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STUDIO
YVAN le TRAPPER...
Here, he gave a whole impression of a Russian trapper, looking for his pray or was it his way?
He had us rolling with laughter, he is just so witty, the accent spot on, some Flemish words 'Russianised'...
The lighting again was an interesting challenge, because of the hand, ah well I'm sure you'll let me know if I've pulled it off!
YVAN le TERRIBLE...
It was getting late, almost the end of the shoot and the hoot.
I've always said it: 'Ç’est dure la vie de modèle'
Ivan had, like most people, underestimated the strain of being at your best in front of a camera for a couple of hours.
We had a short break and then a few more shots...
YVAN THE OFFICIAL PORTRAIT
Yvan and his lovely partner.
There is a time to be serious too!
I would not have been happy if I had not taken a 'proper' portrait of these two beautiful people.
I know how shy she is, was adamant about not being photographed, but aaaahhh well... with my usual 'charm' (tee hee)... I finally was able to convince her to join him in front of the camera, that pleased him.
He is an extremely romantic man, the ladies like him and he's always charming to the ladies, but this is his true love, they are a wonderful couple.
HAPPINESS IS...
Sharing laughter.
I suspect that she whispered something naughty back to him, for his ears only...
AAhh, still so in love after all these years.
This is one of a series (more later).
From the series: Ex-and impressions.
The REAL Yvan like I know him best.
This is the last image I took that day, the last in the series...Anthropologically this has been a great exercise too, we learn more on this site than just about photography?
From the series: Ex-and impressions.
Hope you are enjoying this?
Taken on my Nikon F4, negs scanned and retouched lovingly!
THANK YOU, M, (*_*)
For more: www.indigo2photography.com
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people, man, coffee, beard, Russian, fur, hat, sitting, male, portrait, studio, colour, black-background, design, vertical, NikonF4, "Magda indigo"
Went for a studio visit today to see my friend Carlos' latest work....it's absolutely beautiful....I will definitely buy something as soon as I have some money to spare. If you want to contact him, please send me a flickr mail.
Mike Bruff ( www.facebook.com/pages/Bruff-Photography/160973627266395 ) has Studio Sunday sessions for local photographers. Always a great time! This weeks model was Robyn B, great personality and a blast to work with.
Model: Jasmine GiGi (IG: theJasmineGiGi)
Shot at Union 206
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Modelo:
LANA - a quem agradeço por tornar-se bem simples meu aprendizado.
Studio: Marlon/Fabiano
Marlon- meu mestre, que, com muita paciência, deu-me todas as possibilidades para por em prática este novo aprendizado.
Obrigado a todos
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A practice at the studio. Enjoy! More to come
5D Classic
70-200 2.8 IS L
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Strobist - A lighting Collaboration with William Chik
AB1600 + 47 Octo Boomed Top right Camera
AB400 Model lower left for rim
AB400 + Silver Umbrella Camera left for fill
Focus Gray Seamless BG
A first attempt at a “studio” portrait. Have been experimenting a bit with a “studio” lighting setup, consisting of nothing more than one off-camera flash (with a small softbox) and a black piece of cloth (fleece) as a background. I was after this moody, sparsely lit portrait look (it’s that time of the year after all 😉). Luckily, my daughter had a very short “moody” moment after having given me lots of funny faces... Processed the RAW file in Capture One, trying to acquire moderate contrast, subtle toning, and a bit of fade in the shadows. Any comments, tips, or tricks?
Flash: Nissin Di700A (at 1/32 power) with Commander Air 1 trigger
Softbox: JJC RSB-L Flash Softbox
Just some studio work I did a bit ago in my home studio. Thank you very much to Nadine and Angelika for this shoots.
Studio 26, assignment on To Frame or Not to Frame---
During this assignment period, I found myself thinking that almost every shot I took could benefit from a frame, Also I found myself most often drawn to simple, subtle frames, like this one, which is Ribbet's mirror effect, made very narrow, with an increase in the amount of shadow for the inner edge.
I chose this one as my final image for the way the softness of the edge suits the softness of Po's bright-eyed gaze. Po, who is quite oblivious to the waiting for a definitive diagnosis, & also to the continued waiting for her surgical incision to heal -- except that she would ever so much like to be allowed to go swimming----