View allAll Photos Tagged tiny
Tiny jellyfish twins swim at the Sea Life Aquarium in Helsinki, Finland. They look a bit puzzled amongst the larger siblings.
© All Rights Reserved. Please do not use or reproduce this image on Websites, Blogs or any other media without my explicit permission.
This is the first doll on my restarted redressing list. I just happened to get some new Picco Neemo clothes when her turn came up, so that worked out well. :-)
Dauin, Philippines.
Check out my popular science book "The Lives of Gobies" with lots of goby photographs: You can order it here.
...sightings of these charming, yet illusive little creatures are extremely rare, and to date have never been proven. it is believed, however, they gather in a small hollow of the enchanted wood on occasion to share the old stories and join in festive dance in the light of a full moon.
texture graciously provided by smoko-stock at deviantart.
smoko-stock.deviantart.com/gallery/?q=i+know+nothing#/d2p...
fairy wing brushes by www.obsidiandawn.com/fairy-wings-photoshop-gimp-brushes
This is probably old news by now, but I just now was able to get my hands on a 41098 tourist kiosk, and these 1x1 round tiles w/ bar are amazing
It's 2.5 plates (1 stud) high, this might be the smallest stud inverter possible that isn't a LOTR ring
Little Estero Lagoon, Fort Myers Beach, FL
Thursday: ID anyone? I really would love to know what this little cutie pie is. Maybe a Least Sandpiper? I really don't know.
Shorebirds confuse me and it's so hard to later remember how big or small they were. But I do remember this one being real tiny... LOL
Friday: TGIF! Big thanks to everyone who confirmed my initial ID. It's a Least Sandpiper! Sweet! A first, I think. :-)
View on Fluidr | All My Photos on Fluidr
Happy Feathery Friday!
Tiny, ground-nesting native bee (Homalictus sp?). I went to a dirt patch on my front lawn where a fair amount of Wahlenbergia has been growing wild. I know there are bees living there as I have occasionally seen them darting in and out of their little holes. I decided to make a protracted effort to photograph one. I saw this little cutie roaming around on the soil for a bit. After I took this shot, she found a spot she liked and started digging! Her first digging attempt ended in a retreat (not quite the right spot) so she tried an area a centimetre or so away and went down like a drill! I managed to get some footage of this which I have uploaded along with these photos. I am so excited to have seen this happening right before my eyes! (Blue Mountains, NSW).
Really light fluffy snow..and, obviously, still beautiful tiny flakes in there if you get close enough to see them.... amazing...
Okay, so I took this www.flickr.com/photos/lorenzomarchi/245975608/ as a challenge; I couldn't help myself. From a 32 grid folded from a 3cm paper, making the pleats .9375mm
Worthwhile to View On Black with this one for detail.
For info on this series see set notes. Tiny Landscapes Set
The tiny Inca Dove (Columbina Inca) is covered in tan scaly-looking feathers that blend right in with its habitat. That is, until it bursts into flight, making a dry rattling whir with its wings while flashing chestnut underwings and white in its tail. Inca Doves, like other doves, feed their young dove milk or crop milk. Both males and females produce this substance in their crops (the pouch just above the stomach that birds use to store food). The walls of the crop swell until it produces a nutritious, milky-colored secretion. Despite its appearance, it’s not related to the milk produced by mammals. The Inca dove does not tolerate seriously cold temperatures. When the temperature drops to around 20 degrees Fahrenheit, these southern doves get cold. They huddle together to stay warm. Sometimes they even sit on top of each other, forming a dove pyramid up to 3 doves high—a behavior called pyramid roosting. Inca doves are common throughout their range, and U.S. populations have increased according to the North American Breeding Bird Survey. Inca Doves appear well-adapted to humans and have expanded north in recent years. In the Southwestern U.S., Inca Doves frequently visit ground and platform feeders.
If you want to attract birds like this to YOUR backyard, Go to www.cuttsnaturephotography.com and subscribe so you can get updates on my Blog series "The Beginners Guide to Backyard Birding" and "Our Backyard Birds". Come join the adventure.
There is a tiny forest at my home.
It is getting colder and colder, and leaves are changing their colors:)
Soon, the winter will come.
♪゜・*:.。. .。.:*・♪ ♪゜・*:.。. .。.:*・♪
お部屋に小さな森があります。
寒くなってきて木々の葉も色を変えてきました。ちょっとさみしい季節ですが綺麗で好きです＾＾
もうすぐ冬がやってきますね……＞＜
tiny nail invisibly dedicated to Nirvana SQ
__________________________________________________
Outlining a Theory of General Creativity . .
. . on a 'Pataphysical projectory
Entropy ≥ Memory ● Creativity ²
__________________________________________________
Study of the day:
"Je ne crois pas à l'immatériel : cela n'existe pas. (...) J'appelle hypermatière, un complexe d'énergie et d'information où il n'est plus possible de distinguer la matière de sa forme. Il faut dépasser ce que Simondon appelle le schème hylémorphique qui consiste à penser la forme (morphè) et la matière (hylè) en les opposant. Et j'appelle hypermatériel le processus où l'information - qui se présente comme une forme immatérielle - est en réalité le résultat d'un train "d'états de matières" produits par des dispositifs techno-logiques où la séparation de la forme et de la matière est totalement dénuée de sens."
"I do not believe in the immaterial: this doesn't exist. (...) I name hypermatter, a complex of energy and information where it is no more possible to distinguish the matter of its form. We must go beyond what Simondon called the hylemorphic scheme which is to think the form (morph) and the matter (hylè) opposing each other. And I name hypermaterial the process where information - which presents itself as immaterial - is actually the result of a series of "statements of materials" produced by techno-logical devices where separation of form and matter is totally devoid of sense."
( Bernard Stiegler - 2008 - Economie de l'hypermatériel et psychopouvoir )
__________________________________________________
rectO-persO | E ≥ m.C² | co~errAnce | TiLt
British postcard in the Picturegoer Series, London, no. W 153. Photo: Gainsborough.
Anne Crawford (1920-1956) was a beautiful, sadly short-lived British leading lady with a gentle, good-humoured personality. From 1938 through 1954 she starred in 24 films.
Anne Crawford was born in 1920 in Haifa, Palestine (now Israel) as Imelda Anne Crawford. She was the child of an English mother and a Scottish father, who worked as a paymaster for the Palestine Railway. The family returned to Britain when she was 7 years old. Raised in Edinburgh, she went to school at St. Margrets convent in Marchmont. Afterward, she studied drama in Edinburgh and at the Royal Academy of Dramatic Arts (RADA) in London. Her professional career started at a repertory theatre in Manchester where she soon was playing juvenile leads. She changed her name from Imelda to Anne. She had a tiny role in Prison Without Bars (Brian Desmond Hurst, 1938) with Corinne Luchaire and Edna Best, and a better role in They Flew Alone (Herbert Wilcox, 1942) starring Anna Neagle. It was the smash hit Millions Like Us (Frank Launder, Sydney Gilliat, 1943) that crystalised her star persona: posh, selfish but basically a good sort. During her career, there were a few attempts to get away from this template, notably her poor mill worker in Master of Banksdam. During the war, she also appeared in such women's pictures as Two Thousand Women (Frank Launder, 1944) with Phyllis Calvert and Flora Robson, and They Were Sisters (Arthur Crabtree, 1945) with James Mason.
After the war, Anne Crawford became known for the wild Gainsborough melodrama Caravan (Arthur Crabtree, 1946) starring Stewart Granger and Jean Kent, and the classic horror film Daughter of Darkness (Lance Comfort, 1948). In his Guide to British Cinema, Geoff Mayer writes, "Daughter of Darkness, with a budget of two hundred thousand pounds and three weeks of location shooting in Cornwall, was not a financial success and represented a setback to Comfort's career, which saw him relegated to low-budget films in the 1950s and 1960s. Yet the film's mixture of gothic and horror establishes it as one of the most startling British films of the 1940s." In 1953 she starred as Morgan Le Fay in Knights of the Round Table (Richard Thorpe, 1953), with Robert Taylor and Ava Gardner. She made her West End debut in 1949 in 'Western Wind' at the Piccadilly Theatre, followed by a not very successful stint on Broadway in 1951 in 'The Green Bay Tree'. Her television career ran in parallel to her film career, and in 1955 she topped a viewers poll for her performance in the BBC teleplay The Leader of the House. She died in 1956 in London of leukemia. She was 35. At the time of her death, she was appearing in the Agatha Christie play 'The Spider's Web', at the Savoy Theatre, London. Co-stars Margaret Lockwood, Patrick Barr, and Ronald Howard attended her funeral. Her resting place is the Kensal Green Cemetery. Anne Crawford was married to James Hartley (1939-?) and stage and television producer/director Wallace Douglas (1953-1956). David Absalom at British Pictures: "For modern audiences, Crawford's perceived poshness can seem a bit distancing, and it's hard to judge how her career would have panned out had she not died so early. I suspect she would have done okay. She showed enough wit and timing in her few comedy outings and there was always something of the grande dame about her to suggest that she would have only improved with age."
Sources: David Absalom (British Pictures), Fritz Tauber (Find A Grave), Find A Grave, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
A tiny door in the base of the Freedom Parkway overpass at the BeltLine. Tiny Doors is a local art project directed by Karen Anderson (www.tinydoorsatl.com).
I was struggling with roughing in a pair of walking feet on the pavement at right to give a sense of scale, when just in time a trio of little girls delightedly discovered the door. The leftmost girl was exactly what was needed to make the sketch.
When I started the sketch I was invisible. Somebody even parked their bike for a while between me and the door. (Luckily it is easy to see through bicycle wheels.) But when the paints come out and color goes on, people notice me. The purpose of the door is for people to discover and interact with it. A sketcher sitting on the ground becomes a piece of the dynamic experience.
Drawn for the upcoming "Doors and Entrances" Weekly Theme, www.flickr.com/groups/urbansketches/discuss/7215768036145....
Drawn May 6, 2017
Atlanta, Georgia, USA
Here are all the tinies that live in the dollhouse! Penny (Puki Lily) Pixie (Puki Piki) Belle (Gloomy white SP tan Belle) Pong (Puki Pong) and riding the pony is Poppy (Lati White Belle)
On my wishlist are still Puki Ante and Puki Flora!
They are all wearing wonderful fashions by Hollyheart from Helle Gavin! Except Poppy, who is wearing a hat by icantdance and a shirt made by me.