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The California-Mexico Studies Center (CMSC), Club Guadalajara USA and Centro Jalisco Los Angeles invite you to the book presentation of "El Mariachi: Memory, History and Tradition," presented by Dr. Mario Alberto Nájera from the University of Guadalajara and a special introduction by Gregorio Luke.
© California-Mexico Studies Center (CMSC)
Photo by: Lidieth Arevalo from Alyson Studios
I wish someone would write a type study of the UK made Stanley planes. I've seen a good few of these planes and although some of the later ones aren't always very good, the older ones are almost without exception very good planes.
I know they don't have thick cutters, rosewood handles or thick frogs. But irrespective, they're generally well made from good casting moulds and if set up correctly, will serve very well for a sliver of the money you have to cough up for older US made Stanley's.
I believe that this example is one of the oldest made UK planes. A sure sign of this is that the depth adjusting Y-lever is cast and not stamped steel. The body is also thicker, the casting is precise and the contours are crisp. Later ones often display differing thicknesses in the cheeks, softer screws, pressed metal levers and poorly and thinly outlined lettering on the body.
The no 5 jack plane is a very good workhorse and since I almost never use this model for smoothing, a minimum of fettling is required. The cutter isn't one of the best, but on the other hand it is very quickly sharpened and modified for various purposes.
Another good thing about the older UK made planes is that they are generally very easily dismantled for cleaning. On this one I detached every single part with the exception of the lateral adjuster.
please direct your attention upward
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75 tons of baled switchgrass, a native cereal grain, are delivered to a Delmarva poultry farm. The grain, which was cut into one inch pieces using a RotoChopper, is being evaluated as poultry bedding material
The study hall in the old main building (now demolished) of Wasco Union High School. This was where students gathered before and after school or at lunchtime, particularly on cold or rainy days. It should have been called the social hall. My note on the back of the print says that is Pat Few in the center of the picture.
Author Molly Antolop and Oberlin's Writer-in-Residence attended professor Sheera Talpaz's Jewish Studies class.
Photo by Yvonne Gay
A range of studies of walking accessories using a variety of media - oil pastels, fine liner, coloured pencils.
Audience members watch as seven SFU Continuing Studies students (55+) graduate with a liberal arts certificate on April 17, 2013.
Find out more about our Liberal Arts Program at www.sfu.ca/discover.
Black Mountain College students and faculty built the studies center, now used by the Rockmount Christian Camp for boys in Black Mountain, N.C Sunday, Sept. 28, 2008. (Photo by Patrick Rumaker)
Where is this? Mary Gates Hall
Why is this a good place to study? Tutor available, CLUE, classmates also study there
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Study for ‘Symphony in White, No. 3’, 1865/67
James McNeill Whistler
Pencil and crayon on off-white laid paper
From the exhibition
Whistler’s Woman in White: Joanna Hiffernan
(February — May 2022)
Many of James McNeill Whistler’s works feature the red-haired figure of Joanna Hiffernan. Her close professional and personal relationship with the artist lasted for two decades, yet little about her role or influence in his life has been explored – until now.
Today considered one of the best-known names of the late 19th-century Aesthetic Movement, Whistler moved to London as a young painter hoping to forge his reputation. It was here that he met Joanna Hiffernan, an Irish model who would become his muse, confidante and more.
In this exhibition, we uncover the role Joanna played in the artist’s career and discover how Whistler’s revolutionary paintings featuring Hiffernan went on to influence other artists from the Pre-Raphaelites to Klimt.
[Royal Academy]
Study of industrialised (Lanarkshire) landscape with smoking cooling towers.
Painter and teacher, born in Cowdenbeath, Fife. He studied at Glasgow School of Art, 1950-6, then went on to teach at Keith Grammar School, 1957-8, becoming a part-time lecturer at Glasgow School of Art, 1959-66, from 1967 full time. There was a retrospective in 2000 at the Mackintosh Gallery, Glasgow, with a well-illustrated catalogue