into an important port and changed the name to Colonia Iulia obsequens.
Pisa supposedly was founded on the shore, but due to the alluvial sediments from the Arno and the Serchio, whose mouth lies about 11 km (7 mi) north of the Arno's, the shore moved west. Strabo states that the city was 4.0 km (2.5 mi) away from the coast. Currently, it is located 9.7 km (6 mi) from the coast. However, it was a maritime city, with ships sailing up the Arno. In the 90s AD, a baths complex was built in the city.
Late Antiquity and Early Middle Ages
During the last years of the Western Roman Empire, Pisa did not decline as much as the other cities of Italy, probably due to the complexity of its river system and its consequent ease of defence. In the seventh century, Pisa helped Pope Gregory I by supplying numerous ships in his military expedition against the Byzantines of Ravenna: Pisa was the sole Byzantine centre of Tuscia to fall peacefully in Lombard hands, through assimilation with the neighbouring region where their trading interests were prevalent. Pisa began in this way its rise to the role of main port of the Upper Tyrrhenian Sea and became the main trading centre between Tuscany and Corsica, Sardinia, and the southern coasts of France and Spain.
After Charlemagne had defeated the Lombards under the command of Desiderius in 774, Pisa went through a crisis, but soon recovered. Politically, it became part of the duchy of Lucca. In 860, Pisa was captured by vikings led by Björn Ironside. In 930, Pisa became the county centre (status it maintained until the arrival of Otto I) within the mark of Tuscia. Lucca was the capital but Pisa was the most important city, as in the middle of tenth century Liutprand of Cremona, bishop of Cremona, called Pisa Tusciae provinciae caput ("capital of the province of Tuscia"), and a century later, the marquis of Tuscia was commonly referred to as "marquis of Pisa". In 1003, Pisa was the protagonist of the first communal war in Italy, against Lucca. From the naval point of view, since the ninth century, the emergence of the Saracen pirates urged the city to expand its fleet; in the following years, this fleet gave the town an opportunity for more expansion. In 828, Pisan ships assaulted the coast of North Africa. In 871, they took part in the defence of Salerno from the Saracens. In 970, they gave also strong support to Otto I's expedition, defeating a Byzantine fleet in front of Calabrese coasts.
11th century
The power of Pisa as a maritime nation began to grow and reached its apex in the 11th century, when it acquired traditional fame as one of the four main historical maritime republics of Italy (Repubbliche Marinare).
At that time, the city was a very important commercial centre and controlled a significant Mediterranean merchant fleet and navy. It expanded its powers in 1005 through the sack of Reggio Calabria in the south of Italy. Pisa was in continuous conflict with some 'Saracens' - a medieval term to refer to Arab Muslims - who had their bases in Corsica, for control of the Mediterranean. In 1017, Sardinian Giudicati were militarily supported by Pisa, in alliance with Genoa, to defeat the Saracen King Mugahid, who had settled a logistic base in the north of Sardinia the year before. This victory gave Pisa supremacy in the Tyrrhenian Sea. When the Pisans subsequently ousted the Genoese from Sardinia, a new conflict and rivalry was born between these major marine republics. Between 1030 and 1035, Pisa went on to defeat several rival towns in Sicily and conquer Carthage in North Africa. In 1051–1052, the admiral Jacopo Ciurini conquered Corsica, provoking more resentment from the Genoese. In 1063, Admiral Giovanni Orlandi, coming to the aid of the Norman Roger I, took Palermo from the Saracen pirates. The gold treasure taken from the Saracens in Palermo allowed the Pisans to start the building of their cathedral and the other monuments which constitute the famous Piazza del Duomo.
In 1060, Pisa had to engage in their first battle with Genoa. The Pisan victory helped to consolidate its position in the Mediterranean. Pope Gregory VII recognised in 1077 the new "Laws and customs of the sea" instituted by the Pisans, and emperor Henry IV granted them the right to name their own consuls, advised by a council of elders. This was simply a confirmation of the present situation, because in those years, the marquis had already been excluded from power. In 1092, Pope Urban II awarded Pisa the supremacy over Corsica and Sardinia, and at the same time raising the town to the rank of archbishopric.
Pisa sacked the Tunisian city of Mahdia in 1088. Four years later, Pisan and Genoese ships helped Alfonso VI of Castilla to push El Cid out of Valencia. A Pisan fleet of 120 ships also took part in the First Crusade, and the Pisans were instrumental in the taking of Jerusalem in 1099. On their way to the Holy Land, the ships did not miss the occasion to sack some Byzantine islands; the Pisan crusaders were led by their archbishop Daibert, the future patriarch of Jerusalem. Pisa and the other Repubbliche Marinare took advantage of the crusade to establish trading posts and colonies in the Eastern coastal cities of the Levant. In particular, the Pisans founded colonies in Antiochia, Acre, Jaffa, Tripoli, Tyre, Latakia, and Accone. They also had other possessions in Jerusalem and Caesarea, plus smaller colonies (with lesser autonomy) in Cairo, Alexandria, and of course Constantinople, where the Byzantine Emperor Alexius I Comnenus granted them special mooring and trading rights. In all these cities, the Pisans were granted privileges and immunity from taxation, but had to contribute to the defence in case of attack. In the 12th century, the Pisan quarter in the eastern part of Constantinople had grown to 1,000 people. For some years of that century, Pisa was the most prominent commercial and military ally of the Byzantine Empire, overcoming Venice itself.
12th century
In 1113, Pisa and Pope Paschal II set up, together with the count of Barcelona and other contingents from Provence and Italy (Genoese excluded), a war to free the Balearic Islands from the Moors; the queen and the king of Majorca were brought in chains to Tuscany. Though the Almoravides soon reconquered the island, the booty taken helped the Pisans in their magnificent programme of buildings, especially the cathedral, and Pisa gained a role of pre-eminence in the Western Mediterranean.
In the following years, the powerful Pisan fleet, led by archbishop Pietro Moriconi, drove away the Saracens after ferocious battles. Though short-lived, this Pisan success in Spain increased the rivalry with Genoa. Pisa's trade with Languedoc, Provence (Noli, Savona, Fréjus, and Montpellier) were an obstacle to Genoese interests in cities such as Hyères, Fos, Antibes, and Marseille.
The war began in 1119 when the Genoese attacked several galleys on their way home to the motherland, and lasted until 1133. The two cities fought each other on land and at sea, but hostilities were limited to raids and pirate-like assaults.
In June 1135, Bernard of Clairvaux took a leading part in the Council of Pisa, asserting the claims of Pope Innocent II against those of Pope Anacletus II, who had been elected pope in 1130 with Norman support, but was not recognised outside Rome. Innocent II resolved the conflict with Genoa, establishing Pisan and Genoese spheres of influence. Pisa could then, unhindered by Genoa, participate in the conflict of Innocent II against king Roger II of Sicily. Amalfi, one of the maritime republics (though already declining under Norman rule), was conquered on August 6, 1136; the Pisans destroyed the ships in the port, assaulted the castles in the surrounding areas, and drove back an army sent by Roger from Aversa. This victory brought Pisa to the peak of its power and to a standing equal to Venice. Two years later, its soldiers sacked Salerno.
New city walls, erected in 1156 by Consul Cocco Griffi
In the following years, Pisa was one of the staunchest supporters of the Ghibelline party. This was much appreciated by Frederick I. He issued in 1162 and 1165 two important documents, with these grants: Apart from the jurisdiction over the Pisan countryside, the Pisans were granted freedom of trade in the whole empire, the coast from Civitavecchia to Portovenere, a half of Palermo, Messina, Salerno and Naples, the whole of Gaeta, Mazara, and Trapani, and a street with houses for its merchants in every city of the Kingdom of Sicily. Some of these grants were later confirmed by Henry VI, Otto IV, and Frederick II. They marked the apex of Pisa's power, but also spurred the resentment of other cities such as Lucca, Massa, Volterra, and Florence, thwarting their aim to expand towards the sea. The clash with Lucca also concerned the possession of the castle of Montignoso and mainly the control of the Via Francigena, the main trade route between Rome and France. Last, but not least, such a sudden and large increase of power by Pisa could only lead to another war with Genoa.
Genoa had acquired a dominant position in the markets of southern France. The war began in 1165 on the Rhône, when an attack on a convoy, directed to some Pisan trade centres on the river, by the Genoese and their ally, the count of Toulouse, failed. Pisa, though, was allied to Provence. The war continued until 1175 without significant victories. Another point of attrition was Sicily, where both the cities had privileges granted by Henry VI. In 1192, Pisa managed to conquer Messina. This episode was followed by a series of battles culminating in the Genoese conquest of Syracuse in 1204. Later, the trading posts in Sicily were lost when the new Pope Innocent III, though removing the excommunication cast over Pisa by his predecessor Celestine III, allied himself with the Guelph League of Tuscany, led by Florence. Soon, he stipulated[clarification needed] a pact with Genoa, too, further weakening the Pisan presence in southern Italy.
To counter the Genoese predominance in the southern Tyrrhenian Sea, Pisa strengthened its relationship with its traditional Spanish and French bases (Marseille, Narbonne, Barcelona, etc.) and tried to defy the Venetian rule of the Adriatic Sea. In 1180, the two cities agreed to a nonaggression treaty in the Tyrrhenian and the Adriatic, but the death of Emperor Manuel Comnenus in Constantinople changed the situation. Soon, attacks on Venetian convoys were made. Pisa signed trade and political pacts with Ancona, Pula, Zara, Split, and Brindisi; in 1195, a Pisan fleet reached Pola to defend its independence from Venice, but the Serenissima soon reconquered the rebel sea town.
One year later, the two cities signed a peace treaty, which resulted in favourable conditions for Pisa, but in 1199, the Pisans violated it by blockading the port of Brindisi in Apulia. In the following naval battle, they were defeated by the Venetians. The war that followed ended in 1206 with a treaty in which Pisa gave up all its hopes to expand in the Adriatic, though it maintained the trading posts it had established in the area. From that point on, the two cities were united against the rising power of Genoa and sometimes collaborated to increase the trading benefits in Constantinople.
13th century
In 1209 in Lerici, two councils for a final resolution of the rivalry with Genoa were held. A 20-year peace treaty was signed, but when in 1220, the emperor Frederick II confirmed his supremacy over the Tyrrhenian coast from Civitavecchia to Portovenere, the Genoese and Tuscan resentment against Pisa grew again. In the following years, Pisa clashed with Lucca in Garfagnana and was defeated by the Florentines at Castel del Bosco. The strong Ghibelline position of Pisa brought this town diametrically against the Pope, who was in a dispute with the Holy Roman Empire, and indeed the pope tried to deprive Pisa of its dominions in northern Sardinia.
In 1238, Pope Gregory IX formed an alliance between Genoa and Venice against the empire, and consequently against Pisa, too. One year later, he excommunicated Frederick II and called for an anti-Empire council to be held in Rome in 1241. On May 3, 1241, a combined fleet of Pisan and Sicilian ships, led by the emperor's son Enzo, attacked a Genoese convoy carrying prelates from northern Italy and France, next to the isle of Giglio (Battle of Giglio), in front of Tuscany; the Genoese lost 25 ships, while about a thousand sailors, two cardinals, and one bishop were taken prisoner. After this major victory, the council in Rome failed, but Pisa was excommunicated. This extreme measure was only removed in 1257. Anyway, the Tuscan city tried to take advantage of the favourable situation to conquer the Corsican city of Aleria and even lay siege to Genoa itself in 1243.
The Ligurian republic of Genoa, however, recovered fast from this blow and won back Lerici, conquered by the Pisans some years earlier, in 1256.
The great expansion in the Mediterranean and the prominence of the merchant class urged a modification in the city's institutes. The system with consuls was abandoned, and in 1230, the new city rulers named a capitano del popolo ("people's chieftain") as civil and military leader. Despite these reforms, the conquered lands and the city itself were harassed by the rivalry between the two families of Della Gherardesca and Visconti. In 1237 the archbishop and the Emperor Frederick II intervened to reconcile the two rivals, but the strains continued. In 1254, the people rebelled and imposed 12 Anziani del Popolo ("People's Elders") as their political representatives in the commune. They also supplemented the legislative councils, formed of noblemen, with new People's Councils, composed by the main guilds and by the chiefs of the People's Companies. These had the power to ratify the laws of the Major General Council and the Senate.
Decline
The decline is said to have begun on August 6, 1284, when the numerically superior fleet of Pisa, under the command of Albertino Morosini, was defeated by the brilliant tactics of the Genoese fleet, under the command of Benedetto Zaccaria and Oberto Doria, in the dramatic naval Battle of Meloria. This defeat ended the maritime power of Pisa and the town never fully recovered; in 1290, the Genoese destroyed forever the Porto Pisano (Pisa's port), and covered the land with salt. The region around Pisa did not permit the city to recover from the loss of thousands of sailors from the Meloria, while Liguria guaranteed enough sailors to Genoa. Goods, however, continued to be traded, albeit in reduced quantity, but the end came when the Arno started to change course, preventing the galleys from reaching the city's port up the river. The nearby area also likely became infested with malaria. The true end came in 1324, when Sardinia was entirely lost to the Aragonese.
Always Ghibelline, Pisa tried to build up its power in the course of the 14th century, and even managed to defeat Florence in the Battle of Montecatini (1315), under the command of Uguccione della Faggiuola. Eventually, however, after a long siege, Pisa was occupied by Florentines in 1405.[9] Florentines corrupted the capitano del popolo ("people's chieftain"), Giovanni Gambacorta, who at night opened the city gate of San Marco. Pisa was never conquered by an army. In 1409, Pisa was the seat of a council trying to set the question of the Great Schism. In the 15th century, access to the sea became more difficult, as the port was silting up and was cut off from the sea. When in 1494, Charles VIII of France invaded the Italian states to claim the Kingdom of Naples, Pisa reclaimed its independence as the Second Pisan Republic.
The new freedom did not last long; 15 years of battles and sieges by the Florentine troops led by Antonio da Filicaja, Averardo Salviati and Niccolò Capponi were made, but they failed to conquer the city. Vitellozzo Vitelli with his brother Paolo were the only ones who actually managed to break the strong defences of Pisa and make a breach in the Stampace bastion in the southern west part of the walls, but he did not enter the city. For that, they were suspected of treachery and Paolo was put to death. However, the resources of Pisa were getting low, and at the end, the city was sold to the Visconti family from Milan and eventually to Florence again. Livorno took over the role of the main port of Tuscany. Pisa acquired a mainly cultural role spurred by the presence of the University of Pisa, created in 1343, and later reinforced by the Scuola Normale Superiore di Pisa (1810) and Sant'Anna School of Advanced Studies (1987).
Pisa was the birthplace of the important early physicist Galileo Galilei. It is still the seat of an archbishopric. Besides its educational institutions, it has become a light industrial centre and a railway hub. It suffered repeated destruction during World War II.
Since the early 1950s, the US Army has maintained Camp Darby just outside Pisa, which is used by many US military personnel as a base for vacations in the area.
Geography
Climate
Pisa has a borderline humid subtropical climate (Köppen climate classification: Cfa) and Mediterranean climate (Köppen climate classification: Csa). The city is characterized by cool to mild winters and hot summers. This transitional climate allows Pisa to have summers with moderate rainfall. Rainfall peaks in autumn. Snow is rare. The highest officially recorded temperature was 39.5 °C (103.1 °F) on 22 August 2011 and the lowest was −13.8 °C (7.2 °F) on 12 January 1985.
Culture
Gioco del Ponte
In Pisa there was a festival and game fr:Gioco del Ponte (Game of the Bridge) which was celebrated (in some form) in Pisa from perhaps the 1200s down to 1807. From the end of the 1400s the game took the form of a mock battle fought upon Pisa's central bridge (Ponte di Mezzo). The participants wore quilted armor and the only offensive weapon allowed was the targone, a shield-shaped, stout board with precisely specified dimensions. Hitting below the belt was not allowed. Two opposing teams started at opposite ends of the bridge. The object of the two opposing teams was to penetrate, drive back, and disperse the opponents' ranks and to thereby drive them backwards off the bridge. The struggle was limited to forty-five minutes. Victory or defeat was immensely important to the team players and their partisans, but sometimes the game was fought to a draw and both sides celebrated.
In 1677 the battle was witnessed by Dutch travelling artist Cornelis de Bruijn. He wrote:
"While I stayed in Livorno, I went to Pisa to witness the bridge fight there. The fighters arrived fully armored, wearing helmets, each carrying their banner, which was planted at both ends of the bridge, which is quite wide and long. The battle is fought with certain wooden implements made for this purpose, which they wear over their arms and are attached to them, with which they pummel each other so intensely that I saw several of them carried away with bloody and crushed heads. Victory consists of capturing the bridge, in the same way as the fistfights in Venice between the it:Castellani and the Nicolotti."
In 1927 the tradition was revived by college students as an elaborate costume parade. In 1935 Vittorio Emanuele III with the royal family witnessed the first revival of a modern version of the game, which has been pursued in the 20th and 21st centuries with some interruptions and varying degrees of enthusiasm by Pisans and their civic institutions.
Festivals and cultural events
Capodanno pisano (folklore, March 25)
Gioco del Ponte (folklore)
Luminara di San Ranieri (folklore, June 16)
Maritime republics regata (folklore)
Premio Nazionale Letterario Pisa
Pisa Book Festival
Metarock (rock music festival)
Internet Festival San Ranieri regata (folklore)
Turn Off Festival (house music festival)
Nessiáh (Jewish cultural Festival, November)
Main sights
The Leaning Tower of Pisa.
While the bell tower of the cathedral, known as "the leaning Tower of Pisa", is the most famous image of the city, it is one of many works of art and architecture in the city's Piazza del Duomo, also known, since the 20th century, as Piazza dei Miracoli (Square of Miracles), to the north of the old town center. The Piazza del Duomo also houses the Duomo (the Cathedral), the Baptistry and the Campo Santo (the monumental cemetery). The medieval complex includes the above-mentioned four sacred buildings, the hospital and few palaces. All the complex is kept by the Opera (fabrica ecclesiae) della Primaziale Pisana, an old non profit foundation that has operated since the building of the Cathedral in 1063 to maintain the sacred buildings. The area is framed by medieval walls kept by the municipal administration.
Other sights include:
Santo Stefano dei Cavalieri, church sited on Piazza dei Cavalieri, and also designed by Vasari. It had originally a single nave; two more were added in the 17th century. It houses a bust by Donatello, and paintings by Vasari, Jacopo Ligozzi, Alessandro Fei, and Pontormo. It also contains spoils from the many naval battles between the Cavalieri (Knights of St. Stephan) and the Turks between the 16th and 18th centuries, including the Turkish battle pennant hoisted from Ali Pacha's flagship at the 1571 Battle of Lepanto.
St. Sixtus. This small church, consecrated in 1133, is also close to the Piazza dei Cavalieri. It was used as a seat of the most important notarial deeds of the town, also hosting the Council of Elders. It is today one of the best preserved early Romanesque buildings in town.
St. Francis. The church of San Francesco may have been designed by Giovanni di Simone, built after 1276. In 1343 new chapels were added and the church was elevated. It has a single nave and a notable belfry, as well as a 15th-century cloister. It houses works by Jacopo da Empoli, Taddeo Gaddi and Santi di Tito. In the Gherardesca Chapel are buried Ugolino della Gherardesca and his sons.
San Frediano. This church, built by 1061, has a basilica interior with three aisles, with a crucifix from the 12th century. Paintings from the 16th century were added during a restoration, including works by Ventura Salimbeni, Domenico Passignano, Aurelio Lomi, and Rutilio Manetti.
San Nicola. This medieval church built by 1097, was enlarged between 1297 and 1313 by the Augustinians, perhaps by the design of Giovanni Pisano. The octagonal belfry is from the second half of the 13th century. The paintings include the Madonna with Child by Francesco Traini (14th century) and St. Nicholas Saving Pisa from the Plague (15th century). Noteworthy are also the wood sculptures by Giovanni and Nino Pisano, and the Annunciation by Francesco di Valdambrino.
Santa Maria della Spina. A small white marble church alongside the Arno, is attributed to Lupo di Francesco (1230), is another excellent Gothic building.
San Paolo a Ripa d'Arno. The church was founded around 952 and enlarged in the mid-12th century along lines similar to those of the cathedral. It is annexed to the Romanesque Chapel of St. Agatha, with an unusual pyramidal cusp or peak.
San Pietro in Vinculis. Known as San Pierino, it is an 11th-century church with a crypt and a cosmatesque mosaic on the floor of the main nave.
Borgo Stretto. This medieval borgo or neighborhood contains strolling arcades and the Lungarno, the avenues along the river Arno. It includes the Gothic-Romanesque church of San Michele in Borgo (990). There are at least two other leaning towers in the city, one at the southern end of central Via Santa Maria, the other halfway through the Piagge riverside promenade.
Medici Palace. The palace was once a possession of the Appiano family, who ruled Pisa in 1392–1398. In 1400 the Medici acquired it, and Lorenzo de' Medici sojourned here.
Orto botanico di Pisa. The botanical garden of the University of Pisa is Europe's oldest university botanical garden.
Palazzo Reale. The ("Royal Palace"), once belonged to the Caetani patrician family. Here Galileo Galilei showed to Grand Duke of Tuscany the planets he had discovered with his telescope. The edifice was erected in 1559 by Baccio Bandinelli for Cosimo I de Medici, and was later enlarged including other palaces. The palace is now a museum.
Palazzo Gambacorti. This palace is a 14th-century Gothic building, and now houses the offices of the municipality. The interior shows frescoes boasting Pisa's sea victories.
Palazzo Agostini. The palace is a Gothic building also known as Palazzo dell'Ussero, with its 15th-century façade and remains of the ancient city walls dating back to before 1155. The name of the building comes from the coffee rooms of Caffè dell'Ussero, historic meeting place founded on September 1, 1775.
Mural Tuttomondo. A modern mural, the last public work by Keith Haring, on the rear wall of the convent of the Church of Sant'Antonio, painted in June 1989.
Museums
Museo dell'Opera del Duomo: exhibiting among others the original sculptures of Nicola Pisano and Giovanni Pisano, the Islamic Pisa Griffin, and the treasures of the cathedral.
Museo delle Sinopie: showing the sinopias from the camposanto, the monumental cemetery. These are red ocher underdrawings for frescoes, made with reddish, greenish or brownish earth colour with water.
Museo Nazionale di San Matteo: exhibiting sculptures and paintings from the 12th to 15th centuries, among them the masterworks of Giovanni and Andrea Pisano, the Master of San Martino, Simone Martini, Nino Pisano and Masaccio.
Museo Nazionale di Palazzo Reale: exhibiting the belongings of the families that lived in the palace: paintings, statues, armors, etc.
Museo Nazionale degli Strumenti per il Calcolo: exhibiting a collection of instruments used in science, between a pneumatic machine of Van Musschenbroek and a compass which probably belonged to Galileo Galilei.
Museo di storia naturale dell'Università di Pisa (Natural History Museum of the University of Pisa), located in the Certosa di Calci, outside the city. It houses one of the largest cetacean skeletons collection in Europe.
Palazzo Blu: temporary exhibitions and cultural activities center, located in the Lungarno, in the heart of the old town, the palace is easy recognizable because it is the only blue building.
Cantiere delle Navi di Pisa - The Pisa's Ancient Ships Archaeological Area: A museum of 10,650 square meters – 3,500 archaeological excavation, 1,700 laboratories and one restoration center – that visitors can visit with a guided tour.[19] The Museum opened in June 2019 and has been located inside to the 16th-century Medicean Arsenals in Lungarno Ranieri Simonelli, restored under the supervision of the Tuscany Soprintendenza. It hosts a remarkable collection of ceramics and amphoras dated back from the 8th century BCE to the 2nd century BC, and also 32 ships dated back from the second century BCE and the seventh century BC. Four of them are integrally preserved and the best one is the so-called Barca C, also named Alkedo (written in the ancient Greek characters). The first boat was accidentally discovered in 1998 near the Pisa San Rossore railway station and the archeological excavations were completed 20 years later.
Churches
St. Francis' Church
San Francesco
San Frediano
San Giorgio ai Tedeschi
San Michele in Borgo
San Nicola
San Paolo a Ripa d'Arno
San Paolo all'Orto
San Piero a Grado
San Pietro in Vinculis
San Sisto
San Tommaso delle Convertite
San Zeno
Santa Caterina
Santa Cristina
Santa Maria della Spina
Santo Sepolcro
Palaces, towers and villas
Palazzo della Carovana or dei Cavalieri.
Pisa by Oldypak lp photo
Pisa
Palazzo del Collegio Puteano
Palazzo della Carovana
Palazzo delle Vedove
Torre dei Gualandi
Villa di Corliano
Leaning Tower of Pisa
Sports
Football is the main sport in Pisa; the local team, A.C. Pisa, currently plays in the Serie B (the second highest football division in Italy), and has had a top flight history throughout the 1980s and the 1990s, featuring several world-class players such as Diego Simeone, Christian Vieri and Dunga during this time. The club play at the Arena Garibaldi – Stadio Romeo Anconetani, opened in 1919 and with a capacity of 25,000.
Notable people
For people born in Pisa, see People from the Province of Pisa; among notable non-natives long resident in the city:
Giuliano Amato (born 1938), politician, former Premier and Minister of Interior Affairs
Alessandro d'Ancona (1835–1914), critic and writer.
Silvano Arieti (1914–1981), psychiatrist
Gaetano Bardini (1926–2017), tenor
Andrea Bocelli (born 1958), tenor and multi-instrumentalist.
Giosuè Carducci (1835–1907), poet and 1906 Nobel Prize in Literature winner.
Massimo Carmassi (born 1943), architect
Carlo Azeglio Ciampi (1920–2016), politician, former President of the Republic of Italy
Maria Luisa Cicci (1760–1794), poet
Giovanni Carlo Maria Clari (1677–1754), a musical composer and maestro di cappella at Pistoia.
Alessio Corti (born 1965), mathematician
Rustichello da Pisa (born 13th century), writer
Giovanni Battista Donati (1826–1873), an Italian astronomer.
Leonardo Fibonacci (1170–1250), mathematician.
Galileo Galilei (1564–1642), physicist.
Giovanni Gentile (1875–1944), philosopher and politician
Orazio Gentileschi (1563–1639), painter.
Count Ugolino della Gherardesca (1214–1289), noble (see also Dante Alighieri).
Giovanni Gronchi (1887–1978), politician, former President of the Republic of Italy
Giacomo Leopardi [1798–1837), poet and philosopher.
Enrico Letta (born 1966), politician, former Prime Minister of Italy
Marco Malvaldi (born 1974), mystery novelist
Leonardo Ortolani (born 1967), comic writer
Antonio Pacinotti (1841–1912), physicist, inventor of the dynamo
Andrea Pisano (1290–1348), a sculptor and architect.
Afro Poli (1902–1988), an operatic baritone
Bruno Pontecorvo (1913–1993), nuclear physicist
Gillo Pontecorvo (1919–2006), filmmaker
Ippolito Rosellini (1800–1843), an Egyptologist.
Paolo Savi (1798–1871), geologist and ornithologist.
Antonio Tabucchi (1943–2012), writer and academic
Sport
Jason Acuña (born 1973), Stunt performer
Sergio Bertoni (1915–1995), footballer
Giorgio Chiellini (born 1984), footballer
Camila Giorgi (born 1991), tennis player
Ahmad ibn ‘Ali ibn Yusuf al-Buni (Arabic: أحمد البوني) (died 1225) was a well known Sufi and writer on the esoteric value of letters and topics relating to mathematics, sihr (sorcery) and spirituality, but very little is known about him. Al-Buni lived in Egypt and learned from many eminent Sufi masters of his time.
He wrote one of the most famous books of his era, the Shams al-Ma'arif al-Kubra (Sun of the Great Knowledge, Arabic شمس المعارف الكبرى) which is one of the most widely read medieval treatises on talismans, magic squares and occult practices. This work rivals the Picatrix in importance. This book was later banned by orthodox Muslims as heretical, but continues to be read and studied.
Instead of sihr (Sorcery), this kind of magic was called Ilm al-Hikmah (Knowledge of the Wisedom), Ilm al-simiyah (Study of the Divine Names) and Ruhaniyat (Spirituality). Most of the so-called mujarrabât ("time-tested methods") books on sorcery in the Muslim world are simplified excerpts from the Shams al-ma`ârif. The book remains the seminal work on Theurgy and esoteric arts to this day.
In c. 1200, Ahmad al-Buni showed how to construct magic squares using a simple bordering technique, but he may not have discovered the method himself. Al-Buni wrote about Latin squares and constructed, for example, 4 x 4 Latin squares using letters from one of the 99 names of Allah. His works on traditional healing remains a point of reference among Yoruba Muslim healers in Nigeria and other areas of the Muslim world.
Ahmad al-Buni also left a list of other titles that he wrote. Unfortunately, very few of them have survived.
Al-Buni states in his work Manba’ Usul al-Hikmah (Source of the Essentials of Wisdom) that he acquired his knowledge of the esoteric properities of the letters from his personal teacher Abu Abdillah Shams al-Din al-Asfahâni. He in turn received it from Jalal al-Din Abdullah al-Bistami, who in turn received it from Shaykh al-Sarajani, who received it from Qasim al-Sarajani, who received it from Abdullah al-Babani, who received it from Asîl al-Din al-Shirazi, who received it from Abu al-Najîb al-Sahruwardi, who received it from, Mohammad ibn Mohammad Al-Ghazali al-Tusi, who received it from Ahmad al-Aswad, who received it from Hamad al-Dînuri, who received it from the master al-Junayd al-Baghdadi, who received it from Sari al-Din al-Saqati, who received it from Ma’ruf al-Karkhi, who received it from Dawûd al-Jili, who received it from Habîb al-A’ajami, who received it from Imam Hasan al-Basri.
Al-Buni states in the same work that he acquired his knowledge of magical squares from Sirâj al-Dîn al-Hanafi, who acquired it from Shihab al-Dîn al-Muqaddasi, who acquired it from Shams al-Dîn al-Farisi, who acquired it from Shihab al-Dîn al-Hamadani, who acquired it from Qutb al-Dîn al-Diyâ’i, who acquired it from Muhyiddîn Ibn Arabi, who acquired it from Abu al-'Abbas Ahmad ibn al-Turîzi, who acquired it from Abu Abdillah al-Qurashi, who acquired it from Abu Madîn al-Andalusi.
He also states that he acquired additional knowledge about the esoteric art of letters and the magical squares from Mohammad 'Izz al-Dîn ibn Jam’a, who acquired it from Mohammad al-Sirani, who acquired it from Shihab al-Dîn al-Hamadani, who acquired it from Qutb al-Dîn al-Dhiya’i, who acquired it from Muhyiddîn Ibn Arabi.
Al-Buni also states that he acquired his occult knowledge from Abu al-'Abbas Ahmad ibn Maymûn al-Qastalâni, who acquired it from Abu Abdillah Mohammed al-Qurashi, who acquired it from Abu Madîn Shu'ayb ibn Hasan al-Ansari al-Andalusi, who received it from Abu Ayyub ibn Abi Sa'id al-Sanhaji al-Armuzi, who received it from Abi Muhammad ibn Nur, who received it from Abu al-Fadhl Abdullah ibn Bashr, who received it from Abu Bashr al-Hasan al-Jujari, who received it from al-Saqati, who received it from Dawûd al-Tâ’i, who received it from Habîb al-A'jami, who received it from Abu Bakr Muhammad ibn Sîrîn, who received it from Malik ibn Anas.
Al-Buni also made regular mention in his work of Plato, Aristotle, Hermes, Alexander the Great, and obscure Chaldean magicians. In one of his works, he recounted a story of his discovery of a cache of manuscripts buried under the pyramids, that included a work of Hermetic thinkers.
His work is said to have influenced the Hurufis and the New Lettrist International.
LEGO blogger and proud brickly Team member Max Engel wrote a must-read piece about finding inspiration within the limits of the brick.
Read the full article here: blog.brickly.com/2017/09/12/ideas-over-pieces/
Early morning walk.
Just put me in mind of the Ents as I’m re-reading Lord of the Rings at the moment. Mind you, they’d have to find the Entwives first.
Shoreland Transport finances the Kenworth T680 with 76-inch sleeper powered by the PACCAR MX-13 engine through Bayview Kenworth and PACCAR Financial through a fair market value lease. The company also contracts its maintenance with Bayview Kenworth so that it can focus on its core business of producing and delivering quality salmon.
My parent's 56th wedding anniversary.
Heritage Weekend.
Ride and Stride charity event.
Churchcrawling, the hobby of visiting churches, can be a hit and miss affair. A church in one village maybe open 24/7, whilst a church in the same benefice, deanary in the next village may only be open for services, with no keyholder details.
This means you never can be sure that a church will be open, but one day a year, there is a higher chance they might be open.
In normal times.
But these are far from normal times, of course.
Ride and Stride is a national charity day when walkers and cyclists visit as many churches in eight hours to raise money. Churches are usually open for this, offering refreshments for the participants. Sometimes they just put up a sign in sheet in the porch. THis was something I would see through the day.
I have a list now of churches I still need to visit, and with Kent being a large county, those in the north and west of the county are nearly 8o minutes drive away, so planning a route is something akin to a military operation. I do that, then have my list with me, and the Kent A-Z in case I have spare time, 12 churches on my hit list, and 50 more in the book. More than enough for several such days.
I have breakfast and coffee, pack my cameras, check the batteries, format memory cards and am ready to leave at half eight, so to be at the first church at just after half nine in case it is open early. Or at all.
Jools wasn't going to come with me, so I leave her and the four cats behind, and set off up the A then M20 past Ashford, Maidstone, nearly into Surrey.
Wrotham is better known for having a motorway junction named after it, so surprising to find it an old and attractive village, with the church sitting proud overlooking the small village square. Wardens had begun to arrive, so I go to snap the village before returning and asking if I could go inside to take shots.
If you mask up and don't touch anything.
Deal!
Inside, St George is clean, airy, full of light and well cared for. Numerous chandeliers and lights hang down supplementing the sunlight pouring through the south windows.
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In an excellent position overlooking the diminutive village square, the church is much larger than one imagines. It is entered under a two-storey stone-vaulted porch. On the right, inside the church, is a holy water stoup. The south chapel shows the rood loft staircase leading to the top of the fourteenth-century screen. The lively altar in the chapel was designed by Comper in 1907. The stonework of the main east window was inserted in 1958 and came from Wren's St Albans Church in London, damaged in the Second World War. By far the best visual feature in Wrotham church is the chunky nineteenth-century stone and marble pulpit designed by Newman and Billing in 1861. The tower has an unusual feature - a vaulted passage leading right under it from north to south at ground level to allow medieval processions to circumnavigate the building. There is nothing else like it in Kent and few across England!
www.kentchurches.info/church.asp?p=Wrotham
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WROTHAM.
SOUTHWARD from Stansted lies Wrotham, commonly pronounced Ruteham. In Domesday book it is written Broteham, and in the Textus Roffensis, WROTEHAM.
THE PARISH of Wrotham is of very large extent, being, though only between two and three miles in breadth, near five miles in length from north to south. It lies of course in various situations, and is of various soils. The village, or town of Wrotham, is situated at the foot of the great ridge of chalk hills, above the summit of which this parish extends northward. From this hill, called here Wrotham hill, which is here luxuriantly cloathed with fine spreading beech trees, there is a most beautiful prospect southward over a variety of country, lying in the vale beneath, of vast extent, which is bounded by the sand hills at the southern extremity of it; the high road from London through Farningham to Maidstone leads through this town, which is a little more than twenty-four miles from London. At the entrance of it is the mansion of the rectory, a handsome house, well suited to the income of it, and on the opposite side the road stands the church, and the small remains of the archiepiscopal palace, but yet sufficient to remind us of its having formerly been such. In the center of the town stand the marketplace and public well, both repaired by the lord of the manor; the market, which was on a Tuesday, has been disused for many years, but here is a fair held yearly on May 4, for horses, cattle, &c. Opposite the marketplace is Wrotham place, the seat of Mr. Haddock, a further account of which will be given hereafter. Hence the road divides, that to the right leads to Yaldham and Ightham, and to the left the London road to Maidstone continues south-eastward along a chalky soil, through the borough of Neupiker, where there is a handsome sashed house belonging to Mr. Tomlyn, and a spring, which supplies the rivulet which runs afterwards by Ford, situated at the western boundaries of the parish, next to Addington, and thence by Leyborne towards the Medway; about a mile from Neupiker, is Wrotham heath, a barren sandy soil, both red and black, but on which great quantities of peat is dug; here the road divides, the left leading by the Royal Oak to Maidstone, near which are the two hamlets of Great and Little Comp, and the woods of that name, and the right towards Ightham, the antient Roman camp on Oldberry hill, and over Seal chart to Sevenoke and Westerham. On the southern side of the road this parish extends over the hill to Hale borough and the hamlet of Plaxtool, where the soil, from a sand becomes a deep stiff clay, and though a fertile, yet an unpleasant miry country. The chapel and street of Plaxtool, together with the seat of Fairlawn, are situated at the southern boundaries of it, next to Shipborne and West Peckham. In Plaxtool-street is a good house, built by Thomas Dalyson, esq. who resided here till his father's death, when he removed to Hamptons, in West Peckham. He lies buried in Plaxtool chapel, and his eldest son, William Dalyson, esq. of Hamptons, now resides in it. Near the last hill above-mentioned, but still within the circuit of this borough, are two hamlets, called Plaxtool-street likewife, and Crouch, the latter of which was formerly the residence of the Millers, baronets, about half a mile eastward from which is the large tract of woodland, called the Herst or Compwoods; through the other runs a stream, which rises near Ightham, and having turned a paper mill at Basted pasies through this borough towards West Peckham, Hadlow, and thence into the Medway.
That part of this parish which lies southward below Comp-hill, and the hill above Fairlawn, is in the district called the Weald, though there have been several, who have contended, that all that part of Wrotham lying below the chalk hill is in the Weald of Kent, and as a proof of it, urge the non payment of tithe for the wood in those parts of this parish. But the general received opinion is, that the Weald begins at the next sand hill above Fairlawn; wood being exempted from tithe can be no proof of its being in the Weald, as there are such large districts in this county plainly out of it, which claim and enjoy, as yet, a like privilege.
This parish ought antiently to have contributed to the repair of the fifth pier of Rochester bridge.
Besides the gentlemens' families mentioned hereafter who formerly resided in this parish, John Richers, a justice of the peace, resided here in 1570, a period when that office was truly an honor to those who were intrusted with it. He was descended from an antient family of Swanington-hall, in Norfolk.
William Bryan, esq. of this parish, son of John Bryan, of Kibworth, in Leicestershire, by Elianor, sister of Anthony Watson, bishop of Chichester, and at length heir to the bishop, resided here in the beginning of the reign of king James I. and bore for his arms, Or, three piles azure, a chief ermine.
A branch of the family of Polley, alias Polhill, once resided in this parish, of which was Sir Thomas Polley, who was living here in the reign of king James I. These were junior to those of Preston, in Shoreham, but elder to those of Chipsted and Otford, in this county. John Thomas, gent. was of Wrotham, in the reign of queen Elizabeth, whose grandson, William Thomas, gent. removed to Selling, in this county. They bore for their arms, Argent, a fess dancette, sable, between three Cornish choughs, proper. (fn. 1)
Thomas Shakerley, third son of Francis Shakerley, of Ditton, in this county, resided at Wrotham in the reign of king James I. (fn. 2)
In Blacksole field, in this parish, Sir Robert Southwell, sheriff of this county, and the lord Abergavenny, with about five hundred gentlemen and yeomen, routed the Isleys and their party, who were engaged in Sir Thomas Wyatt's rebellion, in the first year of queen Mary's reign; the rebels were pursued from hence near four miles to Hartley-wood, many of them were killed, and about sixty taken prisoners. Those who were slain in this rencounter were buried in the field of battle. Sir Henry Isley himself escaped and fled into Hampshire.
Some of our antiquarians, as Talbot, and after him Lambarde, (fn. 3) have conjectured Wrotham to have been the station called in Antonine's itinerary Vagniacæ, but in this they have not been followed by any one else that I have seen.
There is great probability that the Roman military way passed by Ofham through this parish near the Comps, westward, towards Oldborough and Stonestreet, as will be further mentioned hereafter.
About seventy years ago a considerable quantity of British Silver coin was discovered in this parish by a mole's casting up the earth, and by digging afterwards, which were all seized by the lord of the manor of Wrotham.
Pentaphyllum, or creeping cinquefoil, mentioned by Dr. Plot in his history of Oxfordshire, as a rare plant, is said to grow plentifully on one side of Wrotham town.
WROTHAM was given to Christ-church, in Canterbury, by king Ethelstan, in the year 964, and continued part of the possessions of that church, when Lanfranc came to the see in the year 1070, being the 5th year of the Conqueror's reign.
On the division, which the archbishop soon afterwards made of the revenues of his church, between himself and his convent, Wrotham was allotted to the archbishop and his successors, and as such it is entered under the general title of his lands in the survey of Domesday, taken about the year 1080, as follows:
In Broteham hundred. The archbishop himself holds Broteham. It was taxed at eight sulings. The arable land is twenty carucates. In demesne there are three carucates, and seventy-six villeins, with eighteen borderers, having fourteen carucates. There is a church and ten servants, and three mills of fifteen shillings, and nine acres of meadow; wood, when fruitful (in acorns) sufficient for the pannage of five hundred hogs.
Of this manor, William Dispensator holds one suling, and there he has one carucate in demesne, and two villeins with half a carucate.
Of the same manor Goisfrid holds of the archbishop one suling, and there he has one carucate, and six villeins, with one borderer, having two carucates.
Of the manor itself, Farman holds one yoke and an half of the archbishop, and there he has three carucates, and six villeins with twelve cottagers having two carucates, there are ten servants.
In the whole value, in the time of king Edward the Confessor, this manor was worth fifteen pounds, and afterwards sixteen pounds. Now the demesne of the archbishop is valued at twenty-four pounds, and yet it pays thirty-five pounds. Of the knights eleven pounds.
What Richard of Tonebridge holds in his lowy is valued at fifteen pounds.
Walter, archbishop of Canterbury, in the 8th year of king Edward II. had a grant of a market weekly on a Thursday at his manor of Wrotham, and one fair on the seast of St. George yearly.
In an antient taxation of the archbishop's revenues, this manor was valued at eighty five pounds. (fn. 4)
¶The archbishops had very antiently a palace here, in which they frequently resided till the time of archbishop Simon Islip, who came to the see in the 23d year of king Edward III. who having a desire to finish the palace at Maidstone, which John Ufford his predecessor had begun, and wanting materials for that purpose, pulled down the greatest part of this house, and transported the materials thither, in which situation, the manor, with the remains of it, continued till the reign of king Henry VIII. when Thomas Cranmer, archbishop of Canterbury, in the 29th year of it, conveyed it, as well as all his estates whatsoever in this parish, except the church of Wrotham, and its appendages, to that king, in exchange for other premiles; at which time the scite and demesnes of it were let by the archbishop at the yearly rent of 5l. 6s. 8d. and there were paid to the archbishop (who reserved the royalty and rents of the manor to himself) from the farmers and tenants of it, of antient custom, annually, two hundred and sixty-four hens, valued at sixty-six shillings; 1159 eggs at 5s. 9d. and two geese at ten-pence, (fn. 5) which is noted here to shew the small value of these articles at that time.
WROTHAM is within the ECCLESIASTICAL JURISDICTION of the diocese of Rochester, and being a peculiar of the archbishop of Canterbury, is as such within the deanry of Shoreham.
The ecclesiastical jurisdiction of this parish extends over the district of the chapelry of Woodland, once a parish of itself, the civil jurisdiction of which is united to the parish of Kingsdown, though on the decay of the chapel, it was, in the 15th year of queen Elizabeth united, as to the ecclesiastical jurisdiction, to this parish, the rector and vicar of which have a right to possess all emoluments arising from it till another chapel is built.
The ecclesiastical jurisdiction of this parish extends likewise over the adjoining parish of Stansted, which is accounted as a chapel to the church of Wrotham. It was made a distinct church of itself, by the ordinance of parliament before-mentioned, in 1647, in which state it remained till the restoration, when it became again united to the church of Wrotham, and continues so at this time.
The church, which is dedicated to St. George, is situated on the north side of the town, adjoining to the London road at the foot of the hill. It is a very handsome large building, consisting of three isles, a cross isle, and a large chancel, which last was new-paved and otherwise much beautified some years ago, by the late rector, Dr. John Potter.
There seems to have been a rectory and vicarage belonging to this church very antiently, for in the 15th year of king Edward I. the former was valued at eighty marcs, and the latter at twenty marcs. However, the vicarage was not endowed till the middle of the reign of king Edward III. when Simon Islip, archbishop of Canterbury, at the request, and with the consent of William de Isleppe, then rector of this church, with the chapel of Stansted annexed, decreed, that there should be from that time in future one vicar, the collation of whom should belong to the archbishop and his successors, and he separated the portion, which the vicar should take in future from that of the rector, and he decreed, that the vicar's part so divided, with the permission of the rector, should be as follows: Imprimis, that he should have for the habitation of himself and his successors, a certain house lately assigned to the vicar, with the garden adjoining, as wholly and as freely as the vicar formerly held the same, and all manner of oblations in whatsoever things they should in any manner arise, in this church and chapel and elsewhere within the parish; and also the tithes of lambs, wool, chickens, pigs, geese, ducks, eggs, bees, honey, wax, cheese, milk, the produce of the dairy, flax, hemp, apples, pears, swans, and also of pidgeons, merchandisings, fisheries, pasture without the parks of the archbishop, onions, garlic, and other small tithes and obventions whatsoever, in any shape arising within the bounds and limits of the parish of this church; and also of the silva cedua of faggots and fardels. And that the vicar should have the tithes of the four water mills situated within the parish of Wrotham, and also the tithe of hay growing at Hale, Roghey, and Wynfield, within this parish, and the small tithes of a place called Pellesholte, titheable to the church of Wrotham from antient time, and all trentals left within the parish of this church and chapel; and he taxed and estimated the above portion at the sum of twenty marcs, and decreed it should pay accordingly to the tenth, whenever the same should be levied
And he decreed that the vicar should undergo the following burthens, viz. that he should find one fit chaplain to celebrate in the chapel of Stansted, and to administer to the parishioners there all sacraments, and sacramentals whatsoever, and to exercise all cure of souls, and when he had leisure, and the other part of the parish of Wrotham should be in want of his ministry, beyond the usual service, that he should give his assistance, as the same should be enjoined to him and the vicar. Moreover, that the vicar should provide for his chaplain's celebrating at both places, bread and wine and lights, and should pay the procurations due to the dean of Shoreham at his visitations, and should bind and repair the books, and cause the vestments to be washed as often as need should require. But that the sacrist assigned by the parishioners, according to antient custom, should carefully keep them, as he should answer it at his peril. And he decreed, that the vicar of this church for the time being, should not take any thing whatsoever beyond the above portion, or undergo any other burthens than those before expressed.
And he decreed, that the vicar and his chaplains, and their successors, should take an oath of obedience to the rector, that he would neither by himself, or by any other, publicly or privately, bring any damage or burthen to the rector or church, and that he should not knowingly ever usurp to himself, any thing of the rector's portion. And he further decreed, that as often as the vicarage should become vacant, the rector should take all and singular the tithes, and obventions whatsoever assigned as before mentioned, to the vicar of it, and arising during the time of such vacation, and that during the same, he should undergo and acknowledge all the before-mentioned burthens, and should cause, as well the said church, as the chapel of Stansted, to be served in divine services, saving to him the archbishop and his successors full liberty of correcting, amending and explaining his decree, and of adding to, or diminishing from the same, as often as need should require. (fn. 16)
Thomas Arundel, archbishop of Canterbury, in 1402, confirmed the above endowment, and being frequently requested by John Sondereshe, rector of this church, to inspect the said letters, how far he might with justice expound the decree, or endowment of this vicarage, which in several parts of it seemed doubtful and obscure, on account of the differences and disputes arising from thence, and the preventing those which might probably arise in future; the archbishop therefore having examined carefully into the premises, decreed, that that part of the endowment, where mention is made, that all small tithes, and obventions whatsoever, should belong to the vicar, ought to extend to the tithes, oblations and obventions therein expressed, and likewife to the tithes of trades and of calves, for the taking of which there had been no small contention, and that all occasion of dispute might be prevented between the rector and vicar, by reason of the endowment, he decreed, that the vicar should yearly receive from the rector for the time being 13s. 4d. in money, and four cart loads of wood of the tithes of silva cedua of this parish, yearly to be taken, when it should most suit the vicar, nevertheless by the direction and delivery of the rector, or of his locum tenens.
And in recompence of which 13s. 4d. of the tithes of calves and of trades, and of the fire wood, the rector of this church for the time being should take entirely all manner of tithes of hay, and silva cedua of whatever sort or quality, the same might be, the decree of his predecessor in any wise notwithstanding, which he nevertheless decreed to remain in all other parts firm and valid, saving to himself and his successors, full power to correct, amend or explain the same, and either to add to or diminish it, as often as need, or reason required it. (fn. 17)
From this time the rectory became a sine cure, and the vicar performed the whole service of the cure, though they both continued to receive institution and induction.
The rectory of Wrotham is valued in the king's books at 50l. 8s. 1½d. and the yearly tenths at 5l. 0s. 9¾d.
The vicarage is valued at 22l. 5s. 10d. and the yearly tenths at 19s. 10¾d.
An indenture was executed anno 6th Elizabeth, with the queen's consent, between the parson of Wrotham and George Bing, in which the latter conveyed in exchange a court lodge, and twenty-four acres of land to the former, and his successors in free alms, in lieu of the parsonage house, and twenty-four acres of glebe land.
The rectory of Wrotham continued a sine cure impropriate, under a lease from the archbishop, separate from the vicarage till the year 1715, when the lease expiring, archbishop Tenison having before refused to renew it, conferred this preferment on the vicar Mr. Thomas Curteis, since which both these preferments have been conferred on the same person who has a separate institution and induction, and conforms likewise in every particular to the act of uniformity for each.
¶The parsonage house is a handsome building on the opposite side of the road westward from the church. It was considerably improved of late years, first, by Mr. Curteis, and next by Dr. Potter, who was the principal benefactor to it, and expended a large sum of money upon this house and the offices belonging to it, during the time of his holding these preferments. The vicarage house is still remaining. It is a mean building situated in that part of Wrotham leading to Yaldham.
The extent of the ecclesiastical jurisdiction of this parish, with the chapel of Stansted, is very great, containing a space of six miles and an half long, of which Stansted is two miles, and three miles in width, besides the chapel of Woodland. There is an exceeding fine glebe to it, and the first value of the rectory and vicarage is, as I am informed, upwards of one thousand pounds per annum, of which the latter is computed at three hundred pounds.
A short non-technical review of the Chronos 7 2013 – if your looking for power, class, performance and value for money, this is the machine you have been waiting for.
As a designer and photographer I've long awaited a company to produce a laptop that would fulfill my requirements. Having used my own custom built desktops for the last 8 years, a home setup has been sufficient for my needs but in recent years that's changed and a portable workstation became something I considered more seriously. I sought a machine that would deliver performance without breaking the bank, and this led me to various Sony, Lenovo, Dell, Apple and Asus models.
The release of the Macbook Pro Retina and Asus UX51Z (U500VZ) came closest to tempting me into taking the plunge but there were clear deal breakers that stopped me from doing so. For the apple it was the steep price, £2,300 for i7 16gb version was not in my eyes value for money and the Asus, despite having an IPS screen, had poor colour reproduction suffering from orange like reds.
I've been bidding my time, not convinced there was a laptop on the market which could deliver the balance of performance, portability and value for money that I wanted, that is until I discovered the Samsung Chronos 7 (2013).
Here were my requirements:
- A high end processor;
- A high end graphics card;
- A high quality matte screen with good colour reproduction to cover SRGB with good viewing angles (IPS equivalent);
- Minimum 1920 x 1080 screen resolution;
- A machine that weighed less than 2.5kg;
- Premium build quality;
- A quiet system;
- 5-6 hours of battery life on moderate use;
- User upgradable parts (namely battery, memory and hard drive);
- Aesthetically pleasing (as a designer this is only natural)
- Responsive touch pad
- Comfortable keyboard with dedicated numeric keypad
To give you an idea of my task requirements I've listed some of the software I operate and their typical usage:
- Adobe creative suite – Photoshop, illustrator, indesign (50%)
- Lightroom (30%)
- Autocad (20%)
- Sketchup & 3DSMAX (periodically)
After hearing about the Samsung Chronos 7 (2013) at CES in January I felt this was the machine that finally ticked all the right boxes. My only concern was the lack of information on the screen, all I knew was that it had an A-MVA panel. A visit to the shops to inspect the laptop helped alleviate any immediate concerns, the colours and viewing angles were fantastic. As I prefer a non-glossy display I opted against the touch-screen version and decided instead to purchase the matte non-touch model sold by John Lewis for £1,099.
Here are the specs for the NP770Z5E-S01UK:
- Intel Core i7 3635QM
- 8GB of DDR3 ram at 1600mhz
- 2GB GDDR5 AMD Radeon HD 8870m
- 1TB 5400 rpm HDD
- 15.6” matte A-MVA display (1920x1080)
- 2x USB 2.0, 2x USB 3.0, HDMI, VGA, Ethernet port
- 90W battery
- HD webcam
- Backlit keyboard
- 802.11 b/g/n, Bluetooth, Intel Wireless Display (WiDi)
- 3-in-1 SD card reader
- 2.35kg
Before the purchase, I knew the 5,400 rpm hard drive was going to be a bottleneck for the system and ordered a 512gb Samsung 840 Pro to replace it. At the same time I also upgraded the RAM to 12GB. The stock configuration is 4GB soldered onto the motherboard+ 4GB user replaceable)
The final core specs are:
- Intel Core i7 3635QM
- 12GB of DDR3 ram at 1600mhz
- 2GB GDDR5 AMD Radeon HD 8870m
- 512GB Samsung 840 Pro
After one week of moderate use, here are my initial observations.
Chassis
The lid and inside is made of brushed aluminium and although the bottom is made of plastic it certainly doesn’t feel it. I like my equipment and technology to feel robust in hand, which is why for example I love the Nikon D700. It just feels right. It feels solid and the ergonomics just work. The Samsung comes very close to giving me that same kind of vibe. I would say, despite not being a complete uni-body design in terms of build quality it comes very close to a Macbook Pro.
This laptop should be classified as a thin and powerful portable workstation. For those looking for something to carry around day and night you should look elsewhere for an ultra-portable.
Screen
As mentioned earlier, first impressions of the screen were fantastic. Good brightness levels, no signs of colour reproduction problems, deep blacks and for a non IPS panel, impressive viewing angles. In terms of comparison, I own an NEC EA231Wmi (E-IPS) and Dell 2407fpc (S-PVA), both have good colour reproduction and decent viewing angles but where the dell falls behind the Samsung triumphs. The A-MVA does not exhibit the same gamma shifting issues as the S-PVA in the Dell. In my opinion the performance comes close to the NEC EA231. I will put the screen to the test and calibrate it this weekend with my X-rite i1 display LT.
One flaw I discovered is what some users call burn-in or ghosting. This is not to an extreme level but enough for me to notice it when for example I am shutting the machine down and the screen background turns black. I’ve yet to test this issue fully and for my use it is not a deal breaker otherwise i would of returned it but it is something that any potential buyer should be aware of.
Keyboard
The keyboard does not have a lot of travel but typing on it is a joy with little to no flex. A problem that some users may find annoying is the silver coloured keys which does not help readability. The keyboard is backlit but the white light used is not terribly bright and is definitely not in the same league as the MacBook Pros or even the chromos 7 2012 which I've used. Otherwise in terms of general use there are no other issues with the keyboard.
Touchpad
Touchpad works flawlessly without any issues. In my opinion the apple trackpads are still the best in the market but Samsung have gone a long way by providing one that rivals it.
Performance
Out of the box, the laptop was responsive, with boot up time from cold averaging 30 seconds. The SSD has dropped that to around 10 seconds.
I’ve yet to really put it through its paces but it has flown through all the lightroom and photoshop tasks I’ve set it thus far, mainly large batch processing. My work station in the office is a HPZ420 (Intel Xeon E501620, 20GB RAM, and a NVIDIA Quadro 4000) so I’m use to high performance and can assure you that Chronos is quick, very quick.
Battery
So far I have been extremely impressed by the battery life, for general tasks I can see it lasting for 5-6 hours of moderate use. Samsung suggest up to 9 hours of light use and I don’t believe this to be an over exaggeration.
Noise
With the stock mechanical hard drive you can hear a gentle whir when writing and reading from the disc but now the SSD is in, the machine practically runs silent. The fans are quiet and only become noticeable if your using the dedicated graphics card, even then unless your in a quiet room you will hardly notice it.
Speakers
In a laptop for me, sound is not the most important aspect but I was pleasantly surprised by the quality of the speakers and the volume they could output. I watched the highlights of the F1 Chinese Grand Prix last weekend and was blown away by the clarity of sound, the different pitches and revving of the engines – crystal clear with no muffling or cracking.
Value
This is where I feel the chromos really stands head and shoulders above its competitors. My budget was £1-1.5k and I wanted something that would last me a good couple of years. Including the price of the SSD, additional RAM and 32GB USB pen drive (used to install Windows 8 onto the SSD) the total combined price came to £1,523. Samsung are also currently offering a cash back offer for their SSDs, including this rebate the total price drops to £1,473.
In my opinion, withstanding one or two minor issues such as the ghosting, keyboard backlight and maximum of 12GB memory, for pure power, class and performance, the Samsung offers the best bang for buck on the market without compromising on the buck.
I hope this review helps those who are in the same boat as I was.
(note 16GB version is said to be released at some point)
Built in 1796.
"Society Hill is a historic neighborhood in Center City Philadelphia, with a population of 6,215 as of the 2010 United States Census. Settled in the early 1680s, Society Hill is one of the oldest residential neighborhoods in Philadelphia. After urban decay developed between the late 19th and early 20th centuries, an urban renewal program began in the 1950s, restoring the area and its many historic buildings. Society Hill has since become one of the most expensive neighborhoods with the highest average income and second-highest real estate values in Philadelphia. Society Hill's historic colonial architecture, along with planning and restoration efforts, led the American Planning Association to designate it, in 2008, as one of the great American neighborhoods and a good example of sustainable urban living.
The neighborhood hosts one of the largest concentrations of original 18th- and early 19th-century buildings in the United States. Society Hill is noted for its Franklin street lamps, brick sidewalks, cobblestone and Belgian block streets bordered by two- to four-story brick rowhouses in Federal and Georgian architecture, and public buildings in Greek Revival architecture such as the Merchants' Exchange Building and the Old Pine Street Church.
Philadelphia, often called Philly, is the largest city in the Commonwealth of Pennsylvania, the sixth-largest city in the U.S., the second-largest city in both the Northeast megalopolis and Mid-Atlantic regions after New York City, and the 68th-largest city in the world. Since 1854, the city has been coextensive with Philadelphia County, the most populous county in Pennsylvania and the urban core of the Delaware Valley, the nation's seventh-largest and world's 68th-largest metropolitan region, with 6.245 million residents as of 2020. The city's population as of the 2020 census was 1,603,797, and over 56 million people live within 250 mi (400 km) of Philadelphia.
Philadelphia was founded in 1682 by William Penn, an English Quaker. The city served as capital of the Pennsylvania Colony during the British colonial era and went on to play a historic and vital role as the central meeting place for the nation's founding fathers whose plans and actions in Philadelphia ultimately inspired the American Revolution and the nation's independence. Philadelphia hosted the First Continental Congress in 1774 following the Boston Tea Party, preserved the Liberty Bell, and hosted the Second Continental Congress during which the founders signed the Declaration of Independence, which historian Joseph Ellis has described as "the most potent and consequential words in American history". Once the Revolutionary War commenced, both the Battle of Germantown and the Siege of Fort Mifflin were fought within Philadelphia's city limits. The U.S. Constitution was later ratified in Philadelphia at the Philadelphia Convention of 1787. Philadelphia remained the nation's largest city until 1790, when it was surpassed by New York City, and served as the nation's first capital from May 10, 1775, until December 12, 1776, and on four subsequent occasions during and following the American Revolution, including from 1790 to 1800 while the new national capital of Washington, D.C. was under construction.
During the 19th and 20th centuries, Philadelphia emerged as a major national industrial center and railroad hub. The city’s blossoming industrial sector attracted European immigrants, predominantly from Germany and Ireland, the two largest reported ancestry groups in the city as of 2015. In the 20th century, immigrant waves from Italy and elsewhere in Southern Europe arrived. Following the end of the Civil War in 1865, Philadelphia became a leading destination for African Americans in the Great Migration. In the 20th century, Puerto Rican Americans moved to the city in large numbers. Between 1890 and 1950, Philadelphia's population doubled to 2.07 million. Philadelphia has since attracted immigrants from East and South Asia, Eastern Europe, and Latin America.
With 18 four-year universities and colleges, Philadelphia is one of the nation's leading centers for higher education and academic research. As of 2021, the Philadelphia metropolitan area was the nation's ninth-largest metropolitan economy with a gross metropolitan product (GMP) of US$479 billion. Philadelphia is the largest center of economic activity in Pennsylvania and the broader multi-state Delaware Valley region; the city is home to five Fortune 500 corporate headquarters as of 2022. The Philadelphia skyline, which includes several globally renowned commercial skyscrapers, is expanding, primarily with new residential high-rise condominiums. The city and the Delaware Valley are a biotechnology and venture capital hub; and the Philadelphia Stock Exchange, owned by NASDAQ, is the nation's oldest stock exchange and a global leader in options trading. 30th Street Station, the city's primary rail station, is the third-busiest Amtrak hub in the nation, and the city's multimodal transport and logistics infrastructure, including Philadelphia International Airport, the PhilaPort seaport, freight rail infrastructure, roadway traffic capacity, and warehouse storage space, are all expanding.
Philadelphia is a national cultural hub, hosting more outdoor sculptures and murals than any other American city. Fairmount Park, when combined with adjacent Wissahickon Valley Park in the same watershed, is 2,052 acres (830 ha), representing one of the nation's largest contiguous urban parks and the 45th largest urban park in the world. The city is known for its arts, culture, cuisine, and colonial and Revolution-era history; in 2016, it attracted 42 million domestic tourists who spent $6.8 billion, representing $11 billion in total economic impact to the city and surrounding Pennsylvania counties.
With five professional sports teams and a hugely loyal fan base, the city is often ranked as the nation's best city for professional sports fans. The city has a culturally and philanthropically active LGBTQ+ community. Philadelphia also has played an immensely influential historic and ongoing role in the development and evolution of American music, especially R&B, soul, and rock.
Philadelphia is a city of many firsts, including the nation's first library (1731), hospital (1751), medical school (1765), national capital (1774), university (by some accounts) (1779), stock exchange (1790), zoo (1874), and business school (1881). Philadelphia contains 67 National Historic Landmarks, including Independence Hall. From the city's 17th century founding through the present, Philadelphia has been the birthplace or home to an extensive number of prominent and influential Americans. In 2021, Time magazine named Philadelphia one of the world's greatest 100 places." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
Become a patron to my photography on Patreon.
More tests today. I'm learning how to control very light values. But first I did a little ink test in the upper left to see if you get green when you mix yellow and black ink. Yes, you do if you are very fast and mix them while they are still wet. I used a yellow Micron pen and a black Zig pen.
My main test was to slowly build up dilute colors. I had burnt sienna in one Kuretake Mini waterbrush and cobalt in another. I applied a wash, waited for it to dry completely, and added another. I did this four times to create four increasingly darker values. You have to be very patient, but it works. I learned this method from a book called "The Wash Method of Handling Water Colour" by Frank Forrest Frederick published in 1908. I found it for free on Archive.org
archive.org/details/washmethodofhand00freduoft
Where you can download it as a PDF, ePub, or Kindle file.
Finally I tried to get the lightest value possible with a number of colors. I used a wet round brush to pick up a little dried tube paint. I then quickly dipped the brush in water, tapped the brush against the inside of my water container (to dislodge a little water) and then made a brush mark down the dry page. This deposits very little pigment and is a good way to make beautiful, light colors. I also tried lifting some color out with a thirsty brush (in the cadmium red/lemon yellow mix), and I tried adding a little more color on top of the wet first stroke (ultramarine and cobalt - bottom left).
JUBILACIÓN DE LA MUJER
Con Asesor Previsional
Introduction
Si bien es cierto que la mujer se puede jubilar en Chile a los 60 años, todo
el sistema actual está diseñado para que se pensione a los 65 años, debido
a que en esa edad se le entrega el bono por hijo y se ha extendido también
hasta esa edad el beneficio del seguro de Invalidez y Sobrevivencia. Los beneficios
tributarios del APV y el Ahorro Previsional Voluntario Colectivo APVC se mantendrán
mientras siga trabajando y cotizando hasta los 65 años.
Hay que tener mucho cuidado y tomar en cuenta que algunas mujeres que trabajan
en la administración pública están sujetas al estatuto administrativo, que
implica que si esa mujer se jubila esta obligada a dejar sus funciones y tiene
que renunciar. Todo pensionado puede continuar trabajando con el mismo empleador
a excepción de:
* Los trabajadores de la Administración Pública afectos al Estatuto Administrativo.
* Los trabajadores municipales afectos a la Ley No.18.883
* Los profesionales de la Educación del Sector Municipal afectos a la Ley No.19.070
* Los Trabajadores afectos al Estatuto de Atención Primaria de la Salud Municipal.
* Los funcionarios Poder Judicial afectos al artículo 332 No.6 del Código Orgánico
de Tribunales.
Una mujer también se puede jubilar después de los 65 años, o antes. Pero nadie
obliga a jubilarse a los 60 65 o 70 años salvo por disposición de su empresa,
mientras una mujer quiera y pueda seguir trabajando y aportando a su AFP lo
puede hacer libremente. Pensionarse hoy o mañana es una opción personal y cada
cual sabe donde le aprieta el zapato.
La decisión de la edad de pensión de una mujer es un asunto personal y particular
de acuerdo a sus intereses y circunstancias personales.
Hay mujeres que quieren jubilarse a los 60 años para disfrutar a sus nietos,
para emprender una nueva actividad como independiente, o para tener más dinero
disponible para ayudar a pagar alguna universidad.
Si usted va a iniciar su trámite de pensión lo puede hacer directamente con
su AFP, con una compañía de seguros o con uno de sus agentes, o con un asesor
previsional inscrito en el registro de asesores previsionales de la Superintendenecia
de Pensiones y de la Superintendencia de Valores y Seguros.
Un asesor previsional le debería conseguir una mejor jubilación que una mujer
que hace el trámite sola con su AFP, o con un agente de una compañía de seguros
determinada, "pastelero a tus pasteles". Busque en Google de Chile por QUE
ME CONVIENE PARA JUBILARME
Las mujeres y los hombres que quieren jubilarse pronto, o los que estan pensionados
bajo la modalidad de retiro programado AFP, les comunico que la tasa de venta
de las compañías de seguros en este momento han subido hasta un 5% y bajarán
hasta un 6% el año 2016 debido a la nueva tabla de mortalidad que se comenzará
aplicar el otro año, por lo que le sugiero informarse más buscando en Google
de Chile por CUAL ES EL MEJOR MOMENTO PARA JUBILARSE
Best regards,
Luis Fernando Correa
Asesor Previsional
Cel: +569 93402000 |
e: luisfdo.correa@vtr.net | Removibles: lfcr_@vtr.net