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Please Credit: Lambda Archives of San Diego
Description: PFLAG at San Diego Pride Parade: Two women holding PFLAG banner with "WE LOVE OUR GAY AND LESBIAN CHILDREN" statement.
Date: Late 1980s, early 1990s
Collection/Accession: L2007.15, Dignity San Diego
Local Call number: P104.128m.r.t
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Sections you would find there
A #statement of #CashFlow comes with three mandatory sections. We can call them as the primary section. There is a fourth section too, but it is of optional nature, and you can leave it blank. Leaving the fourth section blank is not going to put any impact on the facts mentioned in the remaining report.
These handmade pillows are the perfect statement for any couch (or chair).
Price: $28
Perfect for: homeowners, decor nuts
Hoot + Louise
109 G. E. Patterson Avenue
Memphis, TN 38103
Artist's statement for my solo show in the Buntrock Commons at St. Olaf College, shown from March 19th until April 10th, 2009. Work was produced during the month of January, 2009, as the final project in a month-long course Advanced Drawing course I took.
Here and there small towns and big cities make their own display or host a traveling set of crosses, in which each marker represents 100 or 1000 aborted fetuses, for example. This is a powerful and persisting visual statement. Does the opposing position have something equally visible, though: something to show how life is different for the woman thus impacted?
Net Zero Needs Nuclear Power, Shared Presentations Stage 3, Thematic Arena 3, Opportunity petal, an IAEA Statement Event at the United Nations Climate Change Conference UNCCC held at the Expo City Dubai, United Arab Emirates. Blue Zone, 1 December 2023
The IAEA Event: Net Zero Needs Nuclear Power will highlight the crucial role of nuclear power as part of the energy mix. The Director General of the International Atomic Energy Agency (IAEA) Mr Rafael Mariano Grossi will announce the ‘IAEA Statement on Nuclear Power’ supported by 40 countries, both those already operating nuclear power plants and newcomers. Together these countries acknowledge that all available low-carbon technologies, including nuclear power, should be recognized, and actively supported. The Statement underlines the benefits of nuclear power, including that nuclear power plants produce no harmful greenhouse gas emissions; that nuclear energy contributes to energy security and the stability of power grids; and that it mitigates air pollution at a local level.
Photo Credit: Dean Calma / IAEA
Moderator:
Sophie Boutaud de la Combe, IAEA Director, Office of Public Information and Communication
Panelist:
Rafael Mariano Grossi, Director General, IAEA
Vahagn Khachaturyan, President of Armenia
Satkaliyev Almassadam, Minister of Energy of the Republic of Kazakhstan
Juhani Damski, Permanent Secretary of the Ministry of Environment of Finland
Dumpster collage wall board made with trashed 1/4" plywood, dumpster-rescued gesso, rescued art photography magazine black and white photo, trashed wrapping paper poppy, garbage Audubon bird's of North America poster for the house finch, black and blue acrylic paint, rubber stamps. Packing tape transfers of steel crane details from a trashed mechanical drawing textbook. Type-written page of run-on artist's statement made on a dumper-rescued 1940's typewriter.
Government Digital Service Executive Director Stephen Foreshew-Cain speaking to GDS team about the 2015 Spending Review.
Statement by H.E Mr Jaime Victor B. Ledda, Permanent Representative of the Republic the Philippines to the OPCW at the 21st session of the Conference of the States Parties to the Chemical Weapons Convention. Held at the World Forum Conference Centre The Hague, the Netherlands. 29th November 2016. Photograph: CSP20161100 by HA-553
WIT: Fishtank filled with water. SB-600 flash set on Manual with 1/8 output set against tank to the right with a piece of typing paper on left of tank for reflection. SB-600 with blue gel behind the tank shot through tracing paper set on TTL. Shot from floor up with D90.
IAEA Director General Yukiya Amano delivers his introductory statement to the 1467th Board of Governors Meeting. IAEA, Vienna, Austria, 11 September 2017
Photo Credit: Dean Calma / IAEA
Shadows of Hope – Artist’s Statement
Art awakens and opens our eyes. Art can act as an oracle, a prophet, or simply a provocateur. Tapping into that power is at the core of what I wanted to accomplish when I traveled to Cambodia in January of 2020. However, I didn’t want to just awaken viewers to a problem, but to offer hope as well. To accomplish this dual goal, I worked with young women who have been rescued from sex trafficking to create life-sized murals using the cyanotype photographic process. These thematic portraits of victims of human trafficking were created with their assistance and active participation. It was truly a group effort.
So, why Cambodia? Though child sex trafficking is a problem around the world, it is most prevalent in Southeast Asia. It is hard to fathom, but a 2018 report from the Global Slavery Index estimates that 261,000 people in Cambodia live in conditions of modern slavery. Of those, the number who are minors involved in sex trafficking number in the thousands. Since 2005 I have photographed for Agape International Missions (AIM) in Cambodia and financially supported their work. AIM programs prevent sex trafficking, as they simultaneously work to rescue, restore and reintegrate survivors of this horrible crime.
Though I have photographed for AIM in the past, it has been over a decade since I traveled to Cambodia. But, in the fall of 2019, God gave me a vision of creating giant murals with the assistance of the young women that AIM has rescued from human trafficking. Starting in December, I began praying and sketching what the murals might look like. Many of the murals are inspired by the book of Psalms, which often speaks of rescue and restoration, something these young women are now experiencing.
The process I utilized is called the cyanotype or blue printing process. It was invented in 1842, just three years after the announcement of photography to the world. Though cyanotype chemistry (ferric ammonium citrate and potassium ferricyanide) is most commonly coated on watercolor or printmaking papers, it also works quite well when coated on fabric, which is what I chose to work with. The fabric was precoated in California and packed into a suitcase for the long plane flight to Cambodia.
After days of preparation and teaching my collaborators the process, we began to create the large murals. I would first meet with one of several rotating groups of approximately a
dozen young women, explain the concept for the mural and show them the sketch. After inquiring about who felt inspired by the concept and wanted to participate, subject(s) were selected, and the rest of the group was given responsibilities in creating the mural. Assignments might include spreading stars, plants (or other props), moving the tent from over the mural, etc. While I was coordinating these efforts, an assistant was working in a darkened room to iron the creases out of the fabric. When the fabric was done, I would run down the hallway and out the front door. My collaborators would help me quickly spread out the fabric on a large board and then the subject(s) would take their position and props would be quickly added. Finally, the tent would be removed so that the fabric could be exposed for ten minutes in direct sunlight (twenty minutes on an overcast day). During this time, the subject(s) could not move, even though it was usually very hot. In many of the murals you will observe staining around the subject. This is a result of perspiration reacting with the cyanotype chemistry. At the end of the exposure, the tent would be placed over the fabric, the props removed and then the fabric would be processed in buckets of water.
To find out more about Agape International Missions and how you can help, please visit: agapewebsite.org
Artist`s Statement:
My work is usually a combination of strong shapes and delicate lines or rather free space. For these poster designs I used cardboard stencils and acrylic to print dynamic and flowing bodies that represent both, the movement of the tape running through a projector and the movement of a dancing body.
Rythm and color are keywords for me when it comes to Latino culture. A moving body implies the course of time simultaneously the primary element of the movie.
- Nina Weber
"'The NHS will last as long as there are folk left with the faith to fight for it" - Aneurin Bevan 1948
Leica M7
Summicron-M 35mm f/2 ASPH
Fuji Neopan 400 CN
Orange Leica Filter
Junior Doctors Protest Rally 17/10/2015
Whitehall, London, UK
Their mission statement has been "to change lives of grass root artisans through education and capacity building so that they may stand on their own feet & become more aware of fair working conditions and environment in order to prove the value & beauty of their hand made products".
Noah`s Ark was set up in response to the exploitation of poor artisans, by Samuel Masih in 1986, in one room in his house as an alternative way of trading with local crafts people around his hometown of Moradabad, northern India.
From the beginning he was determined to ensure that artisans would be provided with the best rates of pay available and with the support to enable them to be freed from the grip of exploitation.
With Samuel’s resourcefulness the business has prospered: now there are more than 500 artisans are working for Noah`s Ark choosing Fair Trade employment to create better opportunities for their families and their communities.
And it is about more than just fair wages. Noah's Ark provides education classes for 50 local children who do not have the opportunity to go to school in Moradabad.
Each worker is given provision for school expenses, loans for house repairs and healthcare insurance. A social worker is also employed to support the wider needs of the employees and their families and communities.
Discover more about Noah`s Ark artisans :-
thefairtradestore.co.uk/2018/07/11/facts-about-a-fair-tra...
#The statement said that today at 5 pm Moscow time, Russian Military Police units were entered to Saraqib city in Syria’s Idlib province; task of these forces is ensuring security of civilians and also unobstructed traffic in the M4 and M5 paths. The entering of Russian forces to the Saraqib, was like a bucket of cold water on terrorists and Erdogan, and also an end to the unprecedented tensions in the past 48 hours between Syria and Turkey.New developments are forming… © 2007-2020, All Rights Reserved Syria|Turkey|Yemen|Qatar|Afghanistan|Azerbaijan|News|War
It was a bright and blustery morning when we visited Maiden Castle. It's difficult to photograph it successfully as it's really just a huge earthwork. However, I am really impressed that people just out of the stone age could create such a huge edifice using rudimentary tools albeit over thousands of years! The other thing that struck me was just how cold and blustery life must have been - even in the summer. I am most definitely a hot shower camper - and that's if I have to be a camper at all!
It is quite awe inspiring to realise that humans were living on that spot for over 6,000 years. That is a seriously long time!
I liked this view with the barrow in the foreground and the new town of Poundbury in the background - perhaps links to two princes, one long dead and buried and the other very mch alive and kicking and making architectural statements!
Day 318 / 365. Bland no more! My stark white living walls are now crimson! (the Benjamin Moore color name... personally I think it's more of a rust color). I'm not sure what the statement is actually, other than I'm done with white walls!
The assignment was the utilization of the high and/or low range of the shutter speed for varying effects and results, applied onto any subject of your choosing. The concept was to capture objects of varying colours moving in front of a still model in a controlled lighting environment, creating an abstract and surreal relationship between the subject and the objects. During the execution of the concept, the object best fitting was coloured paper sheets, threw around the model, shoot at a shutter speed of 2-6 seconds, while the aperture didn’t do much for the depth of field given the black backdrop and tightness of the space, it did control how the light on the model and the paper sheets were received which were kept around at a small 13. The concept was not followed through fully as the coloured papers did not achieve the intended effect, while some shoot included a multicoloured dispositioned objected in front of a still model, most were shoots of the most and playing with lights, colours, and flash impression. The black backdrop definitely compliments the ghostly colours and the lighting, creating in some shoot a void effect where the subject is framed in darkness. It goes without saying the shoots with the thrown paper sheets created a layer of flowing stream of colour that seemed liquid and could be interpreted as forming shapes framing the model.
This was my ceramics project for the theme "confront". It had to be a piece that hung out from the wall and, optionally, could be a "confronting" issue. I chose to do both. Here is my artist statement regarding this work:
"As an artist I create with a number of different objectives - sometimes it’s to tell a story, mine or someone else; other times it’s to express and evoke emotion. For this piece, “sentence” I was aiming to make people consider the roles society often forces women into. Personally, as a woman who was raised in a two person working household, obtained degrees in higher education and then chose to stay home while my children were young, the apron is an item that I cherish. I wore an apron almost everyday for a variety of motherly activities, but I chose to don that apron. I could have easily chosen to pursue a career and work outside of the home. This is the goal of feminism, that women have a choice (for anything and everything) the same as men. Society’s aim to decide for women where they are best served is akin to deciding that a criminal should be monitored and detained. Therefore, I made this apron like a convict’s uniform. I gave her the inmate number 01152020, which was the date (January 15, 2020) when the Equal Rights Amendment final received the 38th state ratification. The apron provides three pockets that each hold a key. On the pockets are the photographs of Alice Paul, Betty Friedan, and Shirley Chisholm. These women all served pivotal roles in the evolution of the feminist movement. On each of the keys is a quote by that woman. These keys (and their words) demonstrate the wisdom, knowledge, and bravery of these feminist pioneers to release women from societal prison."