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This is a test composite I made for my Austin Fashion Week Mash-Up team (a team fashion/photography compitition associated with Austin Fashion Week). I didn't spend much time on the composite (don't look at her feet!), but I love the hair, make-up, and pose, so I though I'd share it.
Plan A was to shoot everything on location, which is what we did for our final image even though Bethany (our model) was freezing. Plan B, if the weather was completely awful, was to shoot a composite ... hence this test.
I shot the image of Bethany during a hair, make-up, and wardrobe tests we did at Bella Salon. I shot the background earlier while scouting alleys around Austin.
Model: Bethany Bond
Hair: Rachael Dunn
Make-up: Katie Astoria
Wardrobe: Jessica Faith Marshal (Top Only in this case)
Styling: Michelle Zuzek
Strobist Info: AB1600 in a large softbox camera left as key. AB800 in a strip box camera right and behind the model for rim. AB800 slightly to the left of camera position in a strip box for fill, mostly on the clothing.
I have a good news!
I am looking forward the arrival of test parts in a week. If the test assembly will be successful, then pre-order can be expected soon.
Test av redningsvester til sjøredningskorps i Redningsselskapet.
På bildet er Knut Hveding med dagens 275 N vest med dobbelt kammer og flasker.
Featuring top and tail DRS Class 37s, unusual for a formation with a DBSO in it, a Network Rail test train headed by 37607 sits at Didcot Parkway station with 37605 just visible at the rear
Finn: Ai mãe, assim eu fico sem graça...
Eu: Diabo de câmera que num consigo usar~!
Finn: Já leu o manual?
Eu: ... Fica quietinha aew e não mexe o rosto >:IIII
Finn: ... ok, desculpa...
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Só testando a câmera nova. Minha irmã me ensinou os lances de macro tarde demais.... Bom, a câmera funciona pelo menos e vou deixar registradas estas primeiras fotos, por mais porquinhas que estejam... Ai de mim!
What new gremlins await my model railroad whenever I make changes to the track and wiring?
For several months I have been weathering some of my bright and shiny Kato Unitrack using felt tip paint pens from Woodland Scenics. I paint the steel rails a brown-black color and some of the wooden crossties (sleepers in UK rail terminology) a dark brown color. That makes the track look a lot more realistic, but the paint must be removed from the top of the rails, the rail joiners, and certain parts of the switch points in order to maintain electrical continuity between the trains and track. After the paint has dried, I rub an abrasive Bright Boy along the tops of the rail, the metal portion of the Unijoiners, and the inside surfaces of the switch points.
I snap the Unijoiners back onto each piece of track and connect each weathered piece of track with my test rig. The 12 volt DC power is fed via the blue and white wires from my power supply to an unpainted S62F feeder track upstream from the items to be tested. In this case, I am testing a right hand #6 switch and a piece of curved track to make sure I have continuity. The red and black wires control the switch motor. I run the engine forward and backward on each route of the switch several times to insure a good electrical path. All of my newly painted track is tested on my work table before I install them on the layout.
I have finished painting the visible portions of my westbound (lower) staging yard, my entire mainline, passing siding, and industrial tracks. Next I must paint the visible part of my eastbound (upper) staging yard before I install it on my layout. It is easier to paint and test track before installation. Then I need to temporarily remove all the track from my layout, install Styrofoam sub-roadbed in order to elevate the track above the streams I plan to build and connect the lower and upper staging yards by a long 2% grade on my mainline.
Test Car 1, ADW150375
Test Car 2, ADB975397
Mentor, ADB975091
Test Car 6, ADB975290
Test Car 10, ADB975814
at RTC, 1987 [Photo used in my book courtesy of Serco]
Testing the scent
This cheetah is licking a tree where it's companion has just marked.
Serengeti National Park, Tanzania, 2018
Nikon D500, 300mm F4 PF + 1.4TCiii @ F8.0, 1/1000, ISO 400
test shots for another shoot i had done....
Steve is an amazing photographer and i would appreciate it if everyone checked his stream out!
[http://www.flickr.com/photos/stevebernhardt/]
How well do you feel these results fit you? Rate them here.
(1 = absolutely not me, 5 = perfectly describes me).
My rate is 100 eheheh
If you want I have in Italian language also......
Now I expect some of your COMMENTS and also judgments of what you think of me! Thank you!
Sissy whore Flora
testing on my new toy, Rolleiflex 2.8F, White Face, Xenotar...unedited.
Film; GP3, cost less than USD$1 per roll!!! (RMB6 per roll)
When I first found out about these Skippers I thought I would never actually get one. Then this one popped up on Etsy for a "reasonable" price and I couldn't pass it up! She actually came with some outfits (that I didn't have!) so that helped justify the price as well. She and her clothes were filthy! I could tell from the pictures so I wasn't surprised and knew this was why she was a good price. But I knew I could give her a good bath and I was so excited to get (and see) a test market Skipper! She has the "Japan" mark on her foot the long way and she's shorter than my other 1963 Skippers. Her face paints really nice and she has a lot of hair on her head so once I cleaned her up she's really nice! This Ships Ahoy outfit I have her in came with her (only the dress and vest). Luckily, I had some white socks and red shoes no one was wearing to add to it! And I made her a miniature paper sail boat! Love her so much! I named her Ginger :)
I built a car for my Crash Test Dummy; heavily inspired [color-wise, anyway] by one from the Test Track queue. This was another quick build [an all-nighter] between larger projects.
Check out all of the pictures at MOCpages.
A test print came yesterday from a lab in Vancouver. 18x24.
I liked this image but I shot it with my 16 year old Canon and I was curious how it would enlarge. 12x18 is great and 18 x24 is quite acceptable too.
This was an enlargement test on Hahnemühle Photo Rag® — a beautiful white cotton artist’s paper made in Germany by hardy Germans. Like me, it is acid- and lignin-free....