View allAll Photos Tagged tracking
Sydney Train’s K80 & K66 thunder out through Heathcote on 888C ‘Silver to the sea’ tour organised by Historic Electric Traction returning to Central from Kiama
26/7/25
Not my usual positioning of a photo (it's normally in the middle of a road!) but I took this quickly whilst walking across a crossing at Spellbrook. I like the converging tracks and in black and white seemed about the right treatment.
The tire tracks had me imagining the lanes a snowy colosseum racetrack.
For Utata's weekend project "I.C.M. (intentional camera movement" [Feb 13-25, 2017)
Slow shutter speed and hand-held camera were used to intentionally blur the image on a snowy day.
With a hand steady on the brake, Ron Belbeck brings his train to a stop roughly 15 feet from the end of the Burford Spur.
Today RLHH 496 was operating with the NECR 3840.
at least one of the cats apparently climbed up to check out the cornice — but couldn’t get over the top of the overhang
Getting up...?
Leica M8 // Leica Summitar 50mm f/2
Favorites and comments are always welcome!
Model: Kathryn Montgomery
Day 2: Esperance to Albany: The Unconventional Ride. 750 km in 10 days. At the eastern end of Barker Inlet Beach. Google Maps said there was a track here. I guess a rock fall is a track right? Well it worked out okay, I went down it, fingers crossed :
So... The ŁM-50 tracked front-end overhead loader model in 1:13 is finally finished and Johanna Gambolputty is ready to present it ;) . Pre-Christmas frenzy, however, is not the best time to film/photograph a new model so for now - just this one family photo. The other models are old, very old, but I've just overhauled them and will probably film them together with the ŁM-50, for the first time in decent quality. They deserve it, methinks, for nostalgic reasons if not anything else.
Micheldever Wood, Hampshire. In search of early sun at the end of the track I came away with this soft and slightly misty light instead.
I cross these tracks everyday going and coming and luv the view when I "stop, look, and listen".... as it invites me to travel on to other places I have not explored and take caution when doing so... life is like these tracks with ups and downs and yet we are encouraged to stay on the straight and narrow path that leads to life ever after.... many places to cross but always with caution and keeping your eye on the vanishing point that one day we will all cross... but because of the cross we can know where we will cross to.... have a blessed week.... God loves you sooooo much and so do I....
"For God so loved the world He gave His only begotten Son that whosoever believes in Him shall not perish but have everlasting life. For God sent not His Son into the world to condemn the world but that the world through Him might be saved" John 3:16 & 17
Number 118 of my 365 photo challenge - A squashed perspective image of tractor tracks in a grassy field.
I took a short walk the other day and stopped for a moment at this spot for a 3X3 Pano.
3 shots across the bottom, middle and top, stitched together using PhotoMerge in PhotoShop. Cropped the center square for my format and it's HUGE.
Thank you all so much for the birthday wishes on my candle pic. It was a great day and I spent the day today mailing all the slices out that I offered...... Should I have put an ice cube in with it? It is a frozen type cake.
Hope your day was super, and Happy Friday NZ / AU, plus good Friday morning to the rest of the World as it turns into a new day.
as always, BIG HELLO from Ottawa, Canada TO YOU.
The track from Arpafeelie through Gallows Wood to Redcastle is ever changing. From fields with sheep and cattle to natural woodland, and then some lovely older plantations. Here we have Douglas Firs on the left and European Larches on the right, but there are self seeded and natural trees scattered throughout. The Firs are magnificent and straight like ship's masts. The Larches, too, are pretty special plantation trees that are a gorgeous colour this time of year, and are a front to more Douglas Firs and Scots Pines behind.